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{{Short description|Greek god of music, prophecy and healing}} | {{Short description|Greek god of music, prophecy and healing}} | ||
{{About|the Greek and Roman god|the spaceflight program|Apollo program|other uses|Apollo (disambiguation)}} | {{About|the Greek and Roman god|the spaceflight program|Apollo program|other uses|Apollo (disambiguation)}} | ||
{{Redirect-distinguish-for|Phoebus|Phobos (mythology)|other uses|Phoebus (disambiguation)}} | {{Redirect-distinguish-for|Phoebus|Phobos (mythology)|other uses|Phoebus (disambiguation)}} | ||
{{pp-semi-indef}} | {{pp-semi-indef}} | ||
{{pp-move|small=yes}} | {{pp-move|small=yes}} | ||
{{Use dmy dates|date= | {{Very long|date=January 2026|words=14,788}} | ||
{{Use dmy dates|date=October 2025}}<!-- this article uses the BCE/CE convention --> | |||
{{Infobox deity | {{Infobox deity | ||
| type = Greek | | type = Greek | ||
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| image = Italy-3104 - Apollo (5378415112).jpg | | image = Italy-3104 - Apollo (5378415112).jpg | ||
| alt = | | alt = | ||
| caption = ''[[Apollo Belvedere]]'', {{circa| | | caption = ''[[Apollo Belvedere]]'', a 2nd-century CE Roman copy of a Greek original from {{circa|330}} BCE<ref>[[Vatican Museums]] [https://www.museivaticani.va/content/museivaticani/en/collezioni/musei/museo-pio-clementino/Cortile-Ottagono/apollo-del-belvedere.html 1015].</ref> | ||
| member_of = the [[twelve Olympians]] | |||
| member_of = the [[ | |||
| abode = [[Mount Olympus]] | | abode = [[Mount Olympus]] | ||
| symbol = [[Lyre]], [[laurel wreath]], [[Python (mythology)|python]], bow and arrows | | symbol = [[Lyre]], [[laurel wreath]], [[Python (mythology)|python]], [[bow and arrows]] | ||
| tree = [[Laurus nobilis|laurel]], [[cypress]] | | tree = [[Laurus nobilis|laurel]], [[cypress]] | ||
| animals = Raven, [[swan]], [[wolf]] | | animals = Raven, [[swan]], [[wolf]] | ||
| birth_place = [[Delos]] | | birth_place = [[Delos]] | ||
| parents = [[Zeus]] and [[Leto]] | | parents = [[Zeus]] and [[Leto]] | ||
| siblings = [[Artemis]] (twin) | | siblings = [[Artemis]] (twin) | ||
| mount = A chariot drawn by swans | | mount = A chariot drawn by swans | ||
| planet = [[Sun]]<br />[[Mercury (planet)|Mercury]]<ref name=":merc">{{cite book | page = [https://books.google.com/books?id=GnrAVhVZ3wMC&pg=PA75 75] | title = The Planet Observer's Handbook | first1 = Fred W. | last1 = Price | publisher = [[Cambridge University Press]] | date = 1994 | isbn = 0-521-78981-8 | location = New York City, New York | url = https://books.google.com/books?id=GnrAVhVZ3wMC}}</ref> (antiquity) | | planet = [[Sun]]<br />[[Mercury (planet)|Mercury]]<ref name=":merc">{{cite book | page = [https://books.google.com/books?id=GnrAVhVZ3wMC&pg=PA75 75] | title = The Planet Observer's Handbook | first1 = Fred W. | last1 = Price | publisher = [[Cambridge University Press]] | date = 1994 | isbn = 0-521-78981-8 | location = New York City, New York | url = https://books.google.com/books?id=GnrAVhVZ3wMC}}</ref> (antiquity) | ||
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{{Ancient Greek religion}} | {{Ancient Greek religion}} | ||
{{Contains special characters}} | {{Contains special characters}} | ||
'''Apollo'''{{efn|[[Attic Greek|Attic]], [[Ionic Greek|Ionic]], [[Homeric Greek|Homeric]] and {{langx|grc-x-koine|Ἀπόλλων|Apóllōn}}, {{langx|grc|Ἀπόλλωνος|Apóllōnos|label=genitive}} {{IPA|grc|a.pól.lɔːn|label=[[Attic Greek|Attic]]–[[Ionic Greek|Ionic]] pronunciation:}}, {{IPA|grc|a.pól.lɔː.nos|}}; {{IPA|grc-x-koine|aˈpol.lon|lang|link=yes}}, {{IPA|la|aˈpol.lo.nos|}}<br />{{langx|grc-x-doric|Ἀπέλλων|Apéllōn}}, {{IPA|grc-x-doric|a.pel.lɔ̂ːn|link=yes}}; {{langx|grc|Ἀπείλων|Apeílōn|label=[[Arcadocypriot Greek]]:}}, {{IPA|grc|a.pěː.lɔːn|label=Arcadocypriot Greek:}}; {{langx|grc-x-aeolic|Ἄπλουν|Áploun}}, {{IPA|grc-x-aeolic|á.ploːn|lang|link=yes}}<br />{{langx|la|Apollō}}, {{langx|la|Apollinis|label=genitive}}, {{IPA|la-x-classic|äˈpɔlːʲoː|lang|link=yes}}, {{IPA|la|äˈpɔl.lʲɪ.nɪs̠|}}; {{IPA|la|ɑˈpɔl.lɔ|label=[[Late Latin]]:}}, {{IPA|la|ɑˈpɔl.li.nis|}}}} is one of the [[Twelve Olympians|Olympian deities | In [[ancient Greek religion]] and [[Greek mythology|mythology]], '''Apollo'''{{efn|[[Attic Greek|Attic]], [[Ionic Greek|Ionic]], [[Homeric Greek|Homeric]] and {{langx|grc-x-koine|Ἀπόλλων|Apóllōn}}, {{langx|grc|Ἀπόλλωνος|Apóllōnos|label=genitive}} {{IPA|grc|a.pól.lɔːn|label=[[Attic Greek|Attic]]–[[Ionic Greek|Ionic]] pronunciation:}}, {{IPA|grc|a.pól.lɔː.nos|}}; {{IPA|grc-x-koine|aˈpol.lon|lang|link=yes}}, {{IPA|la|aˈpol.lo.nos|}}<br />{{langx|grc-x-doric|Ἀπέλλων|Apéllōn}}, {{IPA|grc-x-doric|a.pel.lɔ̂ːn|link=yes}}; {{langx|grc|Ἀπείλων|Apeílōn|label=[[Arcadocypriot Greek]]:}}, {{IPA|grc|a.pěː.lɔːn|label=Arcadocypriot Greek:}}; {{langx|grc-x-aeolic|Ἄπλουν|Áploun}}, {{IPA|grc-x-aeolic|á.ploːn|lang|link=yes}}<br />{{langx|la|Apollō}}, {{langx|la|Apollinis|label=genitive}}, {{IPA|la-x-classic|äˈpɔlːʲoː|lang|link=yes}}, {{IPA|la|äˈpɔl.lʲɪ.nɪs̠|}}; {{IPA|la|ɑˈpɔl.lɔ|label=[[Late Latin]]:}}, {{IPA|la|ɑˈpɔl.li.nis|}}}} is one of the [[Twelve Olympians|Olympian deities]]. His numerous functions include healing, [[prophecy]], music, poetry, and archery. He is the son of [[Zeus]] and [[Leto]], and the twin brother of [[Artemis]], goddess of the hunt. He is considered to be the most beautiful god and is represented as the ideal of the ''[[kouros]]'' (ephebe, or a beardless, athletic youth). In the 5th century BC, his worship was imported to [[Ancient Rome|Rome]]. | ||
As the patron deity of [[Delphi]] (''Apollo Pythios''), Apollo is an [[oracular]] god—the prophetic [[deity]] of the [[Pythia|Delphic Oracle]] and | As the patron deity of [[Delphi]] (''Apollo Pythios''), Apollo is an [[oracular]] god—the prophetic [[deity]] of the [[Pythia|Delphic Oracle]] and the deity of ritual purification. His oracles were often consulted for guidance in various matters. He was in general seen as the god who affords help and wards off evil, and is referred to as {{transliteration|grc|[[Alexicacus]]|italic=no}}, the "averter of evil". Medicine and healing are associated with Apollo, whether through the god himself or mediated through his son [[Asclepius]]. Apollo delivered people from epidemics, yet he is also a god who could bring ill health and deadly [[Plague (disease)|plague]] with his arrows. The invention of archery itself is credited to Apollo and his sister Artemis. Apollo is usually described as carrying a silver or golden bow and a quiver of arrows. | ||
As the god of ''mousike'',{{efn|''Mousike'' (the art of the Muses) was an integral part of life in the ancient Greek world, and the term covered not only music but also dance, lyrics, theatre and the performance of poetry.}} Apollo presides over all music, songs, dance, and poetry. He is the inventor of string-music and the frequent companion of the Muses, functioning as their chorus leader in celebrations. The lyre is a common [[#Attributes and symbols|attribute of Apollo]]. Protection of the young is one of the best attested facets of his panhellenic cult persona. As a {{transliteration|grc|[[kourotrophos]]}}, Apollo is concerned with the health and education of children, and he presided over their passage into adulthood. Long hair, which was the prerogative of boys, was cut at the coming of age ({{transliteration|grc|ephebeia}}) and dedicated to Apollo. The god himself is depicted with long, uncut hair to symbolise his eternal youth. | As the god of ''mousike'',{{efn|''Mousike'' (the art of the Muses) was an integral part of life in the ancient Greek world, and the term covered not only music but also dance, lyrics, theatre and the performance of poetry.}} Apollo presides over all music, songs, dance, and poetry. He is the inventor of string-music and the frequent companion of the Muses, functioning as their chorus leader in celebrations. The lyre is a common [[#Attributes and symbols|attribute of Apollo]]. Protection of the young is one of the best attested facets of his [[panhellenic]] cult persona. As a {{transliteration|grc|[[kourotrophos]]}}, Apollo is concerned with the health and education of children, and he presided over their passage into adulthood. Long hair, which was the prerogative of boys, was cut at the coming of age ({{transliteration|grc|ephebeia}}) and dedicated to Apollo. The god himself is depicted with long, uncut hair to symbolise his eternal youth. | ||
Apollo is an important pastoral deity, and he was the patron of herdsmen and shepherds. Protection of herds, flocks and crops from diseases, pests and predators were his primary rustic duties. On the other hand, Apollo also encouraged the founding of new towns and the establishment of civil constitutions, is associated with dominion over [[Colonies in antiquity|colonists]], and was the giver of laws. His oracles were often consulted before setting laws in a city. Apollo [[Agyieus]] was the protector of the streets, public places and home entrances.<ref name="DGRBM">{{Cite book | last = Schmitz | first = Leonhard | contribution = Agyieus | editor-last = Smith | editor-first = William | title = [[Dictionary of Greek and Roman Biography and Mythology]] | volume = 1 | pages = 83 | publisher = [[Little, Brown and Company]] | place = Boston | year = 1867 | contribution-url = http://www.ancientlibrary.com/smith-bio/0092.html | access-date = 2008 | Apollo is an important [[Pastoral farming|pastoral]] deity, and he was the patron of herdsmen and shepherds. Protection of herds, flocks and crops from diseases, pests and predators were his primary rustic duties. On the other hand, Apollo also encouraged the founding of new towns and the establishment of civil constitutions, is associated with dominion over [[Colonies in antiquity|colonists]], and was the giver of laws. His oracles were often consulted before setting laws in a city. Apollo [[Agyieus]] was the protector of the streets, public places and home entrances.<ref name="DGRBM">{{Cite book | last = Schmitz | first = Leonhard | contribution = Agyieus | editor-last = Smith | editor-first = William | title = [[Dictionary of Greek and Roman Biography and Mythology]] | volume = 1 | pages = 83 | publisher = [[Little, Brown and Company]] | place = Boston | year = 1867 | contribution-url = http://www.ancientlibrary.com/smith-bio/0092.html | access-date = 6 June 2008 | archive-date = 14 May 2011 | archive-url = https://web.archive.org/web/20110514041631/http://www.ancientlibrary.com/smith-bio/0092.html | url-status = dead }}</ref> | ||
From the 5th century BCE, Apollo was often identified with [[Helios]], the personification of the Sun.<ref>For the iconography of the Alexander–Helios type, see H. Hoffmann, 1963. "Helios", in ''Journal of the American Research Center in Egypt'' '''2''', pp. 117–23; cf. Yalouris 1980, no. 42.</ref> Although Latin theological works from at least 1st century BCE identified Apollo with [[Sol (Roman mythology)|Sol]],<ref>Cicero, ''On the Nature of the Gods'', § 2.68</ref><ref>Lucius Annaeus Cornutus, ''Greek Theology'', § 65</ref> there was no [[conflation]] between the two among the classical Latin poets until 1st century CE.<ref>Joseph Fontenrose, "Apollo and Sol in the Latin poets of the first century BC", ''Transactions of the American Philological Association'' '''30''' (1939), pp 439–55; "Apollo and the Sun-God in Ovid", ''American Journal of Philology'' '''61''' (1940) pp 429–44; and "Apollo and Sol in the Oaths of Aeneas and Latinus" ''Classical Philology'' '''38'''.2 (April 1943), pp. 137–138.</ref> Apollo is known in Greek-influenced [[Etruscan mythology]] as ''[[Apulu]]''.<ref>Krauskopf, I. 2006. "The Grave and Beyond." ''The Religion of the Etruscans.'' edited by N. de Grummond and E. Simon. Austin: University of Texas Press. p. vii, p. 73-75.</ref> | |||
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Apollo ([[Attic Greek|Attic]], [[Ionic Greek|Ionic]], and [[Homeric Greek]]: {{lang|grc|Ἀπόλλων}}, {{transliteration|grc|Apollōn}} ({{small|[[Genitive|GEN]]}} {{lang|grc|Ἀπόλλωνος}}); [[Doric Greek|Doric]]: {{lang|grc|Ἀπέλλων}}, {{transliteration|grc|Apellōn}}; [[Arcadocypriot Greek|Arcadocypriot]]: {{lang|grc|Ἀπείλων}}, {{transliteration|grc|Apeilōn}}; [[Aeolic Greek|Aeolic]]: {{lang|grc|Ἄπλουν}}, {{transliteration|grc|Aploun}}; {{langx|la|Apollō}}) | Apollo ([[Attic Greek|Attic]], [[Ionic Greek|Ionic]], and [[Homeric Greek]]: {{lang|grc|Ἀπόλλων}}, {{transliteration|grc|Apollōn}} ({{small|[[Genitive|GEN]]}} {{lang|grc|Ἀπόλλωνος}}); [[Doric Greek|Doric]]: {{lang|grc|Ἀπέλλων}}, {{transliteration|grc|Apellōn}}; [[Arcadocypriot Greek|Arcadocypriot]]: {{lang|grc|Ἀπείλων}}, {{transliteration|grc|Apeilōn}}; [[Aeolic Greek|Aeolic]]: {{lang|grc|Ἄπλουν}}, {{transliteration|grc|Aploun}}; {{langx|la|Apollō}}) | ||
The name ''Apollo''—unlike | The name ''Apollo''—unlike ''[[Paean (god)|Paean]]'', the related [[List of Mycenaean deities|older name]]—is generally not found in the [[Linear B]] ([[Mycenean Greek]]) texts, although there is a possible attestation in the [[Lacuna (manuscripts)|lacunose]] form '']pe-rjo-['' (Linear B: ]{{lang|gmy|{{script|Linb|𐀟𐁊}}}}-[) on the [[Knossos|KN]] E 842 tablet,<ref>[[Robert S. P. Beekes|R. S. P. Beekes]], ''Etymological Dictionary of Greek'', Brill, 2009, p. 118.</ref><ref>{{cite journal |journal=Internationale Archäologie|title=Apollon Delphinios – Apollon Didymeus: Zwei Gesichter eines milesischen Gottes und ihr Bezug zur Kolonisation Milets in archaischer Zeit|first=Alexander|last=Herda|url=https://www.academia.edu/515462|page=16|date=2008|volume=Arbeitsgemeinschaft, Symposium, Tagung, Kongress. Band 11: Kult(ur)kontakte. Apollon in Milet/Didyma, Histria, Myus, Naukratis und auf Zypern. Akten des Table Ronde in Mainz vom 11.–12. März 2004|language=de|isbn=978-3-89646-441-5}}</ref><ref>{{citation|title=DĀMOS: Database of Mycenaean at Oslo|url=http://www.hf.uio.no/ifikk/english/research/projects/damos/|publisher=[[University of Oslo]]. Department of Philosophy, Classics, History of Art and Ideas|chapter=KN 842 E|chapter-url=https://www2.hf.uio.no/damos/Index/item/chosen_item_id/775|access-date=15 December 2014|archive-date=15 December 2016|archive-url=https://web.archive.org/web/20161215135205/http://www.hf.uio.no/ifikk/english/research/projects/damos/|url-status=dead}}</ref> though it has also been suggested that the name might actually read "[[Hyperion (Titan)|Hyperion]]" ([u]-pe-rjo-[ne]).<ref>{{cite book |first1=Felicia |last1=Logozzo |first2=Paolo |last2=Poccetti |title=Ancient Greek Linguistics: New Approaches, Insights, Perspectives |date=7 November 2017 |publisher=Walter de Gruyter |pages=644 |isbn=9783110551754 |url=https://books.google.com/books?id=llA_DwAAQBAJ&pg=PA644}}</ref> | ||
The [[etymology]] of the name is | The [[etymology]] of the name is unclear. The spelling {{lang|grc|Ἀπόλλων}} ({{IPA|el|a.pól.lɔːn|pron}} in [[Attic Greek|Classical Attic]]) had almost superseded all other forms by the beginning of the [[common era]], but the [[Dorians|Doric]] form, {{transliteration|grc|Apellon}} ({{lang|grc|Ἀπέλλων}}), is more [[Archaic Greece|archaic]], as it is derived from an earlier {{lang|grc|*Ἀπέλjων}}. It probably is a cognate to the Doric month ''Apellaios'' ({{lang|grc|Ἀπελλαῖος}}),<ref name="DDD">{{cite book |last1=van der Toorn |first1=Karel |last2=Becking |first2=Bob |last3=van der Horst |first3=Pieter Willem |title=Dictionary of Deities and Demons in the Bible |url=https://books.google.com/books?id=PHgUAQAAIAAJ&pg=PA73 |year=1999 |publisher=Brill |isbn=978-90-04-11119-6 |page=73}}</ref> and the offerings {{transliteration|grc|[[apellaia]]}} ({{lang|grc|ἀπελλαῖα}}) at the initiation of the young men during the family-festival {{transliteration|grc|apellai}} ({{lang|grc|ἀπέλλαι}}).<ref>"The young men became grown-up {{transliteration|grc|[[kouros|kouroi]]}}, and Apollon was the {{transliteration|grc|megistos kouros}} (The Great Kouros) : Jane Ellen Harrison (2010): ''Themis: A study to the Social origins of Greek Religion'' Cambridge University Press. pp. 439–441, {{ISBN|1108009492}}</ref><ref>{{cite book |last1=Leiden |first1=E. J. |title=Visible Religion. Volume IV–V. Approaches to Iconology |date=1985 |publisher=Brill |pages=143 |isbn=9004077723 |url=https://books.google.com/books?id=UesUAAAAIAAJ&pg=PA143}}</ref> According to some scholars, the words are derived from the Doric word {{transliteration|grc|apella}} ({{lang|grc|ἀπέλλα}}), which originally meant "wall", "fence for animals" and later "assembly within the limits of the square".<ref name=Nilsson556>The word usually appears in plural: [[Hesychius of Alexandria|Hesychius]]: {{lang|grc|ἀπέλλαι}} ({{transliteration|grc|apellai}}), {{lang|grc|σηκοί}} ("folds"), {{lang|grc|ἐκκλησίαι}} ("assemblies"), {{lang|grc|ἀρχαιρεσίαι}} ("elections"): Nilsson, Vol. I, p. 556</ref><ref>Doric Greek verb: {{lang|grc|ἀπέλλάζειν}} ("to assemble"), and the festival {{lang|grc|ἀπέλλαι}} {{transliteration|grc|apellai}}), which surely belonged to Apollo. Nilsson, Vol I, p. 556.</ref> [[Apella]] ({{lang|grc|Ἀπέλλα}}) is the name of the popular assembly in Sparta,<ref name=Nilsson556/> corresponding to the {{transliteration|grc|[[Ecclesia (ancient Athens)|ecclesia]]}} ({{lang|grc|ἐκκλησία}}). [[Robert S. P. Beekes|R. S. P. Beekes]] rejected the connection of the theonym with the noun {{transliteration|grc|apellai}} and suggested a [[Pre-Greek]] proto-form *''Apal<sup>y</sup>un''.<ref>Beekes, 2009, pp. 115, 118–119.</ref> | ||
Several instances of [[popular etymology]] are attested by ancient authors. Thus, the Greeks most often associated Apollo's name with the Greek verb {{lang|grc|ἀπόλλυμι}} ({{transliteration|grc|apollymi}}), "to destroy".<ref>{{cite web|first=Mike |last=Campbell |url=http://www.behindthename.com/php/view.php?name=apollo |title=Meaning, Origin and History of the Name Apollo |publisher=Behind the Name |access-date=30 July 2013}}</ref> [[Plato]] in ''[[Cratylus]]'' connects the name with {{lang|grc|ἀπόλυσις}} ({{transliteration|grc| apolysis}}), "redemption", with {{lang|grc|ἀπόλουσις}} (''apolousis''), "purification", and with {{lang|grc|ἁπλοῦν}} ({{transliteration|grc|[h]aploun}}), "simple",<ref>The {{lang|grc|ἁπλοῦν}} suggestion is repeated by [[Plutarch]] in ''[[Moralia]]'' in the sense of "[[1 (number)|unity]]".</ref> in particular in reference to the Thessalian form of the name, {{lang|grc|Ἄπλουν}}, and finally with {{lang|grc|Ἀειβάλλων}} ({{transliteration|grc|aeiballon}}), "ever-shooting". [[Hesychius of Alexandria|Hesychius]] connects the name Apollo with the Doric {{lang|grc|ἀπέλλα}} ({{transliteration|grc|apella}}), which means "assembly", so that Apollo would be the god of political life, and he also gives the explanation {{lang|grc|σηκός}} ({{transliteration|grc|sekos}}), "fold", in which case Apollo would be the god of flocks and herds.{{sfn|Freese|1911|p=184}} In the [[ancient Macedonian language]] {{lang|grc|πέλλα}} ({{transliteration|grc|pella}}) means "stone",<ref>[[Robert S. P. Beekes|R. S. P. Beekes]], ''Etymological Dictionary of Greek'', Brill, 2009, p. 1168.</ref> and some [[toponyms]] may be derived from this word: {{lang|grc|Πέλλα}} ([[Pella]],<ref>{{LSJ|pe/lla|πέλλα|ref}}.</ref> the capital of [[Macedonia (ancient kingdom)|ancient Macedonia]]) and {{lang|grc|Πελλήνη}} (''Pellēnē''/''[[Pellene]]'').<ref>Nilsson Vol I, p. 558</ref> | Several instances of [[popular etymology]] are attested by ancient authors. Thus, the Greeks most often associated Apollo's name with the Greek verb {{lang|grc|ἀπόλλυμι}} ({{transliteration|grc|apollymi}}), "to destroy".<ref>{{cite web|first=Mike |last=Campbell |url=http://www.behindthename.com/php/view.php?name=apollo |title=Meaning, Origin and History of the Name Apollo |publisher=Behind the Name |access-date=30 July 2013}}</ref> [[Plato]] in ''[[Cratylus]]'' connects the name with {{lang|grc|ἀπόλυσις}} ({{transliteration|grc| apolysis}}), "redemption", with {{lang|grc|ἀπόλουσις}} (''apolousis''), "purification", and with {{lang|grc|ἁπλοῦν}} ({{transliteration|grc|[h]aploun}}), "simple",<ref>The {{lang|grc|ἁπλοῦν}} suggestion is repeated by [[Plutarch]] in ''[[Moralia]]'' in the sense of "[[1 (number)|unity]]".</ref> in particular in reference to the Thessalian form of the name, {{lang|grc|Ἄπλουν}}, and finally with {{lang|grc|Ἀειβάλλων}} ({{transliteration|grc|aeiballon}}), "ever-shooting". [[Hesychius of Alexandria|Hesychius]] connects the name Apollo with the Doric {{lang|grc|ἀπέλλα}} ({{transliteration|grc|apella}}), which means "assembly", so that Apollo would be the god of political life, and he also gives the explanation {{lang|grc|σηκός}} ({{transliteration|grc|sekos}}), "fold", in which case Apollo would be the god of flocks and herds.{{sfn|Freese|1911|p=184}} In the [[ancient Macedonian language]] {{lang|grc|πέλλα}} ({{transliteration|grc|pella}}) means "stone",<ref>[[Robert S. P. Beekes|R. S. P. Beekes]], ''Etymological Dictionary of Greek'', Brill, 2009, p. 1168.</ref> and some [[toponyms]] may be derived from this word: {{lang|grc|Πέλλα}} ([[Pella]],<ref>{{LSJ|pe/lla|πέλλα|ref}}.</ref> the capital of [[Macedonia (ancient kingdom)|ancient Macedonia]]) and {{lang|grc|Πελλήνη}} (''Pellēnē''/''[[Pellene]]'').<ref>Nilsson Vol I, p. 558</ref> | ||
The [[Hittite language|Hittite]] form ''[[Apaliunas]]'' (''<sup>d</sup>''{{lang|hit-Latn|x-ap-pa-li-u-na-aš}}) is attested in the [[Manapa-Tarhunta letter]].<ref>The reading of ''Apaliunas'' and the possible identification with Apollo is due to [[Emil Forrer]] (1931). It was doubted by [[Paul Kretschmer|Kretschmer]], ''Glotta'' XXIV, p. 250. Martin Nilsson (1967), Vol I, p. 559</ref> The | The [[Hittite language|Hittite]] form ''[[Apaliunas]]'' (''<sup>d</sup>''{{lang|hit-Latn|x-ap-pa-li-u-na-aš}}) is attested in the [[Manapa-Tarhunta letter]].<ref>The reading of ''Apaliunas'' and the possible identification with Apollo is due to [[Emil Forrer]] (1931). It was doubted by [[Paul Kretschmer|Kretschmer]], ''Glotta'' XXIV, p. 250. Martin Nilsson (1967), Vol I, p. 559</ref> The Hittite testimony reflects an early form ''{{lang|grc-Latn|*Apeljōn}}'', which may also be surmised from the comparison of Cypriot {{lang|grc|Ἀπείλων}} with Doric {{lang|grc|Ἀπέλλων}}.<ref>{{cite book |last1=Angel |first1=John L. |last2=Mellink |first2=Machteld Johanna | title = Troy and the Trojan War: A Symposium Held at Bryn Mawr College, October 1984| year = 1986| publisher = Bryn Mawr Commentaries| isbn = 978-0-929524-59-7| page = 42 }}</ref> The name of the Lydian god ''Qλdãns'' /{{IPA|kʷʎðãns}}/ may reflect an earlier /{{IPA|kʷalyán}}-/ before palatalization, syncope, and the pre-Lydian sound change *{{IPA|y}} ''>'' {{IPA|d}}.<ref>{{Cite book|url=https://books.google.com/books?id=pgQowuFZeLUC&pg=PA338|title=Anatolian Historical Phonology|last=Melchert|first=Harold Craig|date=1994|publisher=Rodopi|isbn=978-9051836974|language=en}}</ref> Note the labiovelar in place of the labial /{{IPA|p}}/ found in pre-Doric {{lang|grc|Ἀπέλjων}} and Hittite ''Apaliunas''. A [[Luwian language|Luwian]] etymology suggested for ''Apaliunas'' makes Apollo "The One of Entrapment", perhaps in the sense of "Hunter".<ref>{{cite book |last1=Immerwahr |first1=Sara Anderson |last2=Chapin |first2=Anne Proctor | title = Charis: Essays in Honor of Sara A. Immerwahr|url=https://archive.org/details/charisessayshono00chap |url-access=limited | year = 2004| publisher = Amer School of Classical| isbn = 978-0-87661-533-1| page = [https://archive.org/details/charisessayshono00chap/page/n291 254] }}</ref> | ||
===Greco-Roman epithets=== | ===Greco-Roman epithets=== | ||
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*'''Phanaeus''' ({{IPAc-en|f|ə|ˈ|n|iː|ə|s|audio=LL-Q1860 (eng)-Naomi Persephone Amethyst (NaomiAmethyst)-Phanaeus.wav}} {{respell|fə|NEE|əs}}; {{lang|grc|Φαναῖος}}, ''Phanaios''), literally "giving or bringing light" | *'''Phanaeus''' ({{IPAc-en|f|ə|ˈ|n|iː|ə|s|audio=LL-Q1860 (eng)-Naomi Persephone Amethyst (NaomiAmethyst)-Phanaeus.wav}} {{respell|fə|NEE|əs}}; {{lang|grc|Φαναῖος}}, ''Phanaios''), literally "giving or bringing light" | ||
*'''Phoebus''' ({{IPAc-en|ˈ|f|iː|b|ə|s|audio=LL-Q1860 (eng)-Naomi Persephone Amethyst (NaomiAmethyst)-Phoebus.wav}} {{respell|FEE|bəs}}; {{lang|grc|Φοῖβος}}, ''Phoibos''), literally "bright", his most commonly used epithet by both the Greeks and Romans | *'''Phoebus''' ({{IPAc-en|ˈ|f|iː|b|ə|s|audio=LL-Q1860 (eng)-Naomi Persephone Amethyst (NaomiAmethyst)-Phoebus.wav}} {{respell|FEE|bəs}}; {{lang|grc|Φοῖβος}}, ''Phoibos''), literally "bright", his most commonly used epithet by both the Greeks and Romans | ||
*'''[[Sol (Roman mythology)|Sol]]''' (Roman) ({{IPAc-en|s|ɒ|l|audio=LL-Q1860 (eng)-Naomi Persephone Amethyst (NaomiAmethyst)-Sol.wav}}), "Sun" in Latin | *'''[[Sol (Roman mythology)|Sol]]''' (Roman) ({{IPAc-en|s|ɒ|l|audio=LL-Q1860 (eng)-Naomi Persephone Amethyst (NaomiAmethyst)-Sol.wav}}), "Sun" in [[Latin]] | ||
====Wolf==== | ====Wolf==== | ||
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*'''Nomius''' ({{IPAc-en|ˈ|n|oʊ|m|i|ə|s|audio=LL-Q1860 (eng)-Naomi Persephone Amethyst (NaomiAmethyst)-Nomius.wav}} {{respell|NOH|mee|əs}}; {{lang|grc|Νόμιος}}, ''Nomios''), literally "pastoral" | *'''Nomius''' ({{IPAc-en|ˈ|n|oʊ|m|i|ə|s|audio=LL-Q1860 (eng)-Naomi Persephone Amethyst (NaomiAmethyst)-Nomius.wav}} {{respell|NOH|mee|əs}}; {{lang|grc|Νόμιος}}, ''Nomios''), literally "pastoral" | ||
*'''Nymphegetes''' ({{IPAc-en|n|ɪ|m|ˈ|f|ɛ|dʒ|ᵻ|t|iː|z|audio=LL-Q1860 (eng)-Naomi Persephone Amethyst (NaomiAmethyst)-Nymphegetes.wav}} {{respell|nim|FEJ|ih|teez}}; {{lang|grc|Νυμφηγέτης}}, ''Numphēgetēs''), from {{lang|grc|Νύμφη}}, "Nymph", and {{lang|grc|ἡγέτης}}, "leader", for his role as a protector of shepherds and pastoral life | *'''Nymphegetes''' ({{IPAc-en|n|ɪ|m|ˈ|f|ɛ|dʒ|ᵻ|t|iː|z|audio=LL-Q1860 (eng)-Naomi Persephone Amethyst (NaomiAmethyst)-Nymphegetes.wav}} {{respell|nim|FEJ|ih|teez}}; {{lang|grc|Νυμφηγέτης}}, ''Numphēgetēs''), from {{lang|grc|Νύμφη}}, "Nymph", and {{lang|grc|ἡγέτης}}, "leader", for his role as a protector of shepherds and pastoral life | ||
*'''Patroos''' ({{lang|grc|Πατρῷος}}, ''Patrōios'') from {{lang|grc|πατρῷος}}, "related to one's father", for his role as father of [[Ion (mythology)|Ion]] and founder of the [[Ionians]], as worshipped at the [[Temple of Apollo Patroos]] in Athens | *'''Patroos''' ({{lang|grc|Πατρῷος}}, ''Patrōios'') from {{lang|grc|πατρῷος}}, "related to one's father", for his role as father of [[Ion (mythology)|Ion]] and founder of the [[Ionians]], as worshipped at the [[Temple of Apollo Patroos]] in [[Athens]] | ||
*[[Apollo Sauroctonos|'''Sauroctonus''']] ({{lang|grc|Σαυροκτόνος}}, ''Sauroctonos''), "lizard-killer", possibly a reference to his killing of [[Python (mythology)|Python]] | *[[Apollo Sauroctonos|'''Sauroctonus''']] ({{lang|grc|Σαυροκτόνος}}, ''Sauroctonos''), "lizard-killer", possibly a reference to his killing of [[Python (mythology)|Python]] | ||
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*'''Hecaërgus''' ({{IPAc-en|ˌ|h|ɛ|k|i|ˈ|ɜːr|ɡ|ə|s|audio=LL-Q1860 (eng)-Naomi Persephone Amethyst (NaomiAmethyst)-Hecaërgus.wav}} {{respell|HEK|ee|UR|gəs}}; {{lang|grc|Ἑκάεργος}}, ''Hekaergos''), literally "far-shooting" | *'''Hecaërgus''' ({{IPAc-en|ˌ|h|ɛ|k|i|ˈ|ɜːr|ɡ|ə|s|audio=LL-Q1860 (eng)-Naomi Persephone Amethyst (NaomiAmethyst)-Hecaërgus.wav}} {{respell|HEK|ee|UR|gəs}}; {{lang|grc|Ἑκάεργος}}, ''Hekaergos''), literally "far-shooting" | ||
*'''Hecebolus''' ({{IPAc-en|h|ᵻ|ˈ|s|ɛ|b|əl|ə|s|audio=LL-Q1860 (eng)-Naomi Persephone Amethyst (NaomiAmethyst)-Hecebolus.wav}} {{respell|hiss|EB|əl|əs}}; {{lang|grc|Ἑκηβόλος}}, ''Hekēbolos''), "far-shooting" | *'''Hecebolus''' ({{IPAc-en|h|ᵻ|ˈ|s|ɛ|b|əl|ə|s|audio=LL-Q1860 (eng)-Naomi Persephone Amethyst (NaomiAmethyst)-Hecebolus.wav}} {{respell|hiss|EB|əl|əs}}; {{lang|grc|Ἑκηβόλος}}, ''Hekēbolos''), "far-shooting" | ||
*'''Ismenius''' ({{IPAc-en|ɪ|z|ˈ|m|iː|n|i|ə|s|audio=LL-Q1860 (eng)-Naomi Persephone Amethyst (NaomiAmethyst)-Ismenius.wav}} {{respell|iz|MEE|nee|əs}}; {{lang|grc| | *'''Ismenius''' ({{IPAc-en|ɪ|z|ˈ|m|iː|n|i|ə|s|audio=LL-Q1860 (eng)-Naomi Persephone Amethyst (NaomiAmethyst)-Ismenius.wav}} {{respell|iz|MEE|nee|əs}}; {{lang|grc|Ἰσμήνιος}}, ''Ismēnios''), literally "of Ismenus", after Ismenus, the son of [[Amphion]] and [[Niobe]], whom he struck with an arrow | ||
