Death metal: Difference between revisions

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Death metal is an extreme subgenre of heavy metal music. It typically employs heavily distorted and low-tuned guitars, played with techniques such as palm muting and tremolo picking; deep growling vocals; aggressive, powerful drumming, featuring double kick and blast beat techniques; minor keys or atonality; abrupt tempo, key, and time signature changes; and chromatic chord progressions.^[1] The lyrical themes of death metal may include slasher film-style violence,^[2] political conflict, religion, nature, philosophy, true crime and science fiction.^[3]^[4]^[5]

Building from the musical structure of thrash metal and early black metal, death metal emerged during the mid-1980s.^[6] Bands such as Venom, Celtic Frost, Slayer, and Kreator were important influences on the genre's creation.^[7]^[8]^[9] Possessed,^[10] Death,^[11] Necrophagia,^[12] Obituary,^[13] Autopsy,^[14] and Morbid Angel^[15] are often considered pioneers of the genre.^[1] In the late 1980s and early 1990s, death metal gained more media attention as a popular genre. Niche record labels like Combat, Earache, and Roadrunner began to sign death metal bands at a rapid rate.^[16]

Since then, death metal has diversified, spawning several subgenres. Melodic death metal combines death metal elements with those of the new wave of British heavy metal. Technical death metal is a complex style, with uncommon time signatures, atypical rhythms, and unusual harmonies and melodies. Death-doom combines the deep growled vocals and double-kick drumming of death metal with the slow tempos and melancholic atmosphere of doom metal. Deathgrind, goregrind, and pornogrind mix the complexity of death metal with the intensity, speed, and brevity of grindcore. Deathcore combines death metal with metalcore traits. Death 'n' roll combines death metal's growled vocals and highly distorted, downtuned guitar riffs with elements of 1970s hard rock and heavy metal.^[17]

History

Emergence and early history (early to mid–1980s)

File:Death Mexico 06-89.jpg

Pioneering death metal band Death in 1989

File:Possessed - Jalometalli 2008 - 02.JPG

Jeff Becerra of Possessed^[18]

English extreme metal band Venom, from Newcastle, crystallized the elements of what later became known as thrash metal, death metal and black metal, with their first two albums Welcome to Hell^[19] and Black Metal,^[20] released in late 1981 and 1982, respectively. Their dark, blistering sound, harsh vocals, and macabre, proudly Satanic imagery proved a major inspiration for extreme metal bands.^[21] Another highly influential band, Slayer, formed in 1981. Although the band was a thrash metal act, Slayer's music was more violent than their thrash contemporaries Metallica, Megadeth, and Anthrax.^[22] Their breakneck speed and instrumental prowess combined with lyrics about death, violence, war, and Satanism won Slayer a cult following.^[23] According to Mike McPadden, Hell Awaits, Slayer's second album, "largely invent[ed] much of the sound and fury that would evolve into death metal."^[24] According to AllMusic, their third album Reign in Blood inspired the entire death metal genre.^[25] It had a big impact on genre leaders such as Death, Obituary, and Morbid Angel.^[22]

Possessed, a band that formed in the San Francisco Bay Area during 1983, is described by AllMusic as "connecting the dots" between thrash metal and death metal with their 1985 debut album, Seven Churches.^[26] While attributed as having a Slayer influence,^[27] current and former members of the band had actually cited Venom and Motörhead, as well as early work by Exodus, as the main influences on their sound. Although the group had released only two studio albums and an EP in their formative years, they have been described by music journalists and musicians as either being "monumental" in developing the death metal style,^[28] or as being the first death metal band.^[29]^[30]^[31] Earache Records noted that "the likes of Trey Azagthoth and Morbid Angel based what they were doing in their formative years on the Possessed blueprint laid down on the legendary Seven Churches recording. Possessed arguably did more to further the cause of 'Death Metal' than any of the early acts on the scene back in the mid-late 80's."^[32]

File:Chuck Schuldiner.jpg

Chuck Schuldiner (1967–2001) of Death, during a 1992 tour in Scotland in support of the album Human.

During the same period as the dawn of Possessed, a second influential metal band was formed in Orlando, Florida. Originally called Mantas, Death was formed in 1983 by Chuck Schuldiner, Kam Lee, and Rick Rozz. Inspired by the Brandon, Florida act Nasty Savage, they took the sound of Nasty Savage and deepened it.^[33] In 1984, they released their first demo entitled Death by Metal, followed by several more. The tapes circulated through the tape trader world, quickly establishing the band's name. With Death guitarist Schuldiner adopting vocal duties, the band made a major impact in the emerging Florida death metal scene. The fast minor-key riffs and solos were complemented with fast drumming, creating a style that would catch on in tape trading circles.^[28] Schuldiner has been credited by AllMusic's Eduardo Rivadavia for being widely recognized as the "Father of Death Metal".^[34] Death's 1987 debut release, Scream Bloody Gore, has been described by About.com's Chad Bowar as being the "evolution from thrash metal to death metal",^[35] and "the first true death metal record" by the San Francisco Chronicle.^[36] In an Interview Jeff Becerra talked about the discussions of being the creator of the genre, saying that Schuldiner cited Possessed as a massive influence, and Death were even called "Possessed clones" early on.^[37] Along with Possessed and Death, other pioneers of death metal in the United States include Macabre, Master, Massacre, Immolation, Cannibal Corpse, Obituary, and Post Mortem.^[38]^[39]

Growing popularity (late 1980s to late 1990s)

Metal was always about oneupmanship, right? How to play it faster and heavier and make it more evil… You had speed/thrash metal taking it all to new speeds. So how do you top that? You add in death metal vocals and make it sound even heavier and more evil.

A&R executive Monte Conner of Roadrunner Records, as quoted by Chris Chantler of Metal Hammer (April 6, 2025)

By 1989, many bands had been signed by eager record labels wanting to cash in on the subgenre, including Florida's Obituary, Morbid Angel and Deicide.^[40] This collective of death metal bands hailing from Florida are often labeled as "Florida death metal". Morbid Angel pushed the genre's limits both musically and lyrically, with the release of their debut album Altars of Madness in 1989.^[41]^[42] The album "redefined what it meant to be heavy while influencing an upcoming class of brutal death metal."^[43] According to Jason Birchmeier of AllMusic, "Venom and Slayer redefined the extent to which a metal band could align itself with all things evil during the beginning of the decade, but Morbid Angel made these two groups sound like children's music."^[44]

Following the original death metal innovators, new subgenres began to develop the end of the decade, such as melodic death metal. Death released their fourth album Human in 1991, which has become a hallmark in technical death metal. Death's founder Schuldiner helped push the boundaries of the genre with uncompromising speed and technical virtuosity, combining intricate rhythm guitar work with complex arrangements and emotive guitar solos.^[45]

File:Deicide band 016.jpg

Deicide drummer Steve Asheim

Earache Records, Relativity Records and Roadrunner Records became the genre's most important labels,^[46] with Earache releasing albums by Carcass, Napalm Death, Morbid Angel, and Entombed, and Roadrunner releasing albums by Obituary and Pestilence. Although these labels had not been death metal labels, they initially became the genre's flagship labels at the beginning of the 1990s. In addition to these, other labels formed as well, such as Nuclear Blast, Century Media, and Peaceville. Many of these labels would go on to achieve successes in other genres of metal throughout the 1990s.

In September 1990, Death's manager Eric Greif held one of the first North American death metal festivals, Day of Death, in Milwaukee suburb Waukesha, Wisconsin, and featured 26 bands including Autopsy, Broken Hope, Hellwitch, Obliveon, Revenant, Viogression, Immolation, Atheist, and Cynic.^[47]

Death metal's popularity achieved its initial peak during 1992–1993, with some bands such as Morbid Angel and Cannibal Corpse enjoying mild commercial success. However, the genre as a whole never broke into the mainstream. The genre's mounting popularity may have been partly responsible for a strong rivalry between Norwegian black metal and Swedish death metal scenes. Fenriz of Darkthrone has noted that Norwegian black metal musicians were "fed up with the whole death metal scene" at the time. According to Joel McIver of Metal Hammer, "Many metalheads were fixated on the new wave of black metal emanating from Scandinavia, the UK and the US. Just as grunge had killed glam back in 1991, a new movement of corpsepainted bands was making the death metal scene look tedious, or worse, obsolete. Only the best would survive." Consequently, death metal diversified in the 1990s, spawning a variety of subgenres that maintain cult followings to the present day.^[48]^[49]

Later history (2000–present)

File:Deicide band 010.jpg

Guitarist Jack Owen has performed with death metal bands Cannibal Corpse, Deicide and Six Feet Under.

