View source for Terry Riley

{{Short description|American composer and performing musician (born 1935)}}
{{For|the British deaf rights activist and broadcaster|Terry Riley (broadcaster)}}
{{Distinguish|Teddy Riley}}
{{Infobox musical artist
| name           = Terry Riley
| image          = Terry Riley, Tokyo 8 Nov 2017 (cropped).jpg
| caption        = Terry Riley in 2017
| birth_name     = Terrence Mitchell Riley
| birth_date     = {{Birth date and age|mf=yes|1935|6|24}}
| birth_place    = [[Colfax, California]], US
| years_active   = 1950s–present
| instruments    = {{hlist|[[Electric organ]]|[[tape machine]]|[[saxophone]]|[[Keyboard instrument|keyboards]]|[[synthesizer]]|[[piano]]|[[Balkan tambura|tambura]]}}
| genre          = {{hlist|[[Minimal music|Minimalism]]|[[avant-garde music|avant-garde]]|[[tape music|tape]]|[[electronic music|electronic]]|[[microtonal music|microtonal]]|[[classical music|classical]]}}
| past_member_of = [[Theatre of Eternal Music]]
| website        = {{Official URL}}
}}
[[File:Terry Riley 85.jpg|thumb|Riley at the [[Great American Music Hall]], San Francisco, 1985]]
[[File:La música minimalista se adueña del Templete del Retiro 04.jpg|thumb|right|Riley performing in 2018]]
'''Terrence Mitchell Riley''' (born June 24, 1935) is an American composer and performing musician<ref name="Hooper">{{cite journal|last=Hooper|first=Greg|date=June–July 2006|title=Hear and now: Terry Riley in Australia|journal=RealTime|location=Australia|issue=73|page=33|url=http://www.realtimearts.net/article/73/8136|archive-date=2017-01-29|access-date=2012-04-23|archive-url=https://web.archive.org/web/20170129133838/http://www.realtimearts.net/article/73/8136|url-status=dead}}</ref> best known as a pioneer of the [[minimalist music|minimalist]] school of composition.<ref name="AllMusic"/> Influenced by [[jazz]] and [[Indian classical music]], his work became notable for its innovative use of [[Repetition (music)|repetition]],<ref>[https://ressources.ircam.fr/en/composer/terry-riley/biography] Terry Riley IRCAM</ref> [[Delay (audio effect)|tape delay]] systems, and [[musical improvisation|improvisation]].<ref name="AllMusic">{{cite web|last1=Ankeny|first1=Jason|title=Biography|url=https://www.allmusic.com/artist/terry-riley-mn0000750519|website=[[AllMusic]]|access-date=16 October 2017}}</ref> His best known works are the 1964 composition ''[[In C]]'' and the 1969 album ''[[A Rainbow in Curved Air]]'', both considered landmarks of minimalism and important influences on [[experimental music]], [[rock music|rock]], and contemporary [[electronic music]].<ref name="AllMusic"/>

Raised in Redding, California, Riley began studying [[music composition|composition]] and performing solo piano in the 1950s. He befriended and collaborated with composer [[La Monte Young]], and later became involved with both the [[San Francisco Tape Music Center]] and Young's New York-based [[Theatre of Eternal Music]]. A three-record deal with [[Sony Music|CBS]] in the late 1960s brought his work to wider audiences. In 1970, he began intensive studies under [[Hindustani classical music|Hindustani]] singer [[Pran Nath (musician)|Pandit Pran Nath]], whom he often accompanied in performance. Subsequent works such as ''[[Shri Camel]]'' (1980) explored [[just intonation]].<ref name="AllMusic"/> He has collaborated frequently throughout his career, most extensively with [[chamber ensemble]] the [[Kronos Quartet]] and his son, guitarist [[Gyan Riley]].<ref name="AllMusic"/>