==== Appearance ==== | ==== Appearance ==== | ||
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====Amazons==== | ====Amazons==== | ||
*'''[[Amazonius]]''' ({{ | *'''[[Amazonius]]''' ({{langx|grc|Ἀμαζόνιος}}), was, according to [[Pausanias (geographer)|Pausanias]] in the ''[[Description of Greece]]'', the name of a sanctuary of Apollo near [[Pyrrhichus]], with an image of the god said to have been dedicated by the [[Amazons]].<ref>[https://www.perseus.tufts.edu/hopper/text?doc=urn:cts:greekLit:tlg0525.tlg001.perseus-grc1:3.25.3 Pausanias, Description of Greece, § 3.25.3]</ref> | ||
====Other==== | ====Other==== | ||
*'''Boedromius''' ({{lang|grc|Βοηδρόμιος}}), was a surname of Apollo in Athens, with varying explanations for its origin. Some claim that the reason the god was given this name was because he had helped the Athenians overcome the Amazons in their battle, which took place on the seventh of [[Boedromion]], the day the [[Boedromia]] were later commemorated. Others claim that the term originated from the fact that, in the battle between Eumolpus and Erechtheus and Ion, Apollo had counselled the Athenians to charge the enemy with a war cry (Βοή) if they were going to win.<ref>[https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.04.0104%3Aalphabetic+letter%3DB%3Aentry+group%3D7%3Aentry%3Dboedromius-bio-1 A Dictionary of Greek and Roman biography and mythology, Boedromius]</ref> | *'''Boedromius''' ({{lang|grc|Βοηδρόμιος}}), was a surname of Apollo in Athens, with varying explanations for its origin. Some claim that the reason the god was given this name was because he had helped the Athenians overcome the Amazons in their battle, which took place on the seventh of [[Boedromion]], the day the [[Boedromia]] were later commemorated. Others claim that the term originated from the fact that, in the battle between Eumolpus and Erechtheus and Ion, Apollo had counselled the Athenians to charge the enemy with a war cry (Βοή) if they were going to win.<ref>[https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.04.0104%3Aalphabetic+letter%3DB%3Aentry+group%3D7%3Aentry%3Dboedromius-bio-1 A Dictionary of Greek and Roman biography and mythology, Boedromius]</ref> | ||
*'''Pythaeus''' (Πυθαεύς; from Pythaeus, the son of Apollo), in [[Hermione (Argolis)]] there was a temple of Apollo called Pythaeus, a name they learned from the [[Argives]] because according to the poet [[Telesilla]], they were the first Greeks to whose country came Pythaeus, the son of Apollo.<ref name="Pausanias, Description of Greece, 2.35.2">[https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0160%3Abook%3D2%3Achapter%3D35%3Asection%3D2 Pausanias, Description of Greece, 2.35.2]</ref> | |||
*'''Horios''' (Ὅριος; "of the borders"), it might be because the Hermionians won a victory, either in war or arbitration, related to the borders of their land, and therefore honored Apollo Horios.<ref name="Pausanias, Description of Greece, 2.35.2"/> | |||
===Celtic epithets and cult titles=== | ===Celtic epithets and cult titles=== | ||
Apollo was worshipped throughout the [[Roman Empire]]. In the traditionally [[Celtic nations|Celtic]] lands, he was most often seen as a healing and sun god. He was often equated with [[List of Celtic gods|Celtic gods]] of similar character.<ref>{{cite journal |title=Notes d'histoire des religions: 8. Introduction à une étude de l'Apollon gaulois |last=Le Roux |first=F. |date=1959 | | Apollo was worshipped throughout the [[Roman Empire]]. In the traditionally [[Celtic nations|Celtic]] lands, he was most often seen as a healing and sun god. He was often equated with [[List of Celtic gods|Celtic gods]] of similar character.<ref>{{cite journal |title=Notes d'histoire des religions: 8. Introduction à une étude de l'Apollon gaulois |last=Le Roux |first=F. |date=1959 |pages=216–226 |journal=Ogam |volume=11 |language=FR}}</ref><ref>Miranda J. Green, ''Dictionary of Celtic Myth and Legend'', Thames and Hudson Ltd, 1997</ref> | ||
* '''[[Apollo Atepomarus]]''' ("the great horseman" or "possessing a great horse"). Apollo was worshipped at [[Mauvières]] ([[Indre]]). Horses were, in the Celtic world, closely linked to the Sun.<ref>''Corpus Inscriptionum Latinarum'' XIII, 1863–1986; A. Ross, ''Pagan Celtic Britain'', 1967; M.J. Green, ''The Gods of the Celts'', 1986, London</ref> | * '''[[Apollo Atepomarus]]''' ("the great horseman" or "possessing a great horse"). Apollo was worshipped at [[Mauvières]] ([[Indre]]). Horses were, in the Celtic world, closely linked to the Sun.<ref>''Corpus Inscriptionum Latinarum'' XIII, 1863–1986; A. Ross, ''Pagan Celtic Britain'', 1967; M.J. Green, ''The Gods of the Celts'', 1986, London</ref> | ||
* '''[[Apollo Belenus]]''' ("bright" or "brilliant"). This epithet was given to Apollo in parts of [[Gaul]], Northern Italy and [[Noricum]] (part of modern Austria). Apollo Belenus was a healing and sun god.<ref>J. Zwicker, ''Fontes Historiae Religionis Celticae'', 1934–36, Berlin; ''Corpus Inscriptionum Latinarum'' V, XI, XII, XIII; J. Gourcest, "Le culte de Belenos en Provence occidentale et en Gaule", ''Ogam'' '''6'''.6 (1954:257–262); E. Thevonot, "Le cheval sacre dans la Gaule de l'Est", ''Revue archeologique de l'Est et du Centre-Est'' (vol 2), 1951; [], "Temoignages du culte de l'Apollon gaulois dans l'Helvetie romaine"'', Revue celtique'' (vol 51), 1934.</ref> | * '''[[Apollo Belenus]]''' ("bright" or "brilliant"). This epithet was given to Apollo in parts of [[Gaul]], Northern Italy and [[Noricum]] (part of modern Austria). Apollo Belenus was a healing and sun god.<ref>J. Zwicker, ''Fontes Historiae Religionis Celticae'', 1934–36, Berlin; ''Corpus Inscriptionum Latinarum'' V, XI, XII, XIII; J. Gourcest, "Le culte de Belenos en Provence occidentale et en Gaule", ''Ogam'' '''6'''.6 (1954:257–262); E. Thevonot, "Le cheval sacre dans la Gaule de l'Est", ''Revue archeologique de l'Est et du Centre-Est'' (vol 2), 1951; [], "Temoignages du culte de l'Apollon gaulois dans l'Helvetie romaine"'', Revue celtique'' (vol 51), 1934.</ref> | ||
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==Origins== | ==Origins== | ||
[[File:Omphalos museum.jpg|thumb|upright=.7|[[Omphalos]] in the Museum of [[Delphi]]]] | [[File:Omphalos museum.jpg|thumb|upright=.7|[[Omphalos]] in the Museum of [[Delphi]]]] | ||
Apollo | Apollo has been described by some scholars as the most Greek of the [[Olympian Gods|Olympian gods]].<ref>{{Cite book |last=Oman |first=Sir Charles William Chadwick |url=https://books.google.com/books?id=xnAUAAAAYAAJ&dq=Apollo+%22most+Hellenic%22&pg=PA51 |title=A History of Greece from the Earliest Times to the Death of Alexander the Great |date=1895 |publisher=Longmans, Green, & Company |language=en}}</ref><ref>{{Cite web |title=Apollo {{!}} Facts, Symbols, Powers, & Myths {{!}} Britannica |url=https://www.britannica.com/topic/Apollo-Greek-mythology |access-date=1 March 2023 |website=www.britannica.com |language=en}}</ref><ref name="Burkert 1985:143">Burkert 1985:143.</ref> | ||
The cult centers of Apollo in Greece, [[Delphi]] and [[Delos]], date from the 8th century BCE. The Delos sanctuary was primarily dedicated to [[Artemis]], Apollo's twin sister. At Delphi, Apollo was venerated as the slayer of the monstrous serpent [[Python (mythology)|Python]]. For the Greeks, Apollo was the most Greek of all the gods, and through the centuries he acquired different functions. In [[Archaic Greece]] he was the [[prophet]], the oracular god who in older times was connected with "healing". In [[Classical Greece]] he was the god of light and of music, but in popular religion he had a strong function to keep away evil.<ref>Martin Nilsson (1967). "Die Geschicte der Giechischen Religion, Vol I." C.F.Beck Verlag.Munchen. p. 529</ref> [[Walter Burkert]] discerned three components in the prehistory of Apollo worship, which he termed "a Dorian-northwest Greek component, a Cretan-Minoan component, and a Syro-Hittite component."<ref>Burkert, Walter. ''Greek Religion'', 1985:144.</ref> | The cult centers of Apollo in Greece, [[Delphi]] and [[Delos]], date from the 8th century BCE. The Delos sanctuary was primarily dedicated to [[Artemis]], Apollo's twin sister. At Delphi, Apollo was venerated as the slayer of the monstrous [[Serpent symbolism|serpent]] known as [[Python (mythology)|Python]]. For the Greeks, Apollo was the most Greek of all the gods, and through the centuries he acquired different functions. In [[Archaic Greece]] he was the [[prophet]], the oracular god who in older times was connected with "healing". In [[Classical Greece]] he was the god of light and of music, but in popular religion he had a strong function to keep away evil.<ref>Martin Nilsson (1967). "Die Geschicte der Giechischen Religion, Vol I." C.F.Beck Verlag.Munchen. p. 529</ref> [[Walter Burkert]] discerned three components in the prehistory of Apollo worship, which he termed "a Dorian-northwest Greek component, a Cretan-Minoan component, and a Syro-Hittite component."<ref>Burkert, Walter. ''Greek Religion'', 1985:144.</ref> | ||
===Healer and god-protector from evil=== | ===Healer and god-protector from evil=== | ||
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Apollo in his aspect of "healer" has a connection to the primitive god [[Paean (god)|Paean]] ({{lang|grc|Παιών-Παιήων}}), who did not have a cult of his own. Paean serves as the healer of the gods in the ''[[Iliad]]'', and seems to have originated in a pre-Greek religion.<ref>Paieon ({{lang|grc|Παιήων}}) puts pain-relieving medicines on the wounds of Pluton and Ares ( [[Iliad|Ilias]] E401). This art is related with Egypt: ([[Odyssey]] D232): M. Nilsson Vol I, p. 543</ref> It is suggested, though unconfirmed, that he is connected to the [[Mycenaean Greece|Mycenaean]] figure ''pa-ja-wo-ne'' (Linear B: {{lang|gmy|𐀞𐀊𐀺𐀚}}).<ref>{{cite book|title=The Mycenaeans|url=https://books.google.com/books?id=QXwzT1048Z4C&pg=PA160|page=160|first=Louise|last=Schofield|year=2007|publisher=The British Museum Press|isbn=978-0-89236-867-9}}</ref><ref>{{cite web|url=http://minoan.deaditerranean.com/linear-b-transliterations/knossos/kn-v/kn-v/#toc-kn-v-52|title=KN V 52+|website=Deaditerranean: Minoan Linear A & Mycenaean Linear B|access-date=17 March 2014|archive-date=18 March 2016|archive-url=https://web.archive.org/web/20160318004206/http://minoan.deaditerranean.com/linear-b-transliterations/knossos/kn-v/kn-v/#toc-kn-v-52|url-status=dead}}</ref><ref name="Chawick">{{cite book|last=Chadwick|first=John|author-link=John Chadwick|title=The Mycenaean World|location=Cambridge, UK|publisher=Cambridge University Press|year=1976|isbn=978-0-521-29037-1|url=https://archive.org/details/mycenaeanworld00chad|url-access=registration|page=[https://archive.org/details/mycenaeanworld00chad/page/89 89]}} At Google Books.</ref> Paean was the personification of holy songs sung by "seer-doctors" ({{lang|grc|ἰατρομάντεις}}), which were supposed to cure disease.<ref>{{lang|grc|Ἐπὶ καταπαύσει λοιμῶν καὶ νόσων ᾄδόμενος}}. ''Which is sung to stop the plagues and the diseases''. Proklos: Chrestom from Photios Bibl. code. 239, p. 321: Martin Nilsson. Die Geschicthe der Griechischen religion. Vol I, p. 543</ref> | Apollo in his aspect of "healer" has a connection to the primitive god [[Paean (god)|Paean]] ({{lang|grc|Παιών-Παιήων}}), who did not have a cult of his own. Paean serves as the healer of the gods in the ''[[Iliad]]'', and seems to have originated in a pre-Greek religion.<ref>Paieon ({{lang|grc|Παιήων}}) puts pain-relieving medicines on the wounds of Pluton and Ares ( [[Iliad|Ilias]] E401). This art is related with Egypt: ([[Odyssey]] D232): M. Nilsson Vol I, p. 543</ref> It is suggested, though unconfirmed, that he is connected to the [[Mycenaean Greece|Mycenaean]] figure ''pa-ja-wo-ne'' (Linear B: {{lang|gmy|𐀞𐀊𐀺𐀚}}).<ref>{{cite book|title=The Mycenaeans|url=https://books.google.com/books?id=QXwzT1048Z4C&pg=PA160|page=160|first=Louise|last=Schofield|year=2007|publisher=The British Museum Press|isbn=978-0-89236-867-9}}</ref><ref>{{cite web|url=http://minoan.deaditerranean.com/linear-b-transliterations/knossos/kn-v/kn-v/#toc-kn-v-52|title=KN V 52+|website=Deaditerranean: Minoan Linear A & Mycenaean Linear B|access-date=17 March 2014|archive-date=18 March 2016|archive-url=https://web.archive.org/web/20160318004206/http://minoan.deaditerranean.com/linear-b-transliterations/knossos/kn-v/kn-v/#toc-kn-v-52|url-status=dead}}</ref><ref name="Chawick">{{cite book|last=Chadwick|first=John|author-link=John Chadwick|title=The Mycenaean World|location=Cambridge, UK|publisher=Cambridge University Press|year=1976|isbn=978-0-521-29037-1|url=https://archive.org/details/mycenaeanworld00chad|url-access=registration|page=[https://archive.org/details/mycenaeanworld00chad/page/89 89]}} At Google Books.</ref> Paean was the personification of holy songs sung by "seer-doctors" ({{lang|grc|ἰατρομάντεις}}), which were supposed to cure disease.<ref>{{lang|grc|Ἐπὶ καταπαύσει λοιμῶν καὶ νόσων ᾄδόμενος}}. ''Which is sung to stop the plagues and the diseases''. Proklos: Chrestom from Photios Bibl. code. 239, p. 321: Martin Nilsson. Die Geschicthe der Griechischen religion. Vol I, p. 543</ref> | ||
Homer uses the noun Paeon to designate both a god and that god's characteristic song of [[apotropaic]] thanksgiving and triumph.<ref>{{Cite book |last=Homer |url=http://www.gutenberg.org/ebooks/2199|title=The Iliad|date=1 June 2000|language=en|translator-last=Butler|translator-first=Samuel}}</ref> Such songs were originally addressed to Apollo and afterwards to other gods: to [[Dionysus]], to Apollo [[Helios]], to Apollo's son [[Asclepius]] the healer. About the 4th century BCE, the paean became merely a formula of adulation; its object was either to implore protection against disease and misfortune or to offer thanks after such protection had been rendered. It was in this way that Apollo had become recognized as the god of music. Apollo's role as the slayer of the [[Python (mythology)|Python]] led to his association with battle and victory; hence it became the [[Ancient Rome|Roman]] custom for a paean to be sung by an army on the march and before entering into battle, when a fleet left the harbour, and | Homer uses the noun Paeon to designate both a god and that god's characteristic song of [[apotropaic]] thanksgiving and triumph.<ref>{{Cite book |last=Homer |url=http://www.gutenberg.org/ebooks/2199|title=The Iliad|date=1 June 2000|language=en|translator-last=Butler|translator-first=Samuel}}</ref> Such songs were originally addressed to Apollo and afterwards to other gods: to [[Dionysus]], to Apollo [[Helios]], to Apollo's son [[Asclepius]] the healer. About the 4th century BCE, the paean became merely a formula of adulation; its object was either to implore protection against disease and misfortune or to offer thanks after such protection had been rendered. It was in this way that Apollo had become recognized as the god of music. Apollo's role as the slayer of the [[Python (mythology)|Python]] led to his association with battle and victory; hence it became the [[Ancient Rome|Roman]] custom for a paean to be sung by an army on the march and before entering into battle, when a fleet left the harbour, and after a victory had been won.{{Citation needed|date=December 2024}} | ||
In the ''Iliad'', Apollo is the healer under the gods, but he is also the bringer of disease and death with his arrows, similar to the function of the [[Vedic]] god of disease [[Rudra]].<ref name="Martin Nilsson 1967 p. 541">"The conception that the diseases come from invisible shots sent by magicians or supernatural beings is common in primitive people and also in European folklore. In North-Europe they speak of the "[[Elf-shot]]s". In Sweden where the Lapps were called magicians, they speak of the "Lappen-shots". Martin Nilsson (1967). Vol I, p. 541</ref> He sends a plague ({{lang|grc|λοιμός}}) to the [[Achaeans (Homer)|Achaeans]]. Knowing that Apollo can prevent a recurrence of the plague he sent, they purify themselves in a ritual and offer him a large sacrifice of cows, called a [[hecatomb]].<ref>[[Iliad|Ilias]] A 314. Martin Nilsson (1967). Vol I, p. 543</ref> | In the ''Iliad'', Apollo is the healer under the gods, but he is also the bringer of disease and death with his arrows, similar to the function of the [[Vedic]] god of disease [[Rudra]].<ref name="Martin Nilsson 1967 p. 541">"The conception that the diseases come from invisible shots sent by magicians or supernatural beings is common in primitive people and also in European folklore. In North-Europe they speak of the "[[Elf-shot]]s". In Sweden where the Lapps were called magicians, they speak of the "Lappen-shots". Martin Nilsson (1967). Vol I, p. 541</ref> He sends a plague ({{lang|grc|λοιμός}}) to the [[Achaeans (Homer)|Achaeans]]. Knowing that Apollo can prevent a recurrence of the plague he sent, they purify themselves in a ritual and offer him a large sacrifice of cows, called a [[hecatomb]].<ref>[[Iliad|Ilias]] A 314. Martin Nilsson (1967). Vol I, p. 543</ref> | ||
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[[Homer]] pictures Apollo on the side of the [[Troy|Trojans]], fighting against the [[Achaeans (Homer)|Achaeans]], during the [[Trojan War]]. He is pictured as a terrible god, less trusted by the Greeks than other gods. The god seems to be related to ''Appaliunas'', a tutelary god of [[Wilusa]] ([[Troy]]) in Asia Minor, but the word is not complete.<ref>[[Paul Kretschmer]] (1936). Glotta XXIV p. 250. Martin Nilsson (1967). Vol I, p. 559.</ref> The stones found in front of the gates of [[Homer]]ic Troy were the symbols of Apollo. A western Anatolian origin may also be bolstered by references to the parallel worship of ''Artimus'' ([[Artemis]]) and ''Qλdãns'', whose name may be cognate with the Hittite and Doric forms, in surviving [[Lydian language|Lydian]] texts''.''<ref>{{cite web|url=https://www.ediana.gwi.uni-muenchen.de/corpus.php|title=EDIANA – Corpus|website=www.ediana.gwi.uni-muenchen.de|access-date=8 March 2018}}</ref> However, recent scholars have cast doubt on the identification of ''Qλdãns'' with Apollo.<ref>{{cite web|url=http://sardisexpedition.org/en/essays/latw-greenewalt-gods-of-lydia|title=The Archaeological Exploration of Sardis|website=sardisexpedition.org|language=en|access-date=8 March 2018}}</ref> | [[Homer]] pictures Apollo on the side of the [[Troy|Trojans]], fighting against the [[Achaeans (Homer)|Achaeans]], during the [[Trojan War]]. He is pictured as a terrible god, less trusted by the Greeks than other gods. The god seems to be related to ''Appaliunas'', a tutelary god of [[Wilusa]] ([[Troy]]) in Asia Minor, but the word is not complete.<ref>[[Paul Kretschmer]] (1936). Glotta XXIV p. 250. Martin Nilsson (1967). Vol I, p. 559.</ref> The stones found in front of the gates of [[Homer]]ic Troy were the symbols of Apollo. A western Anatolian origin may also be bolstered by references to the parallel worship of ''Artimus'' ([[Artemis]]) and ''Qλdãns'', whose name may be cognate with the Hittite and Doric forms, in surviving [[Lydian language|Lydian]] texts''.''<ref>{{cite web|url=https://www.ediana.gwi.uni-muenchen.de/corpus.php|title=EDIANA – Corpus|website=www.ediana.gwi.uni-muenchen.de|access-date=8 March 2018}}</ref> However, recent scholars have cast doubt on the identification of ''Qλdãns'' with Apollo.<ref>{{cite web|url=http://sardisexpedition.org/en/essays/latw-greenewalt-gods-of-lydia|title=The Archaeological Exploration of Sardis|website=sardisexpedition.org|language=en|access-date=8 March 2018}}</ref> | ||
The Greeks | The Greeks named him {{lang|grc|ἀγυιεύς}} ''[[agyieus]]'' as the protector god of public places and houses who wards off evil, and his symbol was a tapered stone or column.<ref>Martin Nilsson, ''Die Geschichte der Griechische Religion.'' vol. I (C. H. Beck), 1955:563f.</ref> However, while Greek festivals were usually celebrated at the [[full moon]], all the feasts of Apollo were celebrated on the seventh day of the month, and the emphasis given to that day (''sibutu'') indicates a [[Babylonia]]n origin.<ref>Martin Nilsson (1967). Vol I, p. 561.</ref> | ||
==Oracular cult== | ==Oracular cult== | ||
[[File:Columns of the Temple of Apollo at Delphi, Greece.jpeg|thumb|Columns of the [[Temple of Apollo (Delphi)|Temple of Apollo]] at Delphi, Greece]] | [[File:Columns of the Temple of Apollo at Delphi, Greece.jpeg|thumb|Columns of the [[Temple of Apollo (Delphi)|Temple of Apollo]] at Delphi, Greece]] | ||
[[File:Herakles tripod Louvre F341.jpg|thumb|upright=.8|Oracular tripod]] | [[File:Herakles tripod Louvre F341.jpg|thumb|upright=.8|Oracular tripod]] | ||
Unusually among the Olympic deities, Apollo had two cult sites that had widespread influence: [[Delos]] and [[Delphi]]. In cult practice, [[Delos|Delian Apollo]] and Pythian Apollo (the Apollo of Delphi) were so distinct that they might both have shrines in the same locality.<ref name="Burkert 1985:143"/> [[Lycia]] was sacred to the god, for this Apollo was also called Lycian.<ref>[https://topostext.org/work/133#5.77.5 Diodorus Siculus, Library 1–7, 5.77.5]</ref><ref>[https://www.perseus.tufts.edu/hopper/text?doc=urn:cts:greekLit:tlg0060.tlg001.perseus-grc1:5.77 Diodorus Siculus, Library 1–7, 5.77.5 – GR]</ref> Apollo's [[Cult (religion)|cult]] was already fully established when written sources commenced, about 650 BCE. Apollo became extremely important to the Greek world as an oracular deity in the | Unusually among the Olympic deities, Apollo had two cult sites that had widespread influence: [[Delos]] and [[Delphi]]. In cult practice, [[Delos|Delian Apollo]] and Pythian Apollo (the Apollo of Delphi) were so distinct that they might both have shrines in the same locality.<ref name="Burkert 1985:143"/> [[Lycia]] was sacred to the god, for this Apollo was also called Lycian.<ref>[https://topostext.org/work/133#5.77.5 Diodorus Siculus, Library 1–7, 5.77.5]</ref><ref>[https://www.perseus.tufts.edu/hopper/text?doc=urn:cts:greekLit:tlg0060.tlg001.perseus-grc1:5.77 Diodorus Siculus, Library 1–7, 5.77.5 – GR]</ref> Apollo's [[Cult (religion)|cult]] was already fully established when written sources commenced, about 650 BCE. Apollo became extremely important to the Greek world as an oracular deity in the archaic period, and the frequency of [[theophoric names]] such as ''Apollodorus'' or ''Apollonios'', and cities named ''Apollonia'' testify to his popularity. Oracular sanctuaries to Apollo were established in other sites. In the 2nd and 3rd century CE, those at [[Didyma]] and [[Claros]] pronounced the so-called "theological oracles", in which Apollo confirms that all deities are aspects or servants of an [[Monism#Monism, pantheism, and panentheism|all-encompassing, highest deity]]. "In the 3rd century, Apollo fell silent. [[Julian the Apostate]] (359–361) tried to revive the Delphic oracle, but failed."<ref name="DDD" /> | ||
===Oracular shrines=== | ===Oracular shrines=== | ||
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Oracles were also given by sons of Apollo. | Oracles were also given by sons of Apollo. | ||
* In [[Oropus]], north of | * In [[Oropus]], north of Athens, the oracle [[Amphiaraus]], was said to be the son of Apollo; Oropus also had a sacred spring. | ||
* in Labadea, {{convert|20|mi|km}} east of Delphi, [[Trophonius]], another son of Apollo, killed his brother and fled to the cave where he was also afterwards consulted as an oracle. | * in Labadea, {{convert|20|mi|km}} east of Delphi, [[Trophonius]], another son of Apollo, killed his brother and fled to the cave where he was also afterwards consulted as an oracle. | ||
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[[File:The Temple of Apollo Epikourios at Bassae, east colonnade, Arcadia, Greece (14087181020).jpg|thumb|Partial view of the temple of Apollo Epikurios (healer) at [[Bassae]] in southern Greece]] | [[File:The Temple of Apollo Epikourios at Bassae, east colonnade, Arcadia, Greece (14087181020).jpg|thumb|Partial view of the temple of Apollo Epikurios (healer) at [[Bassae]] in southern Greece]] | ||
Many temples were dedicated to Apollo in Greece and | Many temples were dedicated to Apollo in Greece and its colonies. They show the spread of the cult of Apollo and the evolution of Greek architecture, which was mostly based on the rightness of form and on [[mathematical]] relations. Some of the earliest temples, especially in [[Crete]], do not belong to any Greek order. It seems that the first peripteral temples were rectangular wooden structures. The different wooden elements were considered [[divinity|divine]], and their forms were preserved in the [[marble]] or stone elements of the temples of [[Doric order]]. The Greeks used standard types because they believed that the world of objects was a series of typical forms which could be represented in several instances. The temples should be [[Canon (basic principle)|canonic]], and the architects were trying to achieve this esthetic perfection.<ref>To know what a thing is, we must know the look of it": Rhys Carpenter: ''The esthetic basis of Greek art''. Indiana University Press. p. 108</ref> From the earliest times there were certain rules strictly observed in rectangular peripteral and prostyle buildings. The first buildings were built narrowly in order to hold the roof, and when the dimensions changed some mathematical relations became necessary in order to keep the original forms. This probably influenced the theory of numbers of [[Pythagoras]], who believed that behind the appearance of things there was the permanent principle of mathematics.<ref name="C. M. Bowra 1957 p. 166">C. M. Bowra (1957), ''The Greek Experience'', p. 166.</ref> | ||
The | The [[Doric order]] dominated during the 6th and the 5th century BC but there was a mathematical problem regarding the position of the triglyphs, which could not be solved without changing the original forms. The order was almost abandoned for the [[Ionic order]], but the Ionic capital also posed an insoluble problem at the corner of a temple. Both orders were abandoned for the [[Corinthian order]] gradually during the Hellenistic age and under Rome.<ref>{{Cite book |url=https://books.google.com/books?id=rIFfAAAAMAAJ |title=Vitruvius: The Ten Books on Architecture |date=1914 |publisher=Harvard University Press |isbn=978-0-674-43184-3 |language=en}}</ref> | ||
===Greek temples=== | ===Greek temples=== | ||
[[File:TempleDelos.jpg|thumb|Temple of the Delians at [[Delos]], dedicated to Apollo (478 BC) | [[File:TempleDelos.jpg|thumb|Temple of the Delians at [[Delos]], dedicated to Apollo (478 BC), 19th-century pen-and-wash restoration]] | ||
[[File:Portara Naxos 28.jpg|thumb|Gate at the [[Temple of Apollo (Naxos)]]]] | [[File:Portara Naxos 28.jpg|thumb|Gate at the [[Temple of Apollo (Naxos)]]]] | ||
*[[Thebes, Greece]]: The oldest temple probably dedicated to ''Apollo Ismenius'' was built in the 9th century BC. It seems that it was a curvilinear building. The [[Doric order|Doric]] temple was built in the early 7th century BC, but only some small parts have been found.<ref>William Dinsmoor (1950),''The architecture of Ancient Greece'', p. 218, {{ISBN|0-8196-0283-3}}</ref> A festival called [[Daphnephoria]] was celebrated every ninth year in honour of Apollo Ismenius (or Galaxius). The people held laurel branches (daphnai), and at the head of the procession walked a youth (chosen priest of Apollo), who was called "daphnephoros".<ref name="William Smith 1875. p. 384">William Smith.'' A Dictionary of Greek and Roman Antiquities'', John Murray, London, 1875. p. 384</ref> | *[[Thebes, Greece]]: The oldest temple probably dedicated to ''Apollo Ismenius'' was built in the 9th century BC. It seems that it was a curvilinear building. The [[Doric order|Doric]] temple was built in the early 7th century BC, but only some small parts have been found.<ref>William Dinsmoor (1950),''The architecture of Ancient Greece'', p. 218, {{ISBN|0-8196-0283-3}}</ref> A festival called [[Daphnephoria]] was celebrated every ninth year in honour of Apollo Ismenius (or Galaxius). The people held laurel branches (daphnai), and at the head of the procession walked a youth (chosen priest of Apollo), who was called "daphnephoros".<ref name="William Smith 1875. p. 384">William Smith.'' A Dictionary of Greek and Roman Antiquities'', John Murray, London, 1875. p. 384</ref> | ||