In the 2000s, a number of bands in the hardcore punk scene, including Black Breath and Trap Them began to incorporate elements of death metal into their sound.^[50] This was followed by a wave of bands expanding upon the death-doom style of Incantation while incorporating elements of ambient music, including Dead Congregation and Necros Christos.^[50]

In the 2010s, a movement of bands reviving the sound of original 1980s death metal emerged, termed the "New Wave of Old School Death Metal".^[51] One of the earliest groups in this wave was Horrendous, who formed in 2009,^[52] who along with Tomb Mold took a progressive take the genre.^[50] Tomb Mold, Necrot, Undergang and Blood Incantation were some of the earliest bands to gain traction in the 2010s, with the COVID-19 pandemic amplifying the amount of attention drawn to the movement, through Cryptic Shift, Slimelord and Vaticinal Rites.^[53] In a 2022 article by MetalSucks writer Christopher Krovatin stated "Right now, as a music journalist, all I hear about is death metal."^[54] In the UK, this movement became the "New Wave of British Death Metal", fronted by Mortuary Spawn, Vacuous and Celestial Sanctuary, this name being coined by Tom Cronin, of Celestial Sanctuary, in order to separate these hardcore-indebted bands from the country's prior movements. The earliest bands in this wave were Cruciamentum and Grave Miasma.^[55]

A large part of the New Wave of Old School Death Metal was death metal bands who originated from the hardcore scene, some of which merge elements of hardcore into their style. Xibalba and Fuming Mouth were two of the earliest groups, with the wave being solidified by Gatecreeper, 200 Stab Wounds, Creeping Death,^[56] Sanguisugabogg and Kruelty.^[57] Venom Prison came from this scene and gained particular attention for their confrontation of what Kerrang! called death metal's "misogyny problem", by instead writing "rape-revenge narrative[s]".^[58] Their lead vocalist Larissa Stupar was described by the publication as "metal's most important - and uncompromising - voice".^[59]

Characteristics

File:Cannibal Corpse @ 70000 tons of metal 02.jpg

Cannibal Corpse vocalist George "Corpsegrinder" Fisher

The vocals became so inhuman, and that was a big step. It's like, "I'm no longer going to sing as a person. I'm going to sound like a demon." Thrash bands were pissed, and that's why they shouted. Death metal bands were possessed. It was a whole other level of evil.

Revolver editor-in-chief Brandon Geist as quoted in the book Louder Than Hell by Jon Weiderhorn and Katherine Truman (page 460)

The setup most frequently used within the death metal genre is two guitarists, a bass player, a vocalist, and a drummer often using "hyper double-bass blast beats".^[60]^[61] Although this is the standard setup, bands have been known to occasionally incorporate other instruments such as electronic keyboards.^[62]

Death metal vocals are referred to as death growls, which are coarse roars/snarls. Death growling is mistakenly thought to be a form of screaming using the lowest vocal register known as vocal fry, but vocal fry is actually a form of overtone screaming. While growling can be performed this way by experienced vocalists who use the fry screaming technique, "true" death growling is in fact created by an altogether different technique.^[63] Growling has been called Cookie Monster vocals, tongue-in-cheek, due to the vocal similarity to the voice of the popular Sesame Street character.^[64] Although often criticized, death growls serve the aesthetic purpose of matching death metal's aggressive lyrical content.^[65] Some death metal bands may also incorporate "pig squeals", a vocal style that Loudwire characterizes as a "breeee" sound.^[66]

The lyrical themes of death metal may invoke slasher film-stylised violence,^[67] but may also extend to topics like religion (sometimes including Satanism), occultism, Lovecraftian horror, nature, mysticism, mythology, theology, philosophy, science fiction, and politics.^[3] Although violence may be explored in various other genres as well, death metal may elaborate on the details of extreme acts, including blood and gore, psychopathy, delirium, mutilation, mutation, dissection, exorcism, torture, rape, cannibalism, and necrophilia. Sociologist Keith Kahn-Harris commented this apparent glamorisation of violence may be attributed to a "fascination" with the human body that all people share to some degree, a fascination that mixes desire and disgust.^[20] Heavy metal author Gavin Baddeley also stated there does seem to be a connection between one's degree of mortality salience and "how much they crave images of death and violence" via the media.^[68] Additionally, contributing artists to the genre often defend death metal as little more than an extreme form of art and entertainment, similar to horror films in the motion picture industry.^[6] This explanation has brought such musicians under fire from activists internationally, who claim that this is often lost on a large number of adolescents, who are left with the glamorisation of such violence without social context or awareness of why such imagery is stimulating.^[6]

According to Alex Webster, bassist of Cannibal Corpse, "The gory lyrics are probably not, as much as people say, [what's keeping us] from being mainstream. Like, 'death metal would never go into the mainstream because the lyrics are too gory?' I think it's really the music, because violent entertainment is totally mainstream."^[69] Christian death metal bands often utilize the gory themes of death metal to invoke violent imagery against Satan, demons, sin and sinners,^[70] much of the violent imagery being drawn from the Bible.^[71] Satanic and anti-Christian imagery is also frequently inverted.^[72]^[73]^[74]

Etymology

By 1984, Venom-influenced acts crept through the underground, peddling aggressive thrash with gruff vocals: San Francisco's Possessed released the Death Metal demo, Switzerland's Hellhammer appeared on a compilation called Death Metal, and Florida's Death put out Death By Metal. Notice a theme yet?

Lee du-Caine and Joel McIver of MusicRadar, ^[75]

Verifiable uses of the term "death metal" began around 1983, however it was largely interchangeable with what is now understood as thrash metal.^[76] The 1983 premier issue of the zine Metal Chaos used the term to describe the music that disc-jockey Gene Khoury played on WMSC (FM)^[77] and the Winter 1983–1984 issue of Metal Forces used the term to describe Metal Church^[78] and Hellhammer.^[79]

During 1984, use of the term began to gravitate towards more extreme bands, such as Bathory, Destruction, Onslaught, Slayer and Sodom. Hellhammer, in particular, put a significant emphasis on the term, being used in the liner notes for Apocalyptic Raids (1984),^[76] and being used as the name for both Thomas Fischer and Martin Ain's zine, and their split album Death Metal (1984).^[80] The same year Possessed released their demo, Death Metal; featuring an eponymous song which would also be featured on the band's 1985 debut album, Seven Churches.^[80] In an interview for Choosing Death: The Improbable History of Death Metal & Grindcore, Possessed vocalist and bassist Jeff Becerra said he coined the term for a high school English class assignment, stating "I figured speed metal and black metal were already taken, so what the fuck? So I said death metal, because that word wasn't associated with Venom or anybody else. It wasn't even about redefining it. We were playing this music and we were trying to be the heaviest thing on the face of the planet. We wanted just to piss people off and send everybody home. And that can't be, like, flower metal."^[81]

Subgenres and fusion genres

Cited examples are not necessarily exclusive to one particular style. Many bands can easily be placed in two or more of the following categories, and a band's specific categorization is often a source of contention due to personal opinion and interpretation. The musical genres in this list are sorted alphabetically.

Blackened death-doom

Blackened death-doom is a microgenre that combines the slow tempos and monolithic drumming of doom metal, the complex and loud riffage of death metal and the shrieking vocals of black metal.^[82] Examples of blackened death-doom bands include Morast,^[82] Faustcoven,^[82] The Ruins of Beverast,^[82] Bölzer,^[82] Necros Christos,^[82] Harvest Gulgaltha,^[83] Dragged into Sunlight,^[84] Hands of Thieves,^[85] and Soulburn.^[86]^[87] Kim Kelly, journalist from Vice, has called Faustcoven "one of the finest bands to ever successfully meld black, death, and doom metal into a cohesive, legible whole."^[82]

Blackened death metal

File:Goatwhore Party.San Metal Open Air 2016 11.jpg

Blackened death metal band Goatwhore.