==Life==
Riley was born in [[Colfax, California]] on June 24, 1935,<ref name="AllMusic"/> and grew up in [[Redding, California]].<ref>{{cite web |last1=Christman |first1=Laura |title=Back to his roots: Music pioneer Terry Riley returns for Redding concert |url=https://archive.redding.com/news/back-to-his-roots-music-pioneer-terry-riley-returns-for-redding-concert-ep-299576668-353858821.html/ |website=[[Redding Record Searchlight]] |access-date=September 4, 2023 |archive-url=https://web.archive.org/web/20230903215201/https://archive.redding.com/news/back-to-his-roots-music-pioneer-terry-riley-returns-for-redding-concert-ep-299576668-353858821.html/ |archive-date=September 3, 2023 |language=en |date=June 19, 2013 |url-status=live}}</ref> In the 1950s, he began performing as a solo pianist and studied composition at [[San Francisco State University]], the [[San Francisco Conservatory]], and the [[University of California, Berkeley]], studying with [[Seymour Shifrin]] and [[Robert Erickson]]. He befriended composer [[La Monte Young]], whose earliest [[minimalist]] compositions using sustained tones were an influence; together, Young and Riley performed Riley's improvisatory composition ''Concert for Two Pianists and Tape Recorders'' in 1959–60.<ref>{{cite web |last1=Young |first1=La Monte |title=Notes on The Theatre of Eternal Music and The Tortoise, His Dreams and Journeys |url=http://www.melafoundation.org/theatre.pdf |website=MELA Foundation |access-date=28 July 2020}}</ref> Riley later became involved in the experimental [[San Francisco Tape Music Center]], working with [[Morton Subotnick]], [[Steve Reich]], [[Pauline Oliveros]], and [[Ramón Sender (composer)|Ramon Sender]]. Throughout the 1960s, he also traveled frequently in Europe, taking in musical influences and supporting himself by playing in [[piano bar]]s. In 1965 he came to New York City and performed for eight months with [[La Monte Young]]'s [[Theatre of Eternal Music]].<ref>[https://ressources.ircam.fr/en/composer/terry-riley/biography] Terry Riley IRCAM</ref>

His most influential teacher was [[Pandit Pran Nath]] (1918–1996),<ref>[https://ressources.ircam.fr/en/composer/terry-riley/biography] Terry Riley IRCAM</ref> a master of Indian classical voice who also taught La Monte Young, [[Marian Zazeela]], and [[Michael Harrison (musician)|Michael Harrison]]. Riley made numerous trips to India over the course of their association to study and accompany him on [[tabla]], [[Tanpura|tambura]], and voice. In 1971 he joined the [[Mills College]] faculty to teach Indian classical music. Riley also cites [[John Cage]] and "the really great [[chamber music]] groups of [[John Coltrane]] and [[Miles Davis]], [[Charles Mingus]], [[Bill Evans]], and [[Gil Evans]]" as influences on his work.<ref>{{cite web|url=http://www.bluefat.com/0912/Terry_Riley2.htm |title=Like a Rainbow in Curved Air: Terry Riley|website=Bluefat.com}}</ref> He was awarded an Honorary Doctorate Degree in Music at [[Chapman University]] in 2007.<ref>{{cite web|url=https://digitalcommons.chapman.edu/cgi/viewcontent.cgi?article=1247&context=press_releases|title=Commencement Ceremonies Spotlight Musicmakers, Newsmakers on May 19|publisher=Chapman University|accessdate=22 April 2025}}</ref>

Around 1980, Riley began his long-lasting association with the [[Kronos Quartet]] when he met their founder [[David Harrington (musician)|David Harrington]] while at Mills. Throughout his career, Riley composed 13 [[string quartet]]s for the ensemble, in addition to other works. He wrote his first orchestral piece, ''Jade Palace'', in 1991, and has continued to pursue that avenue, with several commissioned orchestral compositions following. He is also currently performing and teaching both as an Indian [[raga]] vocalist and as a solo pianist.{{citation needed|date=April 2025}} Riley continues to perform live, and was part of the [[All Tomorrow's Parties (music festival)|All Tomorrow's Parties]] festival in May 2011.<ref>{{cite news|url=http://www.spin.com/2011/05/10-best-moments-all-tomorrows-parties/|title=The 10 Best Moments Of All Tomorrow's Parties|newspaper=Spin |date=16 May 2011}}</ref>

