Gylfaginning: Difference between revisions
Jump to navigation
Jump to search
imported>Joefromrandb ce |
imported>Antiquary →Summary: "This is an Icelandic name. The last name is patronymic, not a family name; this person is referred to by the given name Snorri." |
||
| Line 11: | Line 11: | ||
Gangleri is then challenged to show his wisdom by asking questions, as is the custom in many [[saga]]s. Each question made to High, Just-As-High, and Third is about an aspect of the Norse mythology or its gods, and also about the creation and destruction of the world ([[Ragnarök]]). In the end, the palace and its people vanish, presumably as they were illusions to begin with. Gylfi is left standing on empty ground. Gylfi then returns to his nation and retells the tales he was told. | Gangleri is then challenged to show his wisdom by asking questions, as is the custom in many [[saga]]s. Each question made to High, Just-As-High, and Third is about an aspect of the Norse mythology or its gods, and also about the creation and destruction of the world ([[Ragnarök]]). In the end, the palace and its people vanish, presumably as they were illusions to begin with. Gylfi is left standing on empty ground. Gylfi then returns to his nation and retells the tales he was told. | ||
The author may have used this narrative device as a means to safely document a vanishing and largely oral tradition within a Christian context.<ref name="davidson">{{cite book |title=Gods and Myths of Northern Europe |last=Davidson |first=Hilda R. Ellis |author-link=Hilda Ellis Davidson |date=1964 |publisher=Pelican |pages=23–25 }}</ref> In the same way, a line continues the idea raised in the Prologue that Asgard is another name for the city of [[Troy]], another way to make stories of the Norse gods acceptable as describing a lost ancient history rather than rival deities to the Christian god. The account can be downplayed as just stories for the devout, but | The author may have used this narrative device as a means to safely document a vanishing and largely oral tradition within a Christian context.<ref name="davidson">{{cite book |title=Gods and Myths of Northern Europe |last=Davidson |first=Hilda R. Ellis |author-link=Hilda Ellis Davidson |date=1964 |publisher=Pelican |pages=23–25 }}</ref> In the same way, a line continues the idea raised in the Prologue that Asgard is another name for the city of [[Troy]], another way to make stories of the Norse gods acceptable as describing a lost ancient history rather than rival deities to the Christian god. The account can be downplayed as just stories for the devout, but Snorri Sturluson trusts that most listeners would be won over by the account of the three men of the vanished world of the Æsir.<ref name="davidson" /> The very final section of the ''Gylfaginning'' is also related to the Trojan connection to the Æsir, but is discarded as a later addition written by a separate author than the rest of the work by some scholars. According to this final section, the human descendants of the Trojans took on the same names told in the stories that had been told to Gylfi, presumably to endow themselves with additional authority.<ref>{{cite wikisource |title=Gylfaginning |wslink=The Prose Edda (1916 translation by Arthur Gilchrist Brodeur)/Gylfaginning |translator-last=Brodeur |translator-first=Arthur Gilchrist |translator-link=Arthur Gilchrist Brodeur |date=1916 |publisher= |location=|page=85 |scan=Page:The Prose Edda (1916 translation by Arthur Gilchrist Brodeur).pdf/117}}</ref><ref>{{cite book |translator-last=Byock |translator-first=Jesse |translator-link=Jesse Byock |date=2006 |title=The Prose Edda |location= |publisher=[[Penguin Classics]] |isbn=978-0-141-91274-5 |at=55. The Epilogue to ''Gylfaginning'', Footnote 1|author=Snorri Sturluson|author-link=Snorri Sturluson}}</ref> | ||
The work as a whole is around 20,000 words. | The work as a whole is around 20,000 words. | ||