Batman: Year One: Difference between revisions
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| image = Batman vol. 1-404 (January 1987).jpg | | image = Batman vol. 1-404 (January 1987).jpg | ||
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| caption = Cover of ''Batman'' #404, the first part of the | | caption = Cover of ''Batman'' #404, the first part of the storyline. Art by [[David Mazzucchelli]]. | ||
| publisher = [[DC Comics]] | | publisher = [[DC Comics]] | ||
| startmo = February | | startmo = February | ||
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| endyr = 1987 | | endyr = 1987 | ||
| genre = | | genre = | ||
| main_char_team = {{ubl|[[Batman]]|[[ | | main_char_team = {{ubl|[[Batman]]|[[Commissioner Gordon|Jim Gordon]]}} | ||
| writers = [[Frank Miller]] | | writers = [[Frank Miller]] | ||
| artists = [[David Mazzucchelli]] | | artists = [[David Mazzucchelli]] | ||
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| sort = Batman: Year One | | sort = Batman: Year One | ||
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'''''Batman: Year One''''' is an [[American comic book]] [[story arc]] written by [[Frank Miller]] and illustrated by [[David Mazzucchelli]]. ''Year One'' was originally published by [[DC Comics]] in ''[[Batman (comic book)|Batman]]'' #404-407 monthly issues format in 1987. The story recounts [[Batman]]'s first year as a crime-fighter as well as exploring the life of recently transferred Gotham police detective [[ | '''''Batman: Year One''''' is an [[American comic book]] [[story arc]] written by [[Frank Miller]] and illustrated by [[David Mazzucchelli]]. ''Year One'' was originally published by [[DC Comics]] in ''[[Batman (comic book)|Batman]]'' #404-407 monthly issues format in 1987. The story recounts [[Batman]]'s first year as a crime-fighter as well as exploring the life of recently transferred Gotham police detective [[Commissioner Gordon|Jim Gordon]], building towards their first encounter and their eventual alliance against Gotham's criminal underworld. | ||
==Publication history== | ==Publication history== | ||
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[[File:Frank Miller Fan Expo Wiki.jpg|thumb|left|Frank Miller, the author of ''Year One'', at the Fan Expo 2016 in Toronto, Canada]] | [[File:Frank Miller Fan Expo Wiki.jpg|thumb|left|Frank Miller, the author of ''Year One'', at the Fan Expo 2016 in Toronto, Canada]] | ||
During the production of ''Crisis on Infinite Earths'', [[Frank Miller]] was the writer of [[Marvel Comics]]' ''[[Daredevil (Marvel Comics series)|Daredevil]]'' where he finished his long run with the character in issue #191. He went on to work for DC and produced the influential four-issue limited series ''[[The Dark Knight Returns|Batman: The Dark Knight Returns]]'' (1986). [[Dennis O'Neil]] who was the editor for Miller's run on ''Daredevil'' took over the duty as the regular writer with [[David Mazzucchelli]] as the artist. In 1985, Miller briefly returned to Marvel as the writer of ''Daredevil'' only for issue #219 while also fully committed himself into developing ''Dark Knight Returns''. By the time the ''Daredevil'' series reached | During the production of ''Crisis on Infinite Earths'', [[Frank Miller]] was the writer of [[Marvel Comics]]' ''[[Daredevil (Marvel Comics series)|Daredevil]]'' where he finished his long run with the character in issue #191. He went on to work for DC and produced the influential four-issue limited series ''[[The Dark Knight Returns|Batman: The Dark Knight Returns]]'' (1986). [[Dennis O'Neil]], who was the editor for Miller's run on ''Daredevil'', took over the duty as the regular writer, with [[David Mazzucchelli]] as the artist. In 1985, Miller briefly returned to Marvel as the writer of ''Daredevil'' only for issue #219, while also fully committed himself into developing ''Dark Knight Returns''. By the time the ''Daredevil'' series reached issue #226 in 1986, Miller and Mazzucchelli collaborated for the first time due to O'Neil's departure from Marvel and return to DC. Miller and Mazzucchelli collaborated again on the critically acclaimed issues #227-233, which were eventually collected as the trade paperback ''[[Born Again (comics)|Daredevil: Born Again]]''. Mazzucchelli subsequently departed from Marvel to pursue personal creative endeavour. | ||
The contract Miller signed to produce ''Dark Knight Returns'' also required him to write a revamped Batman [[origin story]]. Year One was originally conceived as a [[graphic novel]]. O'Neil, who had been asked to edit several issues of ''Batman'', was friends with Miller and was able to learn of the story. Reflecting on poor sales of ''Batman'', O'Neil caught Miller one day while on a walk in [[Los Angeles]] and convinced him and Mazzucchelli to serialize the story in the [[ongoing series]].<ref name="ONeil13th">{{cite web|last1=Greenfield|first1=Dan|title=The DENNY O'NEIL INTERVIEWS — Batman: Year One|url=https://13thdimension.com/the-denny-oneil-interviews-batman-year-one/|website=13th Dimension|access-date=May 20, 2018|date=September 22, 2014|archive-date=October 14, 2019|archive-url=https://web.archive.org/web/20191014113625/https://13thdimension.com/the-denny-oneil-interviews-batman-year-one/|url-status=live}}</ref> Miller was initially reluctant; he felt this would be hard because he had to ensure the story stayed canonical to the DC Universe, something he did not have to worry about when writing ''Batman: The Dark Knight Returns''. In addition, Miller's pacing would have to be altered because of ongoing series' relatively small page counts. O'Neil reasoned that ''Crisis on Infinite Earths'' had completely remade the DC Universe, so Miller would be able to have the same creative freedom that ''Dark Knight Returns'' provided.<ref name="nerd">{{cite book|last1=Weldon|first1=Glen|author-link=Glen Weldon|title=The Caped Crusade: Batman and the Rise of Nerd Culture|date=2016|publisher=[[Simon & Schuster]]|isbn=978-1-4767-5669-1}}</ref> He also reassured Miller that he and Mazzucchelli "weren't going to lose anything" by serializing it.<ref name="ONeil13th"/> | The contract Miller signed to produce ''Dark Knight Returns'' also required him to write a revamped Batman [[origin story]]. "Year One" was originally conceived as a [[graphic novel]]. O'Neil, who had been asked to edit several issues of ''Batman'', was friends with Miller and was able to learn of the story. Reflecting on poor sales of ''Batman'', O'Neil caught Miller one day while on a walk in [[Los Angeles]] and convinced him and Mazzucchelli to serialize the story in the [[ongoing series]].