== Artistry ==

=== Musical style ===
"Where American [[minimalism]], Indian classical [[raga]], [[Boogie-woogie|barrelhouse piano]], [[modal jazz]], and rugged western [[individualism]] all intersect, there stands the sage composer Terry Riley. [...] His work exploded listeners’ notions of classical [[Musical composition|composition]] with his ever-shifting [[Song structure|structures]] and epic [[Musical improvisation|improvisations]]." Riley was initially inspired by jazz saxophonist [[John Coltrane]].<ref>{{Cite web |last=Pitchfork |date=2016-09-26 |title=The 50 Best Ambient Albums of All Time |url=https://pitchfork.com/features/lists-and-guides/9948-the-50-best-ambient-albums-of-all-time/ |access-date=2025-06-08 |website=Pitchfork |language=en-US}}</ref>

=== Techniques ===
Riley's music is usually based on improvising through a series of [[musical mode|modal]] figures of [[phasing|different lengths]]. Works such as ''[[In C]]'' (1964) and the ''Keyboard Studies'' (1964–1966) demonstrate this technique. The first performance of ''In C'' was given by [[Steve Reich]], [[Jon Gibson (minimalist musician)|Jon Gibson]], [[Pauline Oliveros]], and [[Morton Subotnick]], among others. Its form was an innovation: The piece consists of 53 separate modules of roughly one measure apiece, each containing a different musical pattern but each, as the title implies, in the key of C.<ref>{{cite news|last1=Honigmann|first1=David|title=In C, Barbican, London – review|url=https://www.ft.com/content/8959b73a-2f30-11e3-ae87-00144feab7de |newspaper=[[Financial Times]]|access-date=28 August 2016}}</ref> One performer beats a steady pulse of ''C''s on the piano to keep tempo. The others, in any number and on any instrument, perform these musical modules following a few loose guidelines, with the different musical modules interlocking in various ways as time goes on.

In the 1950s Riley was already working with [[tape loop]]s, a technology still in its infancy at the time; he would later, with the help of a sound engineer, create what he called a "time-lag accumulator".<ref name=":0">{{Cite book|title=A History of Video Art|last=Meigh-Andrews|first=Chris|publisher=Berg (Oxford International Publishers)|year=2006|isbn=978-1-84520-219-4|location=New York, NY and Oxford, UK|pages=[https://archive.org/details/historyofvideoar0000meig/page/94 94–95]|url=https://archive.org/details/historyofvideoar0000meig/page/94}}</ref> He has continued manipulating tapes to musical effect, in the studio and in live performances throughout his career. An early tape loop piece titled ''Music for the Gift'' (1963) featured the trumpet playing of [[Chet Baker]]. It was during Riley's time in Paris, while composing this piece, that he conceived of and created the time-lag accumulator technique.<ref name=":0" /> Premiered in 1968 in the Magic Theatre Exhibition at the Nelson Atkins Gallery in [[Kansas City]],<ref>{{Cite journal |last=Smith |first=Geoff |last2=Walker-Smith |first2=Nicola |last3=Ward |first3=Phil |date=March 1993 |title=20th Century Americans - Terry Riley (MT Mar 1993) |url=http://www.muzines.co.uk/articles/20th-century-americans-terry-riley/2458 |journal=Music Technology |issue=Mar 1993 |pages=78–84}}</ref> a new version of the installation was commissioned three decades later by [[Lille 2004]]-[[European Capital of Culture]] and purchased by the [[Musée d'art contemporain de Lyon|Museum of Contemporary Art of Lyon]]. A third version was built and presented by the Schauspielhaus in [[Bochum]] in 2019.  He has composed using [[just intonation]] as well as [[microtones]].<ref name="holmes" >Holmes, Thomas B. ''Electronic and Experimental Music'', Taylor & Francis (2008). pp. 132, 362. {{ISBN|978-0-415-95781-6}}.</ref> In New York City in the mid-1960s he played with his longtime friend La Monte Young, as well as with [[John Cale]] and tabla player [[Angus MacLise]], who were founding members of [[The Velvet Underground]]. Riley is credited as inspiring Cale's keyboard part on [[Lou Reed]]'s composition "[[All Tomorrow's Parties]]", which was sung by German actress [[Nico (German singer)|Nico]] and included on the album ''[[The Velvet Underground and Nico]]'', recorded in 1966.{{citation needed|date=April 2025}}

