Edvard Grieg: Difference between revisions

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'''Edvard Hagerup Grieg''' ({{IPAc-en|ɡ|r|iː|ɡ}} {{respell|GREEG}}, {{IPA|no|ˈɛ̀dvɑʈ ˈhɑ̀ːɡərʉp ˈɡrɪgː|lang}}; 15 June 1843{{spaced ndash}}4 September 1907) was a Norwegian [[composer]] and [[pianist]]. He is widely considered one of the leading [[Romantic music|Romantic era]] composers, and his music is part of the standard classical repertoire worldwide. His use of [[Music of Norway|Norwegian folk music]] in his own compositions brought the music of Norway to fame, as well as helping to develop a [[Norwegian romantic nationalism|national identity]], much as [[Jean Sibelius]] did in [[Finland]] and [[Bedřich Smetana]] in [[Bohemia]].<ref name="isbn1-84383-210-0">{{cite book |author=Daniel M. Grimley |title=Grieg: Music, Landscape and Norwegian Identity |publisher=Boydell Press |location=Ipswich |year=2006 |isbn=978-1-84383-210-2 }}</ref>
'''Edvard Hagerup Grieg''' ({{IPAc-en|ɡ|r|iː|ɡ}} {{respell|GREEG}}, {{IPA|no|ˈɛdvaʁd ˈhɑ̀ːɡəʁʉp ˈɡʁɪgː|lang}}; 15 June 1843{{spaced ndash}}4 September 1907) was a Norwegian [[composer]] and [[pianist]]. He is widely considered one of the leading [[Romantic music|Romantic era]] composers, and his music is part of the standard classical repertoire worldwide. His use of [[Music of Norway|Norwegian folk music]] in his own compositions brought the music of Norway to fame, as well as helping to develop a [[Norwegian romantic nationalism|national identity]], much as [[Jean Sibelius]] did in [[Finland]] and [[Bedřich Smetana]] in [[Bohemia]].<ref name="isbn1-84383-210-0">{{cite book |author=Daniel M. Grimley |title=Grieg: Music, Landscape and Norwegian Identity |publisher=Boydell Press |location=Ipswich |year=2006 |isbn=978-1-84383-210-2 }}</ref>


Grieg is the most celebrated person from the city of [[Bergen]], with numerous statues that depict his image and many cultural entities named after him: the city's largest concert building ([[Grieg Hall]]), its most advanced music school ([[Grieg Academy]]) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, [[Troldhaugen]], is dedicated to his legacy.<ref>{{cite web|url=http://www.bergenbyarkiv.no/bergenbyleksikon/arkiv/1424944?s=Grieghallen|title=Grieghallen|publisher =Bergen byleksikon|access-date=1 September 2017}}</ref><ref>{{cite web |url = https://kmd.uib.no/no/studier/musikk |title = Griegakademiet |publisher = Universitetet i Bergen |access-date = 1 September 2017 |archive-date = 31 December 2019 |archive-url = https://web.archive.org/web/20191231023051/https://kmd.uib.no/no/studier/musikk |url-status = dead }}</ref><ref>{{cite web |url =http://griegmuseum.no/en |title =Edvard Grieg Museum Troldhaugen |publisher =KODE |access-date =1 September 2017 |archive-date =29 August 2017 |archive-url =https://web.archive.org/web/20170829034035/http://www.griegmuseum.no/en |url-status =dead }}</ref><ref>{{cite web|url= http://en.edvardgriegkor.no/|title= About Edvard Grieg Kor|publisher= Edvard Grieg Kor|access-date= 1 September 2017|archive-date= 12 September 2017|archive-url= https://web.archive.org/web/20170912055709/http://en.edvardgriegkor.no/|url-status= dead}}</ref>
Grieg is the most celebrated person from the city of [[Bergen]], with numerous statues that depict his image and many cultural entities named after him: the city's largest concert building ([[Grieg Hall]]), its most advanced music school ([[Grieg Academy]]) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, [[Troldhaugen]], is dedicated to his legacy.<ref>{{cite web|url=http://www.bergenbyarkiv.no/bergenbyleksikon/arkiv/1424944?s=Grieghallen|title=Grieghallen|publisher =Bergen byleksikon|access-date=1 September 2017}}</ref><ref>{{cite web |url = https://kmd.uib.no/no/studier/griegakademiet-institutt-for-musikk |title = Griegakademiet |publisher = Universitetet i Bergen |access-date = 1 September 2017 |archive-date = 31 December 2019 |archive-url = https://web.archive.org/web/20191231023051/https://kmd.uib.no/no/studier/musikk |url-status = live }}</ref><ref>{{cite web |url =http://griegmuseum.no/en |title =Edvard Grieg Museum Troldhaugen |publisher =KODE |access-date =1 September 2017 |archive-date =29 August 2017 |archive-url =https://web.archive.org/web/20170829034035/http://www.griegmuseum.no/en |url-status =dead }}</ref><ref>{{cite web|url= http://en.edvardgriegkor.no/|title= About Edvard Grieg Kor|publisher= Edvard Grieg Kor|access-date= 1 September 2017|archive-date= 12 September 2017|archive-url= https://web.archive.org/web/20170912055709/http://en.edvardgriegkor.no/|url-status= dead}}</ref>