<ref name="ONeil13th">{{cite web|last1=Greenfield|first1=Dan|title=The DENNY O'NEIL INTERVIEWS — Batman: Year One|url=https://13thdimension.com/the-denny-oneil-interviews-batman-year-one/|website=13th Dimension|access-date=May 20, 2018|date=September 22, 2014|archive-date=October 14, 2019|archive-url=https://web.archive.org/web/20191014113625/https://13thdimension.com/the-denny-oneil-interviews-batman-year-one/|url-status=live}}</ref> Miller was initially reluctant; he felt this would be hard because he had to ensure the story stayed canonical to the DC Universe, something he did not have to worry about when writing ''Batman: The Dark Knight Returns''. In addition, Miller's pacing would have to be altered because of ongoing series' relatively small page counts. O'Neil reasoned that ''Crisis on Infinite Earths'' had completely remade the DC Universe, so Miller would be able to have the same creative freedom that ''Dark Knight Returns'' provided.<ref name="nerd">{{cite book|last1=Weldon|first1=Glen|author-link=Glen Weldon|title=The Caped Crusade: Batman and the Rise of Nerd Culture|date=2016|publisher=[[Simon & Schuster]]|isbn=978-1-4767-5669-1}}</ref> He also reassured Miller that he and Mazzucchelli "weren't going to lose anything" by serializing it.<ref name="ONeil13th"/> | ||
Miller has said he kept [[Bob Kane]] and [[Bill Finger]]'s basic story for Year One but expanded it.<ref name="NPRTalk">{{cite web|title='Batman' Author Frank Miller|url=https://www.npr.org/templates/story/story.php?storyId=4704766|publisher=[[NPR]]|access-date=May 22, 2018|date=June 15, 2005|archive-date=October 14, 2019|archive-url=https://web.archive.org/web/20191014113637/https://www.npr.org/templates/story/story.php?storyId=4704766|url-status=live}}</ref> In writing the story, Miller looked for parts of Batman's origin that were never explored. He left the core elements, such as the murder of Bruce's parents, intact, but reduced them to brief [[Flashback (narrative)|flashbacks]]. Bruce's globe-trotting adventures were removed, as Miller found them uninteresting. Rather than portraying Batman as a larger-than-life icon as he had in ''The Dark Knight Returns'', Miller chose to characterize Batman in Year One as an average, inexperienced man trying to make a change in society because Miller believed a superhero is least interesting when most effective. Examples of this include Batman underestimating his opponents, getting shot by police, and his costume being too big. The story's violence was kept street-level and gritty, emphasizing [[Noir fiction|noir]] and realism.<ref name="nerd"/> | Miller has said he kept [[Bob Kane]] and [[Bill Finger]]'s basic story for Year One but expanded it.<ref name="NPRTalk">{{cite web|title='Batman' Author Frank Miller|url=https://www.npr.org/templates/story/story.php?storyId=4704766|publisher=[[NPR]]|access-date=May 22, 2018|date=June 15, 2005|archive-date=October 14, 2019|archive-url=https://web.archive.org/web/20191014113637/https://www.npr.org/templates/story/story.php?storyId=4704766|url-status=live}}</ref> In writing the story, Miller looked for parts of Batman's origin that were never explored. He left the core elements, such as the murder of Bruce's parents, intact, but reduced them to brief [[Flashback (narrative)|flashbacks]]. Bruce's globe-trotting adventures were removed, as Miller found them uninteresting. Rather than portraying Batman as a larger-than-life icon as he had in ''The Dark Knight Returns'', Miller chose to characterize Batman in ''Year One'' as an average, inexperienced man trying to make a change in society because Miller believed a superhero is least interesting when most effective. Examples of this include Batman underestimating his opponents, getting shot by police, and his costume being too big. The story's violence was kept street-level and gritty, emphasizing [[Noir fiction|noir]] and realism.<ref name="nerd"/> | ||
===Artwork=== | ===Artwork=== | ||
[[File:6.28.12DavidMazzuchelliByLuigiNovi36.jpg|thumb|[[David Mazzucchelli]] autographing a copy of the 2005 deluxe edition trade paperback in 2012]] | [[File:6.28.12DavidMazzuchelliByLuigiNovi36.jpg|thumb|[[David Mazzucchelli]] autographing a copy of the 2005 deluxe edition trade paperback in 2012]] | ||
{{quote box|width=33%|align=right|thumb|quote=Comics printed on newspaper had an available palette of only about 60 colors, which Richmond utilized brilliantly. — Bonus pages in the 2005 deluxe edition, 2016 Absolute Edition Book One, and 2017 deluxe edition.|Mazzucchelli explaining Lewis did an amazing job with her hand painting technique in coloring Year One for the 404-407 monthly issues even | {{quote box|width=33%|align=right|thumb|quote=Comics printed on newspaper had an available palette of only about 60 colors, which Richmond utilized brilliantly. — Bonus pages in the 2005 deluxe edition, 2016 Absolute Edition Book One, and 2017 deluxe edition.|Mazzucchelli explaining Lewis did an amazing job with her hand painting technique in coloring ''Year One'' for the 404-407 monthly issues even though the newsprint paper material can only print limited amount of colors to match visuals.}} | ||
Miller's past projects for ''Daredevil'' overwhelmed him since he had to handle both writing and illustration duties simultaneously. For ''Year One'', he once again relied on a comic book artist for illustrations while he simply wrote the story and the script. Mazzucchelli signed on to illustrate the artwork after accepting Miller's offering to do Batman. The team also consisted of Mazzucchelli's wife [[Richmond Lewis]] who was in charge of coloring, [[Todd Klein]] as the story's [[letterer]], and O'Neil editing the overall story. | Miller's past projects for ''Daredevil'' overwhelmed him since he had to handle both writing and illustration duties simultaneously. For ''Year One'', he once again relied on a comic book artist for illustrations while he simply wrote the story and the script. Mazzucchelli signed on to illustrate the artwork after accepting Miller's offering to do Batman. The team also consisted of Mazzucchelli's wife [[Richmond Lewis]] who was in charge of coloring, [[Todd Klein]] as the story's [[letterer]], and O'Neil editing the overall story. | ||