Riley's famous overdubbed electronic album ''[[A Rainbow in Curved Air]]'' (recorded 1968, released 1969) inspired many later developments in electronic music. These include [[Pete Townshend]]'s [[organ (music)|organ]] parts on [[The Who]]'s "[[Won't Get Fooled Again]]" and "[[Baba O'Riley]]", the latter named in tribute to Riley as well as to [[Meher Baba]].<ref>This album also produced the name of psychedelic band [[Curved Air]].
{{cite AV media notes
 |title      = The Who: The Ultimate Collection
 |title-link = The Ultimate_Collection (The_Who_album)
 |author     = The Who
 |year       = 2002
 |pages      = 12
 |publisher  = MCA Records
}}</ref> [[Charles Hazlewood]], in his BBC documentary on Minimalism (Part 1) suggests that the album '[[Tubular Bells]]' by [[Mike Oldfield]] was also inspired by Riley's example.<ref>{{cite web|last1=Hazlewood|first1=Charles|title=Tones, Drones and Arpeggios: The Magic of Minimalism|url=https://www.bbc.co.uk/programmes/b09tbh10|website=BBC Website|access-date=13 March 2018}}</ref> The English progressive rock group Curved Air, formed in 1970, took its name from the album.<ref>{{cite web|url= https://www.stewartcopeland.net/works/980/curved-air |title=Curved Air|publisher=StewartCopeland.net|date=5 April 2025}}</ref>

Riley's collaborators have included the [[Rova Saxophone Quartet]], [[Pauline Oliveros]], the [[ARTE Quartett]], and, as mentioned, the Kronos Quartet. His 1995 ''Lisbon Concert'' recording features him in a solo piano format, improvising on his own works. In the liner notes Riley cites [[Art Tatum]], [[Bud Powell]] and [[Bill Evans]] as his piano "heroes", illustrating the importance of jazz to his conceptions.{{citation needed|date=April 2025}}<ref>Riley, Terry. Liner Notes for Riley, Terry. ''Lisbon Concert''. Terry Riley. Recorded July 16, 1995. New Albion NA087, 1996. CD.</ref>

==Personal life==
He has three children: one daughter, Colleen,<ref>{{cite web|url=http://larecord.com/interviews/2009/11/19/terry-riley-interview-droning-dark-darkness |title=Terry Riley: Droning Dark Darkness |publisher=[[L.A. Record]] |date=November 19, 2009|first=Dan|last=Collins}}</ref> and two sons, [[Gyan Riley|Gyan]], who is a guitarist, and Shahn.<ref>{{Cite news|url=https://www.npr.org/2009/05/12/104061137/terry-and-gyan-riley-together-in-c|title=Terry And Gyan Riley: Together IN C|website=Npr.org|date=May 12, 2009}}</ref> He was married to Ann Riley until her death in 2015.<ref>{{cite news|url=https://www.latimes.com/archives/la-xpm-1993-01-10-ca-1353-story.html|title=A Composer on the Edge : Minimalist Terry Riley, on a journey of spiritual and artistic discovery, is deeply moved by the concept of artist-as-madman|first=Howard|last=Hersh|newspaper=Los Angeles Times|date=10 January 1993}}</ref> Since 2020, Riley has lived in [[Yamanashi (city)|Yamanashi]] in Japan.<ref>{{Cite news|last=Swed|first=Mark|url=https://www.latimes.com/entertainment-arts/story/2025-09-06/father-minimalism-and-much-more-terry-riley-turns-90|title=The maximalist father of Minimalism, Terry Riley, turns 90|newspaper=Los Angeles Times|date=September 6, 2025}}</ref><ref>https://medium.com/@heu-/sound-chronicles-a-conversation-at-terry-rileys-apartment-in-yamanashi-b2b61a9489ca]Riley in Yamanashi</ref>