==Background==
==Background==
[[File:Ingebrigt Vik-Edvard Grieg-Bergen.jpg|thumb|Statue of Grieg by [[Ingebrigt Vik]] in Bergen]]
[[File:Ingebrigt Vik-Edvard Grieg-Bergen.jpg|thumb|Statue of Grieg by [[Ingebrigt Vik]] in Bergen]]
[[File:Eilif Peterssen-Edvard Grieg 1891.jpg|thumb|Edvard Grieg (1891), portrait by [[Eilif Peterssen]]]]
[[File:Eilif Peterssen-Edvard Grieg 1891.jpg|thumb|Edvard Grieg (1891), portrait by [[Eilif Peterssen]]]]
Edvard Hagerup Grieg was born in [[Bergen]], Norway. His parents were Alexander Grieg (1806–1875), a merchant and the British Vice-Consul in Bergen, and Gesine Judithe Hagerup (1814–1875), a music teacher and daughter of solicitor and politician [[Edvard Hagerup]].<ref name=nbl>{{cite encyclopedia |title=Edvard Grieg |first=Finn |last=Benestad|author-link=Finn Benestad |encyclopedia=[[Norsk biografisk leksikon]] |editor=Helle, Knut |editor-link=Knut Helle |publisher=Kunnskapsforlaget|location=Oslo|url=http://www.snl.no/.nbl_biografi/Edvard_Grieg/utdypning |language=no|access-date=10 September 2011}}</ref>{{sfn|Benestad|Schjelderup-Ebbe|1990|pp=25–28}} The family name, originally spelled [[Greig (name)|Greig]], is associated with the [[Scottish clans|Scottish]] [[Clan Gregor|Clann Ghriogair (Clan Gregor)]].<ref>{{Cite web|url=http://www.greig.org/index.php?option=com_content&view=article&id=25&Itemid=28|title=The Origins of the Greig Family Name|website=greig.org|access-date=4 August 2019|archive-date=17 August 2019|archive-url=https://web.archive.org/web/20190817164253/http://www.greig.org/index.php?option=com_content&view=article&id=25&Itemid=28|url-status=dead}}</ref> After the [[Battle of Culloden]] in Scotland in 1746, Grieg's great-grandfather, Alexander Greig (1739–1803),<ref name=grove>Nils Grinde. [http://www.oxfordmusiconline.com/subscriber/article/grove/music/11757 "Grieg, Edvard"], [[Grove Music Online]], Oxford Music Online, Oxford University Press, accessed 11 November 2013 {{subscription required}}</ref> travelled widely before settling in Norway about 1770 and establishing business interests in Bergen. Grieg's paternal great-great-grandparents, John (1702–1774) and Anne (1704–1784),<ref>[https://www.pressandjournal.co.uk/fp/news/aberdeen-aberdeenshire/1753951/edvard-grieg-proudly-carried-fraserburgh-memento-with-him-throughout-his-life/ "Edvard Grieg proudly carried Fraserburgh memento with him throughout his life"] - ''Press and Journal'', 23 May 2019</ref> are buried in the abandoned churchyard of the ruined Church of St Ethernan in [[Rathen, Aberdeenshire]], Scotland.<ref name="McKean137">{{cite book |last1=McKean |first1=Charles |title=Banff & Buchan: An Illustrated Architectural Guide |date=1990 |publisher=Mainstream Publications Ltd. |location= |isbn=185158-231-2 |page=137}}</ref>
Edvard Hagerup Grieg was born in [[Bergen]], Norway. His parents were Alexander Grieg (1806–1875), a merchant and the British Vice-Consul in Bergen, and Gesine Judithe Hagerup (1814–1875), a music teacher and daughter of solicitor and politician [[Edvard Hagerup]].<ref name=nbl>{{cite encyclopedia |title=Edvard Grieg |first=Finn |last=Benestad|author-link=Finn Benestad |encyclopedia=[[Norsk biografisk leksikon]] |editor=Helle, Knut |editor-link=Knut Helle |publisher=Kunnskapsforlaget|location=Oslo|url=http://www.snl.no/.nbl_biografi/Edvard_Grieg/utdypning |language=no|access-date=10 September 2011}}</ref>{{sfn|Benestad|Schjelderup-Ebbe|1990|pp=25–28}} The family name, originally spelled [[Greig (name)|Greig]], is associated with the [[Scottish clans|Scottish]] [[Clan Gregor|Clann Ghriogair (Clan Gregor)]].<ref>{{Cite web|url=http://www.greig.org/index.php?option=com_content&view=article&id=25&Itemid=28|title=The Origins of the Greig Family Name|website=greig.org|access-date=4 August 2019|archive-date=17 August 2019|archive-url=https://web.archive.org/web/20190817164253/http://www.greig.org/index.php?option=com_content&view=article&id=25&Itemid=28|url-status=dead}}</ref> After the [[Battle of Culloden]] in Scotland in 1746, Grieg's great-grandfather, Alexander Greig (1739–1803),<ref>{{cite Grove|last1=Horton|first1=John|last2=Grinde|first2=Nils|title=Grieg, Edvard (Hagerup)|id=11757|year=2001}}</ref> travelled widely before settling in Norway about 1770 and establishing business interests in Bergen. Grieg's paternal great-great-grandparents, John (1702–1774) and Anne (1704–1784),<ref>[https://www.pressandjournal.co.uk/fp/news/aberdeen-aberdeenshire/1753951/edvard-grieg-proudly-carried-fraserburgh-memento-with-him-throughout-his-life/ "Edvard Grieg proudly carried Fraserburgh memento with him throughout his life"], ''Press and Journal'', 23 May 2019</ref> are buried in the abandoned churchyard of the ruined Church of St Ethernan in [[Rathen, Aberdeenshire]], Scotland.<ref name="McKean137">{{cite book |last1=McKean |first1=Charles |title=Banff & Buchan: An Illustrated Architectural Guide |date=1990 |publisher=Mainstream Publications Ltd. |location= |isbn=185158-231-2 |page=137}}</ref>


Edvard Grieg was raised in a musical family. His mother was his first piano teacher and taught him to play when he was age six. He studied in several schools, including [[Tanks Upper Secondary School]].<ref>Robert Layton. ''Grieg''. (London: Omnibus Press, 1998)</ref>
Edvard Grieg was raised in a musical family. His mother was his first piano teacher and taught him to play when he was age six. He studied in several schools, including [[Tanks Upper Secondary School]].<ref>Robert Layton. ''Grieg''. (London: Omnibus Press, 1998)</ref>
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In the spring of 1860, he survived two life-threatening [[Respiratory disease|lung diseases]], [[pleurisy]] and [[tuberculosis]]. Throughout his life, Grieg's health was impaired by a destroyed left lung and considerable deformity of his thoracic spine. He suffered from numerous respiratory infections, and ultimately developed combined lung and heart failure. Grieg was admitted many times to spas and [[Sanatorium|sanatoria]] both in Norway and abroad. Several of his doctors became his friends.<ref>{{cite journal | last1 = Laerum | first1 = OD | date = Dec 1993 | title = Edvard Grieg's health and his physicians | journal = Tidsskr Nor Laegeforen | volume = 113 | issue = 30| pages = 3750–3753 | pmid = 8278965 }}</ref>
In the spring of 1860, he survived two life-threatening [[Respiratory disease|lung diseases]], [[pleurisy]] and [[tuberculosis]]. Throughout his life, Grieg's health was impaired by a destroyed left lung and considerable deformity of his thoracic spine. He suffered from numerous respiratory infections, and ultimately developed combined lung and heart failure. Grieg was admitted many times to spas and [[Sanatorium|sanatoria]] both in Norway and abroad. Several of his doctors became his friends.<ref>{{cite journal | last1 = Laerum | first1 = OD | date = Dec 1993 | title = Edvard Grieg's health and his physicians | journal = Tidsskr Nor Laegeforen | volume = 113 | issue = 30| pages = 3750–3753 | pmid = 8278965 }}</ref>