Blackened death metal is commonly death metal that incorporates musical, lyrical or ideological elements of black metal, such as an increased use of tremolo picking, anti-Christian or Satanic lyrical themes and chord progressions similar to those used in black metal.^[88]^[89]^[90] Blackened death metal bands are also more likely to wear corpse paint and suits of armour, than bands from other styles of death metal.^[91] Lower range guitar tunings, death growls and abrupt tempo changes are common in the genre.^[92] Examples of blackened death metal bands are Belphegor,^[93] Behemoth,^[94] Akercocke,^[95] and Sacramentum.^[96]

Melodic black-death

Melodic black-death^[97] (also known as blackened melodic death metal or melodic blackened death metal)^[98] is a genre of extreme metal that describes the style created when melodic death metal bands began being inspired by black metal and European romanticism. However, unlike most other black metal, this take on the genre would incorporate an increased sense of melody and narrative.^[98] Some bands who have played this style include Dissection,^[98]^[97]^[99] Sacramentum,^[98]^[97] Naglfar,^[98] God Dethroned,^[100] Dawn,^[98] Unanimated,^[98] Thulcandra,^[97]^[98] Skeletonwitch^[101] and Cardinal Sin.^[97]

War metal

War metal^[102]^[103]^[104] (also known as war black metal^[103] or bestial black metal)^[104] is an aggressive,^[103] cacophonous^[102] and chaotic^[102]^[103] subgenre of blackened death metal,^[105] described by Rock Hard journalist Wolf-Rüdiger Mühlmann as "rabid"^[103] and "hammering".^[103] Important influences include first-wave black metal band Sodom,^[102]^[103] first-wave black metal/death metal band Possessed^[103] as well as old grindcore, black and death metal bands like Repulsion,^[102]^[103] Autopsy,^[103] Sarcófago^[102]^[103]^[104]^[106] and the first two Sepultura releases.^[103]^[106] War metal bands include Blasphemy,^[102]^[103]^[106] Archgoat,^[103] Impiety,^[103] In Battle,^[107] Beherit, Crimson Thorn,^[108] Bestial Warlust,^[109] and Zyklon-B.^[110]

Brutal death metal

File:Suffocation (11 von 30).jpg

Suffocation vocalist Frank Mullen

Brutal death metal is a subgenre of death metal that prioritizes heaviness, speed, and complex rhythms over other aspects, such as melody and timbres.^[5]^[111] Brutal death metal bands employ high-speed, palm-muted power chording and single-note riffage.^[111] Notable bands include Cannibal Corpse,^[112]^[113] Dying Fetus,^[111] Suffocation,^[114] Cryptopsy,^[115] and Skinless.^[116]^[117]

Slam death metal

Slam death metal is a brutal death metal microgenre that evolved from the 1990s New York death metal scene, incorporating elements of hardcore punk.^[5]^[118] In contrast to other death metal styles, it is not generally focused on guitar solos and blast beats; instead, it employs mid-tempo rhythms, breakdowns, and palm-muted riffing, as well as hip hop-inspired vocal and drum beat rhythms.^[118] The breakdown riff of Suffocation's "Liege of Inveracity" has been credited by Rolling Stone as the first slam riff in death metal.^[119] The first wave of bands in the genre were New York bands like Internal Bleeding and Pyrexia,^[120]^[121] with notable subsequent acts including Devourment^[122] and Cephalotripsy.^[123]

Death-doom

File:My Dying Bride 44.jpg

My Dying Bride at Frozen Rock Fest. 2007.

Death-doom is a style that combines the slow tempos and pessimistic atmosphere of doom metal with the deep growling vocals and double-kick drumming of death metal.^[124] Influenced mostly by the early work of Hellhammer and Celtic Frost, the style emerged during the late 1980s and gained a certain amount of popularity during the 1990s.^[124] Death-doom was also pioneered by bands such as Winter,^[125] Disembowelment,^[125] Paradise Lost,^[125] Autopsy, Anathema, and My Dying Bride.^[125]

Funeral doom

Funeral doom is a genre that crosses death-doom with funeral dirge music.^[126] It is played at a very slow tempo, and places an emphasis on evoking a sense of emptiness and despair.^[127] Typically, electric guitars are heavily distorted and dark ambient aspects such as keyboards or synthesizers are often used to create a dreamlike atmosphere.^[128] Vocals consist of mournful chants or growls and are often in the background.^[128] Funeral doom was pioneered by Mournful Congregation (Australia), Esoteric (United Kingdom), Evoken (United States), Funeral (Norway), Thergothon (Finland), and Skepticism (Finland).^[129]

Death 'n' roll

Death 'n' roll is a style that combines death metal's growled vocals and highly distorted detuned guitar riffs along with elements of 1970s hard rock and heavy metal.^[17]^[130] Notable examples include Entombed,^[17] Gorefest,^[130] and Six Feet Under.

Deathcore

Deathcore is a subgenre that merges the intensity of death metal with the aggressive elements of metalcore. It is characterized by fast drumming, including blast beats, down-tuned guitars, tremolo picking, growled vocals, high-pitched shrieks, and the breakdowns typical of metalcore. Decibel magazine noted that "one of Suffocation's trademarks, breakdowns, has spawned an entire metal subgenre: deathcore."^[131] Dying Fetus was also influencing deathcore through their extensive use of slam riffs, breakdowns, and hardcore-inspired grooves. Their 1996 album Purification Through Violence and 1998's Killing on Adrenaline introduced a mix of brutal death metal and hardcore elements that would later be adopted by deathcore bands.^[132] Bands such as Despised Icon, Suicide Silence, Salt the Wound and All Shall Perish combine the technicality of death metal with the breakdown-driven structures of metalcore, creating a distinct and influential sound.^[133]

Deathgrind, goregrind and pornogrind

File:Aborted Coolness'tival 31107 06.jpg

Aborted are "key contributors to the death-grind genres," according to AllMusic.^[134]

Goregrind, deathgrind and pornogrind^[135]^[136] are styles that mix grindcore with death metal, with goregrind focused on themes like gore and forensic pathology,^[137] and pornogrind dealing with sexual and pornographic themes.^[138]^[139] Some notable examples of these genres are Brujeria, Cattle Decapitation,^[140] Cephalic Carnage, Pig Destroyer,^[141] Circle of Dead Children, Rotten Sound, Gut,^[142] and Cock and Ball Torture.^[143]^[144]

Gorenoise

Gorenoise is an offshoot of goregrind and noisecore that abandons rock-based sounds for harsh noise.^[33]^[145] New Noise Magazine characterized the genre as drum machines "hammer[ing] at 1,000 BPM over top of gurgling pitch-shifted toilet vocals".^[145] Album cover art often incorporates graphic crime scene photos and depictions of entrails.^[145]^[146] The band Anal Birth is credited as one of the progenitors of gorenoise.^[33] Other projects noted for producing gorenoise are Elephant Man Behind the Sun,^[145] the early work of Torture,^[146] Meekness,^[147] and Melanocytic Tumors of Uncertain Malignant Potential.^[33]

Deathrash

Deathrash, also known as death-thrash, is a shorthand term to describe bands who play a fusion of death metal and thrash metal.^[148]^[149] The genre gained notoriety in Bali, Indonesia, where it attracted criticism of being related to the accelerated tourism development on the island and the superseding of its local culture, particularly by Jakartan one.^[150] Notable bands include Grave,^[151] Deceased,^[152] Mortification,^[153] The Crown,^[149] Incapacity,^[149] Solstice,^[154] Darkane,^[149] Deathchain,^[148] Opprobrium,^[155] and Sepultura.^[156]

Industrial death metal

Industrial death metal is a genre of death metal that adds elements of industrial music.^[157] Some notable bands include Fear Factory,^[158] Anaal Nathrakh,^[159]^[160] Autokrator,^[161] and Meathook Seed.^[157]^[162]

Melodic death metal

File:At the Gates Sweden Rock 2008.jpg

Melodic death metal band At the Gates performing in 2008.

Swedish death metal could be considered the forerunner of "melodic death metal". Melodic death metal, occasionally shortened to "melodeath", is a fusion of heavy metal with elements of death metal. The subgenre is heavily influenced by the new wave of British heavy metal.^[163] Unlike most other death metal, melodeath usually features screams instead of growls, slower tempos, and much stronger emphasis on melody. Clean vocals may be used on occasion. Carcass is sometimes credited with releasing the first melodic death metal album with 1993's Heartwork, although Swedish bands In Flames, Dark Tranquillity, and At the Gates are usually mentioned as the main pioneers of the genre and of the Gothenburg metal sound.