*[[Eretria]]: According to the Homeric hymn to Apollo, the god arrived on the plain, seeking for a location to establish its oracle. The first temple of ''Apollo Daphnephoros'', "Apollo, laurel-bearer", or "carrying off Daphne", is dated to 800 BC. The temple was curvilinear ''hecatombedon'' (a hundred feet). In a smaller building were kept the bases of the laurel branches which were used for the first building. Another temple probably peripteral was built in the 7th century BC, with an inner row of wooden columns over its Geometric predecessor. It was rebuilt peripteral around 510 BC, with the [[stylobate]] measuring 21.00 x 43.00 m. The number of [[pteron]] column was 6 x 14.<ref>[http://odysseus.culture.gr/h/2/eh251.jsp?obj_id=1689 Hellenic Ministry of culture, Temple of Apollo Daphnephoros] {{webarchive |url=https://web.archive.org/web/20140912212901/http://odysseus.culture.gr/h/2/eh251.jsp?obj_id=1689 |date=12 September 2014 }}</ref><ref>Rufus B. Richardson, "A Temple in Eretria" ''The American Journal of Archaeology and of the History of the Fine Arts'', '''10'''.3 (July – September 1895:326–337)</ref> | *[[Eretria]]: According to the Homeric hymn to Apollo, the god arrived on the plain, seeking for a location to establish its oracle. The first temple of ''Apollo Daphnephoros'', "Apollo, laurel-bearer", or "carrying off Daphne", is dated to 800 BC. The temple was curvilinear ''hecatombedon'' (a hundred feet). In a smaller building were kept the bases of the laurel branches which were used for the first building. Another temple probably peripteral was built in the 7th century BC, with an inner row of wooden columns over its Geometric predecessor. It was rebuilt peripteral around 510 BC, with the [[stylobate]] measuring 21.00 x 43.00 m. The number of [[pteron]] column was 6 x 14.<ref>[http://odysseus.culture.gr/h/2/eh251.jsp?obj_id=1689 Hellenic Ministry of culture, Temple of Apollo Daphnephoros] {{webarchive |url=https://web.archive.org/web/20140912212901/http://odysseus.culture.gr/h/2/eh251.jsp?obj_id=1689 |date=12 September 2014 }}</ref><ref>Rufus B. Richardson, "A Temple in Eretria" ''The American Journal of Archaeology and of the History of the Fine Arts'', '''10'''.3 (July – September 1895:326–337)</ref> | ||
*[[Dreros]] ([[Crete]]). The temple of ''Apollo Delphinios'' dates from the 7th century BC, or probably from the middle of the 8th century BC. According to the legend, Apollo appeared as a dolphin, and carried Cretan priests to the port of [[Delphi]].<ref name="Martin Nilsson 1967 p. 529">Martin Nilsson (1967). Vol I, p. 529</ref> The dimensions of the plan are 10.70 x 24.00 m and the building was not peripteral. It contains column-bases of the [[Minoan civilization|Minoan]] type, which may be considered as the predecessors of the [[Doric order|Doric]] columns.<ref>Robertson pp. [https://books.google.com/books?id=l3Ln6KMGio0C&pg=PA56 56], [https://books.google.com/books?id=l3Ln6KMGio0C&pg=PA323 323].</ref> | *[[Dreros]] ([[Crete]]). The temple of ''Apollo Delphinios'' dates from the 7th century BC, or probably from the middle of the 8th century BC. According to the legend, Apollo appeared as a dolphin, and carried Cretan priests to the port of [[Delphi]].<ref name="Martin Nilsson 1967 p. 529">Martin Nilsson (1967). Vol I, p. 529</ref> The dimensions of the plan are 10.70 x 24.00 m and the building was not peripteral. It contains column-bases of the [[Minoan civilization|Minoan]] type, which may be considered as the predecessors of the [[Doric order|Doric]] columns.<ref>Robertson pp. [https://books.google.com/books?id=l3Ln6KMGio0C&pg=PA56 56], [https://books.google.com/books?id=l3Ln6KMGio0C&pg=PA323 323].</ref> | ||
*[[Gortyn]] ([[Crete]]). A temple of ''Pythian Apollo'', was built in the 7th century BC. The plan measured 19.00 x 16.70 m and it was not peripteral. The walls were solid | *[[Gortyn]] ([[Crete]]). A temple of ''Pythian Apollo'', was built in the 7th century BC. The plan measured 19.00 x 16.70 m and it was not peripteral. The walls were solid and made from limestone. There was a single door on the east side.{{Citation needed|date=December 2024}} | ||
*[[Thermon]] ([[West Greece]]): The [[Doric order|Doric]] temple of ''Apollo Thermios'', was built in the middle of the 7th century BC. It was built on an older curvilinear building dating perhaps from the 10th century, on which a [[peristyle]] was added. The temple was narrow, and the number of pteron columns (probably wooden) was 5 x 15. There was a single row of inner columns. It measures 12.13 x 38.23 m at the stylobate, which was made from stones.<ref name="Spivey, p. 112">Spivey, p. 112</ref> | *[[Thermon]] ([[West Greece]]): The [[Doric order|Doric]] temple of ''Apollo Thermios'', was built in the middle of the 7th century BC. It was built on an older curvilinear building dating perhaps from the 10th century, on which a [[peristyle]] was added. The temple was narrow, and the number of pteron columns (probably wooden) was 5 x 15. There was a single row of inner columns. It measures 12.13 x 38.23 m at the stylobate, which was made from stones.<ref name="Spivey, p. 112">Spivey, p. 112</ref> | ||
[[File:Apollotempel.gif|thumb|left|Floor plan of the temple of Apollo, Corinth]] | [[File:Apollotempel.gif|thumb|left|Floor plan of the temple of Apollo, Corinth]] | ||
*[[Corinth]]: A [[Doric order|Doric]] temple was built in the 6th century BC. The temple's [[stylobate]] measures 21.36 x 53.30 m, and the number of pteron columns was 6 x 15. There was a double row of inner columns. The style is similar to the Temple of Alcmeonidae at [[Delphi]].<ref>Robertson p. 87</ref> The Corinthians were considered to be the inventors of the [[Doric order]].<ref name="Spivey, p. 112"/> | *[[Ancient Corinth|Corinth]]: A [[Doric order|Doric]] temple was built in the 6th century BC. The temple's [[stylobate]] measures 21.36 x 53.30 m, and the number of pteron columns was 6 x 15. There was a double row of inner columns. The style is similar to the Temple of Alcmeonidae at [[Delphi]].<ref>Robertson p. 87</ref> The Corinthians were considered to be the inventors of the [[Doric order]].<ref name="Spivey, p. 112"/> | ||
*Napes ([[Lesbos]]): An [[Aeolic order|Aeolic]] temple probably of ''Apollo Napaios'' was built in the 7th century BC. Some special capitals with floral ornament have been found, which are called [[Aeolic order|Aeolic]], and | *Napes ([[Lesbos]]): An [[Aeolic order|Aeolic]] temple probably of ''Apollo Napaios'' was built in the 7th century BC. Some special capitals with floral ornament have been found, which are called [[Aeolic order|Aeolic]], and they seem to have been borrowed from the East.<ref name=Robertson324>D.S Robertson(1945):''A handbook of Greek and Roman architecture'', Cambridge University Press pp. 324–329</ref> | ||
*[[Cyrene, Libya]]: The oldest [[Doric order|Doric]] temple of Apollo was built in {{circa|600 BC}}. The number of pteron columns was 6 x 11, and it measures 16.75 x 30.05 m at the stylobate. There was a double row of sixteen inner columns on stylobates. The capitals were made from stone.<ref name=Robertson324/> | *[[Cyrene, Libya]]: The oldest [[Doric order|Doric]] temple of Apollo was built in {{circa|600 BC}}. The number of pteron columns was 6 x 11, and it measures 16.75 x 30.05 m at the stylobate. There was a double row of sixteen inner columns on stylobates. The capitals were made from stone.<ref name=Robertson324/> | ||
[[File:Apollonaukratis.png|thumb|Inscriptions for Apollo, Naukratis]] | [[File:Apollonaukratis.png|thumb|Inscriptions for Apollo, Naukratis]] | ||
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*[[Delphi]]: The first temple dedicated to Apollo, was built in the 7th century BC. According to the legend, it was wooden made of laurel branches. The "Temple of Alcmeonidae" was built in {{circa|513 BC}} and it is the oldest Doric temple with significant marble elements. The temple's stylobate measures 21.65 x 58.00 m, and the number of pteron columns as 6 x 15.<ref>[http://www.ancient-greece.org/architecture/delphi-temple-of-apollo.html Temple of Apollo at Delphi], Ancient-Greece.org</ref> A fest similar with Apollo's fest at [[Thebes, Greece]] was celebrated every nine years. A boy was sent to the temple, who walked on the sacred road and returned carrying a laurel branch (''dopnephoros''). The maidens participated with joyful songs.<ref name="William Smith 1875. p. 384"/> | *[[Delphi]]: The first temple dedicated to Apollo, was built in the 7th century BC. According to the legend, it was wooden made of laurel branches. The "Temple of Alcmeonidae" was built in {{circa|513 BC}} and it is the oldest Doric temple with significant marble elements. The temple's stylobate measures 21.65 x 58.00 m, and the number of pteron columns as 6 x 15.<ref>[http://www.ancient-greece.org/architecture/delphi-temple-of-apollo.html Temple of Apollo at Delphi], Ancient-Greece.org</ref> A fest similar with Apollo's fest at [[Thebes, Greece]] was celebrated every nine years. A boy was sent to the temple, who walked on the sacred road and returned carrying a laurel branch (''dopnephoros''). The maidens participated with joyful songs.<ref name="William Smith 1875. p. 384"/> | ||
*[[Chios]]: An [[Ionic order|Ionic]] temple of ''Apollo Phanaios'' was built at the end of the 6th century BC. Only some small parts have been found and the capitals had floral ornament.<ref name=Robertson324/> | *[[Chios]]: An [[Ionic order|Ionic]] temple of ''Apollo Phanaios'' was built at the end of the 6th century BC. Only some small parts have been found and the capitals had floral ornament.<ref name=Robertson324/> | ||
*[[Abae]] ([[Phocis (ancient region)|Phocis]]). The temple was destroyed by the [[Persia]]ns in the invasion of [[Xerxes I of Persia|Xerxes]] in 480 BC, and later by the [[Boeotia]]ns. It was rebuilt by [[Hadrian]].<ref>{{cite book|last1=Smith|first1=William|title=New classical dictionary of biography, mythology, and geography|publisher=J. Murray|date=1850|page=[https://archive.org/details/bub_gb_5_oGAAAAQAAJ/page/n83 1]|url=https://archive.org/details/bub_gb_5_oGAAAAQAAJ|access-date=14 October 2017}}</ref> The oracle was in use from early [[Mycenae]]an times to the Roman period, and shows the continuity of Mycenaean and Classical Greek religion.<ref>See reports of the German Archaeological Institute in Archaeological Reports for 2008/9 43–45</ref> | *[[Abae]] ([[Phocis (ancient region)|Phocis]]). The temple was destroyed by the [[Persia]]ns in the invasion of [[Xerxes I of Persia|Xerxes]] in 480 BC, and later by the [[Boeotia]]ns. It was rebuilt by [[Hadrian]].<ref>{{cite book|last1=Smith|first1=William|title=New classical dictionary of biography, mythology, and geography|publisher=J. Murray|date=1850|page=[https://archive.org/details/bub_gb_5_oGAAAAQAAJ/page/n83 1]|url=https://archive.org/details/bub_gb_5_oGAAAAQAAJ|access-date=14 October 2017}}</ref> The oracle was in use from early [[Mycenae]]an times to the Roman period, and shows the continuity of Mycenaean and Classical Greek religion.<ref>See reports of the German Archaeological Institute in Archaeological Reports for 2008/9 43–45</ref> | ||
*[[Bassae]] ([[Peloponnesus]]): A temple dedicated to ''Apollo Epikourios'' ("Apollo the helper"), was built in 430 BC, designed by [[Iktinos]]. It combined [[Doric order|Doric]] and [[Ionic order|Ionic]] elements, and the earliest use of a column with a [[Corinthian order|Corinthian]] capital in the middle.<ref>[http://odysseus.culture.gr/h/3/eh351.jsp?obj_id=6664 Hellenic Ministry of Culture: The Temple of Epicurean Apollo] {{Webarchive|url=https://web.archive.org/web/20070509054416/http://odysseus.culture.gr/h/3/eh351.jsp?obj_id=6664 |date=9 May 2007 }}.</ref> The temple is of a relatively modest size, with the [[stylobate]] measuring 14.5 x 38.3 metres containing a [[Doric order|Doric]] [[peristyle]] of 6 x 15 columns. The roof left a central space open to admit light and air.<ref name="WHO">[http://www.worldheritagesite.org/sites/apolloepicurius.html Temple of Apollo Epicurius at Bassae] {{Webarchive|url=https://web.archive.org/web/20061231045240/http://www.worldheritagesite.org/sites/apolloepicurius.html|date=31 December 2006}}, World Heritage Site.</ref> | *[[Bassae]] ([[Peloponnesus]]): A temple dedicated to ''Apollo Epikourios'' ("Apollo the helper"), was built in 430 BC, designed by [[Iktinos]]. It combined [[Doric order|Doric]] and [[Ionic order|Ionic]] elements, and the earliest use of a column with a [[Corinthian order|Corinthian]] capital in the middle.<ref>[http://odysseus.culture.gr/h/3/eh351.jsp?obj_id=6664 Hellenic Ministry of Culture: The Temple of Epicurean Apollo] {{Webarchive|url=https://web.archive.org/web/20070509054416/http://odysseus.culture.gr/h/3/eh351.jsp?obj_id=6664 |date=9 May 2007 }}.</ref> The temple is of a relatively modest size, with the [[stylobate]] measuring 14.5 x 38.3 metres containing a [[Doric order|Doric]] [[peristyle]] of 6 x 15 columns. The roof left a central space open to admit light and air.<ref name="WHO">[http://www.worldheritagesite.org/sites/apolloepicurius.html Temple of Apollo Epicurius at Bassae] {{Webarchive|url=https://web.archive.org/web/20061231045240/http://www.worldheritagesite.org/sites/apolloepicurius.html|date=31 December 2006}}, World Heritage Site.</ref> | ||
*[[Delos]]: A temple probably dedicated to Apollo and not peripteral, was built in the late 7th century BC, with a plan measuring 10.00 x 15.60 m. The [[Doric order|Doric]] Great temple of Apollo, was built in {{circa|475 BC}}. The temple's stylobate measures 13.72 x 29.78 m, and the number of pteron columns as 6 x 13. Marble was extensively used.<ref name=Robertson324/> | *[[Delos]]: A temple probably dedicated to Apollo and not peripteral, was built in the late 7th century BC, with a plan measuring 10.00 x 15.60 m. The [[Doric order|Doric]] Great temple of Apollo, was built in {{circa|475 BC}}. The temple's stylobate measures 13.72 x 29.78 m, and the number of pteron columns as 6 x 13. Marble was extensively used.<ref name=Robertson324/> | ||
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*[[Didyma]] (near [[Miletus]]): The gigantic [[Ionic order|Ionic]] temple of ''Apollo Didymaios'' started around 540 BC. The construction ceased and then it was restarted in 330 BC. The temple is dipteral, with an outer row of 10 x 21 columns, and it measures 28.90 x 80.75 m at the stylobate.<ref>Peter Schneider: ''Neue Funde vom archaischen Apollontempel in Didyma''. In: Ernst-Ludwig Schwandner (ed.): ''Säule und Gebälk. Zu Struktur und Wandlungsprozeß griechisch-römischer Architektur''. Bauforschungskolloquium in Berlin vom 16.-18. Juni 1994. Diskussionen zur Archäologischen Bauforschung</ref> | *[[Didyma]] (near [[Miletus]]): The gigantic [[Ionic order|Ionic]] temple of ''Apollo Didymaios'' started around 540 BC. The construction ceased and then it was restarted in 330 BC. The temple is dipteral, with an outer row of 10 x 21 columns, and it measures 28.90 x 80.75 m at the stylobate.<ref>Peter Schneider: ''Neue Funde vom archaischen Apollontempel in Didyma''. In: Ernst-Ludwig Schwandner (ed.): ''Säule und Gebälk. Zu Struktur und Wandlungsprozeß griechisch-römischer Architektur''. Bauforschungskolloquium in Berlin vom 16.-18. Juni 1994. Diskussionen zur Archäologischen Bauforschung</ref> | ||
*[[Clarus]] (near ancient [[Colophon (city)|Colophon]]): According to the legend, the famous seer Calchas, on his return from Troy, came to Clarus. He challenged the seer Mopsus, and died when he lost.<ref>Smith 1873, [https://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.04.0064:entry=clarus-geo s.v. Clarus].</ref> The [[Doric order|Doric]] temple of ''Apollo Clarius'' was probably built in the 3rd century BC., and it was peripteral with 6 x 11 columns. It was reconstructed at the end of the Hellenistic period, and later from the emperor [[Hadrian]] but Pausanias claims that it was still incomplete in the 2nd century BC.<ref>[https://archive.today/20140917093750/http://www.klaros.org/apollon-klarios-tapinagi-ve-sunaklari?lang=en Prophecy centre of Apollo Clarius]</ref> | *[[Clarus]] (near ancient [[Colophon (city)|Colophon]]): According to the legend, the famous seer Calchas, on his return from Troy, came to Clarus. He challenged the seer Mopsus, and died when he lost.<ref>Smith 1873, [https://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.04.0064:entry=clarus-geo s.v. Clarus].</ref> The [[Doric order|Doric]] temple of ''Apollo Clarius'' was probably built in the 3rd century BC., and it was peripteral with 6 x 11 columns. It was reconstructed at the end of the Hellenistic period, and later from the emperor [[Hadrian]] but Pausanias claims that it was still incomplete in the 2nd century BC.<ref>[https://archive.today/20140917093750/http://www.klaros.org/apollon-klarios-tapinagi-ve-sunaklari?lang=en Prophecy centre of Apollo Clarius]</ref> | ||
[[File:Capitello con busto di apollo, periodo ellenistico, da didyma.jpg|thumb|right|Hellenistic relief-bust of Apollo from [[Didyma]] in the [[Istanbul Archaeology Museums]]]] | |||
*[[Hamaxitus]] ([[Troad]]): In the [[Iliad]], [[Chryses]] the priest of Apollo, addresses the god with the epithet Smintheus (Lord of Mice), related to the god's ancient role as bringer of the disease (plague). Recent excavations indicate that the Hellenistic temple of ''Apollo Smintheus'' was constructed in 150–125 BC, but the symbol of the mouse god was used on coinage probably from the 4th century .<ref>Bresson (2007) 154-5, citing the excavations reports of Özgünel (2001).</ref> The temple measures 40.00 x 23.00 m at the [[stylobate]], and the number of pteron columns was 8 x 14.<ref>Robertson p. 333</ref> | *[[Hamaxitus]] ([[Troad]]): In the [[Iliad]], [[Chryses]] the priest of Apollo, addresses the god with the epithet Smintheus (Lord of Mice), related to the god's ancient role as bringer of the disease (plague). Recent excavations indicate that the Hellenistic temple of ''Apollo Smintheus'' was constructed in 150–125 BC, but the symbol of the mouse god was used on coinage probably from the 4th century .<ref>Bresson (2007) 154-5, citing the excavations reports of Özgünel (2001).</ref> The temple measures 40.00 x 23.00 m at the [[stylobate]], and the number of pteron columns was 8 x 14.<ref>Robertson p. 333</ref> | ||
*Pythion ({{langx|grc|Πύθιον}}), this was the name of a shrine of Apollo at | *Pythion ({{langx|grc|Πύθιον}}), this was the name of a shrine of Apollo at Athens near the [[Ilisos]] river. It was created by Peisistratos, and tripods were placed there by those who had won in the cyclic chorus at the [[Thargelia]].<ref>[https://www.cs.uky.edu/~raphael/sol/sol-entries/pi/3130 Suda, pi.3130]</ref> | ||
*[[Setae (Lydia)]]: The temple of ''Apollo Aksyros'' located in the city.<ref>[https://www.hurriyetdailynews.com/1800-year-old-stele-on-way-back-from-italy-after-23-years-158317 1800-year-old stele on way back from Italy after 23 years]</ref> | *[[Setae (Lydia)]]: The temple of ''Apollo Aksyros'' located in the city.<ref>[https://www.hurriyetdailynews.com/1800-year-old-stele-on-way-back-from-italy-after-23-years-158317 1800-year-old stele on way back from Italy after 23 years]</ref> | ||
*[[Apollonia Pontica]]: There were two temples of Apollo Healer in the city. One from the Late Archaic period and the other from the Early Classical period.<ref>{{Cite web |url=http://archaeologyinbulgaria.com/2021/03/28/slab-with-marching-ancient-greek-warriors-discovered-at-apollo-temples-on-ancient-black-sea-island-in-bulgarias-sozopol/ |title=Slab with marching ancient Greek warriors discovered at Apollo temples on ancient black sea island in Bulgaria's Sozopol |access-date=1 April 2021 |archive-date=30 March 2021 |archive-url=https://web.archive.org/web/20210330212700/http://archaeologyinbulgaria.com/2021/03/28/slab-with-marching-ancient-greek-warriors-discovered-at-apollo-temples-on-ancient-black-sea-island-in-bulgarias-sozopol/ |url-status=dead }}</ref> | *[[Apollonia Pontica]]: There were two temples of Apollo Healer in the city. One from the Late Archaic period and the other from the Early Classical period.<ref>{{Cite web |url=http://archaeologyinbulgaria.com/2021/03/28/slab-with-marching-ancient-greek-warriors-discovered-at-apollo-temples-on-ancient-black-sea-island-in-bulgarias-sozopol/ |title=Slab with marching ancient Greek warriors discovered at Apollo temples on ancient black sea island in Bulgaria's Sozopol |access-date=1 April 2021 |archive-date=30 March 2021 |archive-url=https://web.archive.org/web/20210330212700/http://archaeologyinbulgaria.com/2021/03/28/slab-with-marching-ancient-greek-warriors-discovered-at-apollo-temples-on-ancient-black-sea-island-in-bulgarias-sozopol/ |url-status=dead }}</ref> | ||
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*[[Veii]] ([[Etruria]]): The temple of Apollo was built in the late 6th century BC, indicating the spread of Apollo's culture (Aplu) in Etruria. There was a prostyle porch, which is called [[Tuscan order|Tuscan]], and a triple cella 18.50 m wide.<ref name="Robertson pp. 200-201">Robertson pp. 200–201</ref> | *[[Veii]] ([[Etruria]]): The temple of Apollo was built in the late 6th century BC, indicating the spread of Apollo's culture (Aplu) in Etruria. There was a prostyle porch, which is called [[Tuscan order|Tuscan]], and a triple cella 18.50 m wide.<ref name="Robertson pp. 200-201">Robertson pp. 200–201</ref> | ||
*[[Falerii Veteres]] ([[Etruria]]): A temple of Apollo was built probably in the 4th–3rd century BC. Parts of a terracotta capital, and a terracotta base have been found. It seems that the Etruscan columns were derived from the archaic Doric.<ref name="Robertson pp. 200-201"/> A cult of [[Soranus (mythology)|Apollo Soranus]] is attested by one inscription found near Falerii.<ref>[https://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.04.0006:entry=falerii-veteres Perseus tufts: Falerii Veteres]</ref> | *[[Falerii Veteres]] ([[Etruria]]): A temple of Apollo was built probably in the 4th–3rd century BC. Parts of a terracotta capital, and a terracotta base have been found. It seems that the Etruscan columns were derived from the archaic Doric.<ref name="Robertson pp. 200-201"/> A cult of [[Soranus (mythology)|Apollo Soranus]] is attested by one inscription found near Falerii.<ref>[https://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.04.0006:entry=falerii-veteres Perseus tufts: Falerii Veteres]</ref> | ||
[[File: | [[File:Cyark pompeii reconstruction2.jpg|thumb|left|Artist's reconstruction of the [[Temple of Apollo (Pompeii)]]]] | ||
*[[Pompeii]] (Italy): The cult of Apollo was widespread in the region of Campania since the 6th century BC. The temple was built in 120 BC, but its beginnings lie in the 6th century BC. It was reconstructed after an earthquake in AD 63. It demonstrates a mixing of styles which formed the basis of Roman architecture. The columns in front of the cella formed a [[Tuscan order|Tuscan]] prostyle porch, and the cella is situated unusually far back. The peripteral colonnade of 48 [[Ionic order|Ionic]] columns was placed in such a way that the emphasis was given to the front side.<ref>Davidson CSA :[http://sites.davidson.edu/csa/the-temple-of-apollo-at-pompeii-a-mishmash-of-architecture/ Temple of Apollo, Pompeii] {{webarchive|url=https://web.archive.org/web/20150106221543/http://sites.davidson.edu/csa/the-temple-of-apollo-at-pompeii-a-mishmash-of-architecture/ |date=6 January 2015 }}</ref> | *[[Pompeii]] (Italy): The cult of Apollo was widespread in the region of Campania since the 6th century BC. The temple was built in 120 BC, but its beginnings lie in the 6th century BC. It was reconstructed after an earthquake in AD 63. It demonstrates a mixing of styles which formed the basis of Roman architecture. The columns in front of the cella formed a [[Tuscan order|Tuscan]] prostyle porch, and the cella is situated unusually far back. The peripteral colonnade of 48 [[Ionic order|Ionic]] columns was placed in such a way that the emphasis was given to the front side.<ref>Davidson CSA :[http://sites.davidson.edu/csa/the-temple-of-apollo-at-pompeii-a-mishmash-of-architecture/ Temple of Apollo, Pompeii] {{webarchive|url=https://web.archive.org/web/20150106221543/http://sites.davidson.edu/csa/the-temple-of-apollo-at-pompeii-a-mishmash-of-architecture/ |date=6 January 2015 }}</ref> | ||
[[File:Roma-tempio di apollo.jpg|thumb|upright|Temple of Apollo Sosianus, Rome]] | [[File:Roma-tempio di apollo.jpg|thumb|upright|Temple of Apollo Sosianus, Rome]] | ||
* Rome: The [[temple of Apollo Sosianus]] and the ''temple of Apollo Medicus''. The first temple building dates to 431 BC, and was dedicated to Apollo Medicus (the doctor), after a plague of 433 BC.<ref>[http://www.thelatinlibrary.com/livy/liv.4.shtml#25 Livy 4.25]</ref> It was rebuilt by [[Gaius Sosius]], probably in 34 BC. Only three columns with [[Corinthian order|Corinthian]] capitals exist today. It seems that the cult of Apollo had existed in this area since at least to the mid-5th century BC.<ref>[http://www.thelatinlibrary.com/livy/liv.34.shtml#43 Livy 34.43]</ref> | * Rome: The [[temple of Apollo Sosianus]] and the ''temple of Apollo Medicus''. The first temple building dates to 431 BC, and was dedicated to Apollo Medicus (the doctor), after a plague of 433 BC.<ref>[http://www.thelatinlibrary.com/livy/liv.4.shtml#25 Livy 4.25]</ref> It was rebuilt by [[Gaius Sosius]], probably in 34 BC. Only three columns with [[Corinthian order|Corinthian]] capitals exist today. It seems that the cult of Apollo had existed in this area since at least to the mid-5th century BC.<ref>[http://www.thelatinlibrary.com/livy/liv.34.shtml#43 Livy 34.43]</ref> | ||
*Rome: The [[temple of Apollo Palatinus]] was located on the Palatine hill within the sacred boundary of the city. It was dedicated by [[Augustus]] in 28 BC. The façade of the original temple was [[Ionic order|Ionic]] and it was constructed from solid blocks of marble. Many famous statues by Greek masters were on display in and around the temple, including a marble statue of the god at the entrance and a statue of Apollo in the cella.<ref>[https://penelope.uchicago.edu/Thayer/E/Gazetteer/Places/Europe/Italy/Lazio/Roma/Rome/_Texts/PLATOP*/Aedes_Apollinis_Palatini.html A topographical dictionary of Ancient Rome]</ref> | *Rome: The [[temple of Apollo Palatinus]] was located on the Palatine hill within the sacred boundary of the city. It was dedicated by [[Augustus]] in 28 BC. The [[façade]] of the original temple was [[Ionic order|Ionic]] and it was constructed from solid blocks of marble. Many famous statues by Greek masters were on display in and around the temple, including a marble statue of the god at the entrance and a statue of Apollo in the cella.<ref>[https://penelope.uchicago.edu/Thayer/E/Gazetteer/Places/Europe/Italy/Lazio/Roma/Rome/_Texts/PLATOP*/Aedes_Apollinis_Palatini.html A topographical dictionary of Ancient Rome]</ref> | ||
*[[Melite (ancient city)|Melite]] (modern [[Mdina]], Malta): A [[Temple of Apollo (Melite)|Temple of Apollo]] was built in the city in the 2nd century AD. Its remains were discovered in the 18th century, and many of its architectural fragments were dispersed among private collections or reworked into new sculptures. Parts of the temple's podium were rediscovered in 2002.<ref>{{cite news|last1=Testa|first1=Michael|title=New find at Mdina most important so far in old capital|url=http://www.maltamigration.com/news/times93020.shtml|work=[[Times of Malta]]|date=19 March 2002|archive-url=https://web.archive.org/web/20160413115810/http://www.maltamigration.com/news/times93020.shtml |archive-date=13 April 2016}}</ref> | *[[Melite (ancient city)|Melite]] (modern [[Mdina]], Malta): A [[Temple of Apollo (Melite)|Temple of Apollo]] was built in the city in the 2nd century AD. Its remains were discovered in the 18th century, and many of its architectural fragments were dispersed among private collections or reworked into new sculptures. Parts of the temple's podium were rediscovered in 2002.<ref>{{cite news|last1=Testa|first1=Michael|title=New find at Mdina most important so far in old capital|url=http://www.maltamigration.com/news/times93020.shtml|work=[[Times of Malta]]|date=19 March 2002|archive-url=https://web.archive.org/web/20160413115810/http://www.maltamigration.com/news/times93020.shtml |archive-date=13 April 2016}}</ref> | ||