==Career==
==Pianist==
In 1861, Grieg made his debut as a concert pianist in [[Karlshamn]], Sweden. In 1862, he finished his studies in Leipzig and had his first concert in his hometown,<ref>{{cite web| url = http://griegmuseum.no/en/about-grieg| title = Grieg Museum| access-date = 24 June 2018| archive-date = 17 April 2020| archive-url = https://web.archive.org/web/20200417071541/http://griegmuseum.no/en/about-grieg| url-status = dead}}</ref> where his program included [[Ludwig van Beethoven|Beethoven]]'s ''[[Piano Sonata No. 8 (Beethoven)|Pathétique]]'' sonata.
In 1861, Grieg made his debut as a concert pianist in [[Karlshamn]], Sweden. In 1862, he finished his studies in Leipzig and had his first concert in his hometown,<ref>{{cite web| url = http://griegmuseum.no/en/about-grieg| title = Grieg Museum| access-date = 24 June 2018| archive-date = 17 April 2020| archive-url = https://web.archive.org/web/20200417071541/http://griegmuseum.no/en/about-grieg| url-status = dead}}</ref> where his program included [[Ludwig van Beethoven|Beethoven]]'s ''[[Piano Sonata No. 8 (Beethoven)|Pathétique]]'' sonata.


[[File:Edvard en Nina Grieg 1899.jpg|right|thumb|Grieg and [[Nina Grieg|Nina Hagerup]] (Grieg's wife and first cousin) in 1899]]
[[File:Edvard en Nina Grieg 1899.jpg|right|thumb|Grieg and [[Nina Grieg|Nina Hagerup]] (Grieg's wife and first cousin) in 1899]]
In 1863, Grieg went to [[Copenhagen]], Denmark, and stayed there for three years. He met the Danish composers [[Johan Peter Emilius Hartmann|J. P. E. Hartmann]] and [[Niels Gade]]. He also met his fellow Norwegian composer [[Rikard Nordraak]] (composer of the [[Ja, vi elsker dette landet|Norwegian national anthem]]), who became a good friend and source of inspiration. Nordraak died in 1866, and Grieg composed [[Funeral March in Memory of Rikard Nordraak|a funeral march]] in his honor.<ref>{{cite web|url=https://snl.no/Edvard_Grieg |title=Edvard Grieg|publisher=Store norske leksikon|author=Rune J. Andersen|access-date= 1 September 2017}}</ref>
In 1863, Grieg went to [[Copenhagen]], Denmark, and stayed there for three years. He met the Danish composers [[Johan Peter Emilius Hartmann|J. P. E. Hartmann]] and [[Niels Gade]]. He also met his fellow Norwegian composer [[Rikard Nordraak]] (composer of the [[Ja, vi elsker dette landet|Norwegian national anthem]]), who became a good friend and source of inspiration. Nordraak died in 1866, and Grieg composed [[Funeral March in Memory of Rikard Nordraak|a funeral march]] in his honor.<ref>{{cite web|url=https://snl.no/Edvard_Grieg |title=Edvard Grieg|publisher=Store norske leksikon|author=Rune J. Andersen|access-date= 1 September 2017}}</ref>


On 11 June 1867, Grieg married his first cousin, [[Nina Grieg|Nina Hagerup]] (1845–1935), a lyric soprano. The next year, their only child, Alexandra, was born. Alexandra died in 1869 from [[meningitis]]. In the summer of 1868, Grieg wrote his [[Piano Concerto (Grieg)|Piano Concerto in A minor]] while on holiday in Denmark. [[Edmund Neupert]] gave the concerto its premiere performance on 3 April 1869 at the Casino Theatre in Copenhagen. Grieg himself was unable to be there due to conducting commitments in [[Oslo|Christiania]] (now Oslo).<ref>{{cite web|url= https://nbl.snl.no/Nina_Grieg|title=Nina Grieg|publisher= Norsk biografisk leksikon|author=Inger Elisabeth Haavet|access-date= 1 September 2017}}</ref>
==Marriage==
On 11 June 1867, Grieg married his first cousin, [[Nina Grieg|Nina Hagerup]] (1845–1935), a lyric soprano.
 
The following year, they had a daughter, Alexandra, who died in 1869 from [[meningitis]]. They had no more children.
 
==Composer==
In the summer of 1868, Grieg wrote his [[Piano Concerto (Grieg)|Piano Concerto in A minor]] while on holiday in Denmark. [[Edmund Neupert]] gave the concerto its premiere performance on 3 April 1869 at the Casino Theatre in Copenhagen. Grieg himself was unable to be there due to conducting commitments in [[Oslo|Christiania]] (now Oslo).<ref>{{cite web|url= https://nbl.snl.no/Nina_Grieg|title=Nina Grieg|publisher= Norsk biografisk leksikon|author=Inger Elisabeth Haavet|access-date= 1 September 2017}}</ref>