In illustrating, Mazzucchelli sought to make Year One look grimy, dark, and muted. His interpretation of [[Gotham City]] was designed to symbolize corruption, featuring muddy colors that gave the impression of the city being dirty and needing a hero, so Mazzucchelli took on Year One with a more grounded and darker approach.<ref name= | In illustrating, Mazzucchelli sought to make ''Year One'' look grimy, dark, and muted. His interpretation of [[Gotham City]] was designed to symbolize corruption, featuring muddy colors that gave the impression of the city being dirty and needing a hero, so Mazzucchelli took on ''Year One'' with a more grounded and darker approach.<ref name=DCYearByYear/> Mazzucchelli envisioned ''Year One'' as one full story published in graphic novel. He specifically opted to use the [[CMYK color model|process color paper]] that was used in Miller's ''Dark Knight Returns'' as printing paper rather than the usual newsprint paper used in most Batman titles because this paper material is designed to print lots of colors, more than what newsprint was capable of. There was a sudden change to what Mazzucchelli initially had planned out when O'Neil convinced him to serialize the story into the monthly issues run and retain newsprint as the printing paper. In 1988, ''Year One'' was published in the collected edition. DC gave Mazzucchelli the approval of using the process color paper as printing paper. With many sets of color available from the [[Hue|color hue]], Lewis recolored the entire story in order to match the visuals printed on the paper. | ||
{{blockquote|'''Mazzucchelli:''' There's a big difference coloring for full process instead of newsprint. Although you have a wide range of colors available in regular comics, the paper can only take so many different colors before they start to look the same. The colors have to be pretty bold for the reader to differentiate between characters and objects.<br>'''Lewis:''' I think newsprint has a lot of possibilites that haven't been explored yet, but of course with [[CMYK color model|process color]] you have a lot more to work with. The trick is in trying to control it, to keep to the simplicity of newsprint color while using the fuller range available in process ... but only where it's needed.| | {{blockquote|'''Mazzucchelli:''' There's a big difference coloring for full process instead of newsprint. Although you have a wide range of colors available in regular comics, the paper can only take so many different colors before they start to look the same. The colors have to be pretty bold for the reader to differentiate between characters and objects.<br>'''Lewis:''' I think newsprint has a lot of possibilites that haven't been explored yet, but of course with [[CMYK color model|process color]] you have a lot more to work with. The trick is in trying to control it, to keep to the simplicity of newsprint color while using the fuller range available in process ... but only where it's needed.<ref>{{cite comic|url=https://ultimatebatmancomicswebsite.weebly.com/batman-year-one-coloring.html|story=People at Work: David Mazzucchelli & Richmond Lewis|title=[[Direct Currents]]|publisher=[[DC Comics]]|language=en-US|url-status=live|issue=1|date=February 1988|access-date=July 7, 2025|archive-date=|archive-url=https://web.archive.org/web/20250707200852/https://ultimatebatmancomicswebsite.weebly.com/batman-year-one-coloring.html}} via Ultimate Batman Comics.</ref>}} | ||
===Publication=== | ===Publication=== | ||
In accordance with Wolfman's plans,<ref name="Slugfest152"/> O'Neil initially saw "Year One" as the start of the second volume of ''Batman'' and expected the first part to be its first issue. However, Miller rejected this idea. He explained: "I don't need to slash through continuity with a sharp blade as I thought. Doing ''The Dark Knight Returns'' has shown me there's been enough good material... I didn't feel that fleshing out an unknown part of Batman's history justified wiping out 50 years of [adventures]." | In accordance with Wolfman's plans,<ref name="Slugfest152"/> O'Neil initially saw "Year One" as the start of the second volume of ''Batman'' and expected the first part to be its first issue. However, Miller rejected this idea. He explained: "I don't need to slash through continuity with a sharp blade as I thought. Doing ''The Dark Knight Returns'' has shown me there's been enough good material... I didn't feel that fleshing out an unknown part of Batman's history justified wiping out 50 years of [adventures]." Thus, the four "Year One" issues bear no continuity to past issues of ''Batman''.<ref name=DCYearByYear>{{cite book|title=DC Comics Year By Year: A Visual Chronicle |author-first1=Daniel|author-last1=Wallace |author-first2=Alan |author-last2=Cowsill|author-first3=Alexander C.|author-last3=Irvine |author-first4=Matthew K.|author-last4=Manning |publisher=[[Dorling Kindersley]] |year=2010 |isbn=978-0-7566-6742-9|page=227|quote=Melding Miller's noir sensibilities, realistic characterization, and gritty action with Mazzucchelli's brilliant iconic imagery, 'Year One' thrilled readers and critics alike... as well as being one of the influences for the 2005 film ''Batman Begins''.}}</ref> | ||
{| class="wikitable" | {| class="wikitable" | ||
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==Plot== | ==Plot== | ||
Billionaire [[Batman|Bruce Wayne]] returns home to [[Gotham City]] after twelve years abroad, training for his eventual one-man war against crime. [[ | Billionaire [[Batman|Bruce Wayne]] returns home to [[Gotham City]] after twelve years abroad, training for his eventual one-man war against crime. [[Commissioner Gordon|James "Jim" Gordon]] moves to Gotham with his wife, Barbara, after a transfer from [[Chicago]]. Both are swiftly acquainted with the corrupt and violent atmosphere of the city. Gordon tries to focus on purging corruption from the [[Gotham City Police Department]] after witnessing his partner, [[Arnold Flass]], abuse his power as a cop. Unfortunately, several officers led by Flass beat him on orders from his superior, [[Gillian B. Loeb|Commissioner Gillian Loeb]]. In revenge, Gordon tracks Flass down, beats him, and leaves him naked and handcuffed in the snow. | ||