==Discography==
* 1963: ''Music for The Gift'' (Organ of Corti 1, 1963) 
* 1965: ''Reed Streams'', Mass Art Inc. M-131 
* 1967: ''You're No Good'', recorded in 1967 but unreleased until 2000<ref>{{cite web|last1=O'Neal|first1=Sean|title=Terry Riley turns an R&B ditty into 20 minutes of madness|url=http://www.avclub.com/article/terry-riley-turns-rb-ditty-20-minutes-madness-223628|website=Avclub.com|date=12 August 2015 |access-date=26 April 2017}}</ref> (Cortical Foundation / Organ of Corti, 2000)<ref>{{cite web|title=Terry Riley Discography|url=http://www.allmusic.com/artist/terry-riley-mn0000750519/discography|website=AllMusic|access-date=26 April 2017}}</ref>
* 1968: ''Germ'', with [[Gérard Frémy]] & Martine Joste (Spalax CD 14542, 1998). Includes a [[Pierre Mariétan]] track.
* 1968: ''[[In C]]'', Columbia MS7178
* 1969: ''[[A Rainbow in Curved Air]]'', CBS 64564
* 1971: ''[[Church of Anthrax]]'', with [[John Cale]] (CBS)
* 1972: ''Happy Ending'' (soundtrack to [[Joël Santoni]]'s film {{lang|fr|Les Yeux Fermés}}), Warner Bros. Records France 46125; {{lang|fr|Les Yeux Fermés}} & Lifespan, for solo electric organ; two soundtracks (2007 reissue)
* 1972: ''[[Persian Surgery Dervishes]]'', Shanti 83502
* 1975: {{lang|fr|Le Secret de la Vie}} (''Lifespan'' film soundtrack), Philips France 9120 037
* 1975: ''Descending Moonshine Dervishes'', Kuckuck Records
* 1980: ''[[Shri Camel]]'', CBS Masterworks M3519, for solo electronic organ tuned in just intonation and modified by digital delay<ref>{{Cite web|url=https://www.allmusic.com/album/shri-camel-mw0000897951|title=Shri Camel – Terry Riley &#124; Songs, Reviews, Credits|website=AllMusic}}</ref>
* 1983: ''Songs for the Ten Voices of the Two Prophets'', for two Prophet 5 synthesisers, Kuckuck Records
* 1984: ''[[Terry Riley: Cadenza on the Night Plain]]'', a collaboration with the [[Kronos Quartet]]<ref>{{Cite web|url=https://www.allmusic.com/album/terry-riley-cadenza-on-the-night-plain-mw0000634232|title=Terry Riley: Cadenza on the Night Plain – Kronos Quartet, Terry Riley &#124; Songs, Reviews, Credits|website=AllMusic}}</ref>
* 1984: ''Terry Riley and Krishna Bhatt: Terry Riley and Krishna Bhatt Duo'', a collaboration with [[Krishna Bhatt]]
* 1985: ''No Man's Land''
* 1986: ''The Harp of New Albion'', for piano tuned in [[just intonation]]<ref>{{Cite web|url=https://www.allmusic.com/album/the-harp-of-new-albion-mw0000086815|title=The Harp of New Albion – Terry Riley &#124; Songs, Reviews, Credits|website=AllMusic}}</ref>
* 1987: ''[[Chanting the Light of Foresight]]'', with [[Rova Saxophone Quartet]] in just intonation<ref>{{Cite web|url=https://www.allmusic.com/album/terry-riley-chanting-the-light-of-foresight-mw0001812715|title=Terry Riley: Chanting the Light of Foresight – Rova Saxophone Quartet &#124; Songs, Reviews, Credits|website=AllMusic}}</ref>
* 1989: ''[[Salome Dances for Peace]]'', for the Kronos Quartet<ref>{{Cite web|url=https://www.allmusic.com/album/salome-dances-for-peace-mw0000680041|title=Salome Dances for Peace – Kronos Quartet &#124; Songs, Reviews, Credits|website=AllMusic}}</ref>
* 1995: ''In C – 25th Anniversary Concert'', version featuring Riley as one of four vocalists, recorded live January 14, 1990, San Francisco, New Albion Records
* 1995: ''Lisbon Concert'', solo piano concert, recorded live July 16, 1995 Festival dos Capuchos, Teatro São Luis, Lisbon, Portugal., New Albion Records
* 1997: ''[[Lazy Afternoon Among the Crocodiles]]'', experimental album recorded with contrabassist [[Stefano Scodanibbio]].<ref>{{Cite web | url=http://www.stefanoscodanibbio.com/discography/13.htm |title = Stefano Scodanibbio – Discography}}</ref>
* 1998: Piano Music of John Adams and Terry Riley, performed by [[Gloria Cheng]]<ref>{{Cite web|url=https://www.allmusic.com/album/piano-music-of-john-adams-terry-riley-mw0001939606|title=Piano Music of John Adams & Terry Riley – Gloria Cheng &#124; Songs, Reviews, Credits|website=AllMusic}}</ref>
* 1999: The Book of Abbeyozzud
* 2001: ''[[Moscow Conservatory]] Solo Piano Concert'', recording of a live performance on 18 April 2000
* 2001: ''[[Terry Riley: Requiem for Adam]]'', with Riley's tribute to the son of [[David Harrington (musician)|David Harrington]] performed by the Kronos quartet, and a solo piano improvisation by Riley
* 2002: ''Atlantis Nath'', hand-numbered signed edition of 1000 copies<ref>{{Cite web|url=https://www.allmusic.com/album/atlantis-nath-mw0000979895|title=Atlantis Nath – Terry Riley &#124; Songs, Reviews, Credits|website=AllMusic}}</ref>
* 2003: ''Cantos Desiertos'' (Naxos) 
* 2004: ''I Like Your Eyes Liberty'', duets with Terry Riley, piano and [[Michael McClure]], poetry (Sri Moonshine Music)
* 2004: ''[[Terry Riley: The Cusp of Magic|The Cusp of Magic]]'', with the [[Kronos Quartet]], composed for his seventieth birthday, an ode to the rite of [[Midsummer]] Eve<ref>{{Cite web|url=https://www.allmusic.com/album/the-cusp-of-magic-mw0000583160|title=The Cusp of Magic – Kronos Quartet &#124; Songs, Reviews, Credits|website=AllMusic}}</ref>
* 2005: ''Diamond Fiddle Language'' duets with Stefano Scodanibbio, bass ([[Wergo]])
* 2005: ''Assassin Reverie'', Arte Quartett, saxophone qt. ([[New World Records]])
* 2008: ''Banana Humberto'', piano concerto with [[Paul Dresher]] Ensemble<ref>{{Cite web|url=https://www.allmusic.com/album/banana-humberto-mw0002109093|title=Banana Humberto – Terry Riley &#124; Songs, Reviews, Credits|website=AllMusic}}</ref>
* 2008: ''The Last Camel in Paris'', live solo electric organ performance in Paris, 1978<ref>{{Cite web|url=https://www.allmusic.com/album/terry-riley-the-last-camel-in-paris-mw0001861476|title=Terry Riley: The Last Camel in Paris – Terry Riley &#124; Songs, Reviews, Credits |publisher=AllMusic}}</ref>
* 2010: ''Two Early Works'', the first-ever recordings of two of Riley's early compositions, performed by the Calder Quartet
* 2010: ''Autodreamographical Tales'' ([[Tzadik Records]])
* 2011: ''Keyboard Studies Nos. 1 and 2 / Tread on the Trail'' ([[Stradivarius (record label)|Stradivarius]])
* 2012: ''Aleph'' ([[Tzadik Records]])
* 2015: ''ZOFO Plays Terry Riley'', ZOFO piano duo (Sono Luminus)
* 2015: ''One Earth, One People, One Love: Kronos Plays Terry Riley'', Kronos Quartet  ([[Nonesuch Records]])
* 2015: ''Music Of Terry Riley – Sunrise Of The Planetary Dream Collector'', Kronos Quartet  ([[Nonesuch Records]])
* 2019: ''Sun Rings'', Kronos Quartet ([[Nonesuch Records|Nonesuch]])
* 2019: ''The Lion's Throne'', with singer Amelia Cuni, recorded live (Sri Moonshine Music, SMM008)
* 2019: ''Archangels'', with conductor Julian Wachner, Trinity Choir, Novus Cellos (National Sawdust Tracks)
* 2021: ''Zephyr'', Francesco D'Orazio, violin
* 2022: ''Autodreamographical Tales'', transcriptions and arrangements for the Bang on a Can All-Stars ([[Cantaloupe Music]])
* 2022: ''Keyboard Studies'', [[John Tilbury]] ([[Another Timbre]])
* 2022: ''Organum for Stefano'', Terry Riley pipe organ, voice. Basilica di Santa Maria dei Servi, Bologna, Italy, May 7, 2013. (i dischi di angelica)
* 2022: ''The Sands'', James Feddeck, Cleveland Orchestra (CMA Recorded Archive Editions)
* 2023: ''Standard(S)and: Kobuchizawa Sessions #1'' (Star/Rainbow Records)
* 2025: ''Terry Riley - The [[Columbia Records|Columbia]] Recordings'' ([[Sony Classical Records|Sony Classical]])