In 1868, [[Franz Liszt]], who had not yet met Grieg, wrote a testimonial for him to the Norwegian Ministry of Education, which resulted in Grieg's obtaining a travel grant. The two men met in Rome in 1870. During Grieg's first visit, they examined Grieg's [[Violin Sonata No. 1 (Grieg)|Violin Sonata No. 1]], which pleased Liszt greatly. On his second visit in April, Grieg brought with him the manuscript of his [[Piano Concerto (Grieg)|Piano Concerto]], which Liszt proceeded to sightread (including the orchestral arrangement). Liszt's rendition greatly impressed his audience, although Grieg said gently to him that he played the first movement too quickly. Liszt also gave Grieg some advice on [[orchestration]] (for example, to give the melody of the second theme in the first movement to a solo trumpet, which Grieg himself chose not to accept).<ref>{{cite web |url= http://www.mnc.net/norway/grieg.htm |title= Edvard Grieg (1843–1907) |publisher= Norwegian State Academy of Music in Oslo |author= Harald Herresthal |access-date= 1 September 2017 |url-status= dead |archive-url= https://web.archive.org/web/20051214011056/http://www.mnc.net/norway/GRIEG.HTM |archive-date= 14 December 2005}}</ref>
In 1868, [[Franz Liszt]], who had not yet met Grieg, wrote a testimonial for him to the Norwegian Ministry of Education, which resulted in Grieg's obtaining a travel grant. The two men met in Rome in 1870. During Grieg's first visit, they examined Grieg's [[Violin Sonata No. 1 (Grieg)|Violin Sonata No. 1]], which pleased Liszt greatly. On his second visit in April, Grieg brought with him the manuscript of his [[Piano Concerto (Grieg)|Piano Concerto]], which Liszt proceeded to sightread (including the orchestral arrangement). Liszt's rendition greatly impressed his audience, although Grieg said gently to him that he played the first movement too quickly. Liszt also gave Grieg some advice on [[orchestration]] (for example, to give the melody of the second theme in the first movement to a solo trumpet, which Grieg himself chose not to accept).<ref>{{cite web|last=Herresthal|first=Harald|url= http://www.mnc.net/norway/grieg.htm |title=Edvard Grieg|publisher=Norwegian State Academy of Music in Oslo|access-date=24 March 2026|url-status=live|archive-url= https://web.archive.org/web/20051214011056/http://www.mnc.net/norway/GRIEG.HTM |archive-date= 14 December 2005}}</ref>{{failed verification|date=March 2026|reason=Liszt is mentioned once in this article, and none of he material in this paragraph is mentioned there.}}


In the 1870s, he became friends with poet [[Bjørnstjerne Bjørnson]], who shared his interests in Norwegian self-government. Grieg set several of his poems to music, including ''Landkjenning'' and ''Sigurd Jorsalfar''.<ref>{{cite web| url = https://www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.573045&catNum=573045&filetype=About%20this%20Recording&language=English| title = GRIEG, E.: Orchestral Music, Vol. 7 - Olav Trygvason / Landkjenning / Sigurd Jorsalfar (excerpts) (Malmo Symphony, Engeset)| access-date = 3 September 2021| archive-date = 7 March 2021| archive-url = https://web.archive.org/web/20210307074649/https://www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.573045&catNum=573045&filetype=About+this+Recording&language=English| url-status = dead}}</ref> Eventually, they decided on an opera based on King Olav Trygvason, but a dispute as to whether the music or lyrics should be created first led to Grieg being diverted to working on incidental music for [[Henrik Ibsen]]'s play ''[[Peer Gynt]]'', which naturally offended Bjørnson. Eventually, their friendship resumed.<ref>{{cite web| url = https://griegmuseum.no/en/about-grieg| title = ..About Edvard Grieg {{!}} Troldhaugen...| access-date = 3 September 2021| archive-date = 3 September 2021| archive-url = https://web.archive.org/web/20210903164816/https://griegmuseum.no/en/about-grieg| url-status = dead}}</ref>
In the 1870s, he became friends with poet [[Bjørnstjerne Bjørnson]], who shared his interests in Norwegian self-government. Grieg set several of his poems to music, including ''Landkjenning'' and ''Sigurd Jorsalfar''.<ref>{{cite web| url = https://www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.573045&catNum=573045&filetype=About%20this%20Recording&language=English| title = Grieg, E.: Orchestral Music, Vol. 7 Olav Trygvason / Landkjenning / Sigurd Jorsalfar (excerpts) (Malmo Symphony, Engeset)| access-date = 3 September 2021| archive-date = 7 March 2021| archive-url = https://web.archive.org/web/20210307074649/https://www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.573045&catNum=573045&filetype=About+this+Recording&language=English| url-status = dead}}</ref> Eventually, they decided on an opera based on King Olav Trygvason, but a dispute as to whether the music or lyrics should be created first led to Grieg's being diverted to working on incidental music for [[Henrik Ibsen]]'s play ''[[Peer Gynt]]'', which naturally offended Bjørnson. Eventually, their friendship resumed.<ref>{{cite web| url = https://griegmuseum.no/en/about-grieg| title = ..About Edvard Grieg {{!}} Troldhaugen...| access-date = 3 September 2021| archive-date = 3 September 2021| archive-url = https://web.archive.org/web/20210903164816/https://griegmuseum.no/en/about-grieg| url-status = dead}}</ref>


The [[incidental music]] composed for ''Peer Gynt'' at the request of the author contributed to its success and separately became some of the composer's most familiar music arranged as orchestral suites.
The [[incidental music]] composed for ''Peer Gynt'' at the request of the author contributed to its success and separately became some of the composer's most familiar music arranged as orchestral suites.
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The Norwegian government provided Grieg with a pension as he reached retirement age. In the spring of 1903, Grieg made nine 78-rpm [[gramophone record]]ings of his piano music in Paris. All of these discs have been reissued on both LPs and CDs, despite limited fidelity. Grieg recorded [[player piano]] music rolls for the Hupfeld Phonola piano-player system and [[Welte-Mignon]] reproducing system, all of which survive and can be heard today. He also worked with the [[Aeolian Company]] for its 'Autograph Metrostyle' piano roll series wherein he indicated the tempo mapping for many of his pieces.
The Norwegian government provided Grieg with a pension as he reached retirement age. In the spring of 1903, Grieg made nine 78-rpm [[gramophone record]]ings of his piano music in Paris. All of these discs have been reissued on both LPs and CDs, despite limited fidelity. Grieg recorded [[player piano]] music rolls for the Hupfeld Phonola piano-player system and [[Welte-Mignon]] reproducing system, all of which survive and can be heard today. He also worked with the [[Aeolian Company]] for its 'Autograph Metrostyle' piano roll series wherein he indicated the tempo mapping for many of his pieces.