Old school death metal

Old school death metal is a style of death metal that is characterized by slower tempos and simpler song structures.The style typically employs fewer blast beats and is less concerned with the technical aspects of songwriting.^[125] It gained prominence in the late 1990s, with bands like Repugnant,^[164]^[149] Thanatos,^[165] Necrophagia,^[125] Abscess,^[125] Bloodbath^[125] and Mortem.^[125]

Psychedelic death metal

Psychedelic death metal is death metal that incorporates elements of psychedelic music, such as Blood Incantation,^[166] Tomb Mold^[167] and Gigan.^[168] According to Stereogum: "The mere idea of psychedelic death metal appears self-evidently contradictory, like eco-friendly corporations or compassionate conservatism. Psychedelia aims toward the sky, toward astral beauty and transcendence, while death metal wallows in the muck of rage and viscera."^[166]

Symphonic death metal

Symphonic death metal is a genre of death metal that adds elements of classical music. Bands described as symphonic death metal include Fleshgod Apocalypse,^[169] Septicflesh,^[170] Necronomicon,^[171] and Children of Bodom.^[172] Haggard's 2000 album, Awaking the Centuries, has been described as death metal-styled symphonic metal.^[173]

Technical death metal

File:Nile in performance (São Paulo, 2010).jpg

Technical death metal band Nile performing in 2010.

Technical death metal (also known as tech-death, progressive death metal, or prog-death)^[174] is a subgenre of death metal that employs dynamic song structures, uncommon time signatures, atypical rhythms and unusual harmonies and melodies. Bands described as technical death metal or progressive death metal usually fuse common death metal aesthetics with elements of progressive rock, jazz or classical music. While the term technical death metal is sometimes used to describe bands that focus on speed and extremity as well as complexity, the line between progressive and technical death metal is thin. Tech death and prog death, for short, are terms commonly applied to such bands as Nile, Edge of Sanity, and Opeth. Necrophagist and Spawn of Possession are known for a classical music-influenced death metal style. Death metal pioneers Death also refined their style in a more progressive direction in their final years. Some albums for this subgenre are Hallucinations (1990) by the German band Atrocity and Death's Human (1991). This style has significantly influenced many bands, creating a stream that in Europe was carried out at first by bands such as Gory Blister and Electrocution.^[175] The Polish band Decapitated gained recognition as one of Europe's primary modern technical death metal acts.^[176]^[177]

References

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↑ ^17.0 ^17.1 ^17.2 Lee, Cosmo (March 14, 2007). "Phazm: Antebellum Death 'n' Roll". Stylus Magazine. Archived from the original on June 17, 2008. Retrieved September 18, 2007. Death 'n' roll arose with Entombed's 1993 album Wolverine Blues ... Wolverine Blues was like '70s hard rock tuned down and run through massive distortion and death growls.
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Bibliography

Christe, Ian (2003). Sound of the Beast: The Complete Headbanging History of Heavy Metal. HarperCollins. ISBN 978-0-380-81127-4.
Ekeroth, Daniel (2008). Swedish Death Metal. Bazillion Points. ISBN 978-0-9796163-1-0.
Kahn-Harris, Keith (2007). Extreme Metal: Music and Culture on the Edge. Berg Publishers. ISBN 978-1-84520-399-3.
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Mudrian, Albert (2004). Choosing Death: The Improbable History of Death Metal & Grindcore. Feral House. ISBN 978-1-932595-04-8.
Netherton, Jason (2014). Extremity Retained: Notes From the Death Metal Underground. Handshake, Inc. ISBN 978-1-631734-74-8.
Purcell, Natalie J. (2003). Death Metal Music: The Passion and Politics of a Subculture. McFarland & Company. ISBN 978-0-7864-1585-4.

Template:Cite thesis

Swinford, Dean (2013). Death Metal Epic (Book I: The Inverted Katabasis). Atlatl Press. ISBN 978-0-9883484-3-1.

External links

File:Commons-logo.svg Media related to Death metal at Wikimedia Commons

Template:Extreme metal Template:Hardcore punk Template:Heavy metal music

[loudwire-1] 1.0 ^1.1 Wiederhorn, Jon (August 31, 2017). "Heavy Metal 101: The History of Death Metal". Loudwire. Retrieved August 28, 2024.