==Mythology== | ==Mythology== | ||
{{ | {{long|section|words=11,000|date=September 2025}} | ||
===Birth=== | ===Birth=== | ||
[[File:Arte romana, latona in fuga con artemide e apollo, 350-400 dc ca. (kunstsien stichting).jpg|thumb|upright=.8|Leto fleeing with Artemis and Apollo, AD 350–400, in Kunstsien Stichting]] | [[File:Arte romana, latona in fuga con artemide e apollo, 350-400 dc ca. (kunstsien stichting).jpg|thumb|upright=.8|Leto fleeing with Artemis and Apollo, AD 350–400, in Kunstsien Stichting]] | ||
In myth, Apollo is the son of [[Zeus]], the king of the gods, and [[Leto]]. | |||
====''Homeric Hymn to Apollo''==== | ====''Homeric Hymn to Apollo''==== | ||
Pregnant with the offspring of Zeus, Leto wandered through many lands wanting to give birth to Apollo | Pregnant with the offspring of Zeus, Leto wandered through many lands wanting to give birth to Apollo, but she was rejected everywhere out of fear. Upon reaching Delos, Leto requested the island to shelter her, and that in return her son would bring fame and prosperity to the island. Delos then revealed to Leto that Apollo was rumoured to be the god who will "greatly lord it among gods and men all over the fruitful earth". For this reason, people were fearful, and Delos worried that Apollo would cast her aside once he was born. Hearing this, Leto swore on the river Styx that if she was allowed to give birth on the island, her son would honor Delos the most among all the other lands. Assured by this, Delos agreed to assist Leto. All goddesses except Hera also came to aid Leto.<ref name=":0" /> | ||
However, Hera had tricked [[Eileithyia]], the goddess of childbirth, to stay on Olympus | However, Leto was unable to give birth, because Hera had tricked [[Eileithyia]], the goddess of childbirth, to stay on Olympus. The goddesses then convinced Iris to go bring Eileithyia by offering her a necklace of amber 9 yards (8.2 m) long. Iris did accordingly and persuaded Eileithyia to step onto the island. Thus, clutching a [[palm tree]], Leto finally gave birth after labouring for nine days and nine nights, with Apollo "leaping forth" from his mother's womb. The goddesses washed the newborn, covered him in a white garment and fastened golden bands around him. [[Themis]], the goddess of divine law, fed him nectar and [[ambrosia]], as Leto was unable to do so. Upon tasting the divine food, the child broke free of the bands fastened onto him and declared that he would be the master of [[lyre]] and archery, and interpret the will of Zeus to humankind. He then started to walk, which caused the island to be filled with gold.<ref name=":0">"Homeric hymn to Delian Apollo"</ref> | ||
====Callimachus' ''Hymn to Delos''==== | ====Callimachus's ''Hymn to Delos''==== | ||
The island Delos used to be [[Asteria]], a goddess who jumped into the waters to escape the advances of Zeus and became a free-floating island of the same name. When Leto got pregnant, Hera was told that Leto's son would become more dear to Zeus than Ares. Enraged by this, Hera watched over the heavens and sent out Ares and Iris to prevent Leto from giving birth on the earth. Ares, stationed over the mainland, and Iris, over the islands, threatened all the lands and prevented them from helping Leto.<ref name=":1" /> | The island Delos used to be [[Asteria]], a goddess who jumped into the waters to escape the advances of Zeus and became a free-floating island of the same name. When Leto got pregnant, Hera was told that Leto's son would become more dear to Zeus than Ares. Enraged by this, Hera watched over the heavens and sent out Ares and Iris to prevent Leto from giving birth on the earth. Ares, stationed over the mainland, and Iris, over the islands, threatened all the lands and prevented them from helping Leto.<ref name=":1" /> | ||
When Leto arrived at Thebes, fetal Apollo prophesied from his mother's womb that in the future he would punish a slanderous woman in Thebes ([[Niobe]]), so he did not want to be born there. Leto then went to Thessaly and sought the help of the river nymphs who were the daughters of the river Peneus. | When Leto arrived at Thebes, fetal Apollo prophesied from his mother's womb that in the future he would punish a slanderous woman in Thebes ([[Niobe]]), so he did not want to be born there. Leto then went to Thessaly and sought the help of the river nymphs who were the daughters of the river Peneus. Despite being initially fearful and reluctant, Peneus later decided to let Leto give birth in his waters. He did not change his mind, even when Ares produced a terrifying sound and threatened to hurl mountain peaks into the river. But Leto herself declined his help and departed, as she did not want him to suffer for her sake.<ref name=":1" /> | ||
After being turned away from various lands, Apollo spoke again from the womb, asking his mother to take look at the floating island in front of her and expressing his wish to be born there. When Leto approached Asteria, all the other islands fled. But Asteria welcomed Leto without any fear of Hera. Walking on the island, she sat down against a palm tree and asked Apollo to be born. During the childbirth, swans circled the island seven times, a sign that later on Apollo would play the seven-stringed lyre. When Apollo finally "leapt forth" from his mother's womb, the nymphs of the island sang a hymn to Eileithyia that was heard to the heavens. The moment Apollo was born, the entire island, including the trees and the waters, became gold. Asteria bathed the newborn, swaddled him and fed him with her breast milk. The island had become rooted and was later called Delos.<ref name=":1" /> | After being turned away from various lands, Apollo spoke again from the womb, asking his mother to take look at the floating island in front of her and expressing his wish to be born there. When Leto approached Asteria, all the other islands fled. But Asteria welcomed Leto without any fear of Hera. Walking on the island, she sat down against a palm tree and asked Apollo to be born. During the childbirth, swans circled the island seven times, a sign that later on Apollo would play the seven-stringed lyre. When Apollo finally "leapt forth" from his mother's womb, the nymphs of the island sang a hymn to Eileithyia that was heard to the heavens. The moment Apollo was born, the entire island, including the trees and the waters, became gold. Asteria bathed the newborn, swaddled him and fed him with her breast milk. The island had become rooted and was later called Delos.<ref name=":1" /> | ||
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====Pindar==== | ====Pindar==== | ||
Pindar is the earliest source who explicitly calls Apollo and Artemis twins. Wanting to escape Zeus's advances, Leto's sister Asteria flung herself into the sea and became a floating rock called Ortygia until the twins were born.<ref>Pindar, ''Pa. VII b''</ref> When Leto stepped on the rock, four pillars with adamantine bases rose from the earth and held up the rock.<ref>Pindar, ''Processional Song on Delos''</ref> When Apollo and Artemis were born, their bodies shone radiantly and a chant was sung by Eileithyia and [[Lachesis]], one of the three [[Moirai]].<ref>Pindar, ''Pa. XII''</ref> | |||
Pindar is the earliest source who explicitly calls Apollo and Artemis | |||
====Hyginus==== | ====Hyginus==== | ||
Scorning the advances of Zeus, Asteria transformed herself into a bird and jumped into a sea. From her, an island rose which was called Ortygia.<ref>Pseudo-Hyginus, ''Fabulae 53''</ref> When Hera discovered that Leto was pregnant with Zeus's child, she decreed that Leto can give birth only in a place where sun does not shine. During this time, the monster Python also started hounding Leto with an intent of killing her, because he had foreseen his death coming at the hands of Leto's offspring. However, on Zeus's orders, [[Boreas (god)|Boreas]] carried away Leto and entrusted her to [[Poseidon]]. To protect her, Poseidon took her to the island Ortygia and covered it with waves so that the sun would not shine on it. Leto gave birth clinging to an [[olive tree]] and henceforth the island was called Delos.<ref>Pseudo-Hyginus, ''[[Fabulae]]'' ''140''</ref> | |||
Scorning the advances of Zeus, Asteria transformed herself into a bird and jumped into a sea. From her, an island rose which was called Ortygia.<ref>Pseudo-Hyginus, ''Fabulae 53''</ref> When Hera discovered that Leto was pregnant with Zeus' child, she decreed that Leto can give birth only in a place where sun does not shine. During this time, the monster Python also started hounding Leto with an intent of killing her, because he had foreseen his death coming at the hands of Leto's offspring. However, on Zeus' orders, [[Boreas (god)|Boreas]] carried away Leto and entrusted her to [[Poseidon]]. To protect her, Poseidon took her to the island Ortygia and covered it with waves so that the sun would not shine on it. Leto gave birth clinging to an olive tree and henceforth the island was called Delos.<ref>Pseudo-Hyginus, ''[[Fabulae]]'' ''140''</ref> | |||
[[File:Latona with the infants Apollo and Artemis, by Francesco Pozzi, 1824, marble - Sculpture Gallery, Chatsworth House - Derbyshire, England - DSC03504.jpg|thumb|Leto with Apollo and Artemis, by [[Francesco Pozzi]]]] | [[File:Latona with the infants Apollo and Artemis, by Francesco Pozzi, 1824, marble - Sculpture Gallery, Chatsworth House - Derbyshire, England - DSC03504.jpg|thumb|Leto with Apollo and Artemis, by [[Francesco Pozzi]]]] | ||
==== Other variations ==== | ==== Other variations ==== | ||
Aelian states that it took Leto twelve days and twelve nights to travel from Hyperborea to Delos.<ref>Aelian, ''Characteristics of Animals 4. 4''</ref> Leto changed herself into a she-wolf before giving birth. This is given as the reason why Homer describes Apollo as the "wolf-born god".<ref>Aelian, ''Characteristics of Animals 10. 26''</ref><ref>Homer, ''Iliad''</ref> | Aelian states that it took Leto twelve days and twelve nights to travel from Hyperborea to Delos.<ref>Aelian, ''Characteristics of Animals 4. 4''</ref> Leto changed herself into a she-wolf before giving birth. This is given as the reason why Homer describes Apollo as the "wolf-born god".<ref>Aelian, ''Characteristics of Animals 10. 26''</ref><ref>Homer, ''Iliad''</ref> | ||
According to Strabo, the [[Curetes (tribe)|Curetes]] helped Leto by creating loud noises with their weapons and thus frightening Hera, they concealed Leto's childbirth.<ref>Strabo, ''Geography 14. 1. 20''</ref> Theognis wrote that the island was filled with ambrosial fragrance when Apollo was born, and the Earth laughed with joy.<ref>Theognis, ''Fragment 1. 5''</ref> In some versions, [[Artemis]] was born first and subsequently assisted with the birth of Apollo.<ref>Servius, ''Commentary on Virgil's Aeneid 3.7''</ref><ref>Apollodorus, Bibliotheca 1.21</ref> | |||
According to Strabo, the [[Curetes (tribe)|Curetes]] helped Leto by creating loud noises with their weapons and thus frightening Hera, they concealed Leto's childbirth.<ref>Strabo, ''Geography 14. 1. 20''</ref> | |||
Theognis wrote that the island was filled with ambrosial fragrance when Apollo was born, and the Earth laughed with joy.<ref>Theognis, ''Fragment 1. 5''</ref> | |||
In some versions, [[Artemis]] was born first and subsequently assisted with the birth of Apollo.<ref>Servius, ''Commentary on Virgil's Aeneid 3.7''</ref><ref>Apollodorus, Bibliotheca 1.21</ref> | |||
While in some accounts Apollo's birth itself fixed the floating Delos to the earth, there are accounts of Apollo securing Delos to the bottom of the ocean a little while later.<ref>Virgil, ''Aeneid'', [https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0052%3Abook%3D3%3Acard%3D69 3.80]</ref><ref>Nonnus, ''Dionysiaca''</ref> | While in some accounts Apollo's birth itself fixed the floating Delos to the earth, there are accounts of Apollo securing Delos to the bottom of the ocean a little while later.<ref>Virgil, ''Aeneid'', [https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0052%3Abook%3D3%3Acard%3D69 3.80]</ref><ref>Nonnus, ''Dionysiaca''</ref> | ||
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In his early years when Apollo spent his time herding cows, he was reared by the [[Thriae]], who trained him and enhanced his prophetic skills.<ref>''[[Homeric Hymns|Homeric Hymn]] 4 to [[Hermes]]'' [https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0138%3Ahymn%3D4%3Acard%3D550 550].</ref> The god Pan was also said to have mentored him in the prophetic art.<ref>Apollodorus, ''Bibliotheca'' 1.41.</ref> Apollo is also said to have invented the lyre, and along with Artemis, the art of archery. He then taught the humans the art of healing and archery.<ref>[[Diodorus Siculus]], [https://penelope.uchicago.edu/Thayer/E/Roman/Texts/Diodorus_Siculus/5D*.html#74.5 5.74.5].</ref> | In his early years when Apollo spent his time herding cows, he was reared by the [[Thriae]], who trained him and enhanced his prophetic skills.<ref>''[[Homeric Hymns|Homeric Hymn]] 4 to [[Hermes]]'' [https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0138%3Ahymn%3D4%3Acard%3D550 550].</ref> The god Pan was also said to have mentored him in the prophetic art.<ref>Apollodorus, ''Bibliotheca'' 1.41.</ref> Apollo is also said to have invented the lyre, and along with Artemis, the art of archery. He then taught the humans the art of healing and archery.<ref>[[Diodorus Siculus]], [https://penelope.uchicago.edu/Thayer/E/Roman/Texts/Diodorus_Siculus/5D*.html#74.5 5.74.5].</ref> | ||
====Slaying of Python==== | ====Slaying of Python==== | ||
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[[Python (mythology)|Python]], a [[chthonic]] serpent-dragon, was a child of Gaia and the guardian of the [[Delphic Oracle]]. | [[Python (mythology)|Python]], a [[chthonic]] serpent-dragon, was a child of Gaia and the guardian of the [[Delphic Oracle]]. | ||
In | In Callimachus's hymn to Delos, fetal Apollo foresees the death of Python at his hands.<ref name="Callimachus, Hymn to Delos"/> | ||
In the Homeric hymn to Apollo, Python was a female drakon and the nurse of the giant [[Typhon]] whom Hera had created to overthrow Zeus. She was described as a terrifying monster and a "bloody plague". Apollo, in his pursuit to establish his worship, came across Python and killed her with a single arrow shot from his bow. He let the corpse rot under the sun and declared himself the oracular deity of Delphi.<ref name="Homeric hymn to Apollo">''Homeric hymn to Pythian Apollo''</ref> Other authors have Apollo kill the monster using a hundred arrows<ref>Simonides, Fragment 573</ref><ref>Statius, ''Thebaid'' 5. 531</ref> or a thousand arrows.<ref name="Ovid, Metamorphoses 1. 434">Ovid, ''Metamorphoses'' 1. 434</ref> | In the Homeric hymn to Apollo, Python was a female drakon and the nurse of the giant [[Typhon]] whom Hera had created to overthrow Zeus. She was described as a terrifying monster and a "bloody plague". Apollo, in his pursuit to establish his worship, came across Python and killed her with a single arrow shot from his bow. He let the corpse rot under the sun and declared himself the oracular deity of Delphi.<ref name="Homeric hymn to Apollo">''Homeric hymn to Pythian Apollo''</ref> Other authors have Apollo kill the monster using a hundred arrows<ref>Simonides, Fragment 573</ref><ref>Statius, ''Thebaid'' 5. 531</ref> or a thousand arrows.<ref name="Ovid, Metamorphoses 1. 434">Ovid, ''Metamorphoses'' 1. 434</ref> | ||
According to Euripides, Leto had brought her twins to the cliffs of Parnassus shortly after giving birth to them. Upon seeing the monster there, Apollo, still a child being carried in his mother's arms, leapt forth and killed Python.<ref>Euripides, ''Iphigenia in Tauris'' 1234</ref> Some authors also mention that Python was killed for displaying lustful affections towards Leto.<ref>Limenus, ''Paean to Apollo''</ref><ref>Greek Anthology, 3.6</ref> | According to Euripides, Leto had brought her twins to the cliffs of Parnassus shortly after giving birth to them. Upon seeing the monster there, Apollo, still a child being carried in his mother's arms, leapt forth and killed Python.<ref>Euripides, ''Iphigenia in Tauris'' 1234</ref> Some authors also mention that Python was killed for displaying lustful affections towards Leto.<ref>Limenus, ''Paean to Apollo''</ref><ref>Greek Anthology, 3.6</ref> | ||
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Continuing from his victory over Python, the Homeric hymn describes how the young god established his worship among the humans. As Apollo was pondering about what kind of men he should recruit to serve him, he spotted a ship full of Cretan merchants or pirates. He took the form of a dolphin and sprang aboard the ship. Whenever the oblivious crew members tried throwing the dolphin overboard, the god shook the ship until the crew was awed into submission. Apollo then created a breeze that directed the ship to Delphi. Upon reaching the land, he revealed himself as a god and initiated them as his priests. He instructed them to guard his temple and always keep righteousness in their hearts.<ref>Homeric Hymn to Pythian Apollo</ref> | Continuing from his victory over Python, the Homeric hymn describes how the young god established his worship among the humans. As Apollo was pondering about what kind of men he should recruit to serve him, he spotted a ship full of Cretan merchants or pirates. He took the form of a dolphin and sprang aboard the ship. Whenever the oblivious crew members tried throwing the dolphin overboard, the god shook the ship until the crew was awed into submission. Apollo then created a breeze that directed the ship to Delphi. Upon reaching the land, he revealed himself as a god and initiated them as his priests. He instructed them to guard his temple and always keep righteousness in their hearts.<ref>Homeric Hymn to Pythian Apollo</ref> | ||
Alcaeus narrates the following account: Zeus, who had adorned his newborn son with a golden headband, also provided him with a chariot driven by swans and instructed Apollo to visit Delphi to establish his laws among the people. But Apollo disobeyed his father and went to the land of [[Hyperborea]]. The Delphians continuously sung paeans in his honour and pleaded him to come back to them. The god returned only after a year and then carried out Zeus' orders.<ref name="Alcaeus, Hymn to Apollo"/><ref>Himerius, ''Orations''</ref> | Alcaeus narrates the following account: Zeus, who had adorned his newborn son with a golden headband, also provided him with a chariot driven by swans and instructed Apollo to visit Delphi to establish his laws among the people. But Apollo disobeyed his father and went to the land of [[Hyperborea]]. The Delphians continuously sung paeans in his honour and pleaded him to come back to them. The god returned only after a year and then carried out Zeus's orders.<ref name="Alcaeus, Hymn to Apollo"/><ref>Himerius, ''Orations''</ref> | ||
In other variations, the shrine at Delphi was simply handed over to Apollo by his grandmother Phoebe as a gift,<ref name="ReferenceG"/> or Themis herself inspired him to be the oracular voice of Delphi.<ref>[http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0006 1]; ''[[Orphic Hymn]]'' 79 ''to Themis''</ref> | In other variations, the shrine at Delphi was simply handed over to Apollo by his grandmother Phoebe as a gift,<ref name="ReferenceG"/> or Themis herself inspired him to be the oracular voice of Delphi.<ref>[http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0006 1]; ''[[Orphic Hymn]]'' 79 ''to Themis''</ref> | ||
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According the Aristonous and Aelian, Apollo was purified by the will of Zeus in the [[Vale of Tempe]].<ref>Aelian, ''Varia'' ''Historia'' 3.1</ref> Aristonous has continued the tale, saying that Apollo was escorted back to Delphi by Athena. As a token of gratitude, he later built a temple for Athena at Delphi, which served as a threshold for his own temple.<ref>[[Temple of Athena Pronaia]] was the first one met by the visitor who came to Delphi on foot from the eastern road.</ref> Upon reaching Delphi, Apollo convinced Gaea and Themis into handing over the seat of oracle to him. To celebrate this event, other immortals also graced Apollo with gifts – Poseidon gave him the land of Delphi, the Delphian nymphs gifted him the Corycian cave, and Artemis set her dogs to patrol and safeguard the land.<ref>Aristonous, ''Paean to Apollo''</ref> | According the Aristonous and Aelian, Apollo was purified by the will of Zeus in the [[Vale of Tempe]].<ref>Aelian, ''Varia'' ''Historia'' 3.1</ref> Aristonous has continued the tale, saying that Apollo was escorted back to Delphi by Athena. As a token of gratitude, he later built a temple for Athena at Delphi, which served as a threshold for his own temple.<ref>[[Temple of Athena Pronaia]] was the first one met by the visitor who came to Delphi on foot from the eastern road.</ref> Upon reaching Delphi, Apollo convinced Gaea and Themis into handing over the seat of oracle to him. To celebrate this event, other immortals also graced Apollo with gifts – Poseidon gave him the land of Delphi, the Delphian nymphs gifted him the Corycian cave, and Artemis set her dogs to patrol and safeguard the land.<ref>Aristonous, ''Paean to Apollo''</ref> | ||
Plutarch, however, has mentioned a variation where Apollo was neither purified in Tempe nor banished to Earth as a servant for nine years, but was driven out to another world for nine great years. The god who returned was cleansed and purified, thus becoming a "true Phoebus – that is to say, clear and bright". He then took over the Delphic oracle, which had been under the care of Themis in his absence.<ref>Plutarch, ''Why the Oracles Cease To Give Answers'' 421c</ref> Henceforth, Apollo became the god who cleansed himself from the sin of murder, made men aware of their guilt and purified them.<ref>Apollo, Fritz Graf</ref> | Plutarch, however, has mentioned a variation where Apollo was neither purified in Tempe nor banished to Earth as a servant for nine years, but was driven out to another world for nine great years. The god who returned was cleansed and purified, thus becoming a "true Phoebus – that is to say, clear and bright". He then took over the Delphic oracle, which had been under the care of Themis in his absence.<ref>Plutarch, ''Why the Oracles Cease To Give Answers'' 421c</ref> Henceforth, Apollo became the god who cleansed himself from the sin of murder, made men aware of their guilt and purified them.<ref>Apollo, Fritz Graf</ref> | ||
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====Tityus==== | ====Tityus==== | ||
[[File:Apollo Tityos Staatliche Antikensammlungen 2689.jpg|thumb|Apollo (left) slaying [[Tityos]] (centre), Attic red-figure kylix, 460–450 BC<ref>''[[Lexicon Iconographicum Mythologiae Classicae|LIMC]]'', [https://archive.org/details/limc_20210516/Lexicon%20Iconographicum%20Mythologiae%20Classicae/LIMC%20II-1/page/n165/mode/2up p. 311].</ref>]] | |||
[[Tityos|Tityus]] was another giant who tried to rape Leto, either on his own accord when she was on her way to Delphi<ref name="Homer, Odyssey 11. 576">Homer, ''Odyssey'' 11. 576</ref><ref name="Apollodorus, Bibliotheca 1.22">Apollodorus, ''Bibliotheca'' 1.22</ref> or at the order of Hera.<ref>Hyginus, ''[[Fabulae]]'' 55</ref> Leto called upon on her children who instantly slew the giant. Apollo, still a young boy, shot him with his arrows.<ref>Apollonius Rhodius, ''Argonautica'' 1. 758</ref><ref>Quintus Smyrnaeus, ''Fall of Troy'' 3. 390</ref> In some accounts, Artemis also joined him in protecting their mother by attacking Tityos with her arrows.<ref>Scholia on [[Pindar]], ''Pythian Odes'' 4.160 citing Pherecydes</ref><ref>Pausanias, ''Description of Greece'' 10. 11. 1</ref> | |||
[[Tityos|Tityus]] was another giant who tried to rape Leto, either on his own accord when she was on her way to Delphi<ref name="Homer, Odyssey 11. 576">Homer, ''Odyssey'' 11. 576</ref><ref name="Apollodorus, Bibliotheca 1.22">Apollodorus, ''Bibliotheca'' 1.22</ref> or at the order of Hera.<ref>Hyginus, ''[[Fabulae]]'' 55</ref> Leto called upon on her children who instantly slew the giant. Apollo, still a young boy, shot him with his arrows.<ref>Apollonius Rhodius, ''Argonautica'' 1. 758</ref><ref>Quintus Smyrnaeus, ''Fall of Troy'' 3. 390</ref> In some accounts, Artemis also joined him in protecting their mother by attacking Tityos with her arrows.<ref>Scholia on [[Pindar]], ''Pythian Odes'' 4.160 citing Pherecydes</ref><ref>Pausanias, ''Description of Greece'' 10. 11. 1</ref | |||
===Admetus=== | ===Admetus=== | ||
[[File:Drawing, Apollo Guards the Herds (or Flocks) of King Admetus, 1780–1800 (CH 18122047).jpg|thumb|Apollo guards the herds (or flocks) of King [[Admetus]], by [[Felice Giani|Felice Gianni]]]] | [[File:Drawing, Apollo Guards the Herds (or Flocks) of King Admetus, 1780–1800 (CH 18122047).jpg|thumb|Apollo guards the herds (or flocks) of King [[Admetus]], by [[Felice Giani|Felice Gianni]]]] | ||
[[Admetus]] was the king of [[Pherae]], who was known for his hospitality. When Apollo was exiled from Olympus for killing Python, he served as a herdsman under Admetus, who was then young and unmarried. Apollo is said to have shared a romantic relationship with Admetus during his stay.<ref name="ReferenceA">[[Callimachus]], Hymn II to Apollo.</ref> After completing his years of servitude, Apollo went back to Olympus as a god.{{Citation needed|date=December 2024}} | [[Admetus]] was the king of [[Pherae]], who was known for his hospitality. When Apollo was exiled from Olympus for killing Python, he served as a herdsman under Admetus, who was then young and unmarried. Apollo is said to have shared a romantic relationship with Admetus during his stay.<ref name="ReferenceA">[[Callimachus]], Hymn II to Apollo.</ref> After completing his years of servitude, Apollo went back to Olympus as a god.{{Citation needed|date=December 2024}} The servitude was said to have lasted for either one year,<ref>Strabo, ''Geography'' 10.1.10</ref><ref>Apollodorus, ''Bibliotheca'' 3.10.4</ref> or one great year (a cycle of eight years),<ref>Plutarch, ''Amatorius'' 761e</ref><ref>Apollodorus, ''Bibliotheca'' 3.4.2</ref> or nine years.<ref>Servius, ''Commentary on Aeneid'' 2.761</ref><ref>See also {{Cite journal|last=Keaveney|first=Arthur|date=1 January 1984|journal=Philologus|volume=128|issue=1–2|doi=10.1524/phil.1984.128.12.138|issn=2196-7008|title=A Note on Servius, Ad ''Aeneid'' 7, 637|pages=138–139|s2cid=164720549}}</ref> | ||
Because Admetus had treated Apollo well, the god conferred great benefits on him in return. Apollo's mere presence is said to have made the cattle give birth to twins.<ref name="bib-3-10-4"/><ref name="ReferenceA"/> Apollo helped Admetus win the hand of [[Alcestis]], the daughter of [[Pelias|King Pelias]],<ref name="bib-1-9-15">[[Bibliotheca (Pseudo-Apollodorus)|Apollodorus]], [http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0022%3Atext%3DLibrary%3Abook%3D1%3Achapter%3D9%3Asection%3D15 1.9.15].</ref><ref name="hyginus-50">[[Gaius Julius Hyginus|Hyginus]], ''[[Fabulae]]'' [https://topostext.org/work/206#50 50–51].</ref> by taming a lion and a boar to draw Admetus' chariot. He was present during their wedding to give his blessings. When Admetus angered the goddess Artemis by forgetting to give her the due offerings, Apollo came to the rescue and calmed his sister.<ref name="bib-1-9-15" /> When Apollo learnt of Admetus' untimely death, he convinced or tricked the [[Moirai|Fates]] into letting Admetus live past his time.<ref name="bib-1-9-15" /><ref name="hyginus-50" /> | Because Admetus had treated Apollo well, the god conferred great benefits on him in return. Apollo's mere presence is said to have made the cattle give birth to twins.<ref name="bib-3-10-4"/><ref name="ReferenceA"/> Apollo helped Admetus win the hand of [[Alcestis]], the daughter of [[Pelias|King Pelias]],<ref name="bib-1-9-15">[[Bibliotheca (Pseudo-Apollodorus)|Apollodorus]], [http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0022%3Atext%3DLibrary%3Abook%3D1%3Achapter%3D9%3Asection%3D15 1.9.15].</ref><ref name="hyginus-50">[[Gaius Julius Hyginus|Hyginus]], ''[[Fabulae]]'' [https://topostext.org/work/206#50 50–51].</ref> by taming a lion and a boar to draw Admetus's chariot. He was present during their wedding to give his blessings. When Admetus angered the goddess Artemis by forgetting to give her the due offerings, Apollo came to the rescue and calmed his sister.<ref name="bib-1-9-15" /> When Apollo learnt of Admetus's untimely death, he convinced or tricked the [[Moirai|Fates]] into letting Admetus live past his time.<ref name="bib-1-9-15" /><ref name="hyginus-50" /> | ||