In 1899, Grieg cancelled his concerts in France in protest of the [[Dreyfus affair]], an [[Antisemitism|antisemitic]] scandal that was roiling French politics at the time. Regarding this scandal, Grieg had written that he hoped that the French might "Soon return to the spirit of 1789, when the French republic declared that it would defend basic human rights." As a result of his statements concerning the affair, he became the target of much French [[hate mail]] that day.<ref>[http://www.dagbladet.no/kultur/2007/02/27/493382.html "Grieg the Humanist Brought to Light"], ''[[Dagbladet]]''</ref><ref>[https://www.haaretz.com/jewish/books/i-have-no-desire-to-appear-before-a-french-audience-1.47656 "I Have No Desire..."] ''[[Haaretz]]''. 4 April 2002. By Shaul Koubovi. Retrieved 2 December 2017.</ref>
In 1899, Grieg cancelled his concerts in France in protest of the [[Dreyfus affair]], an [[Antisemitism|antisemitic]] scandal that was roiling French politics at the time. Regarding this scandal, Grieg had written that he hoped that the French might "Soon return to the spirit of 1789, when the French republic declared that it would defend basic human rights." As a result of his statements concerning the affair, he became the target of much French [[hate mail]] that day.<ref>[http://www.dagbladet.no/kultur/2007/02/27/493382.html "Grieg the Humanist Brought to Light"], ''[[Dagbladet]]''</ref><ref>[https://web.archive.org/web/20171204061211/https://www.haaretz.com/jewish/books/i-have-no-desire-to-appear-before-a-french-audience-1.47656 "I Have No Desire..."] ''[[Haaretz]]''. 4 April 2002. By Shaul Koubovi. Retrieved 2 December 2017.</ref>


In 1906, he met the composer and pianist [[Percy Grainger]] in London. Grainger was a great admirer of Grieg's music and a strong empathy was quickly established. In a 1907 interview, Grieg stated: "I have written Norwegian Peasant Dances that no one in my country can play, and here comes this Australian who plays them as they ought to be played! He is a genius that we Scandinavians cannot do other than love."<ref>John Bird, ''Percy Grainger'', Oxford University Press, 1999, pp. 133–134.</ref>
In 1906, he met the composer and pianist [[Percy Grainger]] in London. Grainger was a great admirer of Grieg's music and a strong empathy was quickly established. In a 1907 interview, Grieg stated: "I have written Norwegian Peasant Dances that no one in my country can play, and here comes this Australian who plays them as they ought to be played! He is a genius that we Scandinavians cannot do other than love."<ref>John Bird, ''Percy Grainger'', Oxford University Press, 1999, pp. 133–134.</ref>


Edvard Grieg died at the Municipal Hospital in Bergen, Norway on 4 September 1907 at age 64 from [[heart failure]]. He had suffered a long period of illness. His last words were "Well, if it must be so."<ref>{{cite book |last=Ylikarjula |first=Simo |date=2005 |title=Minä elän ja muita viimeisiä sanoja |language=Finnish |location=Helsinki |publisher=WSOY |page=185|isbn=951-0-29407-1}}</ref>
Edvard Grieg died at the Municipal Hospital in Bergen, Norway, on 4 September 1907 at age 64 from [[heart failure]]. He had suffered a long period of illness. His last words were "Well, if it must be so."<ref>{{cite book |last=Ylikarjula |first=Simo |date=2005 |title=Minä elän ja muita viimeisiä sanoja |language=Finnish |location=Helsinki |publisher=WSOY |page=185|isbn=951-0-29407-1}}</ref>


The funeral drew between 30,000 and 40,000 people to the streets of his home town to honor him. Obeying his wish, his own ''[[Funeral March in Memory of Rikard Nordraak]]'' was played with orchestration by his friend [[Johan Halvorsen]], who had married Grieg's niece. In addition, the ''Funeral March'' movement from [[Frédéric Chopin|Chopin]]'s [[Piano Sonata No. 2 (Chopin)|Piano Sonata No. 2]] was played. Grieg was [[cremated]] in the first Norwegian [[crematorium]] opened in Bergen just that year, and his ashes were entombed in a mountain crypt near his house, Troldhaugen. After the death of his wife, her ashes were placed alongside his.<ref name=nbl />
The funeral drew between 30,000 and 40,000 people to the streets of his home town to honor him. Obeying his wish, his own ''[[Funeral March in Memory of Rikard Nordraak]]'' was played with orchestration by his friend [[Johan Halvorsen]], who had married Grieg's niece. In addition, the ''Funeral March'' movement from [[Frédéric Chopin|Chopin]]'s [[Piano Sonata No. 2 (Chopin)|Piano Sonata No. 2]] was played. Grieg was [[cremated]] in the first Norwegian [[crematorium]] opened in Bergen just that year, and his ashes were entombed in a mountain crypt near his house, Troldhaugen. After the death of his wife, her ashes were placed alongside his.<ref name=nbl />
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}}</ref>
}}</ref>


Grieg's ''[[Holberg Suite]]'' was originally written for the piano, and later arranged by the composer for [[string instrument|string]] orchestra. Grieg wrote songs in which he set lyrics by poets [[Heinrich Heine]], [[Johann Wolfgang von Goethe]], Henrik Ibsen, [[Hans Christian Andersen]], [[Rudyard Kipling]] and others. Russian composer [[Nikolai Myaskovsky]] used a theme by Grieg for the variations with which he closed his Third String Quartet. Norwegian pianist [[Eva Knardahl]] recorded the composer's complete piano music on 13 LPs for [[BIS Records]] from 1977 to 1980. The recordings were reissued in 2006 on 12 compact discs, also on [[BIS Records]]. Grieg himself recorded many of these piano works before his death in 1907. Pianist [[Bertha Tapper]] edited Grieg's piano works for publication in America by Oliver Ditson.<ref>{{Cite web|last=Tapper|first=Bertha Feiring|title=WorldCat.org: The World's Largest Library Catalog|url=https://www.worldcat.org/|url-status=live|access-date=1 September 2021|website=www.worldcat.org|archive-url=https://web.archive.org/web/20010428010116/http://www.worldcat.org:80/ |archive-date=28 April 2001 }}</ref>
Grieg's ''[[Holberg Suite]]'' was originally written for the piano, and later arranged by the composer for [[string instrument|string]] orchestra. Grieg wrote songs in which he set lyrics by poets [[Heinrich Heine]], [[Johann Wolfgang von Goethe]], Henrik Ibsen, [[Hans Christian Andersen]], [[Rudyard Kipling]] and others. Russian composer [[Nikolai Myaskovsky]] used a theme by Grieg for the variations with which he closed his Third String Quartet. Norwegian pianist [[Eva Knardahl]] recorded the composer's complete piano music on 13 LPs for [[BIS Records]] from 1977 to 1980. The recordings were reissued in 2006 on 12 compact discs, also on [[BIS Records]]. Grieg himself recorded many of these piano works before his death in 1907. Pianist [[Bertha Tapper]] edited Grieg's piano works for publication in America by [[Oliver Ditson]].{{citation needed|date=March 2026}}


