View source for Video art

== 2000s–2010s ==
As the available amount of footage and the editing techniques evolved, some artists have also produced complex narrative videos without using any of their own footage: [[Marco Brambilla]]'s ''Civilization'' (2008) is a collage, or a "video mural"<ref>{{Cite news|url=http://motionographer.com/2009/03/15/marco-brambilla-civilization/|title=Marco Brambilla: Civilization|date=2009-03-16|work=Motionographer|access-date=2018-03-03|language=en-US|url-status=live|archive-url=https://web.archive.org/web/20180331104357/http://motionographer.com/2009/03/15/marco-brambilla-civilization/|archive-date=2018-03-31}}</ref> that portrays heaven and hell.<ref>{{Cite web|url=https://www.seditionart.com/marco-brambilla/civilization-hell-and-heaven|title=Civilization (Hell and Heaven) by Marco Brambilla|website=www.seditionart.com|language=en|access-date=2018-03-03|url-status=live|archive-url=https://web.archive.org/web/20180331040630/https://www.seditionart.com/marco-brambilla/civilization-hell-and-heaven|archive-date=2018-03-31}}</ref> [[Johan Grimonprez]]'s [[Dial H-I-S-T-O-R-Y]] is a 68 minute long interpretation of the cold war and the role of terrorists, made almost exclusively with original television and film excerpts on hijacking.

More generally, during the first decade, one of the most significant steps in the video art domain, was achieved with its strong presence in contemporary art exhibitions at the international level. During this period, it was common to see artist videos in group shows, on monitors or as projections. More than a third of the works presented at Art Unlimited (the section of [[Art Basel]] dedicated to large-scale works) were video installations between 2000 and 2015. The same is true for most biennials. A new generation of artists such as [[Pipilotti Rist]], [[Francis Alys]], [[Kim Sooja]], [[Apichatpong Weerasethakul]], [[Omer Fast]], [[David Claerbout]], [[Sarah Morris]], [[Matthew Barney]], were presented alongside the previous generations ([[Roman Signer]], [[Bruce Nauman]], [[Bill Viola]], [[Joan Jonas]], [[John Baldessari]]).

Some artists have also widened their audience by making movies (Apichatpong Weerasethakul, who won the [[2010 Cannes Film Festival]] "Palm d'or") or by curating large public events (Pipilotti Rist's Swiss National Expo02).

In 2003, [[Kalup Linzy]] created ''Conversations Wit De Churen II:  All My Churen'', a soap opera satire that has been credited as creating the video and performance sub-genre<ref>[https://www.vulture.com/2016/04/identity-politics-that-forever-changed-art.html 'Theatre of the Self, Performing who you are'.]</ref>  Although Linzy's work is genre defying his work has been a major contribution to the medium. [[Ryan Trecartin]], an experimental young video-artist, uses color, editing techniques and bizarre acting to portray what [[The New Yorker]] calls "a cultural watershed".<ref name=":1">{{Cite news|url=https://www.newyorker.com/magazine/2014/03/24/experimental-people|title=Experimental People|last=Tomkins|first=Calvin|date=2014-03-17|magazine=The New Yorker|access-date=2018-03-30|language=en|issn=0028-792X|url-status=live|archive-url=https://web.archive.org/web/20180331104254/https://www.newyorker.com/magazine/2014/03/24/experimental-people|archive-date=2018-03-31}}</ref><ref name=":2">{{Cite news|url=https://www.wmagazine.com/story/what-you-need-to-know-about-lizzie-fitch-and-ryan-trecartin|title=What You Need to Know About Lizzie Fitch and Ryan Trecartin, the Artists Behind Kendall and Gigi's W Cover Story|last=Solway|first=Diane|work=W Magazine|access-date=2018-03-30|language=en|url-status=live|archive-url=https://web.archive.org/web/20180331040309/https://www.wmagazine.com/story/what-you-need-to-know-about-lizzie-fitch-and-ryan-trecartin|archive-date=2018-03-31}}</ref>