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@@ Line 8: / Line 8: @@
 {{Infobox music genre
 | name              = Death metal
-| stylistic_origins = {{hlist|[[Thrash metal]]<ref name=allmusic>{{cite web|url=https://www.allmusic.com/style/death-metal-ma0000002547|title=Death Metal|access-date=July 4, 2008|website=[[AllMusic]]|quote=Death Metal grew out of the thrash metal in the late '80s.|archive-date=April 2, 2012|archive-url=https://web.archive.org/web/20120402094104/http://www.allmusic.com/explore/style/d384|url-status=dead}}</ref>|[[first-wave black metal]]|[[hardcore punk]]<ref>{{cite book|first=Gerd|last=Bayer|title=Heavy Metal Music in Britain|publisher=[[Ashgate Publishing]]|year=2009|page=59|isbn=978-1-4094-9385-3}}</ref>}}
+| stylistic_origins = {{hlist|[[Thrash metal]]<ref name=allmusic/>|[[first-wave black metal]]|[[hardcore punk]]<ref>{{cite book|first=Gerd|last=Bayer|title=Heavy Metal Music in Britain|publisher=[[Ashgate Publishing]]|year=2009|page=59|isbn=978-1-4094-9385-3}}</ref>}}
-| cultural_origins  = Mid-1980s, United States
+| cultural_origins  = Mid-1980s, United States, primarily [[Florida]] and [[San Francisco Bay Area]]
 | derivatives       =
 | subgenrelist      =
@@ Line 17: / Line 17: @@
 * [[melodic death metal]]
 * old school death metal
+* psychedelic death metal
 * symphonic death metal
 * [[technical death metal]]
@@ Line 27: / Line 28: @@
 * deathrash
 * [[death 'n' roll]]
-* [[goregrind]]
+* [[goregrind]] ([[gorenoise]]
-* [[pornogrind]]
+* [[pornogrind]])
 | regional_scenes   = * [[Music of Brazil#Brazilian death metal|Brazil]]
 * [[Florida death metal|Florida]]
@@ Line 45: / Line 46: @@
 '''Death metal''' is an [[extreme metal|extreme]] subgenre of [[heavy metal music]]. It typically employs heavily distorted and low-tuned guitars, played with techniques such as [[palm muting]] and [[tremolo picking]]; deep [[death growl|growling]] vocals; aggressive, powerful drumming, featuring [[double kick]] and [[blast beat]] techniques; minor keys or [[atonality]]; abrupt tempo, key, and [[time signature]] changes; and [[Chromatic scale|chromatic]] chord progressions.<ref name=loudwire>{{cite web |last=Wiederhorn |first=Jon
-|url=https://loudwire.com/heavy-metal-101-history-of-death-metal/|title=Heavy Metal 101: The History of Death Metal |website=[[Loudwire]] |date=31 August 2017 |access-date=28 August 2024}}</ref> The lyrical themes of death metal may include [[slasher film]]-style violence,<ref name="Moynihan, Michael 1998 p. 27">Moynihan, Michael, and Dirik Søderlind (1998). Lords of Chaos (2nd ed.). Feral House. {{ISBN|0-922915-94-6}}, p. 27</ref> [[political conflict]], [[religion]], [[nature]], [[philosophy]], [[true crime]] and [[science fiction]].{{sfn|Purcell|2003|p=39-42}}<ref name=allmusic/><ref name=masterclass>{{cite web | url=https://www.masterclass.com/articles/death-metal-guide | title=All About Death Metal: 5 Notable Death Metal Bands | work=[[Masterclass]] | date=16 June 2021 | access-date=28 August 2024 | archive-date=August 26, 2024 | archive-url=https://web.archive.org/web/20240826195027/https://www.masterclass.com/articles/death-metal-guide | url-status=live }}</ref>
+|url=https://loudwire.com/heavy-metal-101-history-of-death-metal/|title=Heavy Metal 101: The History of Death Metal |website=[[Loudwire]] |date=31 August 2017 |access-date=28 August 2024}}</ref> The lyrical themes of death metal may include [[slasher film]]-style violence,<ref name="Moynihan, Michael 1998 p. 27">Moynihan, Michael, and Dirik Søderlind (1998). Lords of Chaos (2nd ed.). Feral House. {{ISBN|0-922915-94-6}}, p. 27</ref> [[political conflict]], [[religion]], [[nature]], [[philosophy]], [[true crime]] and [[science fiction]].{{sfn|Purcell|2003|p=39-42}}<ref name=allmusic>{{cite web|url=https://www.allmusic.com/style/death-metal-ma0000002547|title=Death Metal|access-date=July 4, 2008|website=[[AllMusic]]|quote=Death Metal grew out of the thrash metal in the late '80s.|archive-date=April 2, 2012|archive-url=https://web.archive.org/web/20120402094104/http://www.allmusic.com/explore/style/d384|url-status=dead}}</ref><ref name=masterclass>{{cite web | url=https://www.masterclass.com/articles/death-metal-guide | title=All About Death Metal: 5 Notable Death Metal Bands | publisher=[[MasterClass]] | date=16 June 2021 | access-date=28 August 2024 | archive-date=August 26, 2024 | archive-url=https://web.archive.org/web/20240826195027/https://www.masterclass.com/articles/death-metal-guide | url-status=live }}</ref>
-Building from the musical structure of [[thrash metal]] and [[Black metal#First wave|early black metal]], death metal emerged during the mid-1980s.<ref name="hbj">{{cite video|people=Dunn, Sam (Director)|date=August 5, 2005|url=http://imdb.com/title/tt0478209/|title=Metal: A Headbanger's Journey|medium=motion picture|location=Canada|publisher=Dunn, Sam|access-date=November 18, 2007|archive-date=December 29, 2017|archive-url=https://web.archive.org/web/20171229154022/http://www.imdb.com/title/tt0478209/|url-status=live}}</ref> Bands such as [[Venom (band)|Venom]], [[Celtic Frost]], [[Slayer]], and [[Kreator]] were important influences on the genre's creation.{{sfn|McIver|2000|p=14}}{{sfn|McIver|2000|p=100}}{{sfn|McIver|2000|p=55}} [[Possessed (band)|Possessed]],<ref>{{cite web|last=Rivadavia|first=Eduardo|title=Possessed Biography|url=https://www.allmusic.com/artist/p5171|website=[[AllMusic]]|access-date=August 13, 2008|archive-date=April 25, 2011|archive-url=https://web.archive.org/web/20110425111502/http://www.allmusic.com/artist/p5171|url-status=live}}</ref> [[Death (metal band)|Death]],<ref>{{cite web|last=Renda|first=Patricia|title=Chuck Schuldiner: The pain of a genius|url=http://www.metal-rules.com/interviews/chuck.htm|publisher=[[Metal Rules]]|year=1999|access-date=February 14, 2014|archive-date=April 25, 2011|archive-url=https://web.archive.org/web/20110425113257/http://www.metal-rules.com/interviews/chuck.htm|url-status=live}}</ref> [[Necrophagia]],<ref>{{cite web|last=Rivadavia|first=Eduardo|title=Necrophagia Biography|url=https://www.allmusic.com/artist/necrophagia-mn0000862214/biography|website=[[AllMusic]]|access-date=June 11, 2018|archive-date=June 12, 2018|archive-url=https://web.archive.org/web/20180612140959/https://www.allmusic.com/artist/necrophagia-mn0000862214/biography|url-status=live}}</ref> [[Obituary (band)|Obituary]],<ref>{{cite web |author=Jason Birchmeier |url=http://www.allmusic.com/artist/obituary-mn0000465562/biography |title=Obituary &#124; Biography |website=[[AllMusic]] |access-date=April 4, 2015 |archive-date=March 3, 2015 |archive-url=https://web.archive.org/web/20150303123135/http://www.allmusic.com/artist/obituary-mn0000465562/biography |url-status=live }}</ref> [[Autopsy (band)|Autopsy]],<ref>{{cite web|url=http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=113803 |archive-url=https://archive.today/20120907181854/http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=113803 |url-status=dead |archive-date=September 7, 2012 |title=Autopsy's Chris Reifert Comments On First New Material In 15 Years - Blabbermouth.net |work=BLABBERMOUTH.NET }}</ref> and [[Morbid Angel]]<ref>{{cite web|last=Prato|first=Greg|title=Morbid Angel Biography|url=https://www.allmusic.com/artist/p4953|website=[[AllMusic]]|access-date=August 13, 2008|archive-date=April 25, 2011|archive-url=https://web.archive.org/web/20110425111418/http://www.allmusic.com/artist/p4953|url-status=live}}</ref> are often considered pioneers of the genre.<ref name=loudwire/> In the late 1980s and early 1990s, death metal gained more media attention as a popular genre. Niche record labels like [[Combat Records|Combat]], [[Earache Records|Earache]], and [[Roadrunner Records|Roadrunner]] began to sign death metal bands at a rapid rate.<ref>{{cite web|last=Heeg|first=Robert|title=Is Metal Still Alive?|url=http://www.emptywords.org/Watt4-93ismetalstillalive.htm|publisher=[[WATT]]|date=April 1993|access-date=August 13, 2008|archive-date=November 13, 2001|archive-url=https://web.archive.org/web/20011113043118/http://www.emptywords.org/Watt4-93ismetalstillalive.htm|url-status=live}}</ref>