==List of selected works==
==List of selected works==
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* [https://web.archive.org/web/20161030202457/http://www.lunanova.org/MaytanCD/GriegSonata3-2.mp3 Edvard Grieg, Sonata No. 3 in C minor, II. Allegretto espressivo all Ramanza – Gregory Maytan (violin), Nicole Lee (piano)]{{plays audio}}
* [https://web.archive.org/web/20161030202457/http://www.lunanova.org/MaytanCD/GriegSonata3-2.mp3 Edvard Grieg, Sonata No. 3 in C minor, II. Allegretto espressivo all Ramanza – Gregory Maytan (violin), Nicole Lee (piano)]{{plays audio}}
* [https://web.archive.org/web/20161030205017/http://www.lunanova.org/MaytanCD/GriegSonata3-3.mp3 Edvard Grieg, Sonata No. 3 in C minor, III. Allegro animato – Gregory Maytan (violin), Nicole Lee (piano)]{{plays audio}}
* [https://web.archive.org/web/20161030205017/http://www.lunanova.org/MaytanCD/GriegSonata3-3.mp3 Edvard Grieg, Sonata No. 3 in C minor, III. Allegro animato – Gregory Maytan (violin), Nicole Lee (piano)]{{plays audio}}
===Music scores===
===Music scores===
*{{IMSLP|id=Grieg, Edvard}}
*{{IMSLP|id=Grieg, Edvard}}
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[[Category:Male classical pianists]]
[[Category:Male classical pianists]]
[[Category:Musicians awarded knighthoods]]
[[Category:Musicians awarded knighthoods]]
[[Category:Musicians from Bergen]]
[[Category:Composers from Bergen]]
[[Category:Norwegian male classical composers]]
[[Category:Norwegian male classical composers]]
[[Category:Norwegian male pianists]]
[[Category:Norwegian male pianists]]
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[[Category:Ballets Russes composers]]
[[Category:Ballets Russes composers]]
[[Category:Hagerup family]]
[[Category:Hagerup family]]
[[Category:19th-century male pianists]]
[[Category:20th-century male pianists]]
[[Category:Dreyfusards]]

Latest revision as of 21:28, 31 May 2026

Edvard Grieg
File:Edvard Grieg portrait (cropped).jpg
Grieg in 1888
Born(1843-06-15)15 June 1843
Bergen, Norway
Died4 September 1907(1907-09-04) (aged 64)
Bergen, Norway
Occupation
  • Composer
  • pianist
Works
List of compositions
Spouse(s)
(m. 1867)

Edvard Hagerup Grieg (/ɡrɡ/ GREEG, no; 15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use of Norwegian folk music in his own compositions brought the music of Norway to fame, as well as helping to develop a national identity, much as Jean Sibelius did in Finland and Bedřich Smetana in Bohemia.[1]

Grieg is the most celebrated person from the city of Bergen, with numerous statues that depict his image and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, Troldhaugen, is dedicated to his legacy.[2][3][4][5]

Background

File:Ingebrigt Vik-Edvard Grieg-Bergen.jpg
Statue of Grieg by Ingebrigt Vik in Bergen
File:Eilif Peterssen-Edvard Grieg 1891.jpg
Edvard Grieg (1891), portrait by Eilif Peterssen

Edvard Hagerup Grieg was born in Bergen, Norway. His parents were Alexander Grieg (1806–1875), a merchant and the British Vice-Consul in Bergen, and Gesine Judithe Hagerup (1814–1875), a music teacher and daughter of solicitor and politician Edvard Hagerup.[6][7] The family name, originally spelled Greig, is associated with the Scottish Clann Ghriogair (Clan Gregor).[8] After the Battle of Culloden in Scotland in 1746, Grieg's great-grandfather, Alexander Greig (1739–1803),[9] travelled widely before settling in Norway about 1770 and establishing business interests in Bergen. Grieg's paternal great-great-grandparents, John (1702–1774) and Anne (1704–1784),[10] are buried in the abandoned churchyard of the ruined Church of St Ethernan in Rathen, Aberdeenshire, Scotland.[11]

Edvard Grieg was raised in a musical family. His mother was his first piano teacher and taught him to play when he was age six. He studied in several schools, including Tanks Upper Secondary School.[12]

In the summer of 1858, Grieg met the eminent Norwegian violinist Ole Bull,[13] who was a family friend; Bull's brother was married to Grieg's aunt.[14] Bull recognized the 15-year-old boy's talent and persuaded his parents to send him to the Leipzig Conservatory,[13] the piano department of which was directed by Ignaz Moscheles.[15]

Grieg enrolled in the conservatory, concentrating on piano, and enjoyed the many concerts and recitals given in Leipzig. He disliked the discipline of the conservatory course of study. An exception was the organ, which was mandatory for piano students. About his study in the conservatory, he wrote to his biographer, Aimar Grønvold, in 1881: "I must admit, unlike Svendsen, that I left Leipzig Conservatory just as stupid as I entered it. Naturally, I did learn something there, but my individuality was still a closed book to me."[16]

In the spring of 1860, he survived two life-threatening lung diseases, pleurisy and tuberculosis. Throughout his life, Grieg's health was impaired by a destroyed left lung and considerable deformity of his thoracic spine. He suffered from numerous respiratory infections, and ultimately developed combined lung and heart failure. Grieg was admitted many times to spas and sanatoria both in Norway and abroad. Several of his doctors became his friends.[17]

Pianist

In 1861, Grieg made his debut as a concert pianist in Karlshamn, Sweden. In 1862, he finished his studies in Leipzig and had his first concert in his hometown,[18] where his program included Beethoven's Pathétique sonata.