Bruce believes he is still unprepared to fight against crime despite having the skills he learned abroad. He goes in disguise on a surveillance mission in Gotham's [[red-light district]] but is reluctantly drawn into a brawl with several prostitutes, including [[Holly Robinson (character)|Holly Robinson]] and [[Catwoman|Selina Kyle]]. Two crooked police officers shoot Bruce on sight and take him away in their patrol car. Bruce breaks free, subdues the cops, flees from the scene, and returns to [[Wayne Manor]] barely alive. He sits before [[Thomas Wayne|his father]]'s bust, requesting guidance in his war against crime. A bat suddenly crashes through a window and settles on the bust, inspiring Bruce to save Gotham as Batman. | Bruce believes he is still unprepared to fight against crime despite having the skills he learned abroad. He goes in disguise on a surveillance mission in Gotham's [[red-light district]] but is reluctantly drawn into a brawl with several prostitutes, including [[Holly Robinson (character)|Holly Robinson]] and [[Catwoman|Selina Kyle]]. Two crooked police officers shoot Bruce on sight and take him away in their patrol car. Bruce breaks free, subdues the cops, flees from the scene, and returns to [[Wayne Manor]] barely alive. He sits before [[Thomas Wayne|his father]]'s bust, requesting guidance in his war against crime. A bat suddenly crashes through a window and settles on the bust, inspiring Bruce to save Gotham as Batman. | ||
With Bruce striking as Batman for weeks, street crime significantly declines. Even Flass is attacked while in the middle of accepting a bribe from Jefferson Skeevers, a drug dealer of [[Carmine Falcone]]. Sometime later, Bruce infiltrates the mansion of Gotham's mayor as Batman where he threatens all the dinner party guests, including Loeb and Falcone. Loeb immediately orders Gordon and GCPD [[Sarah Essen Gordon|Sergeant Sarah Essen]] to arrest Batman. The two cops and Batman eventually cross paths as they separately prevent an incident of an old lady getting hit by a runaway truck from happening. | With Bruce striking as Batman for weeks, street crime significantly declines. Even Flass is attacked while in the middle of accepting a bribe from Jefferson Skeevers, a drug dealer of [[Carmine Falcone]]. Sometime later, Bruce infiltrates the mansion of Gotham's mayor as Batman where he threatens all the dinner party guests, including Loeb and Falcone. Loeb immediately orders Gordon and GCPD [[Sarah Essen Gordon|Sergeant Sarah Essen]] to arrest Batman. The two cops and Batman eventually cross paths as they separately prevent an incident of an old lady getting hit by a runaway truck from happening. More GCPD officers arrive at the scene, forcing Batman to flee into an abandoned building. Loeb personally deploys in a police helicopter to oversight the situation. Bombs are dropped onto the building from the copter to demolish the place. A [[SWAT]] team led by a trigger-happy commander, Branden, is sent in to continue the manhunt. Batman uses a signal device to attract a swarm of bats from the [[Batcave]] as his only route to escape. | ||
Gordon and Essen have a brief affair and they date for two months. Essen, however, chooses to end the relationship upon learning Gordon is going to be the father of Barbara's child. Gordon | Gordon and Essen have a brief affair and they date for two months. Essen, however, chooses to end the relationship upon learning Gordon is going to be the father of Barbara's child. Gordon is prompted to confess his affair with Essen to Barbara before matters get worse. War against corruption within GCPD continues with Flass and Skeevers under interrogations. Skeevers gets bailed with the help of a hired lawyer but is attacked by Batman shortly after, who convinces him to testify against Flass. In retaliation, Loeb uses proof of Gordon's affair with Essen as his own leverage to blackmail Gordon into ceasing everything against him. Barbara repeatedly receives threatening phone calls for days. Skeevers is drugged with [[rat poison]] as an attempt of assassination, so that he remains silent about the ties between Loeb and the mafia, although Skeevers ultimately survives. | ||
Bruce sneaks into Falcone's manor as Batman and overhears the private conversation between Falcone and his nephew, [[Johnny Viti]] | Bruce sneaks into Falcone's manor as Batman and overhears the private conversation between Falcone and his nephew, [[Johnny Viti]]. Gordon leaves home on Loeb's orders but becomes suspicious when he spots a motorcyclist entering his home parking lot at high speed. He turns back, only to discover Viti and his men already holding his family hostage. Viti attempts to flee the scene with Gordon's infant son. The motorcyclist tries to intervene, but Gordon shoots him and takes the motorcycle to chase after Viti. The motorcyclist turns out to be Bruce who surmised Falcone and Viti's intent to target Gordon's family earlier on, he quickly gets back on his feet to continue the pursuit. Gordon and Viti end up fighting on a bridge until the baby falls. Bruce catches up in time and leaps over the bridge's railing to save the baby. Gordon thanks Bruce for saving his infant son's life and lets him go. Flass supplies Assistant [[District Attorney]] [[Two-Face|Harvey Dent]] with the evidence and testimony needed to implicate Loeb, who resigns in disgrace. Gordon is promoted to captain and prepares to meet with Batman to investigate a potential plot orchestrated by a criminal calling himself the [[Joker (character)|Joker]]. | ||
==Reception== | ==Reception== | ||
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===Critical response=== | ===Critical response=== | ||