According to another version, or perhaps some years later, when Zeus struck down Apollo's son [[Asclepius]] with a lightning bolt for resurrecting the dead, Apollo in revenge killed the [[Cyclopes]], who had fashioned the bolt for Zeus.<ref name="bib-3-10-4">[[Bibliotheca (Pseudo-Apollodorus)|Apollodorus]], [http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0022%3Atext%3DLibrary%3Abook%3D3%3Achapter%3D10%3Asection%3D4 3.10.4].</ref> Apollo would have been banished to [[Tartarus]] for this, but his mother [[Leto]] intervened, and reminding Zeus of their old love, pleaded with him not to kill their son. Zeus obliged and sentenced Apollo to one year of [[Penal labour|hard labor]] once again under Admetus.<ref name="bib-3-10-4" /> | According to another version, or perhaps some years later, when Zeus struck down Apollo's son [[Asclepius]] with a lightning bolt for resurrecting the dead, Apollo in revenge killed the [[Cyclopes]], who had fashioned the bolt for Zeus.<ref name="bib-3-10-4">[[Bibliotheca (Pseudo-Apollodorus)|Apollodorus]], [http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0022%3Atext%3DLibrary%3Abook%3D3%3Achapter%3D10%3Asection%3D4 3.10.4].</ref> Apollo would have been banished to [[Tartarus]] for this, but his mother [[Leto]] intervened, and reminding Zeus of their old love, pleaded with him not to kill their son. Zeus obliged and sentenced Apollo to one year of [[Penal labour|hard labor]] once again under Admetus.<ref name="bib-3-10-4" /> | ||
===Niobe=== | ===Niobe=== | ||
The fate of [[Niobe]] was prophesied by Apollo while he was still in Leto's womb.<ref name="ReferenceA"/> Niobe was the queen of [[Thebes (Greece)|Thebes]] and wife of [[Amphion]]. She displayed [[hubris]] when she boasted that she was superior to Leto because she had fourteen children ([[Niobids]]), seven male and seven female, while Leto had only two. She further mocked Apollo's effeminate appearance and Artemis's manly appearance. Leto, insulted by this, told her children to punish Niobe. Accordingly, Apollo killed Niobe's sons, and Artemis her daughters. According to some versions of the myth, among the Niobids, Chloris and her brother Amyclas were not killed because they prayed to Leto. Amphion, at the sight of his dead sons, either killed himself or was killed by Apollo after swearing revenge.{{Citation needed|date=December 2024}} | |||
The fate of [[Niobe]] was prophesied by Apollo while he was still in Leto's womb.<ref name="ReferenceA"/> Niobe was the queen of [[Thebes (Greece)|Thebes]] and wife of [[Amphion]]. She displayed [[hubris]] when she boasted that she was superior to Leto because she had fourteen children ([[Niobids]]), seven male and seven female, while Leto had only two. She further mocked Apollo's effeminate appearance and Artemis' manly appearance. Leto, insulted by this, told her children to punish Niobe. Accordingly, Apollo killed Niobe's sons, and Artemis her daughters. According to some versions of the myth, among the Niobids, Chloris and her brother Amyclas were not killed because they prayed to Leto. Amphion, at the sight of his dead sons, either killed himself or was killed by Apollo after swearing revenge.{{Citation needed|date=December 2024}} | |||
A devastated Niobe fled to [[Spil Mount|Mount Sipylos]] in [[Asia Minor]] and turned into stone as she wept. Her tears formed the river [[Achelous]]. Zeus had turned all the people of Thebes to stone and so no one buried the Niobids until the ninth day after their death, when the gods themselves entombed them.{{Citation needed|date=December 2024}} | A devastated Niobe fled to [[Spil Mount|Mount Sipylos]] in [[Asia Minor]] and turned into stone as she wept. Her tears formed the river [[Achelous]]. Zeus had turned all the people of Thebes to stone and so no one buried the Niobids until the ninth day after their death, when the gods themselves entombed them.{{Citation needed|date=December 2024}} | ||
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[[File:Sandrart (attributed), Troppa (attr.) - Laomedon Refusing Payment to Poseidon and Apollo - 17th c.jpg|thumb|left|Laomedon refusing payment to Poseidon and Apollo, by [[Joachim von Sandrart]]]] | [[File:Sandrart (attributed), Troppa (attr.) - Laomedon Refusing Payment to Poseidon and Apollo - 17th c.jpg|thumb|left|Laomedon refusing payment to Poseidon and Apollo, by [[Joachim von Sandrart]]]] | ||
{{Trojan War}} | |||
Once Apollo and [[Poseidon]] served under the Trojan king [[Laomedon]] in accordance with Zeus' words. Apollodorus states that the gods willingly went to the king disguised as humans in order to check his hubris.<ref>Apollodorus, ''Bibliotheca'' 2.5</ref> Apollo guarded the cattle of Laomedon in the valleys of Mount Ida, while Poseidon built the walls of Troy.<ref>Homer, ''The Iliad'' [http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0134%3Abook%3D21%3Acard%3D434 21.434]</ref> Other versions make both Apollo and Poseidon the builders of the wall. In Ovid's account, Apollo completes his task by playing his tunes on his lyre.{{Citation needed|date=December 2024}} | Once Apollo and [[Poseidon]] served under the Trojan king [[Laomedon]] in accordance with Zeus's words. Apollodorus states that the gods willingly went to the king disguised as humans in order to check his hubris.<ref>Apollodorus, ''Bibliotheca'' 2.5</ref> Apollo guarded the cattle of Laomedon in the valleys of Mount Ida, while Poseidon built the walls of Troy.<ref>Homer, ''The Iliad'' [http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0134%3Abook%3D21%3Acard%3D434 21.434]</ref> Other versions make both Apollo and Poseidon the builders of the wall. In Ovid's account, Apollo completes his task by playing his tunes on his lyre.{{Citation needed|date=December 2024}} | ||
In [[Pindar]]'s odes, the gods took a mortal named [[Aeacus]] as their assistant.<ref>[[Pindar]], ''Olympian Odes'' viii. 39, &c.</ref> When the work was completed, three snakes rushed against the wall, and though the two that attacked the sections of the wall built by the gods fell down dead, the third forced its way into the city through the portion of the wall built by Aeacus. Apollo immediately prophesied that [[Troy]] would fall at the hands of Aeacus's descendants, the [[Aeacidae]] (i.e. his son Telamon joined [[Heracles]] when he sieged the city during Laomedon's rule. Later, his great-grandson [[Neoptolemus]] was present in the wooden horse that leads to the downfall of Troy).{{Citation needed|date=December 2024}} | In [[Pindar]]'s odes, the gods took a mortal named [[Aeacus]] as their assistant.<ref>[[Pindar]], ''Olympian Odes'' viii. 39, &c.</ref> When the work was completed, three snakes rushed against the wall, and though the two that attacked the sections of the wall built by the gods fell down dead, the third forced its way into the city through the portion of the wall built by Aeacus. Apollo immediately prophesied that [[Troy]] would fall at the hands of Aeacus's descendants, the [[Aeacidae]] (i.e. his son Telamon joined [[Heracles]] when he sieged the city during Laomedon's rule. Later, his great-grandson [[Neoptolemus]] was present in the wooden horse that leads to the downfall of Troy).{{Citation needed|date=December 2024}} | ||
However, the king not only refused to give the gods the wages he had promised, but also threatened to bind their feet | However, the king not only refused to give the gods the wages he had promised, but also threatened to bind their hands and feet, as well as to sell them as slaves. Angered by the unpaid labour and the insults, Apollo infected the city with a pestilence and Poseidon sent the sea monster [[Cetus (mythology)|Cetus]]. To deliver the city from it, Laomedon had to sacrifice his daughter [[Hesione]] (who would later be saved by [[Heracles]]).{{Citation needed|date=December 2024}} | ||
During his stay in Troy, Apollo had a lover named Ourea, who was a nymph and daughter of Poseidon. Together they had a son named Ileus, whom Apollo loved dearly.<ref>Hesiod, ''Catalogues of Women'' Fragment 83</ref> | During his stay in Troy, Apollo had a lover named Ourea, who was a nymph and daughter of Poseidon. Together they had a son named Ileus, whom Apollo loved dearly.<ref>Hesiod, ''Catalogues of Women'' Fragment 83</ref> | ||
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===Trojan War=== | ===Trojan War=== | ||
{{More citations needed section|date=December 2024}} | {{More citations needed section|date=December 2024}} | ||
Apollo sided with the Trojans during the [[Trojan War]] | Apollo sided with the Trojans during the [[Trojan War]]. During the war, the Greek king [[Agamemnon]] captured [[Chryseis]], the daughter of Apollo's priest [[Chryses]], and refused to return her. Angered by this, Apollo shot arrows infected with the plague into the Greek encampment. He demanded that they return the girl, and the Greeks complied, indirectly causing the [[Achilles and Patroclus#In the Iliad|anger of Achilles]], which is the theme of the ''[[Iliad]]''. | ||
During the war, the Greek king [[Agamemnon]] captured [[Chryseis]], the daughter of Apollo's priest [[Chryses]], and refused to return her. Angered by this, Apollo shot arrows infected with the plague into the Greek encampment. He demanded that they return the girl, and the | |||
[[File:John Flaxman - Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures - Google Art Project.jpg|thumb|left|Apollo preceding [[Hector]] with his [[aegis]], and dispersing the Greeks, by [[John Flaxman]]]] | [[File:John Flaxman - Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures - Google Art Project.jpg|thumb|left|Apollo preceding [[Hector]] with his [[aegis]], and dispersing the Greeks, by [[John Flaxman]]]] | ||
Receiving the [[aegis]] from Zeus, Apollo entered the battlefield | Receiving the [[aegis]] from Zeus, Apollo entered the battlefield on his father's command, causing great terror to the enemy with his war cry. He pushed the Greeks back and destroyed many of the soldiers. He is described as "the rouser of armies" because he rallied the Trojan army when they were falling apart. When Zeus allowed the other gods to get involved in the war, Apollo was provoked by Poseidon to a duel. However, Apollo declined to fight him, saying that he would not fight his uncle for the sake of mortals. | ||
When Zeus allowed the other gods to get involved in the war, Apollo was provoked by Poseidon to a duel. However, Apollo declined to fight him, saying that he would not fight his uncle for the sake of mortals. | |||
[[File:Diomedes prevented by Apollo from pursuing Aeneas (?) MET 80355.jpg|thumb|Apollo preventing [[Diomedes]] from pursuing [[Aeneas]]]] | [[File:Diomedes prevented by Apollo from pursuing Aeneas (?) MET 80355.jpg|thumb|Apollo preventing [[Diomedes]] from pursuing [[Aeneas]]]] | ||
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[[File:Hector's body dragged at the Chariot of Achilles.jpg|thumb|Apollo protecting Hector's body, by [[John Flaxman]]]] | [[File:Hector's body dragged at the Chariot of Achilles.jpg|thumb|Apollo protecting Hector's body, by [[John Flaxman]]]] | ||
The Trojan hero [[Hector]] (who, according to some, was the god's own son by [[Hecuba]]<ref>[[Stesichorus]], Fr. 108; [[Tzetzes]], ''On Lycophron'' 266; Porphyry in his ''Omissions'' states that [[Ibycus]], [[Alexander Aetolus|Alexander]], [[Euphorion of Chalcis|Euphorion]] and [[Lycophron]] all made Hector the son of Apollo.</ref>) was favored by Apollo. When he got severely injured, Apollo healed him and encouraged him to take up his arms. During a duel with Achilles, when Hector was about to lose, Apollo hid Hector in a cloud of mist to save him. When the Greek warrior [[Patroclus]] tried to get into the fort of Troy, he was stopped by Apollo. Encouraging Hector to attack Patroclus, Apollo stripped the armour of the Greek warrior and broke his weapons. Patroclus was eventually killed by Hector. At last, after Hector's fated death, Apollo protected his corpse from Achilles' attempt to mutilate it by creating a magical cloud over the corpse, shielding it from the rays of the [[Helios|sun]] | The Trojan hero [[Hector]] (who, according to some, was the god's own son by [[Hecuba]]<ref>[[Stesichorus]], Fr. 108; [[Tzetzes]], ''On Lycophron'' 266; Porphyry in his ''Omissions'' states that [[Ibycus]], [[Alexander Aetolus|Alexander]], [[Euphorion of Chalcis|Euphorion]] and [[Lycophron]] all made Hector the son of Apollo.</ref>) was favored by Apollo. When he got severely injured, Apollo healed him and encouraged him to take up his arms. During a duel with [[Achilles]], when Hector was about to lose, Apollo hid Hector in a cloud of mist to save him. When the Greek warrior [[Patroclus]] tried to get into the fort of Troy, he was stopped by Apollo. Encouraging Hector to attack Patroclus, Apollo stripped the armour of the Greek warrior and broke his weapons. Patroclus was eventually killed by Hector. At last, after Hector's fated death, Apollo protected his corpse from Achilles's attempt to mutilate it by creating a magical cloud over the corpse, shielding it from the rays of the [[Helios|sun]]. | ||
Finally, Apollo caused Achilles' death by guiding an arrow shot by [[Paris (mythology)|Paris]] into [[Achilles]] | Apollo held a grudge against Achilles throughout the war because Achilles had murdered his son [[Tenes]] before the war began and brutally assassinated his son [[Troilus]] in his own temple. Not only did Apollo save Hector from Achilles, he also tricked Achilles by disguising himself as a Trojan warrior and driving him away from the gates. Finally, Apollo caused Achilles's death by guiding an arrow shot by [[Paris (mythology)|Paris]] into [[Achilles' heel]]. In some versions, Apollo himself killed Achilles by taking the disguise of Paris. | ||
Apollo helped many Trojan warriors—including [[Agenor]], [[Polydamas (mythology)|Polydamas]], and [[Glaucus]]—in the battlefield. Though he greatly favored the Trojans, Apollo was bound to follow the orders of Zeus and served his father loyally during the war. | Apollo helped many Trojan warriors—including [[Agenor]], [[Polydamas (mythology)|Polydamas]], and [[Glaucus]]—in the battlefield. Though he greatly favored the Trojans, Apollo was bound to follow the orders of Zeus and served his father loyally during the war. | ||
===Nurturer of the young=== | ===Nurturer of the young=== | ||
Apollo ''Kourotrophos'' is the god who nurtures and protects children and the young, especially boys. He oversees their education and their passage into adulthood. Education is said to have originated from Apollo and the [[Muses]]. | Apollo ''Kourotrophos'' is the god who nurtures and protects children and the young, especially boys. He oversees their education and their passage into adulthood. Education is said to have originated from Apollo and the [[Muses]].{{cn|date=March 2026}} | ||
[[Chiron]], the abandoned [[centaur]], was fostered by Apollo, who instructed him in medicine, prophecy, archery | [[Chiron]], the abandoned [[centaur]], was fostered by Apollo, who instructed him in fields including medicine, prophecy, and archery. [[Anius]], Apollo's son by [[Rhoeo]], was abandoned by his mother soon after his birth. Apollo brought him up and educated him in mantic arts. Anius later became the priest of Apollo and the king of Delos.{{cn|date=March 2026}} [[Iamus]] was the son of Apollo and [[Evadne]]. When Evadne went into labour, Apollo sent the [[Moirai]] to assist his lover. After the child was born, Apollo sent snakes to feed the child some honey. When Iamus reached the age of education, Apollo took him to Olympia and taught him many arts, including the ability to understand and explain the languages of birds.<ref>Pindar, Olympian Ode 6</ref> [[Idmon]] was educated by Apollo to be a seer. Even though he foresaw his death that would happen in his journey with the [[Argonauts]], he embraced his destiny and died a brave death. To commemorate his son's bravery, Apollo commanded Boeotians to build a town around the tomb of the hero, and to honor him.<ref>Apollonius Rhodius. Argonautica ii, 846 ff</ref> | ||
[[Anius]], Apollo's son by [[Rhoeo]], was abandoned by his mother soon after his birth. Apollo brought him up and educated him in mantic arts. Anius later became the priest of Apollo and the king of Delos. | |||
[[Iamus]] was the son of Apollo and [[Evadne]]. When Evadne went into labour, Apollo sent the [[Moirai]] to assist his lover. After the child was born, Apollo sent snakes to feed the child some honey. When Iamus reached the age of education, Apollo took him to Olympia and taught him many arts, including the ability to understand and explain the languages of birds.<ref>Pindar, Olympian Ode 6</ref> | |||
[[Idmon]] was educated by Apollo to be a seer. Even though he foresaw his death that would happen in his journey with the [[Argonauts]], he embraced his destiny and died a brave death. To commemorate his son's bravery, Apollo commanded Boeotians to build a town around the tomb of the hero, and to honor him.<ref>Apollonius Rhodius. Argonautica ii, 846 ff | |||
===God of music=== | ===God of music=== | ||
[[File:Apollo,_Hyacinthus_and_Cyparis_singing_and_playing_by_Alexander_Ivanov.jpg|left|thumb|Apollo, [[Hyacinth (mythology)|Hyacinth]] and [[Cyparissus]] singing and playing, by [[Alexander Andreyevich Ivanov|Alexander Ivanov]] 1831–1834]] | [[File:Apollo,_Hyacinthus_and_Cyparis_singing_and_playing_by_Alexander_Ivanov.jpg|left|thumb|Apollo, [[Hyacinth (mythology)|Hyacinth]] and [[Cyparissus]] singing and playing, by [[Alexander Andreyevich Ivanov|Alexander Ivanov]] 1831–1834]] | ||
Immediately after his birth, Apollo demanded a lyre and invented the [[paean]], thus becoming the god of music. As the divine singer, he is the patron of poets, singers and musicians. The invention of string music is attributed to him. [[Plato]] said that the innate ability of humans to take delight in music, rhythm and harmony is the gift of Apollo and the Muses.<ref>[[Plato]], ''[[Laws (Plato)|Laws]]'' [https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0166%3Abook%3D2%3Apage%3D653 653.4]</ref> According to [[Socrates]], ancient Greeks believed that Apollo is the god who directs the harmony and makes all things move together, both for the gods and the humans. For this reason, he was called ''Homopolon'' before the ''Homo'' was replaced by ''A''.<ref>The prefix ''A'' means "without" or "not", and ''polloi'' means "many", thus ''Apollo'' means "not many" or "united", referring to his ability to create harmony.</ref><ref>[[Plato]], ''[[Cratylus (dialogue)|Cratylus]]''</ref> Apollo's harmonious music delivered people from their pain, and hence, like Dionysus, he is also called the liberator.<ref name="ReferenceA" /> The swans, which were considered to be the most musical among the birds, were believed to be the "singers of Apollo". They are Apollo's sacred birds and acted as his vehicle during his travel to [[Hyperborea]].<ref name="ReferenceA" /> [[Claudius Aelianus|Aelian]] says that when the singers would sing hymns to Apollo, the swans would join the chant in unison.<ref>[[Claudius Aelianus|Aelian]], ''On the nature of Animals'' 11. 1</ref> | Immediately after his birth, Apollo demanded a lyre and invented the [[paean]], thus becoming the god of music. As the divine singer, he is the patron of poets, singers and musicians. The invention of string music is attributed to him. [[Plato]] said that the innate ability of humans to take delight in music, rhythm and harmony is the gift of Apollo and the Muses.<ref>[[Plato]], ''[[Laws (Plato)|Laws]]'' [https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0166%3Abook%3D2%3Apage%3D653 653.4]</ref> According to [[Socrates]], ancient Greeks believed that Apollo is the god who directs the harmony and makes all things move together, both for the gods and the humans. For this reason, he was called ''Homopolon'' before the ''Homo'' was replaced by ''A''.<ref>The prefix ''A'' means "without" or "not", and ''polloi'' means "many", thus ''Apollo'' means "not many" or "united", referring to his ability to create harmony.</ref><ref>[[Plato]], ''[[Cratylus (dialogue)|Cratylus]]''</ref> Apollo's harmonious music delivered people from their pain, and hence, like Dionysus, he is also called the liberator.<ref name="ReferenceA" /> The swans, which were considered to be the most musical among the birds, were believed to be the "singers of Apollo". They are Apollo's sacred birds and acted as his vehicle during his travel to [[Hyperborea]].<ref name="ReferenceA" /> [[Claudius Aelianus|Aelian]] says that when the singers would sing hymns to Apollo, the swans would join the chant in unison.<ref>[[Claudius Aelianus|Aelian]], ''On the nature of Animals'' 11. 1</ref> | ||
Among the [[Pythagoreanism|Pythagoreans]], the study of mathematics and music were connected to the worship of Apollo, their principal deity.<ref>[[Claudius Aelianus|Aelian]], ''[[Varia Historia]]'', 2. 26</ref><ref>[[Diogenes Laërtius]], 8.13</ref><ref>[[Iamblichus]], ''Vit. Pyth.'' 8.91.141</ref> Their belief was that music purifies the soul, just as medicine purifies the body. They also believed that music was delegated to the same mathematical laws of harmony as the mechanics of the cosmos, evolving into an idea known as the [[music of the spheres]].<ref>Landels, John G (1999) ''Music in Ancient Greece and Rome''</ref> | Among the [[Pythagoreanism|Pythagoreans]], the study of mathematics and music were connected to the worship of Apollo, their principal deity.<ref>[[Claudius Aelianus|Aelian]], ''[[Varia Historia]]'', 2. 26</ref><ref>[[Diogenes Laërtius]], 8.13</ref><ref>[[Iamblichus]], ''Vit. Pyth.'' 8.91.141</ref> Their belief was that music purifies the soul, just as medicine purifies the body. They also believed that music was delegated to the same mathematical laws of harmony as the mechanics of the cosmos, evolving into an idea known as the [[music of the spheres]].<ref>Landels, John G (1999) ''Music in Ancient Greece and Rome''</ref> | ||
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The invention of the lyre is attributed either to [[Hermes]] or to Apollo himself.<ref>{{cite web|title=Homeric Hymn to Hermes (IV, 1–506)|url=https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3atext%3a1999.01.0138%3ahymn%3d4|website=Perseus|access-date=18 March 2018}}</ref> Distinctions have been made that Hermes invented lyre made of tortoise shell, whereas the lyre Apollo invented was a regular lyre.<ref>Diodorus Siculus{{Incomplete short citation|date=December 2021}}</ref> | The invention of the lyre is attributed either to [[Hermes]] or to Apollo himself.<ref>{{cite web|title=Homeric Hymn to Hermes (IV, 1–506)|url=https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3atext%3a1999.01.0138%3ahymn%3d4|website=Perseus|access-date=18 March 2018}}</ref> Distinctions have been made that Hermes invented lyre made of tortoise shell, whereas the lyre Apollo invented was a regular lyre.<ref>Diodorus Siculus{{Incomplete short citation|date=December 2021}}</ref> | ||
The ''[[Homeric Hymn]] to Hermes'' tells that the infant Hermes stole a number of Apollo's cows and took them to a cave in the woods near [[Pylos]], covering their tracks. In the cave, he found a [[tortoise]] and killed it, then removed the insides. He used seven gut strings from sheep and the tortoise shell and made his [[lyre]].<ref>{{Cite web |title=HOMERIC HYMNS 4 - Theoi Classical Texts Library |url=https://www.theoi.com/Text/HomericHymns2.html |access-date=2026-04-16 |website=www.theoi.com}}</ref> | |||
[[File:Noël Coypel - Story of Apollo-Apollo and Mercury, 1688.jpg|thumb|The friendship of Apollo and Hermes, by [[Noël Coypel]]]] | [[File:Noël Coypel - Story of Apollo-Apollo and Mercury, 1688.jpg|thumb|The friendship of Apollo and Hermes, by [[Noël Coypel]]]] | ||
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Upon discovering the theft, Apollo confronted Hermes and asked him to return his cattle. When Hermes acted innocent, Apollo took the matter to Zeus. Zeus, having seen the events, sided with Apollo, and ordered Hermes to return the cattle.<ref>Hard, [https://books.google.com/books?id=r1Y3xZWVlnIC&pg=PA162 p. 162].</ref> Hermes then began to play music on the lyre he had invented. Apollo fell in love with the instrument and offered to exchange the cattle for the lyre. Hence, Apollo then became the master of the lyre.{{Citation needed|date=December 2024}} | Upon discovering the theft, Apollo confronted Hermes and asked him to return his cattle. When Hermes acted innocent, Apollo took the matter to Zeus. Zeus, having seen the events, sided with Apollo, and ordered Hermes to return the cattle.<ref>Hard, [https://books.google.com/books?id=r1Y3xZWVlnIC&pg=PA162 p. 162].</ref> Hermes then began to play music on the lyre he had invented. Apollo fell in love with the instrument and offered to exchange the cattle for the lyre. Hence, Apollo then became the master of the lyre.{{Citation needed|date=December 2024}} | ||
According to other versions, Apollo had invented the lyre himself, whose strings he tore in repenting of the excess punishment he had given to [[Marsyas]]. Hermes' lyre, therefore, would be a reinvention.<ref>{{cite book|first=Norman O.|last=Brown|title=Hermes the Thief: The Evolution of a Myth|year=1947 |isbn=0-940262-26-6|location=Madison|publisher=University of Wisconsin Press|page=93}}</ref> | According to other versions, Apollo had invented the lyre himself, whose strings he tore in repenting of the excess punishment he had given to [[Marsyas]]. Hermes's lyre, therefore, would be a reinvention.<ref>{{cite book|first=Norman O.|last=Brown|title=Hermes the Thief: The Evolution of a Myth|year=1947 |isbn=0-940262-26-6|location=Madison|publisher=University of Wisconsin Press|page=93}}</ref> | ||
====Musical contests==== | |||
[[File:Laurits Regner Tuxen The-Musical-Dual-Of-Pan-And-Apollo.jpg|thumb|The musical duel of Pan and Apollo, by [[Laurits Tuxen]]]] | [[File:Laurits Regner Tuxen The-Musical-Dual-Of-Pan-And-Apollo.jpg|thumb|The musical duel of Pan and Apollo, by [[Laurits Tuxen]]]] | ||
Once [[Pan (mythology)|Pan]] had the audacity to compare his music with that of Apollo and to challenge the god of music to a contest. The mountain-god [[Tmolus | Once [[Pan (mythology)|Pan]] had the audacity to compare his music with that of Apollo and to challenge the god of music to a contest. The mountain-god [[Mount Tmolus|Tmolus]] was chosen to umpire. Pan blew on his pipes, and with his rustic melody gave great satisfaction to himself and his faithful follower, [[Midas]], who happened to be present. Then, Apollo struck the strings of his lyre. It was so beautiful that Tmolus at once awarded the victory to Apollo, and everyone was pleased with the judgement. Only Midas dissented and questioned the justice of the award. Apollo did not want to suffer such a depraved pair of ears any longer, and caused them to become the ears of a donkey.{{Citation needed|date=December 2024}} | ||
[[Marsyas]] was a [[satyr]] who was punished by Apollo for his [[hubris]]; he thought he was better than the god, and challenged him to a musical contest. This contest was judged by the [[Muse]]s, or the nymphs of [[Nysa (mythology)|Nysa]].{{Citation needed|date=December 2024}} Marsyas taunted Apollo for "wearing his hair long, for having a fair face and smooth body, for his skill in so many arts".<ref name="Apuleius, Florida 3.2">Apuleius, ''Florida'' 3.2</ref> The contestants agreed to take turns displaying their skills and the rule was that the victor could "do whatever he wanted" to the loser.{{Citation needed|date=December 2024}} | |||