==Filmography==
* 1970: ''Corridor''. Film by [[Standish Lawder]].
* 1975: [[Lifespan (film)|''Lifespan'']]. Film by Alexander Whitelaw feat. Klaus Kinski, Tina Aumont and Hiram Keller. Soundtrack released as ''Le secret de la vie'' in France, on Philips LP 9120 037 (1975).
* 1976: [[Crossroads (1976 film)|''Crossroads'']]. Film by [[Bruce Conner]].
* 1976: ''Music with Roots in the Aether: Opera for Television''. Tape 6: Terry Riley. Produced and directed by [[Robert Ashley]]. New York, New York: Lovely Music.
* 1986: ''In Between the Notes...a Portrait of Pandit Pran Nath, Master Indian Musician''. Produced by [[Other Minds (organization)|Other Minds]], directed by [[William Farley (director)|William Farley]].
* 1995: ''Musical Outsiders: An American Legacy – Harry Partch, Lou Harrison, and Terry Riley''. Directed by Michael Blackwood.
* 2008: "A Rainbow in Curved Air" features in the in-game soundtrack of ''[[Grand Theft Auto IV]]''. It can be found when listening to the fictional radio station, "The Journey".
* 2017: ''[[Hochelaga, Land of Souls]]''. Film by François Girard.