+Building from the musical structure of [[thrash metal]] and [[Black metal#First wave|early black metal]], death metal emerged during the mid-1980s.<ref name="hbj">{{cite video|people=Dunn, Sam (Director)|date=August 5, 2005|url=http://imdb.com/title/tt0478209/|title=Metal: A Headbanger's Journey|medium=motion picture|location=Canada|publisher=Dunn, Sam|access-date=November 18, 2007|archive-date=December 29, 2017|archive-url=https://web.archive.org/web/20171229154022/http://www.imdb.com/title/tt0478209/|url-status=live}}</ref> Bands such as [[Venom (band)|Venom]], [[Celtic Frost]], [[Slayer]], and [[Kreator]] were important influences on the genre's creation.{{sfn|McIver|2000|p=14}}{{sfn|McIver|2000|p=100}}{{sfn|McIver|2000|p=55}} [[Possessed (band)|Possessed]],<ref>{{cite web|last=Rivadavia|first=Eduardo|title=Possessed Biography|url=https://www.allmusic.com/artist/p5171|website=[[AllMusic]]|access-date=August 13, 2008|archive-date=April 25, 2011|archive-url=https://web.archive.org/web/20110425111502/http://www.allmusic.com/artist/p5171|url-status=live}}</ref> [[Death (metal band)|Death]],<ref>{{cite web|last=Renda|first=Patricia|title=Chuck Schuldiner: The pain of a genius|url=http://www.metal-rules.com/interviews/chuck.htm|publisher=[[Metal Rules]]|year=1999|access-date=February 14, 2014|archive-date=April 25, 2011|archive-url=https://web.archive.org/web/20110425113257/http://www.metal-rules.com/interviews/chuck.htm|url-status=live}}</ref> [[Necrophagia]],<ref>{{cite web|last=Rivadavia|first=Eduardo|title=Necrophagia Biography|url=https://www.allmusic.com/artist/necrophagia-mn0000862214/biography|website=[[AllMusic]]|access-date=June 11, 2018|archive-date=June 12, 2018|archive-url=https://web.archive.org/web/20180612140959/https://www.allmusic.com/artist/necrophagia-mn0000862214/biography|url-status=live}}</ref> [[Obituary (band)|Obituary]],<ref>{{cite web |author=Jason Birchmeier |url=http://www.allmusic.com/artist/obituary-mn0000465562/biography |title=Obituary &#124; Biography |website=[[AllMusic]] |access-date=April 4, 2015 |archive-date=March 3, 2015 |archive-url=https://web.archive.org/web/20150303123135/http://www.allmusic.com/artist/obituary-mn0000465562/biography |url-status=live }}</ref> [[Autopsy (band)|Autopsy]],<ref>{{cite web|url=http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=113803 |archive-url=https://web.archive.org/web/20140811081519/http://www.blabbermouth.net/news/autopsy-s-chris-reifert-comments-on-first-new-material-in-15-years/ |url-status=dead |archive-date=August 11, 2014 |title=Autopsy's Chris Reifert Comments On First New Material In 15 Years - Blabbermouth.net |work=BLABBERMOUTH.NET }}</ref> and [[Morbid Angel]]<ref>{{cite web|last=Prato|first=Greg|title=Morbid Angel Biography|url=https://www.allmusic.com/artist/p4953|website=[[AllMusic]]|access-date=August 13, 2008|archive-date=April 25, 2011|archive-url=https://web.archive.org/web/20110425111418/http://www.allmusic.com/artist/p4953|url-status=live}}</ref> are often considered pioneers of the genre.<ref name=loudwire/> In the late 1980s and early 1990s, death metal gained more media attention as a popular genre. Niche record labels like [[Combat Records|Combat]], [[Earache Records|Earache]], and [[Roadrunner Records|Roadrunner]] began to sign death metal bands at a rapid rate.<ref>{{cite web|last=Heeg|first=Robert|title=Is Metal Still Alive?|url=http://www.emptywords.org/Watt4-93ismetalstillalive.htm|publisher=[[WATT]]|date=April 1993|access-date=August 13, 2008|archive-date=November 13, 2001|archive-url=https://web.archive.org/web/20011113043118/http://www.emptywords.org/Watt4-93ismetalstillalive.htm|url-status=live}}</ref>
-Since then, death metal has diversified, spawning several subgenres. [[Melodic death metal]] combines death metal elements with those of the [[new wave of British heavy metal]]. [[Technical death metal]] is a complex style, with uncommon time signatures, atypical rhythms, and unusual harmonies and melodies. [[Death-doom]] combines the deep growled vocals and double-kick drumming of death metal with the slow tempos and melancholic atmosphere of [[doom metal]]. [[Deathgrind]], [[goregrind]], and [[pornogrind]] mix the complexity of death metal with the intensity, speed, and brevity of [[grindcore]]. [[Deathcore]] combines death metal with [[metalcore]] traits. [[Death 'n' roll]] combines death metal's [[Death growl|growled vocals]] and highly [[Distortion|distorted]], [[Guitar tunings|detuned]] guitar riffs with elements of 1970s [[hard rock]] and [[Heavy metal music|heavy metal]].<ref name="Entombed">{{cite magazine|first=Cosmo|last=Lee|title=Phazm: Antebellum Death 'n' Roll|url=http://www.stylusmagazine.com/reviews/phazm/antebellum-death-n-roll.htm|magazine=[[Stylus Magazine]]|date=March 14, 2007|access-date=September 18, 2007|quote=Death 'n' roll arose with Entombed's 1993 album Wolverine Blues&nbsp;... Wolverine Blues was like '70s hard rock tuned down and run through massive distortion and death growls.|url-status=dead|archive-url=https://web.archive.org/web/20080617183213/http://www.stylusmagazine.com/reviews/phazm/antebellum-death-n-roll.htm|archive-date=June 17, 2008}}</ref>
+Since then, death metal has diversified, spawning several subgenres. [[Melodic death metal]] combines death metal elements with those of the [[new wave of British heavy metal]]. [[Technical death metal]] is a complex style, with uncommon time signatures, atypical rhythms, and unusual harmonies and melodies. [[Death-doom]] combines the deep growled vocals and double-kick drumming of death metal with the slow tempos and melancholic atmosphere of [[doom metal]]. [[Deathgrind]], [[goregrind]], and [[pornogrind]] mix the complexity of death metal with the intensity, speed, and brevity of [[grindcore]]. [[Deathcore]] combines death metal with [[metalcore]] traits. [[Death 'n' roll]] combines death metal's [[Death growl|growled vocals]] and highly [[Distortion|distorted]], [[Guitar tunings|downtuned]] guitar riffs with elements of 1970s [[hard rock]] and [[Heavy metal music|heavy metal]].<ref name="Entombed">{{cite magazine|first=Cosmo|last=Lee|title=Phazm: Antebellum Death 'n' Roll|url=http://www.stylusmagazine.com/reviews/phazm/antebellum-death-n-roll.htm|magazine=[[Stylus Magazine]]|date=March 14, 2007|access-date=September 18, 2007|quote=Death 'n' roll arose with Entombed's 1993 album Wolverine Blues&nbsp;... Wolverine Blues was like '70s hard rock tuned down and run through massive distortion and death growls.|url-status=dead|archive-url=https://web.archive.org/web/20080617183213/http://www.stylusmagazine.com/reviews/phazm/antebellum-death-n-roll.htm|archive-date=June 17, 2008}}</ref>
 ==History==
 ===Emergence and early history (early to mid–1980s)===
-[[Image:Death Mexico 06-89.jpg|thumb|right|Pioneering death metal band [[Death (metal band)|Death]] in 1989]]
+[[Image:Death Mexico 06-89.jpg|thumb|right|Pioneering death metal band [[Death (metal band)|Death]] in 1989]][[File:Possessed - Jalometalli 2008 - 02.JPG|thumb|150px|left|[[Jeff Becerra]] of [[Possessed (band)|Possessed]]{{sfn|Mudrian|2004|p=}}]]English extreme metal band [[Venom (band)|Venom]], from [[Newcastle upon Tyne|Newcastle]], crystallized the elements of what later became known as [[thrash metal]], death metal and [[black metal]], with their first two albums ''[[Welcome to Hell]]''<ref>{{cite web |last=Rivadavia |first=Eduardo |title=Venom: Welcome to Hell |website=[[AllMusic]] |url=https://www.allmusic.com/album/mw0000268406 |access-date=February 14, 2014 |archive-date=July 9, 2023 |archive-url=https://web.archive.org/web/20230709174857/https://www.allmusic.com/album/mw0000268406 |url-status=live }}</ref> and ''[[Black Metal (Venom album)|Black Metal]]'',{{sfn|Kahn-Harris|2007}} released in late 1981 and 1982, respectively. Their dark, blistering sound, harsh vocals, and [[macabre]], proudly Satanic imagery proved a major inspiration for extreme metal bands.<ref>{{cite web|last=Ankeny|first=Jason|title=Venom Biography|url=https://www.allmusic.com/artist/p5755|website=[[AllMusic]]|access-date=February 14, 2014|archive-date=April 25, 2011|archive-url=https://web.archive.org/web/20110425110720/http://www.allmusic.com/artist/p5755|url-status=live}}</ref> Another highly influential band, [[Slayer]], formed in 1981. Although the band was a thrash metal act, Slayer's music was more violent than their thrash contemporaries [[Metallica]], [[Megadeth]], and [[Anthrax (American band)|Anthrax]].<ref name="Metal Hammer">{{cite web|last=de Paola|first=Enrico|title=Into The Lungs of Hell|url=http://www.emptywords.org/MetalHammerItaly03-2000.htm|work=[[Metal Hammer]]|publisher=Empty Words|date=March 2000|access-date=July 19, 2014|archive-date=July 13, 2014|archive-url=https://web.archive.org/web/20140713105117/http://www.emptywords.org/MetalHammerItaly03-2000.htm|url-status=live}}</ref> Their breakneck speed and instrumental prowess combined with lyrics about death, violence, war, and Satanism won Slayer a cult following.<ref>{{cite web|last=Huey|first=Steve|title=Slayer Biography|url=https://www.allmusic.com/artist/p5453|website=[[AllMusic]]|access-date=February 14, 2014|archive-date=April 25, 2011|archive-url=https://web.archive.org/web/20110425111436/http://www.allmusic.com/artist/p5453|url-status=live}}</ref> According to Mike McPadden, ''[[Hell Awaits]]'', Slayer's second album, "largely invent[ed] much of the sound and fury that would evolve into death metal."<ref>{{cite web |url=https://www.vh1.com/news/gfg7pz/slayer-hell-awaits-30 |archive-url=https://web.archive.org/web/20230404081929/https://www.vh1.com/news/gfg7pz/slayer-hell-awaits-30 |url-status=live |archive-date=April 4, 2023 |title='Hell Awaits' by Slayer Turns 30, Still Head Of The Thrash Class of '85 |last=McPadden |first=Mike |date=March 22, 2015 |website=[[VH1]] |access-date=July 5, 2019}}</ref> According to [[AllMusic]], their third album ''[[Reign in Blood]]'' inspired the entire death metal genre.<ref>{{cite web|first=Steve|last=Huey|title=Slayer: Reign in Blood|url=https://www.allmusic.com/album/r18220|website=[[AllMusic]]|access-date=January 5, 2007|archive-date=August 4, 2011|archive-url=https://web.archive.org/web/20110804163853/http://www.allmusic.com/album/r18220|url-status=live}}</ref> It had a big impact on genre leaders such as [[Death (metal band)|Death]], [[Obituary (band)|Obituary]], and [[Morbid Angel]].<ref name="Metal Hammer" />