[[File:05apol1.jpg|thumb|The contest between Apollo and [[Marsyas]], by [[Palma il Giovane]]|left]] | [[File:05apol1.jpg|thumb|The contest between Apollo and [[Marsyas]], by [[Palma il Giovane]]|left]] | ||
According to one account, after the first round, they both were deemed equal by the [[Nysiads]]. But in the next round, Apollo decided to play on his lyre and add his melodious voice to his performance. Marsyas argued against this, saying that Apollo would have an advantage and accused Apollo of cheating. But Apollo replied that since Marsyas played the flute, which needed air blown from the throat, it was similar to singing, and that either they both should get an equal chance to combine their skills or none of them should use their mouths at all. The nymphs decided that Apollo's argument was just. Apollo then played his lyre and sang at the same time, mesmerising the audience. Marsyas could not do this. Apollo was declared the winner and, angered with Marsyas' haughtiness and his accusations, decided to flay the satyr.<ref name="ReferenceD">Diodorus Siculus, Library of History 5. 75. 3</ref> | According to one account, after the first round, they both were deemed equal by the [[Nysiads]]. But in the next round, Apollo decided to play on his lyre and add his melodious voice to his performance. Marsyas argued against this, saying that Apollo would have an advantage and accused Apollo of cheating. But Apollo replied that since Marsyas played the flute, which needed air blown from the throat, it was similar to singing, and that either they both should get an equal chance to combine their skills or none of them should use their mouths at all. The nymphs decided that Apollo's argument was just. Apollo then played his lyre and sang at the same time, mesmerising the audience. Marsyas could not do this. Apollo was declared the winner and, angered with Marsyas's haughtiness and his accusations, decided to flay the satyr.<ref name="ReferenceD">Diodorus Siculus, Library of History 5. 75. 3</ref> | ||
According to another account, Marsyas played his flute out of tune at one point and accepted his defeat. Out of shame, he assigned to himself the punishment of being skinned for a wine sack.<ref>Philostratus the Younger, Imagines 2 (trans. Fairbanks)</ref> Another variation is that Apollo played his instrument upside down. Marsyas could not do this with his instrument. So the Muses who were the judges declared Apollo the winner. Apollo hung Marsyas from a tree to flay him.<ref>''Man Myth and Magic'' by Richard Cavendish</ref> | According to another account, Marsyas played his flute out of tune at one point and accepted his defeat. Out of shame, he assigned to himself the punishment of being skinned for a wine sack.<ref>Philostratus the Younger, Imagines 2 (trans. Fairbanks)</ref> Another variation is that Apollo played his instrument upside down. Marsyas could not do this with his instrument. So the Muses who were the judges declared Apollo the winner. Apollo hung Marsyas from a tree to flay him.<ref>''Man Myth and Magic'' by Richard Cavendish</ref> | ||
Apollo [[flaying|flayed]] the limbs of Marsyas alive in a cave near [[Celaenae]] in [[Phrygia]] for his [[hubris]] to challenge a god. He then gave the rest of his body for proper burial<ref>[[Gaius Julius Hyginus|Hyginus]], ''[[Fabulae]]'' [https://topostext.org/work/206#165 165].</ref> and nailed Marsyas' flayed skin to a nearby pine-tree as a lesson to the others. Marsyas' blood turned into the river Marsyas. But Apollo soon repented and being distressed at what he had done, he tore the strings of his lyre and threw it away. The lyre was later discovered by the Muses and Apollo's sons [[Linus of Thrace|Linus]] and [[Orpheus]]. The Muses fixed the middle string, Linus the string struck with the forefinger, and Orpheus the lowest string and the one next to it. They took it back to Apollo, but the god, who had decided to stay away from music for a while, laid away both the lyre and the pipes at Delphi and joined [[Cybele]] in her wanderings to as far as [[Hyperborea]].<ref name="ReferenceD"/><ref>Apostle Arne Horn, ''The Book of Eusebius'' #4</ref> | Apollo [[flaying|flayed]] the limbs of Marsyas alive in a cave near [[Celaenae]] in [[Phrygia]] for his [[hubris]] to challenge a god. He then gave the rest of his body for proper burial<ref>[[Gaius Julius Hyginus|Hyginus]], ''[[Fabulae]]'' [https://topostext.org/work/206#165 165].</ref> and nailed Marsyas's flayed skin to a nearby pine-tree as a lesson to the others. Marsyas's blood turned into the river Marsyas. But Apollo soon repented and being distressed at what he had done, he tore the strings of his lyre and threw it away. The lyre was later discovered by the Muses and Apollo's sons [[Linus of Thrace|Linus]] and [[Orpheus]]. The Muses fixed the middle string, Linus the string struck with the forefinger, and Orpheus the lowest string and the one next to it. They took it back to Apollo, but the god, who had decided to stay away from music for a while, laid away both the lyre and the pipes at Delphi and joined [[Cybele]] in her wanderings to as far as [[Hyperborea]].<ref name="ReferenceD"/><ref>Apostle Arne Horn, ''The Book of Eusebius'' #4</ref> | ||
[[Agamemnon]] invoked Apollo against Cinyras, a ruler of [[Cyprus]], asking the god to avenge a broken promise. Apollo then had a [[lyre]]-playing contest with Cinyras, defeating him. Cinyras either committed suicide when he lost or was killed by Apollo.<ref>[[Homer]], ''[[Iliad]]'', [http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0134%3Abook%3D11%3Acard%3D1 11.20–23]; Eustathius on Iliad; cf. also scholia on the same passage</ref> | |||
[[File:Apollon Raon Versailles MV5921.jpg|thumb|Apollon Raon, [[Versailles]]]] | [[File:Apollon Raon Versailles MV5921.jpg|thumb|Apollon Raon, [[Versailles]]]] | ||
===Patron of sailors=== | ===Patron of sailors=== | ||
Apollo functions as the patron and protector of sailors, one of the duties he shares with [[Poseidon]] | Apollo functions as the patron and protector of sailors, one of the duties he shares with [[Poseidon]].{{Citation needed|date=December 2024}} When Apollo spotted a ship of Cretan sailors that were caught in a storm, he quickly assumed the shape of a dolphin and guided their ship safely to Delphi.<ref>Homer, ''Hymn to Pythian Apollo''</ref> When the [[Argonauts]] faced a terrible storm, [[Jason]] prayed to his patron, Apollo, to help them. Apollo used his bow and golden arrow to shed light upon an island, where the Argonauts soon took shelter. This island was renamed "[[Anafi|Anaphe]]", which means "He revealed it".<ref>Apollonius of Rhodes, ''Argonautica''</ref> Apollo helped the Greek hero [[Diomedes]], to escape from a great tempest during his journey homeward. As a token of gratitude, Diomedes built a temple in honor of Apollo under the epithet Epibaterius ("the embarker").<ref>John Potter, ''Archaeologia Graeca: Or, The Antiquities of Greece, Volume 1''</ref> During the Trojan War, [[Odysseus]] came to the Trojan camp to return Chriseis, the daughter of Apollo's priest [[Chryses]], and brought many offerings to Apollo. Pleased with this, Apollo sent gentle breezes that helped Odysseus return safely to the Greek camp.<ref>Homer, ''the Ilaid'' 1</ref> | ||
When Apollo spotted a ship of Cretan sailors that were caught in a storm, he quickly assumed the shape of a dolphin and guided their ship safely to Delphi.<ref>Homer, ''Hymn to Pythian Apollo''</ref> | |||
When the [[Argonauts]] faced a terrible storm, [[Jason]] prayed to his patron, Apollo, to help them. Apollo used his bow and golden arrow to shed light upon an island, where the Argonauts soon took shelter. This island was renamed "[[Anafi|Anaphe]]", which means "He revealed it".<ref>Apollonius of Rhodes, ''Argonautica''</ref> | |||
Apollo helped the Greek hero [[Diomedes]], to escape from a great tempest during his journey homeward. As a token of gratitude, Diomedes built a temple in honor of Apollo under the epithet Epibaterius ("the embarker").<ref>John Potter, ''Archaeologia Graeca: Or, The Antiquities of Greece, Volume 1''</ref> | |||
During the Trojan War, [[Odysseus]] came to the Trojan camp to return Chriseis, the daughter of Apollo's priest [[Chryses]], and brought many offerings to Apollo. Pleased with this, Apollo sent gentle breezes that helped Odysseus return safely to the Greek camp.<ref>Homer, ''the Ilaid'' 1</ref> | |||
===Wars=== | ===Wars=== | ||
[[File:Paris armour Pomarici Santomasi.jpg|thumb|Paris (on the left) putting on his armour as Apollo (on the right) watches him. Attic red-figure kantharos, 425–420 BC]] | [[File:Paris armour Pomarici Santomasi.jpg|thumb|Paris (on the left) putting on his armour as Apollo (on the right) watches him. Attic red-figure kantharos, 425–420 BC]] | ||
When Zeus suggested that [[Dionysus]] defeat the Indians in order to earn a place among the gods, Dionysus declared war against the Indians and travelled to India along with his army of [[Bacchantes]] and [[satyrs]]. Among the warriors was [[Aristaeus]], Apollo's son. Apollo armed his son with his own hands and gave him a bow and arrows and fitted a strong shield to his arm.<ref>Nonnus, ''Dionysiaca'' 13</ref> After Zeus urged Apollo to join the war, he went to the battlefield.<ref>Nonnus, ''Dionysiaca'' 27</ref> Seeing several of his [[nymphs]] and Aristaeus drowning in a river, he took them to safety and healed them.<ref>Nonnus, ''Dionysiaca'' 24</ref> He taught Aristaeus more useful healing arts and sent him back to help the army of Dionysus.{{Citation needed|date=December 2024}} | When Zeus suggested that [[Dionysus]] defeat the Indians in order to earn a place among the gods, Dionysus declared war against the Indians and travelled to India along with his army of [[Bacchantes]] and [[satyrs]]. Among the warriors was [[Aristaeus]], Apollo's son. Apollo armed his son with his own hands and gave him a bow and arrows and fitted a strong shield to his arm.<ref>Nonnus, ''Dionysiaca'' 13</ref> After Zeus urged Apollo to join the war, he went to the battlefield.<ref>Nonnus, ''Dionysiaca'' 27</ref> Seeing several of his [[nymphs]] and Aristaeus drowning in a river, he took them to safety and healed them.<ref>Nonnus, ''Dionysiaca'' 24</ref> He taught Aristaeus more useful healing arts and sent him back to help the army of Dionysus.{{Citation needed|date=December 2024}} | ||
During the war between the sons of [[Oedipus]], Apollo favored [[Amphiaraus]], a seer and one of the leaders in the war. Though saddened that the seer was fated to be doomed in the war, Apollo made Amphiaraus's last hours glorious by "lighting his shield and his helm with starry gleam". When [[Hypseus]] tried to kill the hero with a spear, Apollo directed the spear towards the charioteer of Amphiaraus instead. Apollo then replaced the charioteer and took the reins in his hands. He deflected many spears and arrows away from them. He also killed many of the enemy warriors like [[Melaneus (mythology)|Melaneus]], [[Antiphus]], Aetion, Polites and [[Lampus]]. At last, when the moment of departure came, Apollo expressed his grief with tears in his eyes and bid farewell to Amphiaraus, who was soon engulfed by the Earth.<ref>Statius, ''Thebaid'' 7</ref> | |||
During the war between the sons of [[Oedipus]], Apollo favored [[Amphiaraus]], a seer and one of the leaders in the war. Though saddened that the seer was fated to be doomed in the war, Apollo made Amphiaraus' last hours glorious by "lighting his shield and his helm with starry gleam". When [[Hypseus]] tried to kill the hero with a spear, Apollo directed the spear towards the charioteer of Amphiaraus instead. | |||
Apollo killed the giants | During the [[Gigantomachy]], Apollo and [[Heracles]] blinded the giant Ephialtes by shooting him in his eyes, Apollo shooting his left and Heracles his right.<ref>[[Bibliotheca (Pseudo-Apollodorus)|Apollodorus]], [https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0022%3Atext%3DLibrary%3Abook%3D1%3Achapter%3D6%3Asection%3D2 1.6.2].</ref> He also killed [[Porphyrion]], the king of giants, using his bow and arrows.<ref>[[Pindar]], ''Pythian'' [https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0162%3Abook%3DP.%3Apoem%3D8 8.12–18].</ref> | ||
The [[Aloadae]], namely Otis and Ephialtes, were twin giants who decided to wage war upon the gods. They attempted to storm Mt. Olympus by piling up mountains, and threatened to fill the sea with mountains and inundate dry land.<ref>Grimal, s.v. Aloadae, p. 34.</ref> They even dared to seek the hand of Hera and Artemis in marriage. Angered by this, Apollo killed them by shooting them with arrows.<ref>[[Homer]], ''[[Odyssey]]'' [https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0136%3Abook%3D11%3Acard%3D271 11.305].</ref> According to another tale, Apollo killed them by sending a deer between them; as they tried to kill it with their javelins, they accidentally stabbed each other and died.<ref>[[Gaius Julius Hyginus|Hyginus]], ''[[Fabulae]]'' [https://topostext.org/work/206#28 28].</ref> | The [[Aloadae]], namely Otis and Ephialtes, were twin giants who decided to wage war upon the gods. They attempted to storm Mt. Olympus by piling up mountains, and threatened to fill the sea with mountains and inundate dry land.<ref>Grimal, s.v. Aloadae, p. 34.</ref> They even dared to seek the hand of Hera and Artemis in marriage. Angered by this, Apollo killed them by shooting them with arrows.<ref>[[Homer]], ''[[Odyssey]]'' [https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0136%3Abook%3D11%3Acard%3D271 11.305].</ref> According to another tale, Apollo killed them by sending a deer between them; as they tried to kill it with their javelins, they accidentally stabbed each other and died.<ref>[[Gaius Julius Hyginus|Hyginus]], ''[[Fabulae]]'' [https://topostext.org/work/206#28 28].</ref> | ||
[[Phorbas]] was a savage giant king of [[Phlegyas (Boeotia)|Phlegyas]], described as having swine-like features. He wished to plunder Delphi for its wealth, and captured its old people and children, sending them to his army to hold them for ransom. He challenged the young and sturdy men to a boxing match, only to behead them when they were defeated; he hung the decapitated heads to an oak tree. Finally, Apollo entered a boxing contest with Phorbas and killed him with a single blow.<ref>[[Philostratus the Elder]], ''[[Imagines (work by Philostratus)|Imagines]]'' [https://archive.org/details/imagines00philuoft/page/214/mode/2up?view=theater 2.19].</ref> | |||
[[Phorbas]] was a savage giant king of [[Phlegyas (Boeotia)|Phlegyas]] | |||
===Other stories=== | ===Other stories=== | ||
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Apollo divides months into summer and winter.<ref>''[[Orphic Hymn]]'' 34 ''to Apollon'', 21 (Athanassakis and Wolkow, [https://books.google.com/books?id=TTo3r8IHy0wC&pg=PA30 pp. 30–31]).</ref> He rides on the back of a swan to the land of the [[Hyperborea]]ns during the winter months, and the absence of warmth in winter is due to his departure. During his absence, Delphi was under the care of [[Dionysus]], and no prophecies were given during winters.{{Citation needed|date=December 2024}} | Apollo divides months into summer and winter.<ref>''[[Orphic Hymn]]'' 34 ''to Apollon'', 21 (Athanassakis and Wolkow, [https://books.google.com/books?id=TTo3r8IHy0wC&pg=PA30 pp. 30–31]).</ref> He rides on the back of a swan to the land of the [[Hyperborea]]ns during the winter months, and the absence of warmth in winter is due to his departure. During his absence, Delphi was under the care of [[Dionysus]], and no prophecies were given during winters.{{Citation needed|date=December 2024}} | ||
==== Molpadia and Parthenos ==== | ==== Molpadia and Parthenos ==== | ||
Molpadia and Parthenos were the sisters of [[Rhoeo]], a former lover of Apollo. One day, they were put in charge of watching their father's ancestral wine jar but they fell asleep while performing this duty. While they were asleep, the wine jar was broken by the swine their family kept. When the sisters woke up and saw what had happened, they threw themselves off a cliff in fear of their father's wrath. Apollo, who was passing by, caught them and carried them to two different cities in Chersonesus, Molpadia to Castabus and Parthenos to Bubastus. He turned them into goddesses and they both received divine honors. Molpadia's name was changed to [[Hemithea (mythology)|Hemithea]] upon her deification.<ref>Diodorus Siculus, Library of History, 5. 62. 3–4</ref> | Molpadia and Parthenos were the sisters of [[Rhoeo]], a former lover of Apollo. One day, they were put in charge of watching their father's ancestral wine jar but they fell asleep while performing this duty. While they were asleep, the wine jar was broken by the swine their family kept. When the sisters woke up and saw what had happened, they threw themselves off a cliff in fear of their father's wrath. Apollo, who was passing by, caught them and carried them to two different cities in Chersonesus, Molpadia to Castabus and Parthenos to Bubastus. He turned them into goddesses and they both received divine honors. Molpadia's name was changed to [[Hemithea (mythology)|Hemithea]] upon her deification.<ref>Diodorus Siculus, Library of History, 5. 62. 3–4</ref> | ||
[[File:Nicolas-Guy Brenet - Apollo Crowning the Arts, 1771.jpg|thumb|Apollo crowning the arts, by [[Nicolas-Guy Brenet]]]] | [[File:Nicolas-Guy Brenet - Apollo Crowning the Arts, 1771.jpg|thumb|Apollo crowning the arts, by [[Nicolas-Guy Brenet]]]] | ||
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==== The rock of Leukas ==== | ==== The rock of Leukas ==== | ||
Leukatas was believed to be a white-colored rock jutting out from the island of [[Lefkada|Leukas]] into the sea. It was present in the sanctuary of Apollo Leukates. A leap from this rock was believed to have put an end to the longings of love.<ref name="Strabo, Geography 10. 2. 8">[[Strabo]], ''[[Geographica|Geography]]'', [https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0198%3Abook%3D10%3Achapter%3D2%3Asection%3D8 10.2.8].</ref> | Leukatas was believed to be a white-colored rock jutting out from the island of [[Lefkada|Leukas]] into the sea. It was present in the sanctuary of Apollo Leukates. A leap from this rock was believed to have put an end to the longings of love.<ref name="Strabo, Geography 10. 2. 8">[[Strabo]], ''[[Geographica|Geography]]'', [https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0198%3Abook%3D10%3Achapter%3D2%3Asection%3D8 10.2.8].</ref> | ||
Once, Aphrodite fell deeply in love with [[Adonis]], a young man of great beauty who was later accidentally killed by a boar. Heartbroken, Aphrodite wandered looking for the rock of Leukas. When she reached the sanctuary of Apollo in Argos, she confided in him her love and sorrow. Apollo then brought her to the rock of Leukas and asked her to throw herself from the top of the rock. She did so and was freed from her love. When she sought the reason behind this, Apollo told her that Zeus, before taking another lover, would sit on this rock to free himself from his love for Hera.<ref name="ReferenceE">Ptolemy Hephaestion, ''New History Book'' 7</ref> | Once, Aphrodite fell deeply in love with [[Adonis]], a young man of great beauty who was later accidentally killed by a boar. Heartbroken, Aphrodite wandered looking for the rock of Leukas. When she reached the sanctuary of Apollo in Argos, she confided in him her love and sorrow. Apollo then brought her to the rock of Leukas and asked her to throw herself from the top of the rock. She did so and was freed from her love. When she sought the reason behind this, Apollo told her that Zeus, before taking another lover, would sit on this rock to free himself from his love for Hera.<ref name="ReferenceE">Ptolemy Hephaestion, ''New History Book'' 7</ref> | ||
It was an ancestral custom among the Leukadians to fling a criminal from this rock every year at the sacrifice performed in honor of Apollo for the sake of averting evil. However, a number of men would be stationed all around below rock to catch the criminal and take him out of the borders in order to exile him from the island.<ref>Aelian, ''On Animals'' 11. 8</ref><ref name="ReferenceE"/> This was the same rock from which, according to a legend, Sappho took her suicidal leap.<ref name="Strabo, Geography 10. 2. 8"/> | It was an ancestral custom among the Leukadians to fling a criminal from this rock every year at the sacrifice performed in honor of Apollo for the sake of averting evil. However, a number of men would be stationed all around below rock to catch the criminal and take him out of the borders in order to exile him from the island.<ref>Aelian, ''On Animals'' 11. 8</ref><ref name="ReferenceE"/> This was the same rock from which, according to a legend, Sappho took her suicidal leap.<ref name="Strabo, Geography 10. 2. 8"/> | ||
[[File:François Boucher 028.jpg|thumb|Apollo as the setting sun, by [[François Boucher]]]] | [[File:François Boucher 028.jpg|thumb|Apollo as the setting sun, by [[François Boucher]]]] | ||
===Female lovers=== | ===Female lovers=== | ||
[[File:Robert Sanderson - Apollo and the Muses.jpg|thumb|Apollo and the Muses, by Robert Sanderson]] | [[File:Robert Sanderson - Apollo and the Muses.jpg|thumb|Apollo and the Muses, by Robert Sanderson]] | ||
Apollo | Apollo fathered the [[Corybantes]] by the Muse [[Thalia (Muse)|Thalia]].<ref>[[Bibliotheca (Pseudo-Apollodorus)|Apollodorus]], [http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0022%3Atext%3DLibrary%3Abook%3D1%3Achapter%3D3%3Asection%3D4 1.3.4].</ref> By [[Calliope]], he had [[Hymenaios]], [[Ialemus]], [[Orpheus]]<ref>Asclepiades, Tragoidoumena 6 (from Scholia ad Pindari Pythia 4.313a)</ref> and [[Linus (Thracian)|Linus]]. Alternatively, Linus was said to be the son of Apollo and either [[Urania]] or [[Terpsichore]].{{Citation needed|date=December 2024}} | ||
In the Great Eoiae that is attributed to [[Hesiod]], Scylla is the daughter of Apollo and Hecate.<ref>Scholiast on Apollonius Rhodius, Arg. iv. 828</ref> | In the Great Eoiae that is attributed to [[Hesiod]], Scylla is the daughter of Apollo and Hecate.<ref>Scholiast on Apollonius Rhodius, Arg. iv. 828</ref> | ||
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[[Hecuba]] was the wife of King [[Priam]] of [[Troy]], and Apollo had a son with her named [[Troilus]]. An [[oracle]] prophesied that Troy would not be defeated as long as Troilus reached the age of twenty alive. He was ambushed and killed by [[Achilleus]], and Apollo avenged his death by killing Achilles. After the sack of Troy, Hecuba was taken to Lycia by Apollo.<ref>[[Stesichorus]], Fr.108</ref> | [[Hecuba]] was the wife of King [[Priam]] of [[Troy]], and Apollo had a son with her named [[Troilus]]. An [[oracle]] prophesied that Troy would not be defeated as long as Troilus reached the age of twenty alive. He was ambushed and killed by [[Achilleus]], and Apollo avenged his death by killing Achilles. After the sack of Troy, Hecuba was taken to Lycia by Apollo.<ref>[[Stesichorus]], Fr.108</ref> | ||
[[Coronis (lover of Apollo)|Coronis]] was daughter of [[Phlegyas]], King of the [[Lapiths]]. While pregnant with [[Asclepius]], Coronis fell in love with [[Ischys]], son of [[Elatus]] and slept with him. When Apollo found out about her infidelity through his prophetic powers or thanks to his [[Lycius (son of Clinis)|raven]] who informed him, he sent his sister, Artemis, to kill Coronis. Apollo rescued the baby by cutting open Coronis' belly and gave it | [[Coronis (lover of Apollo)|Coronis]] was daughter of [[Phlegyas]], King of the [[Lapiths]]. While pregnant with [[Asclepius]], Coronis fell in love with [[Ischys]], son of [[Elatus]] and slept with him. When Apollo found out about her infidelity through his prophetic powers or thanks to his [[Lycius (son of Clinis)|raven]] who informed him, he sent his sister, Artemis, to kill Coronis. Apollo rescued the baby by cutting open Coronis's belly and gave it for Chiron to raise.{{Citation needed|date=December 2024}} | ||
[[Dryope (daughter of Dryops)|Dryope]], the daughter of Dryops, was impregnated by Apollo in the form of a snake. She gave birth to a son named Amphissus.<ref>[[Antoninus Liberalis]], ''Metamorphoses,'' [https://topostext.org/work/216#32 32]; [[Ovid]], ''[[Metamorphoses]]'' [https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0074%3Abook%3D9%3Acard%3D324 9.330].</ref> | [[Dryope (daughter of Dryops)|Dryope]], the daughter of Dryops, was impregnated by Apollo in the form of a snake. She gave birth to a son named Amphissus.<ref>[[Antoninus Liberalis]], ''Metamorphoses,'' [https://topostext.org/work/216#32 32]; [[Ovid]], ''[[Metamorphoses]]'' [https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0074%3Abook%3D9%3Acard%3D324 9.330].</ref> | ||
In [[Euripides]]' play ''[[Ion (play)|Ion]]'', Apollo fathered [[Ion (mythology)|Ion]] by [[Creusa (daughter of Erechtheus)|Creusa]], wife of [[Xuthus]]. He used his powers to conceal her pregnancy from her father. Later, when Creusa left Ion to die in the wild, Apollo asked [[Hermes]] to save the child and bring him to the oracle at [[Delphi]], where he was raised by a priestess.{{Citation needed|date=December 2024}} | In [[Euripides]]'s play ''[[Ion (play)|Ion]]'', Apollo fathered [[Ion (mythology)|Ion]] by [[Creusa (daughter of Erechtheus)|Creusa]], wife of [[Xuthus]]. He used his powers to conceal her pregnancy from her father. Later, when Creusa left Ion to die in the wild, Apollo asked [[Hermes]] to save the child and bring him to the oracle at [[Delphi]], where he was raised by a priestess.{{Citation needed|date=December 2024}} | ||
Apollo loved and kidnapped an Oceanid nymph, [[Melia (consort of Apollo)|Melia]]. Her father [[Oceanus]] sent one of his sons, [[Caanthus]], to find her, but Caanthus could not take her back from Apollo, so he burned Apollo's sanctuary. In retaliation, Apollo shot and killed Caanthus.<ref>[[Pausanias (geographer)|Pausanias]], [http://data.perseus.org/citations/urn:cts:greekLit:tlg0525.tlg001.perseus-eng1:9.10.5 9.10.5–6].</ref> | Apollo loved and kidnapped an Oceanid nymph, [[Melia (consort of Apollo)|Melia]]. Her father [[Oceanus]] sent one of his sons, [[Caanthus]], to find her, but Caanthus could not take her back from Apollo, so he burned Apollo's sanctuary. In retaliation, Apollo shot and killed Caanthus.<ref>[[Pausanias (geographer)|Pausanias]], [http://data.perseus.org/citations/urn:cts:greekLit:tlg0525.tlg001.perseus-eng1:9.10.5 9.10.5–6].</ref> | ||
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[[File:Kiselev Death of Hyacinth.jpg|thumb|left|Death of Hyacinth, by [[Alexander Kiselyov (painter)|Alexander Kiselyov]], 1850–1900]] | [[File:Kiselev Death of Hyacinth.jpg|thumb|left|Death of Hyacinth, by [[Alexander Kiselyov (painter)|Alexander Kiselyov]], 1850–1900]] | ||
Hyacinth (or Hyacinthus), a beautiful and athletic [[Sparta]]n prince, was one of Apollo's favourite lovers.<ref>[[Ovid]], ''[[Metamorphoses]]'' [http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0028%3Abook%3D10%3Acard%3D143 10.143 ff.]</ref> The pair was practicing throwing the [[Discus throw|discus]] when a discus thrown by Apollo was blown off course by the jealous [[Zephyrus]] and struck Hyacinthus in the head, killing him instantly. Apollo is said to be filled with grief. Out of Hyacinthus' blood, Apollo created a [[hyacinth (plant)|flower]] named after him as a memorial to his death, and his tears stained the flower petals with the interjection {{lang|grc|αἰαῖ}}, meaning ''alas''.<ref>{{LSJ|ai)ai{{=}}|αἰαῖ}}, {{LSJ|ai)/2|αἴ|shortref}}.</ref> He was later resurrected and taken to heaven. The festival [[Hyacinthia]] was a national celebration of Sparta, which commemorated the death and rebirth of Hyacinthus.<ref>Smith 1890, [https://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.04.0063:entry=hyacinthia-cn&highlight=hyacinthus s.v. Hyacinthia].</ref> | Hyacinth (or Hyacinthus), a beautiful and athletic [[Sparta]]n prince, was one of Apollo's favourite lovers.<ref>[[Ovid]], ''[[Metamorphoses]]'' [http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0028%3Abook%3D10%3Acard%3D143 10.143 ff.]</ref> The pair was practicing throwing the [[Discus throw|discus]] when a discus thrown by Apollo was blown off course by the jealous [[Zephyrus]] and struck Hyacinthus in the head, killing him instantly. Apollo is said to be filled with grief. Out of Hyacinthus's blood, Apollo created a [[hyacinth (plant)|flower]] named after him as a memorial to his death, and his tears stained the flower petals with the interjection {{lang|grc|αἰαῖ}}, meaning ''alas''.<ref>{{LSJ|ai)ai{{=}}|αἰαῖ}}, {{LSJ|ai)/2|αἴ|shortref}}.</ref> He was later resurrected and taken to heaven. The festival [[Hyacinthia]] was a national celebration of Sparta, which commemorated the death and rebirth of Hyacinthus.<ref>Smith 1890, [https://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.04.0063:entry=hyacinthia-cn&highlight=hyacinthus s.v. Hyacinthia].</ref> | ||