''Year One''<nowiki/>'s characterization of Batman and Gordon has been praised. Hilary Goldstein (''[[IGN]]'') compared their journey to friendship to the plot of the film ''[[Serpico]]''; they found that the two characters' respective story arcs—with Gordon's "illustrat[ing] the corruption in Gotham" and Batman's detailing "the transformation from man to myth"—offered an exploration of Batman's world like no other.<ref name="IGNReview">{{cite web |last1=Goldstein |first1=Hilary |title=Batman: Year One Review |url=https://www.ign.com/articles/2005/06/17/batman-year-one-review |website=[[IGN]] |access-date=May 30, 2018 |date=June 17, 2005 |archive-date=October 7, 2017 |archive-url=https://web.archive.org/web/20171007151631/http://www.ign.com/articles/2005/06/17/batman-year-one-review |url-status=live }}</ref> Glenn Matchett (''[[ComicsVerse]]'') wrote that, unlike ''The Dark Knight Returns'', Batman in Year One is more vulnerable and inexperienced, which made the story more memorable.<ref name="ComicsVerseReview">{{cite web |last1=Matchett |first1=Glenn |title=Frank Miller's Batman Part One: YEAR ONE, or How Legends are Made |url=https://comicsverse.com/frank-millers-batman-part-one-year-one-or-how-legends-are-made/ |website=ComicsVerse |access-date=May 30, 2018 |date=September 4, 2015 |archive-date=October 8, 2019 |archive-url=https://web.archive.org/web/20191008145746/https://comicsverse.com/frank-millers-batman-part-one-year-one-or-how-legends-are-made/ |url-status=dead }}</ref> Nick Roberts (''Geek Syndicate'') thought the characters seemed believable,<ref name="GeekSyndicateReview">{{cite web |last1=Roberts |first1=Nick |title='Classic Comic' Review – Batman: Year One |url=https://geeksyndicate.co.uk/reviews/%E2%80%98classic-comic%E2%80%99-review-%E2%80%93-batman-year-one/ |website=Geek Syndicate |access-date=May 30, 2018 |archive-date=December 18, 2018 |archive-url=https://web.archive.org/web/20181218112850/http://geeksyndicate.co.uk/reviews/%E2%80%98classic-comic%E2%80%99-review-%E2%80%93-batman-year-one/ |url-status=dead }}</ref> and comics historian Matthew K. Manning called the characterization realistic and grounded.<ref name= | ''Year One''<nowiki/>'s characterization of Batman and Gordon has been praised. Hilary Goldstein (''[[IGN]]'') compared their journey to friendship to the plot of the film ''[[Serpico]]''; they found that the two characters' respective story arcs—with Gordon's "illustrat[ing] the corruption in Gotham" and Batman's detailing "the transformation from man to myth"—offered an exploration of Batman's world like no other.<ref name="IGNReview">{{cite web |last1=Goldstein |first1=Hilary |title=Batman: Year One Review |url=https://www.ign.com/articles/2005/06/17/batman-year-one-review |website=[[IGN]] |access-date=May 30, 2018 |date=June 17, 2005 |archive-date=October 7, 2017 |archive-url=https://web.archive.org/web/20171007151631/http://www.ign.com/articles/2005/06/17/batman-year-one-review |url-status=live }}</ref> Glenn Matchett (''[[ComicsVerse]]'') wrote that, unlike ''The Dark Knight Returns'', Batman in Year One is more vulnerable and inexperienced, which made the story more memorable.<ref name="ComicsVerseReview">{{cite web |last1=Matchett |first1=Glenn |title=Frank Miller's Batman Part One: YEAR ONE, or How Legends are Made |url=https://comicsverse.com/frank-millers-batman-part-one-year-one-or-how-legends-are-made/ |website=ComicsVerse |access-date=May 30, 2018 |date=September 4, 2015 |archive-date=October 8, 2019 |archive-url=https://web.archive.org/web/20191008145746/https://comicsverse.com/frank-millers-batman-part-one-year-one-or-how-legends-are-made/ |url-status=dead }}</ref> Nick Roberts (''Geek Syndicate'') thought the characters seemed believable,<ref name="GeekSyndicateReview">{{cite web |last1=Roberts |first1=Nick |title='Classic Comic' Review – Batman: Year One |url=https://geeksyndicate.co.uk/reviews/%E2%80%98classic-comic%E2%80%99-review-%E2%80%93-batman-year-one/ |website=Geek Syndicate |access-date=May 30, 2018 |archive-date=December 18, 2018 |archive-url=https://web.archive.org/web/20181218112850/http://geeksyndicate.co.uk/reviews/%E2%80%98classic-comic%E2%80%99-review-%E2%80%93-batman-year-one/ |url-status=dead }}</ref> and comics historian Matthew K. Manning called the characterization realistic and grounded.<ref name=DCYearByYear/> | ||
The story's depiction of Gotham and darker, realistic, mature and grittier tone and direction, compared to other contemporary Batman comics at the time, has also been acclaimed. Journalist James Lovegrove described "Year One" as a "noir-inflected pulp tale of vigilantism and integrity, focused on a good man doing the right thing in a dirty world" and noted the brutality of the fight sequences.<ref name="100best">{{cite journal |last1=Lovegrove |first1=James |title=Batman: Year One |journal=The 100 Greatest Graphic Novels of All Time |date=2016 |issue=1 |pages=92–93 |url=https://archive.org/stream/The_100_Greatest_Graphic_Novels_Of_All_Time#page/n91/mode/2up/search/Batman+Year+One |publisher=[[Future plc]]}}</ref> Jason Serafino (''[[Complex (magazine)|Complex]]'') wrote that by ignoring many of Batman's trademark gadgets and villains and focusing in the core essentials of the titular character, Miller managed to present Batman in a relatable and thrilling way, which felt both fresh, unique and reinvigorating, while still being faithful to the spirit of the character.<ref name="Complex25">{{cite web |last1=Serafino |first1=Jason |title=The 25 Best DC Comics Of All Time |url=https://www.complex.com/pop-culture/the-best-dc-comics-of-all-time/all-star-superman |website=[[Complex (magazine)|Complex]] |access-date=May 31, 2018 |date=January 17, 2018 |archive-date=October 8, 2019 |archive-url=https://web.archive.org/web/20191008145744/https://www.complex.com/pop-culture/the-best-dc-comics-of-all-time/all-star-superman |url-status=live }}</ref> Goldstein found every moment memorable, writing "Miller does not waste a single panel" in presenting a gritty and dark story.<ref name="IGNReview"/> Matchett agreed; he offered particular praise for the scenes depicting Batman clashing with the police, calling them the moment Batman began to become a legend.<ref name="ComicsVerseReview"/> | The story's depiction of Gotham and darker, realistic, mature and grittier tone and direction, compared to other contemporary Batman comics at the time, has also been acclaimed. Journalist James Lovegrove described "Year One" as a "noir-inflected pulp tale of vigilantism and integrity, focused on a good man doing the right thing in a dirty world" and noted the brutality of the fight sequences.<ref name="100best">{{cite journal |last1=Lovegrove |first1=James |title=Batman: Year One |journal=The 100 Greatest Graphic Novels of All Time |date=2016 |issue=1 |pages=92–93 |url=https://archive.org/stream/The_100_Greatest_Graphic_Novels_Of_All_Time#page/n91/mode/2up/search/Batman+Year+One |publisher=[[Future plc]]}}</ref> Jason Serafino (''[[Complex (magazine)|Complex]]'') wrote that by ignoring many of Batman's trademark gadgets and villains and focusing in the core essentials of the titular character, Miller managed to present Batman in a relatable and thrilling way, which felt both fresh, unique and reinvigorating, while still being faithful to the spirit of the character.<ref name="Complex25">{{cite web |last1=Serafino |first1=Jason |title=The 25 Best DC Comics Of All Time |url=https://www.complex.com/pop-culture/the-best-dc-comics-of-all-time/all-star-superman |website=[[Complex (magazine)|Complex]] |access-date=May 31, 2018 |date=January 17, 2018 |archive-date=October 8, 2019 |archive-url=https://web.archive.org/web/20191008145744/https://www.complex.com/pop-culture/the-best-dc-comics-of-all-time/all-star-superman |url-status=live }}</ref> Goldstein found every moment memorable, writing "Miller does not waste a single panel" in presenting a gritty and dark story.<ref name="IGNReview"/> Matchett agreed; he offered particular praise for the scenes depicting Batman clashing with the police, calling them the moment Batman began to become a legend.<ref name="ComicsVerseReview"/> | ||