-English extreme metal band [[Venom (band)|Venom]], from [[Newcastle upon Tyne|Newcastle]], crystallized the elements of what later became known as [[thrash metal]], death metal and [[black metal]], with their first two albums ''[[Welcome to Hell]]''<ref>{{cite web |last=Rivadavia |first=Eduardo |title=Venom: Welcome to Hell |website=[[AllMusic]] |url=https://www.allmusic.com/album/mw0000268406 |access-date=February 14, 2014 |archive-date=July 9, 2023 |archive-url=https://web.archive.org/web/20230709174857/https://www.allmusic.com/album/mw0000268406 |url-status=live }}</ref> and ''[[Black Metal (Venom album)|Black Metal]]'',{{sfn|Kahn-Harris|2007}} released in late 1981 and 1982, respectively. Their dark, blistering sound, harsh vocals, and [[macabre]], proudly Satanic imagery proved a major inspiration for extreme metal bands.<ref>{{cite web|last=Ankeny|first=Jason|title=Venom Biography|url=https://www.allmusic.com/artist/p5755|website=[[AllMusic]]|access-date=February 14, 2014|archive-date=April 25, 2011|archive-url=https://web.archive.org/web/20110425110720/http://www.allmusic.com/artist/p5755|url-status=live}}</ref> Another highly influential band, [[Slayer]], formed in 1981. Although the band was a thrash metal act, Slayer's music was more violent than their thrash contemporaries [[Metallica]], [[Megadeth]], and [[Anthrax (American band)|Anthrax]].<ref name="Metal Hammer">{{cite web|last=de Paola|first=Enrico|title=Into The Lungs of Hell|url=http://www.emptywords.org/MetalHammerItaly03-2000.htm|work=[[Metal Hammer]]|publisher=Empty Words|date=March 2000|access-date=July 19, 2014|archive-date=July 13, 2014|archive-url=https://web.archive.org/web/20140713105117/http://www.emptywords.org/MetalHammerItaly03-2000.htm|url-status=live}}</ref> Their breakneck speed and instrumental prowess combined with lyrics about death, violence, war, and Satanism won Slayer a cult following.<ref>{{cite web|last=Huey|first=Steve|title=Slayer Biography|url=https://www.allmusic.com/artist/p5453|website=[[AllMusic]]|access-date=February 14, 2014|archive-date=April 25, 2011|archive-url=https://web.archive.org/web/20110425111436/http://www.allmusic.com/artist/p5453|url-status=live}}</ref> According to Mike McPadden, ''[[Hell Awaits]]'', Slayer's second album, "largely invent[ed] much of the sound and fury that would evolve into death metal."<ref>{{cite web |url=https://www.vh1.com/news/gfg7pz/slayer-hell-awaits-30 |archive-url=https://web.archive.org/web/20230404081929/https://www.vh1.com/news/gfg7pz/slayer-hell-awaits-30 |url-status=live |archive-date=April 4, 2023 |title='Hell Awaits' by Slayer Turns 30, Still Head Of The Thrash Class of '85 |last=McPadden |first=Mike |date=March 22, 2015 |website=[[VH1]] |access-date=July 5, 2019}}</ref> According to [[AllMusic]], their third album ''[[Reign in Blood]]'' inspired the entire death metal genre.<ref>{{cite web|first=Steve|last=Huey|title=Slayer: Reign in Blood|url=https://www.allmusic.com/album/r18220|website=[[AllMusic]]|access-date=January 5, 2007|archive-date=August 4, 2011|archive-url=https://web.archive.org/web/20110804163853/http://www.allmusic.com/album/r18220|url-status=live}}</ref> It had a big impact on genre leaders such as [[Death (metal band)|Death]], [[Obituary (band)|Obituary]], and [[Morbid Angel]].<ref name="Metal Hammer"/>
-[[File:Possessed - Jalometalli 2008 - 02.JPG|thumb|150px|left|[[Jeff Becerra]] of [[Possessed (band)|Possessed]]{{sfn|Mudrian|2004|p=}}]]
 [[Possessed (band)|Possessed]], a band that formed in the [[San Francisco Bay Area]] during 1983, is described by AllMusic as "connecting the dots" between thrash metal and death metal with their 1985 debut album, ''[[Seven Churches (album)|Seven Churches]]''.<ref>{{cite web|first=Eduardo|last=Rivadavia|title=Possessed: Seven Churches|url=https://www.allmusic.com/album/r15558|website=[[AllMusic]]|access-date=February 14, 2014|archive-date=December 27, 2011|archive-url=https://web.archive.org/web/20111227123208/http://www.allmusic.com/album/r15558|url-status=live}}</ref> While attributed as having a Slayer influence,<ref>{{cite web|last=Rivadavia|first=Eduardo|title=Possessed Biography|url=https://www.allmusic.com/artist/p5171|website=[[AllMusic]]|access-date=February 14, 2014|archive-date=April 25, 2011|archive-url=https://web.archive.org/web/20110425111502/http://www.allmusic.com/artist/p5171|url-status=live}}</ref> current and former members of the band had actually cited Venom and [[Motörhead]], as well as early work by [[Exodus (band)|Exodus]], as the main influences on their sound. Although the group had released only two studio albums and an EP in their formative years, they have been described by music journalists and musicians as either being "monumental" in developing the death metal style,{{sfn|Purcell|2003|p=54}} or as being the first death metal band.<ref>{{cite book|last=McIver|first=Joel|title=The Bloody Reign of Slayer|publisher=[[Omnibus Press]]|year=2008|isbn=978-1-84772-109-9}}</ref>{{sfn|Ekeroth|2008|p=12}}{{sfn|Mudrian|2004|p=70}} [[Earache Records]] noted that "the likes of Trey Azagthoth and Morbid Angel based what they were doing in their formative years on the Possessed blueprint laid down on the legendary ''Seven Churches'' recording. Possessed arguably did more to further the cause of 'Death Metal' than any of the early acts on the scene back in the mid-late 80's."<ref>{{cite web|title=Interview With Jeff Becerra |url=http://www.earache.com/WickedWorld/interview/possessed/possessed.html |publisher=[[Earache Records]] |access-date=July 19, 2014 |url-status=dead |archive-url=https://web.archive.org/web/20121113120317/http://www.earache.com/WickedWorld/interview/possessed/possessed.html |archive-date=November 13, 2012 }}</ref>
@@ Line 63: / Line 61: @@
 [[File:Chuck Schuldiner.jpg|thumb|170px|right|[[Chuck Schuldiner]] (1967–2001) of [[Death (metal band)|Death]], during a 1992 tour in Scotland in support of the album ''[[Human (Death album)|Human]]''.]]
-During the same period as the dawn of Possessed, a second influential metal band was formed in Orlando, Florida. Originally called Mantas, Death was formed in 1983 by [[Chuck Schuldiner]], [[Kam Lee]], and [[Rick Rozz]]. Inspired by the [[Brandon, Florida]] act [[Nasty Savage]], they took the sound of Nasty Savage and deepened it.<ref name=":0">{{cite web|last1=Stevenson|first1=Arielle|date=October 22, 2009|title=The way the music died: The earliest days of Tampa Death Metal|url=http://www.tampabay.com/features/music/the-way-the-music-died-the-earliest-days-of-tampa-death-metal/1046088|archive-url=https://web.archive.org/web/20091027025354/https://www.tampabay.com/features/music/the-way-the-music-died-the-earliest-days-of-tampa-death-metal/1046088/|archive-date=October 27, 2009|website=[[Tampa Bay Times]]|publisher=[[Times Publishing Company]]|accessdate=April 26, 2016}}</ref> In 1984, they released their first demo entitled ''Death by Metal'', followed by several more. The tapes circulated through the tape trader world, quickly establishing the band's name. With Death guitarist Schuldiner adopting vocal duties, the band made a major impact in the emerging [[Florida death metal]] scene. The fast minor-key riffs and solos were complemented with fast drumming, creating a style that would catch on in tape trading circles.{{sfn|Purcell|2003|p=54}} Schuldiner has been credited by AllMusic's Eduardo Rivadavia for being widely recognized as the "Father of Death Metal".