Another male lover was [[Cyparissus]], a descendant of [[Heracles]]. Apollo gave him a tame deer as a companion but Cyparissus accidentally killed it with a [[Pilum|javelin]] as it lay asleep in the undergrowth. Cyparissus was so saddened by its death that he asked Apollo to let his tears fall forever. Apollo granted the request by turning him into the [[Cupressaceae|Cypress]] named after him, which was said to be a sad tree because the sap forms droplets like tears on the trunk.<ref>[[Ovid]], ''[[Metamorphoses]]'' [https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0074%3Abook%3D10%3Acard%3D86 10.106–10.142]; Tripp, s.v. Cyparissus.</ref> | Another male lover was [[Cyparissus]], a descendant of [[Heracles]]. Apollo gave him a tame deer as a companion but Cyparissus accidentally killed it with a [[Pilum|javelin]] as it lay asleep in the undergrowth. Cyparissus was so saddened by its death that he asked Apollo to let his tears fall forever. Apollo granted the request by turning him into the [[Cupressaceae|Cypress]] named after him, which was said to be a sad tree because the sap forms droplets like tears on the trunk.<ref>[[Ovid]], ''[[Metamorphoses]]'' [https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0074%3Abook%3D10%3Acard%3D86 10.106–10.142]; Tripp, s.v. Cyparissus.</ref> | ||
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[[File:Granger-Apollo.jpg|thumb|Apollo and [[Cyparissus]], by [[Jean-Pierre Granger]] (1779–1840)]] | [[File:Granger-Apollo.jpg|thumb|Apollo and [[Cyparissus]], by [[Jean-Pierre Granger]] (1779–1840)]] | ||
[[Admetus]], the king of Pherae, was also Apollo's lover.<ref>[[Callimachus]], Hymn to Apollo, 49.</ref><ref name="Plutarch, Numa">[[Plutarch]], ''Life of Numa'', [https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A2008.01.0052%3Achapter%3D4%3Asection%3D5 4.5].</ref> During his exile, | [[Admetus]], the king of Pherae, was also Apollo's lover.<ref>[[Callimachus]], Hymn to Apollo, 49.</ref><ref name="Plutarch, Numa">[[Plutarch]], ''Life of Numa'', [https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A2008.01.0052%3Achapter%3D4%3Asection%3D5 4.5].</ref> During his exile, Apollo served Admetus as a herdsman. The romantic nature of their relationship was first described by [[Callimachus]], who wrote that Apollo was "fired with love" for Admetus.<ref name="ReferenceA"/> Plutarch lists Admetus as one of Apollo's lovers and says that Apollo served Admetus because he doted upon him.<ref>[[Plutarch]], ''Amatorius'' 17</ref> The Latin poet [[Ovid]] in his {{lang|la|[[Ars Amatoria]]}} said that even though he was a god, Apollo forsook his pride and stayed in as a servant for the sake of Admetus.<ref>[[Ovid]], ''[[Ars Amatoria]]'' 2.239</ref> [[Tibullus]] describes Apollo's love to the king as ''servitium amoris'' (slavery of love) and asserts that Apollo became his servant not by force but by choice. He would also make cheese and serve it to Admetus. His domestic actions caused embarrassment to his family.<ref>[[Tibullus]], ''Elegies'' 2.3</ref> | ||
[[File:Nicolas-Antoine Taunay - Apolo visitando Admeto.jpg|thumb|Apollo visiting Admetus, by [[Nicolas-Antoine Taunay]], 19th century]] | [[File:Nicolas-Antoine Taunay - Apolo visitando Admeto.jpg|thumb|Apollo visiting Admetus, by [[Nicolas-Antoine Taunay]], 19th century]] | ||
{{blockquote| Oh how often his sister (Diana) blushed at meeting her brother as he carried a young calf through the fields!....often Latona lamented when she saw her son's disheveled locks which were admired even by Juno, his step-mother...<ref>Tibullus, ''Elegies'' 2</ref>}} | {{blockquote| Oh how often his sister (Diana) blushed at meeting her brother as he carried a young calf through the fields!....often Latona lamented when she saw her son's disheveled locks which were admired even by Juno, his step-mother...<ref>Tibullus, ''Elegies'' 2</ref>}} | ||
When Admetus wanted to marry princess [[Alcestis]], Apollo provided a chariot pulled by a lion and a boar he had tamed. This satisfied Alcestis' father and he let Admetus marry his daughter. Further, Apollo saved the king from Artemis' wrath and also convinced the [[Moirai]] to postpone Admetus' death once.{{Citation needed|date=December 2024}} | When Admetus wanted to marry princess [[Alcestis]], Apollo provided a chariot pulled by a lion and a boar he had tamed. This satisfied Alcestis's father and he let Admetus marry his daughter. Further, Apollo saved the king from Artemis's wrath and also convinced the [[Moirai]] to postpone Admetus's death once.{{Citation needed|date=December 2024}} | ||
[[Branchus (lover of Apollo)|Branchus]], a shepherd, one day came across Apollo in the woods. Captivated by the god's beauty, he kissed Apollo. Apollo requited his affections and wanting to reward him, bestowed prophetic skills on him. His descendants, the Branchides, were an influential clan of prophets.<ref>Pepin, Ronald E. (2008). The Vatican Mythographers. Fordham Univ Press. {{ISBN|9780823228928}}.</ref> | [[Branchus (lover of Apollo)|Branchus]], a shepherd, one day came across Apollo in the woods. Captivated by the god's beauty, he kissed Apollo. Apollo requited his affections and wanting to reward him, bestowed prophetic skills on him. His descendants, the Branchides, were an influential clan of prophets.<ref>Pepin, Ronald E. (2008). The Vatican Mythographers. Fordham Univ Press. {{ISBN|9780823228928}}.</ref> | ||
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*[[Cinyras]], king of Cyprus and the priest of Aphrodite<ref>[[Pindar]], ''Pythian Ode'' 2 lines 15–17 with [[scholia]]</ref> | *[[Cinyras]], king of Cyprus and the priest of Aphrodite<ref>[[Pindar]], ''Pythian Ode'' 2 lines 15–17 with [[scholia]]</ref> | ||
*[[Helenus]], a Trojan prince (son of [[Priam]] and [[Hecuba]]). He received from Apollo an ivory bow with which he later wounded Achilles in the hand.<ref>Photius, 'Bibliotheca excerpts'</ref> | *[[Helenus]], a Trojan prince (son of [[Priam]] and [[Hecuba]]). He received from Apollo an ivory bow with which he later wounded Achilles in the hand.<ref>Photius, 'Bibliotheca excerpts'</ref> | ||
*Hippolytus of [[Sicyon]] (not the same as [[Hippolytus | *Hippolytus of [[Sicyon]] (not the same as [[Hippolytus of Athens|Hippolytus, the son of Theseus]])<ref name="Plutarch, Numa" /> | ||
*[[Hymenaios]], the son of [[Magnes (son of Argos)|Magnes]]<ref>[[Antoninus Liberalis]], ''Metamorphoses'', [https://topostext.org/work/216#23 23] [= [[Hesiod]], ''[[Megalai Ehoiai]]'' fr. 16]; Smith 1873, [https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.04.0104%3Aalphabetic+letter%3DH%3Aentry+group%3D17%3Aentry%3Dhymen-bio-1 s.v. Hymen]; Grimal, s.v. Hymenaeus.</ref> | *[[Hymenaios]], the son of [[Magnes (son of Argos)|Magnes]]<ref>[[Antoninus Liberalis]], ''Metamorphoses'', [https://topostext.org/work/216#23 23] [= [[Hesiod]], ''[[Megalai Ehoiai]]'' fr. 16]; Smith 1873, [https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.04.0104%3Aalphabetic+letter%3DH%3Aentry+group%3D17%3Aentry%3Dhymen-bio-1 s.v. Hymen]; Grimal, s.v. Hymenaeus.</ref> | ||
*[[Iapis]], to whom Apollo taught the art of healing<ref>Smith 1873, [https://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.04.0104:entry=iapis-bio-1&highlight=iapis s.v. Iapis].</ref> | *[[Iapis]], to whom Apollo taught the art of healing<ref>Smith 1873, [https://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.04.0104:entry=iapis-bio-1&highlight=iapis s.v. Iapis].</ref> | ||
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===Children=== | ===Children=== | ||
{{More citations needed section|date=December 2024}} | {{More citations needed section|date=December 2024}} | ||
Apollo sired many children, | Apollo sired many children, by mortal women, nymphs, and goddesses. [[Asclepius]], one of his sons, was killed by Zeus for bringing back the dead, but was resurrected as a god upon Apollo's request. [[Aristaeus]], another of his sons, was placed under the care of Chiron after his birth, and became the god of beekeeping, cheese-making, animal husbandry, among other functions. He was ultimately given immortality for the benefits he bestowed upon humanity. | ||
[[File:1590. Apollo Entrusting Chiron with the Education of Aescalapius - etching - Washington DC, NGA.jpg|thumb|Apollo entrusting [[Chiron]] with the education of Aescalapius]] | [[File:1590. Apollo Entrusting Chiron with the Education of Aescalapius - etching - Washington DC, NGA.jpg|thumb|Apollo entrusting [[Chiron]] with the education of Aescalapius]] | ||
The sons of Apollo who participated in the Trojan War include the Trojan princes [[Hector]] and [[Troilus]], as well as [[Tenes]], the king of [[Tenedos]], all three of whom were killed by Achilles over the course of the war. | The sons of Apollo who participated in the Trojan War include the Trojan princes [[Hector]] and [[Troilus]], as well as [[Tenes]], the king of [[Tenedos]], all three of whom were killed by Achilles over the course of the war. | ||
Apollo's children who became musicians and bards include [[Orpheus]], [[Linus of Thrace|Linus]], [[Ialemus]], [[Hymen (god)|Hymen]]aeus, [[Philammon]], [[Eumolpus]] and [[Eleuther]]. Apollo fathered 3 daughters, [[Apollonis]], [[Borysthenis]] and [[Cephisso]], who formed a group of minor Muses, the "Musa Apollonides".<ref>Eumelus, Fragment 35 (from Tzetzes, On Hesiod's Works & Days 23)</ref> | Apollo's children who became musicians and bards include [[Orpheus]], [[Linus of Thrace|Linus]], [[Ialemus]], [[Hymen (god)|Hymen]]aeus, [[Philammon]], [[Eumolpus]] and [[Eleuther]]. Apollo fathered 3 daughters, [[Apollonis]], [[Borysthenis]] and [[Cephisso]], who formed a group of minor Muses, the "Musa Apollonides".<ref>Eumelus, Fragment 35 (from Tzetzes, On Hesiod's Works & Days 23)</ref> | ||
He also had a son by Agathippe who was named Chrysorrhoas who was a mechanic artist.<ref>Plutarch, ''Of the Names of Rivers and Mountains, and Of Such Things as are to be Found Therein''</ref> His other daughters include [[Eurynome]], [[Chariclo]] wife of | He also had a son by Agathippe who was named Chrysorrhoas who was a mechanic artist.<ref>Plutarch, ''Of the Names of Rivers and Mountains, and Of Such Things as are to be Found Therein''</ref> His other daughters include [[Eurynome]], [[Chariclo]] wife of Chiron, [[Eurydice]] the wife of Orpheus, [[Eriopis]], famous for her beautiful hair, [[Melite (heroine)|Melite]] the heroine, [[Pamphile]] the silk weaver, Parthenos, and by some accounts, Phoebe, Hilyra and [[Scylla]]. Apollo turned Parthenos into a constellation after her early death. | ||
Additionally, Apollo fostered and educated | Additionally, Apollo fostered and educated Chiron, who later became the greatest teacher and educated many demigods, including Apollo's sons. Apollo also fostered [[Carnus]], the son of [[Zeus]] and [[Europa (consort of Zeus)|Europa]]. | ||
====List of offspring and their mothers==== | ====List of offspring and their mothers==== | ||
The following is a list of Apollo's offspring, by various mothers. Beside each offspring, the earliest source to record the parentage is given, along with the century to which the source (in some cases approximately) dates. | The following is a list of Apollo's offspring, by various mothers. Beside each offspring, the earliest source to record the parentage is given, along with the century to which the source (in some cases approximately) dates. | ||
<div style=display:inline-table> | <div style=display:inline-table> | ||
{| class="wikitable sortable mw-collapsible mw-collapsed" | {{sticky header}} | ||
{| class="wikitable sortable mw-collapsible mw-collapsed sticky-header" | |||
! scope="col" style="width: 100pt;" | Offspring | ! scope="col" style="width: 100pt;" | Offspring | ||
! scope="col" style="width: 95pt;" | Mother | ! scope="col" style="width: 95pt;" | Mother | ||
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[[File:Apollo and Daphne (Bernini).jpg|thumb|''[[Apollo and Daphne]]'' by [[Bernini]] in the [[Galleria Borghese]]|left]] | [[File:Apollo and Daphne (Bernini).jpg|thumb|''[[Apollo and Daphne]]'' by [[Bernini]] in the [[Galleria Borghese]]|left]] | ||
[[Daphne]] was a | [[Daphne]] was a nymph who scorned Apollo's advances and ran away from him. When Apollo chased her in order to persuade her, she changed herself into a laurel tree. According to other versions, she cried for help during the chase, and [[Gaia]] helped her by taking her in and placing a laurel tree in her place.<ref>[[Gaius Julius Hyginus|Hyginus]], ''[[Fabulae]]'' [https://topostext.org/work/206#203 203].</ref> According to Roman poet [[Ovid]], the chase was brought about by [[Cupid]], who hit Apollo with a golden arrow of love and Daphne with a leaden arrow of hatred.<ref>[[Ovid]], ''[[Metamorphoses]]'' [https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0074%3Abook%3D1%3Acard%3D452 1.452–567]; Tripp, s.v. Daphne.</ref> The myth explains the origin of the [[Bay Laurel|laurel]] and the connection of Apollo with the laurel and its leaves, which his priestess employed at [[Delphi]]. The leaves became the symbol of victory and laurel wreaths were given to the victors of the [[Pythian games]].{{Citation needed|date=December 2024}} | ||
[[Marpessa (daughter of Evenus)|Marpessa]] was kidnapped by [[Idas]] but was loved by Apollo as well. [[Zeus]] made her choose between them, and she chose Idas on the grounds that Apollo, being immortal, would tire of her when she grew old.<ref>[[Bibliotheca (Pseudo-Apollodorus)|Apollodorus]], [http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0022%3Atext%3DLibrary%3Abook%3D1%3Achapter%3D7%3Asection%3D8 1.7.8–9]; cf. [[Homer]], ''[[Iliad]]'' [http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0134%3Abook%3D9%3Acard%3D538 9.557–560].</ref> | [[Marpessa (daughter of Evenus)|Marpessa]] was kidnapped by [[Idas]] but was loved by Apollo as well. [[Zeus]] made her choose between them, and she chose Idas on the grounds that Apollo, being immortal, would tire of her when she grew old.<ref>[[Bibliotheca (Pseudo-Apollodorus)|Apollodorus]], [http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0022%3Atext%3DLibrary%3Abook%3D1%3Achapter%3D7%3Asection%3D8 1.7.8–9]; cf. [[Homer]], ''[[Iliad]]'' [http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0134%3Abook%3D9%3Acard%3D538 9.557–560].</ref> | ||
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[[Bolina]] was admired by Apollo but she refused him and jumped into the sea. To avoid her death, Apollo turned her into a nymph, saving her life.<ref>[https://www.perseus.tufts.edu/hopper/text?doc=Paus.%207.23.4 Pausanias, ''Description of Greece'', 7.23.4]</ref> | [[Bolina]] was admired by Apollo but she refused him and jumped into the sea. To avoid her death, Apollo turned her into a nymph, saving her life.<ref>[https://www.perseus.tufts.edu/hopper/text?doc=Paus.%207.23.4 Pausanias, ''Description of Greece'', 7.23.4]</ref> | ||
[[Castalia]] was a | [[Castalia]] was a nymph whom Apollo loved. She fled from him and dove into the [[castalian Spring|spring]] at Delphi, at the base of [[Mt. Parnassos]], which was then named after her. Water from this spring was sacred; it was used to clean the Delphian temples and inspire the priestesses.<ref>[[Statius]], ''[[Thebaid (Latin poem)|Thebaid]]'' 1.696 ff.</ref> | ||
[[Cassandra]] was a daughter of Hecuba and Priam. Apollo wished to court her. Cassandra promised to return his love on one condition – he should give her the power to see the future. Apollo fulfilled her wish, but she went back on her word and rejected him soon after. Angered that she broke her promise, Apollo cursed her that even though she would see the future, no one would ever believe her prophecies.{{Citation needed|date=December 2024}} | [[Cassandra]] was a daughter of Hecuba and Priam. Apollo wished to court her. Cassandra promised to return his love on one condition – he should give her the power to see the future. Apollo fulfilled her wish, but she went back on her word and rejected him soon after. Angered that she broke her promise, Apollo cursed her that even though she would see the future, no one would ever believe her prophecies.{{Citation needed|date=December 2024}} | ||
The [[Cumaean Sibyl|Sibyl of Cumae]] like Cassandra promised Apollo her love in exchange for a boon. asking for as many years of life as the grains of sand in her hand. Apollo granted her wish, but she broke her word. While she lived longer, Apollo did not grant her agelessness, causing her to wither until only her voice remained.<ref>[[Ovid]], ''[[Metamorphoses]]'' 14.129–154</ref> | The [[Cumaean Sibyl|Sibyl of Cumae]], like Cassandra, promised Apollo her love in exchange for a boon. asking for as many years of life as the grains of sand in her hand. Apollo granted her wish, but she broke her word. While she lived longer, Apollo did not grant her agelessness, causing her to wither until only her voice remained.<ref>[[Ovid]], ''[[Metamorphoses]]'' 14.129–154</ref> | ||
[[Hestia]], the goddess of the hearth, rejected both Apollo's and Poseidon's marriage proposals and swore that she would always stay unmarried.{{Citation needed|date=December 2024}} | [[Hestia]], the goddess of the hearth, rejected both Apollo's and Poseidon's marriage proposals and swore that she would always stay unmarried.{{Citation needed|date=December 2024}} | ||
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===Female counterparts=== | ===Female counterparts=== | ||
====Artemis==== | ====Artemis==== | ||
[[File:Apollo Artemis Brygos Louvre G151.jpg|thumb|Apollo (left) and [[Artemis]], by [[Brygos]] (potter signed). Tondo of an Attic red-figure cup {{circa|470 BC | [[File:Apollo Artemis Brygos Louvre G151.jpg|thumb|Apollo (left) and [[Artemis]], by [[Brygos]] (potter signed). Tondo of an Attic red-figure cup {{circa|480}}–470 BC, [[Louvre]].<ref>[[Lexicon Iconographicum Mythologiae Classicae]], [https://archive.org/details/limc_20210516/Lexicon%20Iconographicum%20Mythologiae%20Classicae/LIMC%20II-1/page/n363/mode/2up p. 704].</ref>]] | ||
Artemis as the sister of Apollo, is ''thea apollousa'', that is, she as a female divinity represented the same idea that Apollo did as a male divinity | Artemis as the sister of Apollo, is ''thea apollousa'', that is, she as a female divinity represented the same idea that Apollo did as a male divinity.{{citation needed|date=November 2021}} However, this relationship was never sexual but spiritual,<ref>Eustath. ad Hom. p. 1197</ref> which is why they both are seen being unmarried in the [[Hellenic period]].{{citation needed|date=January 2022}} | ||
Artemis, like her brother, is armed with a bow and arrows. She is the cause of sudden deaths of women. She also is the protector of the young, especially girls. Though she has nothing to do with oracles, music or poetry, she sometimes led the female chorus on Olympus while Apollo sang.<ref>''The Oxford Encyclopedia of Ancient Greece and Rome'' [https://books.google.com/books?id=lNV6-HsUppsC&pg=PA268 s.v. Artemis, p. 268]</ref> The laurel (''[[daphne]]'') was sacred to both. ''Artemis Daphnaia'' had her temple among the Lacedemonians, at a place called Hypsoi.<ref>G. Shipley, "The Extent of Spartan Territory in the Late Classical and Hellenistic Periods", ''The Annual of the British School at Athens'', 2000.</ref> ''Apollo Daphnephoros'' had a temple in [[Eretria]], a "place where the citizens are to take the oaths".<ref>Rufus B. Richardson, "A Temple in Eretria" ''The American Journal of Archaeology and of the History of the Fine Arts'', '''10'''.3 (July – September 1895:326–337); Paul Auberson, ''Eretria. Fouilles et Recherches I, Temple d'Apollon Daphnéphoros, Architecture'' (Bern, 1968). See also [[Plutarch]], ''Pythian Oracle'', 16.</ref> In later times when Apollo was regarded as identical with the sun or [[Helios]], Artemis was naturally regarded as [[Selene]] or the moon.{{Citation needed|date=December 2024}} | Artemis, like her brother, is armed with a bow and arrows. She is the cause of sudden deaths of women. She also is the protector of the young, especially girls. Though she has nothing to do with oracles, music or poetry, she sometimes led the female chorus on Olympus while Apollo sang.<ref>''The Oxford Encyclopedia of Ancient Greece and Rome'' [https://books.google.com/books?id=lNV6-HsUppsC&pg=PA268 s.v. Artemis, p. 268]</ref> The laurel (''[[daphne]]'' in Greek) was sacred to both. ''Artemis Daphnaia'' had her temple among the Lacedemonians, at a place called Hypsoi.<ref>G. Shipley, "The Extent of Spartan Territory in the Late Classical and Hellenistic Periods", ''The Annual of the British School at Athens'', 2000.</ref> ''Apollo Daphnephoros'' had a temple in [[Eretria]], a "place where the citizens are to take the oaths".<ref>Rufus B. Richardson, "A Temple in Eretria" ''The American Journal of Archaeology and of the History of the Fine Arts'', '''10'''.3 (July – September 1895:326–337); Paul Auberson, ''Eretria. Fouilles et Recherches I, Temple d'Apollon Daphnéphoros, Architecture'' (Bern, 1968). See also [[Plutarch]], ''Pythian Oracle'', 16.</ref> In later times when Apollo was regarded as identical with the sun or [[Helios]], Artemis was naturally regarded as [[Selene]] or the moon.{{Citation needed|date=December 2024}} | ||
====Hecate==== | ====Hecate==== | ||
[[Hecate]], the goddess of witchcraft and magic, is the chthonic counterpart of Apollo. One of Apollo's epithets, ''Hecatos'', is the masculine form of Hecate, and both names mean "working from afar". If Hecate is the "gate-keeper", Apollo ''Agyieus'' is the "door-keeper". Hecate is the goddess of crossroads and Apollo is the god and protector of streets.<ref name="ReferenceB">Carol M. Mooney, B.A., ''Hekate: Her Role And Character In Greek Literature From Before The Fifth Century B.C.''</ref> | |||
[[Hecate]], the goddess of witchcraft and magic, is the chthonic counterpart of Apollo | |||
[[File:Houbraken, Arnold - Pallas Athene Visiting Apollo on the Parnassus - 1703.jpeg|thumb|left|Pallas Athena visiting Apollo on Parnassus, by [[Arnold Houbraken]]]] | [[File:Houbraken, Arnold - Pallas Athene Visiting Apollo on the Parnassus - 1703.jpeg|thumb|left|Pallas Athena visiting Apollo on Parnassus, by [[Arnold Houbraken]]]] | ||
The oldest evidence found for Hecate's worship is at Apollo's temple in Miletos. There, Hecate was taken to be Apollo's sister counterpart in the absence of Artemis.<ref name="ReferenceB"/> | The oldest evidence found for Hecate's worship is at Apollo's temple in Miletos. There, Hecate was taken to be Apollo's sister counterpart in the absence of Artemis.<ref name="ReferenceB"/> | ||
====Athena==== | ====Athena==== | ||
As a deity of knowledge and great power, Apollo was seen as the male counterpart of [[Athena]]. Because they were Zeus's favorite children, they were given more powers and duties. Apollo and Athena often took up the role of protectors of cities, and were patrons of some of the important cities. Athena was the principal goddess of Athens; Apollo was the principal god of [[Sparta]].<ref>{{Cite web | url=https://publicism.info/culture/apollo/7.html | title=APOLLO, THE YOUNG, AND THE CITY – KEY THEMES – Apollo – Fritz Graf}}</ref> In the Trojan War, as Zeus's executive, Apollo is seen holding the [[aegis]] like Athena usually does.<ref>[[Homer]], ''[[Iliad]]'' [http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0134%3Abook%3D15%3Acard%3D281 15.308].</ref> | |||
As a deity of knowledge and great power, Apollo was seen | |||
In the Trojan War, as Zeus' executive, Apollo is seen holding the [[aegis]] like Athena usually does.<ref>[[Homer]], ''[[Iliad]]'' [http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0134%3Abook%3D15%3Acard%3D281 15.308]. | |||
===Roman Apollo=== | ===Roman Apollo=== | ||
The Roman worship of Apollo was adopted from the Greeks,{{sfn|Freese|1911|p=185}} and had no direct Roman equivalent, although later Roman poets often referred to him as '''Phoebus'''.{{citation needed|date=July 2023}} There was a tradition that the Delphic oracle was consulted as early as the period of the [[Roman Kingdom|kings of Rome]] during the reign of [[Tarquinius Superbus]].<ref>[[Livy]] [https://www.perseus.tufts.edu/cgi-bin/ptext?lookup=Liv.+1.56 1.56].</ref> | |||
The Roman worship of Apollo was adopted from the Greeks | |||
On the occasion of a pestilence in the 430s BCE, Apollo's [[Temple of Apollo Sosianus|first temple]] at Rome was established in the Flaminian fields, replacing an older cult site there known as the "Apollinare".<ref>Livy [https://www.perseus.tufts.edu/hopper/text.jsp?doc=Perseus:text:1999.02.0026:book=3:chapter=63 3.63.7], [https://www.perseus.tufts.edu/hopper/text.jsp?doc=Perseus:text:1999.02.0145:book=4:chapter=25 4.25.3].</ref> During the [[Second Punic War]] in 212 BCE, the ''[[Ludi Apollinares]]'' ("Apollonian Games") were instituted in his honor, on the instructions of a prophecy attributed to one Marcius.<ref>Livy [https://www.perseus.tufts.edu/hopper/text.jsp?doc=Perseus:text:1999.02.0147:book=25:chapter=12 25.12].</ref> In the time of [[Augustus]], who considered himself under the special protection of Apollo and was even said to be his son, his worship developed and he became one of the chief gods of Rome.<ref>{{cite book |author=J. H. W. G. Liebeschuetz |title=Continuity and Change in Roman Religion |year=1979 |publisher=Oxford University Press |location=Oxford |isbn=978-0-19-814822-7 |pages=82–85 }}</ref>{{sfn|Freese|1911|p=185}} | On the occasion of a pestilence in the 430s BCE, Apollo's [[Temple of Apollo Sosianus|first temple]] at Rome was established in the Flaminian fields, replacing an older cult site there known as the "Apollinare".<ref>Livy [https://www.perseus.tufts.edu/hopper/text.jsp?doc=Perseus:text:1999.02.0026:book=3:chapter=63 3.63.7], [https://www.perseus.tufts.edu/hopper/text.jsp?doc=Perseus:text:1999.02.0145:book=4:chapter=25 4.25.3].</ref> During the [[Second Punic War]] in 212 BCE, the ''[[Ludi Apollinares]]'' ("Apollonian Games") were instituted in his honor, on the instructions of a prophecy attributed to one Marcius.<ref>Livy [https://www.perseus.tufts.edu/hopper/text.jsp?doc=Perseus:text:1999.02.0147:book=25:chapter=12 25.12].</ref> In the time of [[Augustus]], who considered himself under the special protection of Apollo and was even said to be his son, his worship developed and he became one of the chief gods of Rome.<ref>{{cite book |author=J. H. W. G. Liebeschuetz |title=Continuity and Change in Roman Religion |year=1979 |publisher=Oxford University Press |location=Oxford |isbn=978-0-19-814822-7 |pages=82–85 }}</ref>{{sfn|Freese|1911|p=185}} | ||
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[[File:Ai-Khanoum-gold stater of Antiochos1.jpg|thumb|left|Gold stater of the [[Seleucid]] king [[Antiochus I Soter]] (reigned 281–261 BCE), showing on the reverse a nude Apollo holding his key attributes: two arrows and a bow]] | [[File:Ai-Khanoum-gold stater of Antiochos1.jpg|thumb|left|Gold stater of the [[Seleucid]] king [[Antiochus I Soter]] (reigned 281–261 BCE), showing on the reverse a nude Apollo holding his key attributes: two arrows and a bow]] | ||