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==Continuity== | ==Continuity== | ||
Before [[The New 52]] continuity reboot in 2011, ''Batman: Year One'' existed in the mainstream DC continuity, and in the same continuity as the other storylines in Miller's "Dark Knight Universe", consisting of ''[[The Dark Knight Returns]]'', its sequels ''[[The Dark Knight Strikes Again]]'', ''[[The Dark Knight III: The Master Race]]'', ''The Dark Knight Returns: The Last Crusade'', ''[[Spawn/Batman]]'', | Before [[The New 52]] continuity reboot in 2011, ''Batman: Year One'' existed in the mainstream DC continuity, and in the same continuity as the other storylines in Miller's "Dark Knight Universe", consisting of ''[[The Dark Knight Returns]]'', its sequels ''[[The Dark Knight Strikes Again]]'', ''[[The Dark Knight III: The Master Race]]'', ''The Dark Knight Returns: The Last Crusade'', ''[[Spawn/Batman]]'', ''[[All Star Batman and Robin the Boy Wonder]]'', and ''Dark Knight Returns: The Golden Child''.<ref>{{cite web|last=Sanderson |first=Peter |url=http://comics.ign.com/articles/685/685820p1.html |title=''Comics in Context #119: All-Star Bats'' on IGN |publisher=Comics.ign.com |date=2006-02-06 |access-date=2011-01-04| archive-url= https://web.archive.org/web/20101213055056/http://comics.ign.com/articles/685/685820p1.html| archive-date= 13 December 2010 | url-status= live}}</ref> Following The New 52 reboot, ''[[Batman: Zero Year]]'' replaced ''Year One'' as the official origin for Batman and ''Year One'' was relegated to the continuity of the other Miller storylines.<ref>{{cite web|url=http://www.dccomics.com/blog/2013/03/11/the-associated-press-announces-batman-zero-year|title=THE ASSOCIATED PRESS Announces BATMAN: ZERO YEAR|date=11 March 2013|website=dccomics.com|url-status=live|archive-url=https://web.archive.org/web/20151022223622/http://www.dccomics.com/blog/2013/03/11/the-associated-press-announces-batman-zero-year|archive-date=22 October 2015}}</ref> However, following the [[DC Rebirth]] initiative, elements of "Year One" were gradually returned to the mainstream DC continuity. | ||
After ''[[Crisis on Infinite Earths]]'', DC [[Reboot (fiction)|rebooted]] many of its titles. ''Year One'' was followed by ''[[Batman: Year Two]]'', but the 1994 ''[[Zero Hour: Crisis in Time]]'' crossover erased ''Year Two'' from continuity. In another continuity re-arrangement, ''Catwoman: Year One'' (''Catwoman Annual'' #2, 1995) posited that Selina Kyle had not actually been a prostitute, but, rather, a thief posing as one to commit crimes. | After ''[[Crisis on Infinite Earths]]'', DC [[Reboot (fiction)|rebooted]] many of its titles. ''Year One'' was followed by ''[[Batman: Year Two]]'', but the 1994 ''[[Zero Hour: Crisis in Time]]'' crossover erased ''Year Two'' from continuity. In another continuity re-arrangement, ''Catwoman: Year One'' (''Catwoman Annual'' #2, 1995) posited that Selina Kyle had not actually been a prostitute, but, rather, a thief posing as one to commit crimes. | ||
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==Adaptations== | ==Adaptations== | ||
===Film=== | ===Film=== | ||
[[Joel Schumacher]]'s ''[[Batman Forever]]'', although set during another timespan, adopts some elements directly from the graphic novel. Schumacher claims he originally had in mind an adaptation of Miller's ''Batman: Year One''. The studio rejected the idea as they wanted a sequel, not a prequel, though Schumacher was able to include brief events in Batman's past.<ref>{{Cite book|url = https://books.google.com/books?id=jWAsAAAAQBAJ&q=batman+year+one+batman+forever&pg=PA167|title = The Batman Filmography, 2d ed|isbn = 9780786468911|last1 = Reinhart|first1 = Mark S.|date = 31 July 2013|publisher = McFarland|access-date = 7 December 2020|archive-date = 8 March 2024|archive-url = https://web.archive.org/web/20240308084652/https://books.google.com/books?id=jWAsAAAAQBAJ&q=batman+year+one+batman+forever&pg=PA167#v=snippet&q=batman%20year%20one%20batman%20forever&f=false|url-status = live}}</ref><ref>{{Cite web|title=Batman Forever: How to Be a Superhero {{!}} The Reverse Gear|url=https://www.thereversegear.com/batman-forever-how-to-be-a-superhero/|access-date=2020-06-21|language=en-CA|archive-date=2020-03-25|archive-url=https://web.archive.org/web/20200325153229/https://www.thereversegear.com/batman-forever-how-to-be-a-superhero/|url-status=live}}</ref> | * [[Joel Schumacher]]'s ''[[Batman Forever]]'', although set during another timespan, adopts some elements directly from the graphic novel. Schumacher claims he originally had in mind an adaptation of Miller's ''Batman: Year One''. The studio rejected the idea as they wanted a sequel, not a prequel, though Schumacher was able to include brief events in Batman's past.<ref>{{Cite book|url = https://books.google.com/books?id=jWAsAAAAQBAJ&q=batman+year+one+batman+forever&pg=PA167|title = The Batman Filmography, 2d ed|isbn = 9780786468911|last1 = Reinhart|first1 = Mark S.|date = 31 July 2013|publisher = McFarland|access-date = 7 December 2020|archive-date = 8 March 2024|archive-url = https://web.archive.org/web/20240308084652/https://books.google.com/books?id=jWAsAAAAQBAJ&q=batman+year+one+batman+forever&pg=PA167#v=snippet&q=batman%20year%20one%20batman%20forever&f=false|url-status = live}}</ref><ref>{{Cite web|title=Batman Forever: How to Be a Superhero {{!}} The Reverse Gear|url=https://www.thereversegear.com/batman-forever-how-to-be-a-superhero/|access-date=2020-06-21|language=en-CA|archive-date=2020-03-25|archive-url=https://web.archive.org/web/20200325153229/https://www.thereversegear.com/batman-forever-how-to-be-a-superhero/|url-status=live}}</ref> | ||