File:Edvard en Nina Grieg 1899.jpg
Grieg and Nina Hagerup (Grieg's wife and first cousin) in 1899

In 1863, Grieg went to Copenhagen, Denmark, and stayed there for three years. He met the Danish composers J. P. E. Hartmann and Niels Gade. He also met his fellow Norwegian composer Rikard Nordraak (composer of the Norwegian national anthem), who became a good friend and source of inspiration. Nordraak died in 1866, and Grieg composed a funeral march in his honor.[19]

Marriage

On 11 June 1867, Grieg married his first cousin, Nina Hagerup (1845–1935), a lyric soprano.

The following year, they had a daughter, Alexandra, who died in 1869 from meningitis. They had no more children.

Composer

In the summer of 1868, Grieg wrote his Piano Concerto in A minor while on holiday in Denmark. Edmund Neupert gave the concerto its premiere performance on 3 April 1869 at the Casino Theatre in Copenhagen. Grieg himself was unable to be there due to conducting commitments in Christiania (now Oslo).[20]

In 1868, Franz Liszt, who had not yet met Grieg, wrote a testimonial for him to the Norwegian Ministry of Education, which resulted in Grieg's obtaining a travel grant. The two men met in Rome in 1870. During Grieg's first visit, they examined Grieg's Violin Sonata No. 1, which pleased Liszt greatly. On his second visit in April, Grieg brought with him the manuscript of his Piano Concerto, which Liszt proceeded to sightread (including the orchestral arrangement). Liszt's rendition greatly impressed his audience, although Grieg said gently to him that he played the first movement too quickly. Liszt also gave Grieg some advice on orchestration (for example, to give the melody of the second theme in the first movement to a solo trumpet, which Grieg himself chose not to accept).[21][failed verification]

In the 1870s, he became friends with poet Bjørnstjerne Bjørnson, who shared his interests in Norwegian self-government. Grieg set several of his poems to music, including Landkjenning and Sigurd Jorsalfar.[22] Eventually, they decided on an opera based on King Olav Trygvason, but a dispute as to whether the music or lyrics should be created first led to Grieg's being diverted to working on incidental music for Henrik Ibsen's play Peer Gynt, which naturally offended Bjørnson. Eventually, their friendship resumed.[23]

The incidental music composed for Peer Gynt at the request of the author contributed to its success and separately became some of the composer's most familiar music arranged as orchestral suites.

Grieg had close ties with the Bergen Philharmonic Orchestra (Harmonien), and later became music director of the orchestra from 1880 to 1882. In 1888, Grieg met Tchaikovsky in Leipzig. Grieg was impressed by Tchaikovsky,[24] who thought very highly of Grieg's music, praising its beauty, originality and warmth.[25]

On 6 December 1897, Grieg and his wife performed some of his music at a private concert at Windsor Castle for Queen Victoria and her court.[26]

Grieg was awarded two honorary doctorates, first by the University of Cambridge in 1894 and the next from the University of Oxford in 1906.[27]

Later years

File:Troldhaugen in Bergen.jpg
Edvard Grieg Museum in Troldhaugen

The Norwegian government provided Grieg with a pension as he reached retirement age. In the spring of 1903, Grieg made nine 78-rpm gramophone recordings of his piano music in Paris. All of these discs have been reissued on both LPs and CDs, despite limited fidelity. Grieg recorded player piano music rolls for the Hupfeld Phonola piano-player system and Welte-Mignon reproducing system, all of which survive and can be heard today. He also worked with the Aeolian Company for its 'Autograph Metrostyle' piano roll series wherein he indicated the tempo mapping for many of his pieces.

In 1899, Grieg cancelled his concerts in France in protest of the Dreyfus affair, an antisemitic scandal that was roiling French politics at the time. Regarding this scandal, Grieg had written that he hoped that the French might "Soon return to the spirit of 1789, when the French republic declared that it would defend basic human rights." As a result of his statements concerning the affair, he became the target of much French hate mail that day.[28][29]

In 1906, he met the composer and pianist Percy Grainger in London. Grainger was a great admirer of Grieg's music and a strong empathy was quickly established. In a 1907 interview, Grieg stated: "I have written Norwegian Peasant Dances that no one in my country can play, and here comes this Australian who plays them as they ought to be played! He is a genius that we Scandinavians cannot do other than love."[30]

Edvard Grieg died at the Municipal Hospital in Bergen, Norway, on 4 September 1907 at age 64 from heart failure. He had suffered a long period of illness. His last words were "Well, if it must be so."[31]

The funeral drew between 30,000 and 40,000 people to the streets of his home town to honor him. Obeying his wish, his own Funeral March in Memory of Rikard Nordraak was played with orchestration by his friend Johan Halvorsen, who had married Grieg's niece. In addition, the Funeral March movement from Chopin's Piano Sonata No. 2 was played. Grieg was cremated in the first Norwegian crematorium opened in Bergen just that year, and his ashes were entombed in a mountain crypt near his house, Troldhaugen. After the death of his wife, her ashes were placed alongside his.[6]

Edvard Grieg and his wife were Unitarians and Nina attended the Unitarian church in Copenhagen after his death.[32][33]

A century after his death, Grieg's legacy extends beyond the field of music. There is a large sculpture of Grieg in Seattle, while one of the largest hotels in Bergen (his hometown) is named Quality Hotel Edvard Grieg and a large crater on the planet Mercury is named after Grieg.