The | The palm tree was also sacred to Apollo because he had been born under one in [[Delos]]. Animals sacred to Apollo included [[wolf|wolves]], dolphins, [[roe deer]], [[swan]]s, [[cicada]]s (symbolizing music and song), [[raven]]s, [[hawk]]s, [[Corvus (genus)|crow]]s (Apollo had hawks and crows as his messengers),<ref name="Porphyry"/> snakes (referencing Apollo's function as the god of prophecy), mice and [[griffin]]s, mythical eagle–lion hybrids of Eastern origin.{{sfn|Freese|1911|p=185}} | ||
[[Homer]] and [[Porphyry (philosopher)|Porphyry]] wrote that Apollo had a hawk as his messenger.<ref>[https://topostext.org/work/3#15.493 Homer, ''Odyssey'', 15.493]</ref><ref name="Porphyry">[http://cts.perseids.org/read/greekLit/tlg2034/tlg003/1st1K-grc1/3.5 Porphyry, ''De abstinentia'', 3.5]</ref> In many myths Apollo is transformed into a hawk.<ref>[https://topostext.org/work/216#28 Antoninus Liberalis, ''Metamorphoses'', 28]</ref><ref>[https://topostext.org/work/141#6.103 Ovid, ''Metamorphoses'', 6.103]</ref><ref>[https://topostext.org/work/141#11.318 Ovid, ''Metamorphoses'', 11.318]</ref> In addition, [[Claudius Aelianus]] wrote that in [[Egyptians|Ancient Egypt]] people believed that hawks were sacred to the god<ref name="Aelian 10.14"/> and that according to the ministers of Apollo in Egypt there were certain men called "hawk-keepers" (ἱερακοβοσκοί) who fed and tended the hawks belonging to the god.<ref>[https://www.perseus.tufts.edu/hopper/text?doc=urn:cts:greekLit:tlg0545.tlg001.perseus-grc1:7.9 Aelian, ''Characteristics of Animals'', 7.9]</ref> [[Eusebius]] wrote that the second appearance of the moon is held sacred in the city of Apollo in Egypt and that the city's symbol is a man with a hawklike face ([[Horus]]).<ref>[https://topostext.org/work/230#3.12.1 Eusebius, ''Preparation of the Gospels'', 3.12.1]</ref> | [[Homer]] and [[Porphyry (philosopher)|Porphyry]] wrote that Apollo had a hawk as his messenger.<ref>[https://topostext.org/work/3#15.493 Homer, ''Odyssey'', 15.493]</ref><ref name="Porphyry">[http://cts.perseids.org/read/greekLit/tlg2034/tlg003/1st1K-grc1/3.5 Porphyry, ''De abstinentia'', 3.5]</ref> In many myths Apollo is transformed into a hawk.<ref>[https://topostext.org/work/216#28 Antoninus Liberalis, ''Metamorphoses'', 28]</ref><ref>[https://topostext.org/work/141#6.103 Ovid, ''Metamorphoses'', 6.103]</ref><ref>[https://topostext.org/work/141#11.318 Ovid, ''Metamorphoses'', 11.318]</ref> In addition, [[Claudius Aelianus]] wrote that in [[Egyptians|Ancient Egypt]] people believed that hawks were sacred to the god<ref name="Aelian 10.14"/> and that according to the ministers of Apollo in Egypt there were certain men called "hawk-keepers" (ἱερακοβοσκοί) who fed and tended the hawks belonging to the god.<ref>[https://www.perseus.tufts.edu/hopper/text?doc=urn:cts:greekLit:tlg0545.tlg001.perseus-grc1:7.9 Aelian, ''Characteristics of Animals'', 7.9]</ref> [[Eusebius]] wrote that the second appearance of the moon is held sacred in the city of Apollo in Egypt and that the city's symbol is a man with a hawklike face ([[Horus]]).<ref>[https://topostext.org/work/230#3.12.1 Eusebius, ''Preparation of the Gospels'', 3.12.1]</ref> Claudius Aelianus wrote that Egyptians called Apollo [[Horus]] in their own language.<ref name="Aelian 10.14">[https://topostext.org/work/560#10.14 Aelian, ''Characteristics of Animals'', 10.14]</ref> | ||
[[File:Apolocitaredo8.jpg|thumb|''[[Apollo Citharoedus]]'' ("Apollo with a kithara"), [[Musei Capitolini]], Rome]] | [[File:Apolocitaredo8.jpg|thumb|''[[Apollo Citharoedus]]'' ("Apollo with a kithara"), [[Musei Capitolini]], Rome]] | ||
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In literary contexts, Apollo represents harmony, order, and reason—characteristics contrasted with those of [[Dionysus]], god of wine, who represents ecstasy and disorder. The contrast between the roles of these gods is reflected in the adjectives [[Apollonian and Dionysian]]. However, the Greeks thought of the two qualities as complementary: the two gods are brothers, and when Apollo at winter left for [[Hyperborea]], he would leave the Delphic oracle to Dionysus. This contrast appears to be shown on the two sides of the [[Borghese Vase]].{{Citation needed|date=December 2024}} | In literary contexts, Apollo represents harmony, order, and reason—characteristics contrasted with those of [[Dionysus]], god of wine, who represents ecstasy and disorder. The contrast between the roles of these gods is reflected in the adjectives [[Apollonian and Dionysian]]. However, the Greeks thought of the two qualities as complementary: the two gods are brothers, and when Apollo at winter left for [[Hyperborea]], he would leave the Delphic oracle to Dionysus. This contrast appears to be shown on the two sides of the [[Borghese Vase]].{{Citation needed|date=December 2024}} | ||
Apollo is often associated with the [[Golden mean (philosophy)|Golden Mean]] | Apollo is often associated with the [[Golden mean (philosophy)|Golden Mean]], the Greek [[Ideal (ethics)|ideal]] of [[moderation]] and a [[virtue]] that opposes [[gluttony]].{{Citation needed|date=December 2024}} | ||
In antiquity, Apollo was associated with the planet Mercury. The ancient Greeks believed that the Mercury as observed during the morning was different from the one during the evening, because each twilight Mercury would appear farther from the Sun as it set than it had the night before. The morning planet was called Apollo, and the one at evening Hermes/Mercury before they realised they were the same, thereupon the name 'Mercury/Hermes' was kept, and 'Apollo' was dropped.<ref name=":merc"/> | In antiquity, Apollo was associated with the planet [[Mercury (planet)|Mercury]]. The ancient Greeks believed that the Mercury as observed during the morning was different from the one during the evening, because each twilight Mercury would appear farther from the Sun as it set than it had the night before. The morning planet was called Apollo, and the one at evening Hermes/Mercury before they realised they were the same, thereupon the name 'Mercury/Hermes' was kept, and 'Apollo' was dropped.<ref name=":merc"/> | ||
== Apollo in the arts == | == Apollo in the arts == | ||
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===Archaic sculpture=== | ===Archaic sculpture=== | ||
Numerous statues of male youths from | Numerous statues of male youths from Archaic Greece exist, and were once thought to be representations of Apollo, though later discoveries indicated that many represented mortals.<ref>Delphi, 467, 1524</ref> In 1895, V. I. Leonardos proposed the term ''[[kouros]]'' ("male youth") to refer to those from [[Keratea]]; this usage was later expanded by Henri Lechat in 1904 to cover all statues of this format.<ref>V.I. Leonardos(1895). ''Archaelogiki Ephimeris'', Col 75, n 1.</ref><ref>Lechat (1904). ''La sculpture Attic avant Phidias'', p. 23.</ref> | ||
The earliest examples of life-sized statues of Apollo may be two figures from the [[Ionians|Ionic]] sanctuary on the island of [[Delos]]. Such statues were found across the Greek-speaking world, the preponderance of these were found at the sanctuaries of Apollo with more than one hundred from the sanctuary of ''Apollo Ptoios'', [[Boeotia]] alone.<ref>J. Ducat (1971). ''Les Kouroi des Ptoion''.</ref> Significantly more rare are the life-sized bronze statues. One of the few originals which survived into the present day—so rare that its discovery in 1959 was described as "a miracle" by Ernst Homann-Wedeking—is the masterpiece bronze, ''[[Piraeus Apollo]]''. It was found in [[Piraeus]], a [[port city]] close to Athens, and is believed to have come from north-eastern [[Peloponnesus]]. It is the only surviving large-scale Peloponnesian statue.<ref>{{Cite book|last=Homann-Wedeking|first=Ernst|url=https://archive.org/details/artofarchaicgree00homa|title=The Art of Archaic Greece|date=1968|publisher=Crown Publishers|location=New York|pages=144–145|via=Internet Archive}}</ref> | The earliest examples of life-sized statues of Apollo may be two figures from the [[Ionians|Ionic]] sanctuary on the island of [[Delos]]. Such statues were found across the Greek-speaking world, the preponderance of these were found at the sanctuaries of Apollo with more than one hundred from the sanctuary of ''Apollo Ptoios'', [[Boeotia]] alone.<ref>J. Ducat (1971). ''Les Kouroi des Ptoion''.</ref> Significantly more rare are the life-sized bronze statues. One of the few originals which survived into the present day—so rare that its discovery in 1959 was described as "a miracle" by Ernst Homann-Wedeking—is the masterpiece bronze, ''[[Piraeus Apollo]]''. It was found in [[Piraeus]], a [[port city]] close to Athens, and is believed to have come from north-eastern [[Peloponnesus]]. It is the only surviving large-scale Peloponnesian statue.<ref>{{Cite book|last=Homann-Wedeking|first=Ernst|url=https://archive.org/details/artofarchaicgree00homa|title=The Art of Archaic Greece|date=1968|publisher=Crown Publishers|location=New York|pages=144–145|via=Internet Archive}}</ref> | ||
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[[File:Apollon de Mantoue Louvre MA689.jpg|thumb|[[Apollo of Mantua]], marble Roman copy after a 5th-century-BCE Greek original attributed to [[Polykleitos]], Musée du Louvre]] | [[File:Apollon de Mantoue Louvre MA689.jpg|thumb|[[Apollo of Mantua]], marble Roman copy after a 5th-century-BCE Greek original attributed to [[Polykleitos]], Musée du Louvre]] | ||
[[File:Runeberg ateneum apollon ja marsyas.jpg|thumb|Marble sculpture of Apollo and [[Marsyas]] by [[Walter Runeberg]], at the arrivals hall of [[Ateneum]] in Helsinki, [[Finland]]]] | [[File:Runeberg ateneum apollon ja marsyas.jpg|thumb|Marble sculpture of Apollo and [[Marsyas]] by [[Walter Runeberg]], at the arrivals hall of [[Ateneum]] in Helsinki, [[Finland]]]] | ||
The famous [[Apollo of Mantua]] and its variants are early forms of the [[Apollo Citharoedus]] statue type, in which the god holds the [[cithara]], a sophisticated seven-stringed variant of the lyre, in his left arm. While none of the Greek originals have survived, several Roman copies from approximately the late 1st or early 2nd century exist, of which an example is the [[Apollo Barberini]].{{Citation needed|date=December 2024}} | The famous [[Apollo of Mantua]] and its variants are early forms of the [[Apollo Citharoedus]] statue type, in which the god holds the [[cithara]], a sophisticated seven-stringed variant of the lyre, in his left arm.<ref>{{Cite web |title=Apollo Of Mantua - Art in Italy |url=https://trek.zone/en/italy/art/apollo-of-mantua |access-date=2026-01-18 |website=Trek Zone |language=en}}</ref> While none of the Greek originals have survived, several Roman copies from approximately the late 1st or early 2nd century exist, of which an example is the [[Apollo Barberini]].{{Citation needed|date=December 2024}} | ||
===Hellenistic Greece-Rome=== | ===Hellenistic Greece-Rome=== | ||
Apollo as a handsome beardless young man, is often depicted with a cithara (as Apollo Citharoedus) or bow in his hand, or reclining on a tree (the [[Apollo Lykeios]] and [[Apollo Sauroctonos]] types). The [[Apollo Belvedere]] is a [[marble]] sculpture that was rediscovered in the late 15th century; for centuries it epitomized the ideals of [[Classical Antiquity]] for Europeans, from the [[Renaissance]] through the 19th century. The marble is a [[Hellenistic Greece|Hellenistic]] or Roman copy of a bronze original by the Greek sculptor [[Leochares]], made between 330 and 320 BCE.<ref>{{cite web |url=https://www.museivaticani.va/content/museivaticani/en/collezioni/musei/museo-pio-clementino/Cortile-Ottagono/apollo-del-belvedere.html |title=Belevedere Apollo |publisher=Vatican Museums (Pio Clementino Museum) |access-date=19 May 2023}}</ref> | Apollo as a handsome beardless young man, is often depicted with a cithara (as Apollo Citharoedus) or bow in his hand, or reclining on a tree (the [[Apollo Lykeios]] and [[Apollo Sauroctonos]] types). The [[Apollo Belvedere]] is a [[marble]] sculpture that was rediscovered in the late 15th century; for centuries it epitomized the ideals of [[Classical Antiquity]] for Europeans, from the [[Renaissance]] through the 19th century. The marble is a [[Hellenistic Greece|Hellenistic]] or Roman copy of a bronze original by the Greek sculptor [[Leochares]], made between 330 and 320 BCE.<ref>{{cite web |url=https://www.museivaticani.va/content/museivaticani/en/collezioni/musei/museo-pio-clementino/Cortile-Ottagono/apollo-del-belvedere.html |title=Belevedere Apollo |publisher=Vatican Museums (Pio Clementino Museum) |access-date=19 May 2023}}</ref> | ||
Another haloed Apollo in mosaic, from [[Hadrumentum]], is in the museum at [[Sousse]].<ref>{{cite web|url=http://www.tunisiaonline.com/mosaics/mosaic05b.html |title=Mosaics in Tunisia: Apollo and the Muses |date=8 July 2008 |access-date=30 July 2013 |url-status=dead |archive-url=https://web.archive.org/web/20080708143541/http://www.tunisiaonline.com/mosaics/mosaic05b.html |archive-date=8 July 2008 }}</ref> The conventions of this representation, head tilted, lips slightly parted, large-eyed, curling [[Hairstyle|hair cut]] in locks grazing the neck, were developed in the 3rd century BCE to depict [[Alexander the Great]].<ref>Bieber 1964, Yalouris 1980.</ref> Some time after this mosaic was executed, the earliest depictions of Christ would also be beardless and haloed.{{Citation needed|date=December 2024}} | Another haloed Apollo in mosaic, from [[Hadrumentum]], is in the museum at [[Sousse]].<ref>{{cite web|url=http://www.tunisiaonline.com/mosaics/mosaic05b.html |title=Mosaics in Tunisia: Apollo and the Muses |date=8 July 2008 |access-date=30 July 2013 |url-status=dead |archive-url=https://web.archive.org/web/20080708143541/http://www.tunisiaonline.com/mosaics/mosaic05b.html |archive-date=8 July 2008 }}</ref> The conventions of this representation, head tilted, lips slightly parted, large-eyed, curling [[Hairstyle|hair cut]] in locks grazing the neck, were developed in the 3rd century BCE to depict [[Alexander the Great]].<ref>Bieber 1964, Yalouris 1980.</ref> Some time after this mosaic was executed, the earliest depictions of [[Christ]] would also be beardless and haloed.{{Citation needed|date=December 2024}} | ||
==Modern reception== | ==Modern reception== | ||
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=== Spaceflight === | === Spaceflight === | ||
{{See also|Apollo program}} | {{See also|Apollo program}} | ||
In spaceflight, the 1960s and 1970s [[NASA]] program for orbiting and landing astronauts on the Moon was named after [[Apollo program|Apollo]], by | In spaceflight, the 1960s and 1970s [[NASA]] program for orbiting and landing astronauts on the Moon was named after [[Apollo program|Apollo]], by NASA manager [[Abe Silverstein]]: | ||
{{blockquote|Apollo riding his chariot across the Sun was appropriate to the grand scale of the proposed program.<ref name="pressrelease">{{cite press release |title=Release 69-36 |date=July 14, 1969 |publisher=[[Glenn Research Center|Lewis Research Center]] |url=http://www.nasa.gov/centers/glenn/about/history/apollo_press_release.html |location=Cleveland, OH |access-date=June 21, 2012}}</ref>|author=Abe Silverstein|title=Release 69-36}} | {{blockquote|Apollo riding his chariot across the Sun was appropriate to the grand scale of the proposed program.<ref name="pressrelease">{{cite press release |title=Release 69-36 |date=July 14, 1969 |publisher=[[Glenn Research Center|Lewis Research Center]] |url=http://www.nasa.gov/centers/glenn/about/history/apollo_press_release.html |location=Cleveland, OH |access-date=June 21, 2012}}</ref>|author=Abe Silverstein|title=Release 69-36}} | ||
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{{Refbegin|30em}} | {{Refbegin|30em}} | ||
* [[Claudius Aelianus|Aelian]], ''On Animals'', Volume II: Books 6–11. Translated by A. F. Scholfield. [[Loeb Classical Library]] 447. Cambridge, MA: Harvard University Press, 1958. | * [[Claudius Aelianus|Aelian]], ''On Animals'', Volume II: Books 6–11. Translated by A. F. Scholfield. [[Loeb Classical Library]] 447. Cambridge, MA: Harvard University Press, 1958. | ||
* [[Aeschylus]], ''[[Oresteia|The Eumenides]]'' in ''Aeschylus, with an English translation by Herbert Weir Smyth, Ph. D. in two volumes'', Vol 2, Cambridge, Massachusetts, [[Harvard University Press]], 1926, [http://data.perseus.org/texts/urn:cts:greekLit:tlg0085.tlg007.perseus-eng1 Online version at the Perseus Digital Library]. | * [[Aeschylus]], ''[[Oresteia|The Eumenides]]'' in ''Aeschylus, with an English translation by Herbert Weir Smyth, Ph.D. in two volumes'', Vol 2, Cambridge, Massachusetts, [[Harvard University Press]], 1926, [http://data.perseus.org/texts/urn:cts:greekLit:tlg0085.tlg007.perseus-eng1 Online version at the Perseus Digital Library]. | ||
* [[Antoninus Liberalis]], ''The Metamorphoses of Antoninus Liberalis'' translated by Francis Celoria (Routledge 1992). [https://topostext.org/work/216 Online version at the Topos Text Project.] | * [[Antoninus Liberalis]], ''The Metamorphoses of Antoninus Liberalis'' translated by Francis Celoria (Routledge 1992). [https://topostext.org/work/216 Online version at the Topos Text Project.] | ||
* [[Bibliotheca (Pseudo-Apollodorus)|Apollodorus]], ''Apollodorus, The Library, with an English Translation by Sir James George Frazer, F.B.A., F.R.S. in 2 Volumes.'' Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1921. [https://www.perseus.tufts.edu/hopper/text;jsessionid=C431BA809CA4DEA22A15DA9C666F3400?doc=Perseus%3atext%3a1999.01.0022%3atext%3dLibrary Online version at the Perseus Digital Library]. | * [[Bibliotheca (Pseudo-Apollodorus)|Apollodorus]], ''Apollodorus, The Library, with an English Translation by Sir James George Frazer, F.B.A., F.R.S. in 2 Volumes.'' Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1921. [https://www.perseus.tufts.edu/hopper/text;jsessionid=C431BA809CA4DEA22A15DA9C666F3400?doc=Perseus%3atext%3a1999.01.0022%3atext%3dLibrary Online version at the Perseus Digital Library]. | ||
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* ''[[Homeric Hymns|Homeric Hymn]]'' 4 ''to Hermes'', in ''The Homeric Hymns and Homerica with an English Translation by Hugh G. Evelyn-White'', Cambridge, Massachusetts, [[Harvard University Press]]; London, William Heinemann Ltd. 1914. [http://data.perseus.org/texts/urn:cts:greekLit:tlg0013.tlg004.perseus-eng1 Online version at the Perseus Digital Library]. | * ''[[Homeric Hymns|Homeric Hymn]]'' 4 ''to Hermes'', in ''The Homeric Hymns and Homerica with an English Translation by Hugh G. Evelyn-White'', Cambridge, Massachusetts, [[Harvard University Press]]; London, William Heinemann Ltd. 1914. [http://data.perseus.org/texts/urn:cts:greekLit:tlg0013.tlg004.perseus-eng1 Online version at the Perseus Digital Library]. | ||
* [[Homer]], ''The Iliad with an English Translation by A.T. Murray, PhD in two volumes''. Cambridge, MA., Harvard University Press; London, William Heinemann, Ltd. 1924. [https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0134%3Abook%3D1%3Acard%3D1 Online version at the Perseus Digital Library]. | * [[Homer]], ''The Iliad with an English Translation by A.T. Murray, PhD in two volumes''. Cambridge, MA., Harvard University Press; London, William Heinemann, Ltd. 1924. [https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0134%3Abook%3D1%3Acard%3D1 Online version at the Perseus Digital Library]. | ||
* [[Homer]]; ''The Odyssey with an English Translation by A.T. Murray, | * [[Homer]]; ''The Odyssey with an English Translation by A.T. Murray, Ph.D. in two volumes''. Cambridge, MA., Harvard University Press; London, William Heinemann, Ltd. 1919. [https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0136%3Abook%3D1%3Acard%3D1 Online version at the Perseus Digital Library]. | ||
* | * Hyginus, ''[[De astronomia]]'', in ''The Myths of Hyginus'', edited and translated by Mary A. Grant, Lawrence: University of Kansas Press, 1960. [https://topostext.org/work/207 Online version at ToposText]. | ||
* | * Hyginus, ''[[Fabulae]]'', in ''The Myths of Hyginus'', edited and translated by Mary A. Grant, Lawrence: University of Kansas Press, 1960. [https://topostext.org/work/206 Online version at ToposText]. | ||
* [[Livy]], ''The History of Rome, Books I and II With An English Translation''. Cambridge. Cambridge, Mass., [[Harvard University Press]]; London, William Heinemann, Ltd. 1919. | * [[Livy]], ''The History of Rome, Books I and II With An English Translation''. Cambridge. Cambridge, Mass., [[Harvard University Press]]; London, William Heinemann, Ltd. 1919. | ||
* [[Nonnus]], ''[[Dionysiaca]]''; translated by [[W. H. D. Rouse|Rouse, W H D]], I Books I-XV. [[Loeb Classical Library]] No. 344, Cambridge, Massachusetts, Harvard University Press; London, William Heinemann Ltd. 1940. [https://archive.org/stream/dionysiaca01nonnuoft#page/n7/mode/2up Internet Archive] | * [[Nonnus]], ''[[Dionysiaca]]''; translated by [[W. H. D. Rouse|Rouse, W H D]], I Books I-XV. [[Loeb Classical Library]] No. 344, Cambridge, Massachusetts, Harvard University Press; London, William Heinemann Ltd. 1940. [https://archive.org/stream/dionysiaca01nonnuoft#page/n7/mode/2up Internet Archive] | ||
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* [[Joseph Fontenrose|Fontenrose, Joseph Eddy]], ''Python: A Study of Delphic Myth and Its Origins'', [[University of California Press]], 1959. {{ISBN|9780520040915}}. | * [[Joseph Fontenrose|Fontenrose, Joseph Eddy]], ''Python: A Study of Delphic Myth and Its Origins'', [[University of California Press]], 1959. {{ISBN|9780520040915}}. | ||
* Gantz, Timothy, ''Early Greek Myth: A Guide to Literary and Artistic Sources'', Johns Hopkins University Press, 1996, Two volumes: {{ISBN|978-0-8018-5360-9}} (Vol. 1), {{ISBN|978-0-8018-5362-3}} (Vol. 2). | * Gantz, Timothy, ''Early Greek Myth: A Guide to Literary and Artistic Sources'', Johns Hopkins University Press, 1996, Two volumes: {{ISBN|978-0-8018-5360-9}} (Vol. 1), {{ISBN|978-0-8018-5362-3}} (Vol. 2). | ||
* {{cite book| first = Fritz| last = Graf| title = Apollo| year = 2009| publisher = Taylor & Francis US| isbn = 978-0-415-31711-5 | url = https://books.google.com/books?id=ZBuiC_cP7qoC }} | * {{cite book |first=Fritz |last=Graf |title=Apollo |year=2009 |publisher=Taylor & Francis US |isbn=978-0-415-31711-5 |url=https://books.google.com/books?id=ZBuiC_cP7qoC}} | ||
* Miranda J. Green, 1997. ''Dictionary of Celtic Myth and Legend'', Thames and Hudson. | * Miranda J. Green, 1997. ''Dictionary of Celtic Myth and Legend'', Thames and Hudson. | ||
* Grimal, Pierre, ''The Dictionary of Classical Mythology'', Wiley-Blackwell, 1996. {{ISBN|978-0-631-20102-1}}. | * Grimal, Pierre, ''The Dictionary of Classical Mythology'', Wiley-Blackwell, 1996. {{ISBN|978-0-631-20102-1}}. | ||
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* [[Karl Kerenyi]], 1953. ''Apollon: Studien über Antiken Religion und Humanität'' revised edition. | * [[Karl Kerenyi]], 1953. ''Apollon: Studien über Antiken Religion und Humanität'' revised edition. | ||
* [[Károly Kerényi|Kerényi, Karl]] 1951, ''The Gods of the Greeks'', Thames and Hudson, London. | * [[Károly Kerényi|Kerényi, Karl]] 1951, ''The Gods of the Greeks'', Thames and Hudson, London. | ||
* ''[[Lexicon Iconographicum Mythologiae Classicae]] (LIMC). II.1: Aphrodisias – Athena'', Zurich and Munich, Artemis Verlag, 1984. {{ISBN|3760887511}}. [https://archive.org/details/limc_20210516/Lexicon%20Iconographicum%20Mythologiae%20Classicae/LIMC%20II-1/mode/2up Internet Archive]. | |||
* Mertens, Dieter; Schutzenberger, Margareta. ''Città e monumenti dei Greci d'Occidente: dalla colonizzazione alla crisi di fine V secolo a.C.''. Roma L'Erma di Bretschneider, 2006. {{ISBN|88-8265-367-6}}. | * Mertens, Dieter; Schutzenberger, Margareta. ''Città e monumenti dei Greci d'Occidente: dalla colonizzazione alla crisi di fine V secolo a.C.''. Roma L'Erma di Bretschneider, 2006. {{ISBN|88-8265-367-6}}. | ||
* Martin Nilsson, 1955. ''Die Geschichte der Griechische Religion'', vol. I. C.H. Beck. | * Martin Nilsson, 1955. ''Die Geschichte der Griechische Religion'', vol. I. C.H. Beck. | ||
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* Pfeiff, K.A., 1943. ''Apollon: Wandlung seines Bildes in der griechischen Kunst''. Traces the changing iconography of Apollo. | * Pfeiff, K.A., 1943. ''Apollon: Wandlung seines Bildes in der griechischen Kunst''. Traces the changing iconography of Apollo. | ||
* D.S.Robertson (1945) ''A handbook of Greek and Roman Architecture'' Cambridge University Press | * D.S.Robertson (1945) ''A handbook of Greek and Roman Architecture'' Cambridge University Press | ||
* [[William Smith (lexicographer)|Smith, William]], ''[[Dictionary of Greek and Roman Biography and Mythology]]'', London (1873). [https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3atext%3a1999.04.0104 Online version at the Perseus Digital Library]. | * [[William Smith (lexicographer)|Smith, William]], ''[[Dictionary of Greek and Roman Biography and Mythology]]'', London (1873). [https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3atext%3a1999.04.0104 Online version at the Perseus Digital Library]. | ||
* {{SmithDGRA|article=Artemis}} | * {{SmithDGRA|article=Artemis}} | ||
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* Spivey Nigel (1997) ''Greek art'' Phaedon Press Ltd. | * Spivey Nigel (1997) ''Greek art'' Phaedon Press Ltd. | ||
* [[Edward Tripp|Tripp, Edward]], ''Crowell's Handbook of Classical Mythology'', Thomas Y. Crowell Co; First edition (June 1970). {{ISBN|0-690-22608-X}}. [https://archive.org/details/crowellshandbook00trip/page/n5/mode/2up?view=theater Internet Archive]. | * [[Edward Tripp|Tripp, Edward]], ''Crowell's Handbook of Classical Mythology'', Thomas Y. Crowell Co; First edition (June 1970). {{ISBN|0-690-22608-X}}. [https://archive.org/details/crowellshandbook00trip/page/n5/mode/2up?view=theater Internet Archive]. | ||
* [[Martin Litchfield West|West, M. L.]] (2003), ''Greek Epic Fragments: From the Seventh to the Fifth Centuries BC'', [[Loeb Classical Library]] No. 497, Cambridge, Massachusetts, [[Harvard University Press]], 2003. {{ISBN|978-0-674-99605-2}}. [https://www.loebclassics.com/view/LCL497/2003/volume.xml Online version at Harvard University Press]. [https://archive.org/details/L497GreekEpicFragmentsVIIVcBC/page/n3/mode/2up?view=theater Internet Archive]. | |||
{{Refend}} | {{Refend}} | ||
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{{Twelve Olympians}} | {{Twelve Olympians}} | ||
{{Greek | {{Greek mythology (deities)}} | ||
{{Roman religion}} | {{Roman religion}} | ||
{{Authority control}} | {{Authority control}} | ||
[[Category:Apollo| ]] | [[Category:Apollo| ]] | ||
[[Category:Arts gods]] | |||
[[Category:Beauty gods]] | |||
[[Category:Characters in the Argonautica]] | |||
[[Category:Characters in the Odyssey]] | |||
[[Category:Childhood gods]] | |||
[[Category:Classical oracles]] | |||
[[Category:Dance gods]] | |||
[[Category:Deities in the Iliad]] | |||
[[Category:Delian mythology]] | |||
[[Category:Dii Consentes]] | |||
[[Category:Divine twins]] | |||
[[Category:Dragonslayers]] | |||
[[Category:Greek gods]] | [[Category:Greek gods]] | ||
[[Category: | [[Category:Health deities]] | ||
[[Category:Health gods]] | [[Category:Health gods]] | ||
[[Category:Knowledge gods]] | [[Category:Knowledge gods]] | ||
[[Category:Kourotrophoi]] | |||
[[Category:Light gods]] | [[Category:Light gods]] | ||
[[Category:Mercurian deities]] | |||
[[Category:Metamorphoses characters]] | |||
[[Category:Music and singing gods]] | [[Category:Music and singing gods]] | ||
[[Category:Musicians in Greek mythology]] | |||
[[Category:Mythological Greek archers]] | |||
[[Category:Mythological Greek medical doctors]] | |||
[[Category:Mythological rapists]] | |||
[[Category:Oracular gods]] | [[Category:Oracular gods]] | ||
[[Category:Plague gods]] | [[Category:Plague gods]] | ||
[[Category:Raven deities]] | [[Category:Raven deities]] | ||
[[Category: | [[Category:Roman gods]] | ||
[[Category:Shapeshifters in Greek mythology]] | [[Category:Shapeshifters in Greek mythology]] | ||
[[Category:Solar gods]] | |||
[[Category:Sons of Zeus]] | |||
[[Category:Supernatural healing]] | [[Category:Supernatural healing]] | ||
[[Category: | [[Category:Twelve Olympians]] | ||
[[Category: | [[Category:Wolf deities]] | ||