==References==
{{Reflist}}

==Further reading==
* [Anonymous] (2002). Album notes for ''The Who: The Ultimate Collection by The Who'', 12. MCA Records.
* [[Robert Carl|Carl, Robert]]. 2009. ''Terry Riley's in C''. Oxford University Press. {{ISBN|978-0-19-532528-7}}
* [[William Duckworth (composer)|Duckworth, William]] (1995). ''Talking Music''. New York: Schirmer Books. {{ISBN|0-02-870823-7}}
* Gagne, Cole (1993). ''Soundpieces 2: Interviews with American Composers''. Metuchen, N.J.: The Scarecrow Press. {{ISBN|0-8108-2710-7}}
* Meigh-Andrews, Chris, 2006. ''A History of Video Art''.
* Potter, Keith (2000). ''Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass''. Music in the Twentieth Century series. Cambridge; New York: Cambridge University Press.
* Strickland, Edward. "Terry Riley". [[New Grove Dictionary of Music and Musicians|Grove Music]] Online [http://www.grovemusic.com (subscription access)] ({{Webarchive|url=https://web.archive.org/web/20080516041031/http://www.grovemusic.com/ |date=2008-05-16 }}).
* Tallon, Jean-Louis. 2025. ''Terry Riley, figure libre''. Le mot et le reste. {{ISBN|9782384316120}}

==External links==
{{Commons category}}
* {{Official website}}
* [http://www.innerviews.org/inner/riley.html 2014 in-depth interview on Innerviews]
* {{Allmusic|class=artist|id=p3049}}
* {{Discogs artist}}
* {{IMSLP|id=Riley%2C_Terry|cname=Terry Riley|license=cc}}
*  {{IMDb name}}
*[http://www.bruceduffie.com/riley.html Interview with Terry Riley], May 22, 1988

{{Terry Riley|state=expanded}}
{{Kronos Quartet}}
{{Minimal music}}
{{Authority control}}

{{DEFAULTSORT:Riley, Terry}}
[[Category:Terry Riley| ]]
[[Category:1935 births]]
[[Category:20th-century American classical composers]]
[[Category:20th-century American male composers]]
[[Category:21st-century American classical composers]]
[[Category:21st-century American male composers]]
[[Category:American contemporary classical composers]]
[[Category:American contemporary classical music performers]]
[[Category:American male classical composers]]
[[Category:BYG Actuel artists]]
[[Category:Composers for piano]]
[[Category:Living people]]
[[Category:Microtonal composers]]
[[Category:Mills College faculty]]
[[Category:Minimalist composers]]
[[Category:People from Placer County, California]]
[[Category:Postmodern composers]]
[[Category:Pupils of Pran Nath (musician)]]
[[Category:Pupils of Robert Erickson]]
[[Category:San Francisco State University alumni]]
[[Category:San Francisco Conservatory of Music alumni]]
[[Category:American avant-garde musicians]]
[[Category:Avant-garde composers]]