* The [[DC Animated Universe]] film ''[[Batman: Mask of the Phantasm]]'' adopted elements of the storyline, depicting flashbacks of how Bruce Wayne became Batman and also combines it with elements of ''Batman: Year Two'' and shows Batman's personal connection with original character [[Andrea Beaumont|Phantasm]] inspired by the [[Reaper (DC Comics)|Reaper]], another character in the comics with a connection to Batman. | |||
* After the critical failure of ''[[Batman & Robin (film)|Batman & Robin]]'', several attempts were made to [[Reboot (fiction)|reboot]] the [[Batman in film|Batman film franchise]] with an adaptation of ''Year One''. [[Joss Whedon]] and [[Joel Schumacher]] both pitched their own takes.<ref name="nerd"/> In 2000, [[Warner Bros. Pictures|Warner Bros.]] hired [[Darren Aronofsky]] to write and direct ''Batman: Year One''. The film was to be written by Miller, who finished an early draft of the script.<ref name=Dana>{{cite news | author = Dana Harris | url = https://variety.com/2000/film/news/wb-sends-pi-guy-into-the-bat-cave-1117786714/ | title = WB sends ''Pi'' guy into the Bat Cave | work = [[Variety (magazine)|Variety]] | date = 2000-09-21 | access-date = 2008-10-17| archive-url= https://web.archive.org/web/20120117093609/http://www.variety.com/article/VR1117786714| archive-date=January 17, 2012| url-status= live}}</ref><ref name="greenberg20050508">{{Cite news |url=https://www.latimes.com/archives/la-xpm-2005-may-08-ca-batman8-story.html |title=Rescuing Batman |last=Greenberg |first=James |date=2005-05-08 |work=Los Angeles Times |access-date=2019-05-11 |archive-url=https://web.archive.org/web/20081202014002/http://articles.latimes.com/2005/may/08/entertainment/ca-batman8 |archive-date=2008-12-02 |url-status=live |page=E-10 }}</ref> The script, however, was a loose adaptation, as it kept most of the themes and elements from the graphic novel but shunned other conventions that were otherwise integral to the character.<ref>{{cite news | author = Brian Linder | work = [[IGN]] | title = The Bat-Men Speak | url = http://movies.ign.com/articles/034/034023p1.html | date = 2000-10-16 | access-date = 2008-10-17 | url-status = live | archive-url = https://web.archive.org/web/20081206080319/http://movies.ign.com/articles/034/034023p1.html | archive-date = 2008-12-06 }}</ref> It was shelved by the studio in 2001,<ref>{{cite news | author = Dana Harris | url = https://variety.com/2002/film/news/wb-fewer-pix-more-punch-1117869140/ | title = WB: fewer pix, more punch | work = [[Variety (magazine)|Variety]] | date = 2002-06-30 | access-date = 2008-10-17| archive-url= https://web.archive.org/web/20120117105000/http://www.variety.com/article/VR1117869140| archive-date=January 17, 2012| url-status= live}}</ref> after an individual who claimed to have read Miller's script published a negative review on ''[[Ain't It Cool News]]''.<ref name="nerd"/> In 2016, Miller explained that the film was canceled because of creative differences between him, Aronofsky, and Warner Bros:<ref name="THRInterview">{{cite web|last1=Kit|first1=Borys|title=A Rare Interview With Frank Miller: 'Dark Knight,' the Unmade Darren Aronofsky Batman Movie, and Donald Trump|url=https://www.hollywoodreporter.com/heat-vision/a-rare-interview-frank-miller-871654|website=[[The Hollywood Reporter]]|access-date=May 28, 2018|date=March 3, 2016|archive-date=October 8, 2019|archive-url=https://web.archive.org/web/20191008105521/https://www.hollywoodreporter.com/heat-vision/a-rare-interview-frank-miller-871654|url-status=live}}</ref> | |||
{{Blockquote|"It was the first time I worked on a Batman project with somebody whose vision of Batman was darker than mine. My Batman was too nice for him. We would argue about it, and I'd say, "Batman wouldn't do that, he wouldn't torture anybody" and so on. We hashed out a screenplay, and we were wonderfully compensated, but then Warner Bros. read it and said, "We don't want to make this movie." The executive wanted to do a Batman he could take his kids to."}} | |||
* In 2005, [[Christopher Nolan]] began his series with the reboot film ''[[Batman Begins]]'', which draws inspiration from "Year One" and other stories.<ref name="nerd"/> ''Batman Begins'' and its sequel ''[[The Dark Knight]]'' are set during the same timespan and adopt several elements directly from the graphic novel. Major characters like [[Gillian B. Loeb]], [[Arnold Flass]], and [[Carmine Falcone]] are featured prominently in ''Batman Begins''. Film critic Michael Dodd argued that with each major motion picture focused on the Dark Knight's origins, the odes and references to the ''Year One'' comic increased. Comparing ''[[Batman: Mask of the Phantasm|Mask of the Phantasm]]'' with ''[[Batman Begins]]'' he noted that "...Phantasm was a Batman story with ''Year One'' elements, while ''Batman Begins'' was a ''Year One'' story with added features".<ref>Dodd, Michael, "[http://themissingslate.com/2014/08/21/back-to-the-beginning-the-evolving-influence-of-batman-year-one/#.U_jTIvldUgs Back to the Beginning: The Evolving Influence of Batman: Year One] {{webarchive|url=https://web.archive.org/web/20170712082015/http://themissingslate.com/2014/08/21/back-to-the-beginning-the-evolving-influence-of-batman-year-one/ |date=2017-07-12 }}," The Missing Slate.</ref> The film's end scene, with Gordon revealing the [[Joker (The Dark Knight)|Joker]]'s arrival in Gotham, mirrors the end of ''Year One''. | |||
* In the movie ''[[The Batman vs. Dracula]]'', during Bruce Wayne's nightmare, following his first encounter with [[Dracula (DC Comics)|Dracula]], there are moments who are directly lifted from ''Year One'', including his parents murder and a bat crashing in his window. | |||