Music

Some of Grieg's early works include a symphony (which he later suppressed) and a piano sonata. He wrote three violin sonatas and a cello sonata.[6] Grieg composed the incidental music for Henrik Ibsen's play Peer Gynt, which includes the excerpts "In the Hall of the Mountain King" and "Morning Mood." In an 1874 letter to his friend Frants Beyer, Grieg expressed his unhappiness with "In the Hall of the Mountain King," one of the movements in the Peer Gynt incidental music, writing "I have also written something for the scene in the hall of the mountain King – something that I literally can't bear listening to because it absolutely reeks of cow-pies, exaggerated Norwegian nationalism, and trollish self-satisfaction! But I have a hunch that the irony will be discernible."[34]

Grieg's Holberg Suite was originally written for the piano, and later arranged by the composer for string orchestra. Grieg wrote songs in which he set lyrics by poets Heinrich Heine, Johann Wolfgang von Goethe, Henrik Ibsen, Hans Christian Andersen, Rudyard Kipling and others. Russian composer Nikolai Myaskovsky used a theme by Grieg for the variations with which he closed his Third String Quartet. Norwegian pianist Eva Knardahl recorded the composer's complete piano music on 13 LPs for BIS Records from 1977 to 1980. The recordings were reissued in 2006 on 12 compact discs, also on BIS Records. Grieg himself recorded many of these piano works before his death in 1907. Pianist Bertha Tapper edited Grieg's piano works for publication in America by Oliver Ditson.[citation needed]

List of selected works

See also

References

Notes

  1. Daniel M. Grimley (2006). Grieg: Music, Landscape and Norwegian Identity. Ipswich: Boydell Press. ISBN 978-1-84383-210-2.
  2. "Grieghallen". Bergen byleksikon. Retrieved 1 September 2017.
  3. "Griegakademiet". Universitetet i Bergen. Archived from the original on 31 December 2019. Retrieved 1 September 2017.
  4. "Edvard Grieg Museum Troldhaugen". KODE. Archived from the original on 29 August 2017. Retrieved 1 September 2017.
  5. "About Edvard Grieg Kor". Edvard Grieg Kor. Archived from the original on 12 September 2017. Retrieved 1 September 2017.
  6. 6.0 6.1 6.2 Benestad, Finn. "Edvard Grieg". In Helle, Knut (ed.). Norsk biografisk leksikon (in Norwegian). Oslo: Kunnskapsforlaget. Retrieved 10 September 2011.
  7. Benestad & Schjelderup-Ebbe 1990, pp. 25–28.
  8. "The Origins of the Greig Family Name". greig.org. Archived from the original on 17 August 2019. Retrieved 4 August 2019.
  9. Template:Cite Grove
  10. "Edvard Grieg proudly carried Fraserburgh memento with him throughout his life", Press and Journal, 23 May 2019
  11. McKean, Charles (1990). Banff & Buchan: An Illustrated Architectural Guide. Mainstream Publications Ltd. p. 137. ISBN 185158-231-2.
  12. Robert Layton. Grieg. (London: Omnibus Press, 1998)
  13. 13.0 13.1 Benestad & Schjelderup-Ebbe 1990, pp. 35–36
  14. Benestad & Schjelderup-Ebbe 1990, p. 24.
  15. Jerome Roche and Henry Roche. "Moscheles, Ignaz", Grove Music Online, Oxford Music Online, Oxford University Press, accessed 30 June 2014 (subscription required)
  16. "Edvard Grieg – Leipzig Conservatory". The Fryderyk Chopin Institute. Retrieved 13 January 2025.
  17. Laerum, OD (December 1993). "Edvard Grieg's health and his physicians". Tidsskr Nor Laegeforen. 113 (30): 3750–3753. PMID 8278965.
  18. "Grieg Museum". Archived from the original on 17 April 2020. Retrieved 24 June 2018.
  19. Rune J. Andersen. "Edvard Grieg". Store norske leksikon. Retrieved 1 September 2017.
  20. Inger Elisabeth Haavet. "Nina Grieg". Norsk biografisk leksikon. Retrieved 1 September 2017.
  21. Herresthal, Harald. "Edvard Grieg". Norwegian State Academy of Music in Oslo. Archived from the original on 14 December 2005. Retrieved 24 March 2026.
  22. "Grieg, E.: Orchestral Music, Vol. 7 – Olav Trygvason / Landkjenning / Sigurd Jorsalfar (excerpts) (Malmo Symphony, Engeset)". Archived from the original on 7 March 2021. Retrieved 3 September 2021.
  23. "..About Edvard Grieg | Troldhaugen..." Archived from the original on 3 September 2021. Retrieved 3 September 2021.
  24. Gretchen Lamb. "First Impressions, Edvard Grieg". Archived from the original on 27 October 2009. Retrieved 11 October 2006. Lamb cites David Brown's Tchaikovsky Remembered[full citation needed]
  25. Richard Freed. "Piano Concerto in A minor, Op. 16". Archived from the original on 1 November 2006. Retrieved 11 October 2006.
  26. Mallet, Victor (1968). Life With Queen Victoria. Boston: Houghton Mifflin. p. 120.
  27. Carley, Lionel. "Preface." Preface. Edvard Grieg in England. N.p.: Boydell, 2006. Xi. Google Books. Web. 1 June 2014.
  28. "Grieg the Humanist Brought to Light", Dagbladet
  29. "I Have No Desire..." Haaretz. 4 April 2002. By Shaul Koubovi. Retrieved 2 December 2017.
  30. John Bird, Percy Grainger, Oxford University Press, 1999, pp. 133–134.
  31. Ylikarjula, Simo (2005). Minä elän ja muita viimeisiä sanoja (in Finnish). Helsinki: WSOY. p. 185. ISBN 951-0-29407-1.
  32. Peter Hughes (4 November 2004). "Edvard and Nina Grieg". Dictionary of Unitarian and Universalist Biography. Unitarian Universalist Association. Archived from the original on 21 November 2019. Retrieved 10 December 2013.
  33. Leah Kennedy (1 May 2011). "The Life and Works of Edvard Grieg". Utah State University. Retrieved 3 December 2014.
  34. Layton, Robert (1998). Grieg: Illustrated Lives of the Great Composers. Omnibus Press. p. 75. ISBN 978-0-7119-4811-2. See also: Tommasini, Anthony (16 September 2007). "Respect at Last for Grieg?". The New York Times. Retrieved 4 July 2008.

Bibliography

Further reading

English

Norwegian

  • Bredal, Dag/Strøm-Olsen, Terje (1992) Edvard Grieg – Musikken er en kampplass (Oslo: Aventura Forlag A/S) ISBN 978-82-588-0890-6
  • Dahl Jr., Erling (2007) Edvard Grieg – En introduksjon til hans liv og musikk (Bergen: Vigmostad og Bjørke) ISBN 978-82-419-0418-9
  • Purdy, Claire Lee (1968) Historien om Edvard Grieg (Oslo: A/S Forlagshuse) ISBN 978-82-511-0152-3

Recordings by Grieg

Recordings of Grieg works

Music scores

Template:Edvard Grieg Template:Romantic music Template:Musical nationalism