* In 2011, an [[Batman: Year One (film)|animated adaptation]] was released as a [[DC Universe Animated Original Movies|DC Universe Animated Original Movie]]. It was produced by [[Bruce Timm]], co-directed by [[Lauren Montgomery]] and [[Sam Liu]].<ref>{{cite web|url=http://www.worldsfinestonline.com/news.php/news.php?action=fullnews&showcomments=1&id=1030|title=Batman: Year One Animated Update|publisher=worldsfinestonline.com|date=June 13, 2010|access-date=June 13, 2010|url-status=live|archive-url=https://web.archive.org/web/20140812210449/http://www.worldsfinestonline.com/news.php/news.php?action=fullnews|archive-date=August 12, 2014}}</ref> It features the voices of [[Benjamin McKenzie]] as Bruce Wayne/Batman, [[Bryan Cranston]] as [[Commissioner Gordon|James "Jim" Gordon]], [[Eliza Dushku]] as Selina Kyle/Catwoman, [[Katee Sackhoff]] as [[Sarah Essen Gordon|Sarah Essen]], [[Jon Polito]] as Commissioner Loeb, and [[Alex Rocco]] as Carmine 'The Roman' Falcone.<ref>{{cite web |url=https://www.hollywoodreporter.com/heat-vision/batman-year-one-lines-up-179942 |title='Batman: Year One' Lines Up Voice Cast, Sets Comic-Con Premiere (Exclusive) |last=Kit |first=Borys |date=April 20, 2011 |work=[[The Hollywood Reporter]] |access-date=June 18, 2011| archive-url= https://web.archive.org/web/20110721213402/http://www.hollywoodreporter.com/heat-vision/batman-year-one-lines-up-179942| archive-date= 21 July 2011 | url-status= live}}</ref> The movie premiered at [[San Diego Comic-Con International|Comic-Con]], with a Catwoman short shown in October.<ref>{{cite web |url=http://www.dailyblam.com/news/2011/06/07/batman-year-one-animated-film-sneak-peek-video-character-designs |title=BATMAN: YEAR ONE Animated Film Sneak Peek Video & Character Designs |publisher=The Daily BLAM! |access-date=2013-01-23 |url-status=live |archive-url=https://web.archive.org/web/20130125080019/http://www.dailyblam.com/news/2011/06/07/batman-year-one-animated-film-sneak-peek-video-character-designs |archive-date=2013-01-25 }}</ref> | |||
* Director [[Matt Reeves]] cited ''Year One'' as one of the inspirations for ''[[The Batman (film)|The Batman]]'', with [[Robert Pattinson]] portraying a younger Bruce Wayne who is in his second year as a crime-fighter.<ref>{{Cite web |last=Davis |first=Johnny |date=2022-02-08 |title=Director Matt Reeves on the Iconic Comic That Influenced 'The Batman' |url=https://www.esquire.com/uk/latest-news/a38922356/matt-reeves-the-batman-year-one-inspiration/ |access-date=2022-08-22 |website=[[Esquire (UK Edition)|Esquire]] |language=en-GB |archive-date=2022-02-08 |archive-url=https://web.archive.org/web/20220208122240/https://www.esquire.com/uk/latest-news/a38922356/matt-reeves-the-batman-year-one-inspiration/ |url-status=live }}</ref> Similar to ''Year One'', Carmine Falcone is scratched in his right cheek by Catwoman when she assaults his headquarters. | |||
===Television=== | |||
The second half of the [[Gotham season 4|fourth season]] of the Batman-based television series ''[[Gotham (TV series)|Gotham]]'' is inspired by ''Batman: Year One''.<ref>{{cite web|url=https://screenrant.com/gotham-season-4-long-halloween-batman-year-one-comics/|title=Gotham Season 4 Draws from Long Halloween & Batman: Year One Comics|date=July 27, 2017|website=Screen Rant|access-date=July 28, 2017|url-status=live|archive-url=https://web.archive.org/web/20170728045741/http://screenrant.com/gotham-season-4-long-halloween-batman-year-one-comics/|archive-date=July 28, 2017}}</ref> | |||
=== | ===Video games=== | ||
* The Year One batsuit was available as one of the [[Downloadable content|DLC]] skins for ''[[Batman: Arkham City]]''. | |||
* While not a direct adaptation, the video game ''[[Batman: Arkham Origins]]'' takes some inspiration from ''Batman: Year One'' and features a younger, less-experienced Batman in his second year of crimefighting.<ref>{{cite web |title=Batman: Arkham Origins To Be A "Year Two" Story |url=http://www.siliconera.com/2013/04/12/batman-arkham-origins-to-be-a-year-two-story/ |publisher=[[CraveOnline]] |work=Siliconera |date=April 12, 2013 |access-date=April 12, 2013 |archive-url=https://web.archive.org/web/20130414105246/http://www.siliconera.com/2013/04/12/batman-arkham-origins-to-be-a-year-two-story/ |archive-date=April 14, 2013 |url-status=live |df=mdy }}</ref> Set eight years before ''[[Batman: Arkham Asylum]]'', the prequel follows Batman encountering eight of the world's greatest assassins as they attempt to claim [[Black Mask (character)|Black Mask]]'s $50-million bounty on him, all while being hunted by the Gotham City Police Department for his vigilantism. | |||
The Year One batsuit was available as one of the [[Downloadable content|DLC]] skins for ''[[Batman: Arkham City]]''. | |||
While not a direct adaptation, the video game ''[[Batman: Arkham Origins]]'' takes some inspiration from ''Batman: Year One'' and features a younger, less-experienced Batman in his second year of crimefighting.<ref>{{cite web |title=Batman: Arkham Origins To Be A "Year Two" Story |url=http://www.siliconera.com/2013/04/12/batman-arkham-origins-to-be-a-year-two-story/ |publisher=[[CraveOnline]] |work=Siliconera |date=April 12, 2013 |access-date=April 12, 2013 |archive-url=https://web.archive.org/web/20130414105246/http://www.siliconera.com/2013/04/12/batman-arkham-origins-to-be-a-year-two-story/ |archive-date=April 14, 2013 |url-status=live |df=mdy }}</ref> Set eight years before ''[[Batman: Arkham Asylum]]'', the prequel follows Batman encountering eight of the world's greatest assassins as they attempt to claim [[Black Mask (character)|Black Mask]]'s $50-million bounty on him, all while being hunted by the Gotham City Police Department for his vigilantism. | |||
===Audio=== | ===Audio=== | ||
''Batman: Year One'' was adapted as the first four episode of ''[[DC High Volume: Batman]]'', a weekly scripted podcast which adapts seminal Batman comics from across the years. The cast includes [[Jason Spisak]] as Batman, [[Jay Paulson]] as Jim Gordon, [[Reba Buhr]] as Selina Kyle, Adam | ''Batman: Year One'' was adapted as the first four episode of ''[[DC High Volume: Batman]]'', a weekly scripted podcast which adapts seminal Batman comics from across the years. The cast includes [[Jason Spisak]] as Batman, [[Jay Paulson]] as Jim Gordon, [[Reba Buhr]] as Selina Kyle, Adam O'Byrne as Harvey Dent, [[Mike Starr (actor)|Mike Starr]] as Carmine Falcone, and [[Simon Vance]] as Alfred Pennyworth.<ref>{{cite web|url = https://www.dc.com/highvolume|title = DC AND REALM PROUDLY PRESENT DC HIGH VOLUME: BATMAN|work = DC.com}}</ref> | ||
==References== | ==References== | ||
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[[Category:Batman storylines]] | [[Category:Batman storylines]] | ||
[[Category:Comics by Frank Miller (comics)]] | [[Category:Comics by Frank Miller (comics)]] | ||
[[Category:Comics set in the 1930s]] | |||
[[Category:Comics set in the 1950s]] | |||
[[Category:DC Comics adapted into films]] | [[Category:DC Comics adapted into films]] | ||
[[Category:Fiction about adultery]] | [[Category:Fiction about adultery]] | ||