<ref name="Death">{{cite web|last=Rivadavia|first=Eduardo|title=Death Biography|url=https://www.allmusic.com/artist/p4050|website=[[AllMusic]]|access-date=August 13, 2008|archive-date=April 24, 2012|archive-url=https://web.archive.org/web/20120424070300/http://www.allmusic.com/artist/p4050|url-status=live}}</ref> Death's 1987 debut release, ''[[Scream Bloody Gore]]'', has been described by About.com's Chad Bowar as being the "evolution from thrash metal to death metal",<ref>{{cite web|last=Bowar|first=Chad|title=Death Profile|url=http://heavymetal.about.com/od/death/p/pro_death.htm|publisher=About.com|access-date=January 14, 2014|archive-date=May 2, 2014|archive-url=https://web.archive.org/web/20140502050614/http://heavymetal.about.com/od/death/p/pro_death.htm|url-status=unfit}}</ref> and "the first true death metal record" by the ''[[San Francisco Chronicle]]''.<ref>{{cite news|author1=Aldis, N.|author2=Sherry, J.|title=Heavy metal Thunder|newspaper=[[San Francisco Chronicle]]|year=2006}}</ref> In an Interview Jeff Becerra talked about the discussions of being the creator of the genre, saying that Schuldiner cited Possessed as a massive influence, and Death were even called "Possessed clones" early on.<ref>{{Cite web|url = https://www.blabbermouth.net/news/jeff-beccera-puts-an-end-to-debate-over-who-was-the-first-death-metal-band-death-or-possessed/|title = JEFF BECERRA Puts an End to Debate over Who Was the First Death Metal Band: DEATH or POSSESSED|date = August 20, 2017|access-date = January 6, 2020|archive-date = August 20, 2017|archive-url = https://web.archive.org/web/20170820200245/https://www.blabbermouth.net/news/jeff-beccera-puts-an-end-to-debate-over-who-was-the-first-death-metal-band-death-or-possessed/|url-status = live}}</ref> Along with Possessed and Death, other pioneers of death metal in the United States include [[Macabre (band)|Macabre]], [[Master (American band)|Master]], [[Massacre (metal band)|Massacre]], [[Immolation (band)|Immolation]], [[Cannibal Corpse]], [[Obituary (band)|Obituary]], and [[Post Mortem (band)|Post Mortem]].<ref>{{cite web|last=Norton|first=Justin M.|title=Post Mortem - 'Coroner's Office' Retrospective|url=http://heavymetal.about.com/od/interviews/a/postmortem.htm|publisher=[[About.com]]|date=February 19, 2009|access-date=February 14, 2014|url-status=unfit|archive-url=https://web.archive.org/web/20140221221406/http://heavymetal.about.com/od/interviews/a/postmortem.htm|archive-date=February 21, 2014}}</ref><ref>{{cite news|last=Marquard|first=Bryan|title=John McCarthy, at 40; was lead singer for local thrash rocker Post Mortem|url=http://www.boston.com/bostonglobe/obituaries/articles/2009/02/08/john_mccarthy_at_40_was_lead_singer_for_local_thrash_rockers_post_mortem/?page=full|access-date=February 14, 2014|newspaper=[[The Boston Globe]]|date=February 8, 2009|archive-date=February 23, 2014|archive-url=https://web.archive.org/web/20140223090810/http://www.boston.com/bostonglobe/obituaries/articles/2009/02/08/john_mccarthy_at_40_was_lead_singer_for_local_thrash_rockers_post_mortem/?page=full|url-status=live}}</ref>
+During the same period as the dawn of Possessed, a second influential metal band was formed in Orlando, Florida. Originally called Mantas, Death was formed in 1983 by [[Chuck Schuldiner]], [[Kam Lee]], and [[Rick Rozz]]. Inspired by the [[Brandon, Florida]] act [[Nasty Savage]], they took the sound of Nasty Savage and deepened it.<ref name=":0">{{cite web|last1=Stevenson|first1=Arielle|date=October 22, 2009|title=The way the music died: The earliest days of Tampa Death Metal|url=http://www.tampabay.com/features/music/the-way-the-music-died-the-earliest-days-of-tampa-death-metal/1046088|archive-url=https://web.archive.org/web/20091027025354/https://www.tampabay.com/features/music/the-way-the-music-died-the-earliest-days-of-tampa-death-metal/1046088/|archive-date=October 27, 2009|website=[[Tampa Bay Times]]|publisher=[[Times Publishing Company]]|accessdate=April 26, 2016}}</ref> In 1984, they released their first demo entitled ''Death by Metal'', followed by several more. The tapes circulated through the tape trader world, quickly establishing the band's name. With Death guitarist Schuldiner adopting vocal duties, the band made a major impact in the emerging [[Florida death metal]] scene. The fast minor-key riffs and solos were complemented with fast drumming, creating a style that would catch on in tape trading circles.{{sfn|Purcell|2003|p=54}} Schuldiner has been credited by AllMusic's Eduardo Rivadavia for being widely recognized as the "Father of Death Metal".<ref name="Death">{{cite web|last=Rivadavia|first=Eduardo|title=Death Biography|url=https://www.allmusic.com/artist/p4050|website=[[AllMusic]]|access-date=August 13, 2008|archive-date=April 24, 2012|archive-url=https://web.archive.org/web/20120424070300/http://www.allmusic.com/artist/p4050|url-status=live}}</ref> Death's 1987 debut release, ''[[Scream Bloody Gore]]'', has been described by About.com's Chad Bowar as being the "evolution from thrash metal to death metal",<ref>{{cite web|last=Bowar|first=Chad|title=Death Profile|url=http://heavymetal.about.com/od/death/p/pro_death.htm|publisher=About.com|access-date=January 14, 2014|archive-date=May 2, 2014|archive-url=https://web.archive.org/web/20140502050614/http://heavymetal.about.com/od/death/p/pro_death.htm|url-status=unfit}}</ref> and "the first true death metal record" by the ''[[San Francisco Chronicle]]''.<ref>{{cite news|author1=Aldis, N.|author2=Sherry, J.|title=Heavy metal Thunder|newspaper=[[San Francisco Chronicle]]|year=2006}}</ref> In an Interview Jeff Becerra talked about the discussions of being the creator of the genre, saying that Schuldiner cited Possessed as a massive influence, and Death were even called "Possessed clones" early on.<ref>{{Cite web|url = https://www.blabbermouth.net/news/jeff-beccera-puts-an-end-to-debate-over-who-was-the-first-death-metal-band-death-or-possessed/|title = JEFF BECERRA Puts an End to Debate over Who Was the First Death Metal Band: DEATH or POSSESSED|date = August 20, 2017|access-date = January 6, 2020|archive-date = August 20, 2017|archive-url = https://web.archive.org/web/20170820200245/https://www.blabbermouth.net/news/jeff-beccera-puts-an-end-to-debate-over-who-was-the-first-death-metal-band-death-or-possessed/|url-status = live}}</ref> Along with Possessed and Death, other pioneers of death metal in the United States include [[Macabre (band)|Macabre]], [[Master (American band)|Master]], [[Massacre (metal band)|Massacre]], [[Immolation (band)|Immolation]], [[Cannibal Corpse]], [[Obituary (band)|Obituary]], and [[Post Mortem (band)|Post Mortem]].<ref>{{cite web|last=Norton|first=Justin M.|title=Post Mortem - 'Coroner's Office' Retrospective|url=http://heavymetal.about.com/od/interviews/a/postmortem.htm|publisher=[[About.com]]|date=February 19, 2009|access-date=February 14, 2014|url-status=unfit|archive-url=https://web.archive.org/web/20140221221406/http://heavymetal.about.com/od/interviews/a/postmortem.htm|archive-date=February 21, 2014}}</ref><ref>{{cite news|last=Marquard|first=Bryan|title=John McCarthy, at 40; was lead singer for local thrash rocker Post Mortem|url=http://archive.boston.com/bostonglobe/obituaries/articles/2009/02/08/john_mccarthy_at_40_was_lead_singer_for_local_thrash_rockers_post_mortem/|access-date=February 14, 2014|newspaper=[[The Boston Globe]]|date=February 8, 2009|archive-date=February 23, 2014|archive-url=https://web.archive.org/web/20140223090810/http://www.boston.com/bostonglobe/obituaries/articles/2009/02/08/john_mccarthy_at_40_was_lead_singer_for_local_thrash_rockers_post_mortem/?page=full|url-status=live}}</ref>
 ===Growing popularity (late 1980s to late 1990s)===
@@ Line 76: / Line 74: @@
 By 1989, many bands had been signed by eager record labels wanting to cash in on the subgenre, including Florida's [[Obituary (band)|Obituary]], [[Morbid Angel]] and [[Deicide (band)|Deicide]].<ref>{{cite web|last=Sullivan|first=Andy|title=Death metal, the sound of Tampa, won't be heard at Republican convention|url=https://news.yahoo.com/death-metal-sound-tampa-wont-heard-republican-convention-113030167.html|agency=Reuters|publisher=Yahoo News|access-date=August 25, 2012|date=August 25, 2012|quote=When they convene in Tampa to nominate Mitt Romney for president next week, Republicans will not hear a note from the city's most notable musical exports: death-metal bands such as Deicide and Obituary.|archive-date=August 29, 2012|archive-url=https://web.archive.org/web/20120829044633/http://news.yahoo.com/death-metal-sound-tampa-wont-heard-republican-convention-113030167.html|url-status=live}}</ref> This collective of death metal bands hailing from Florida are often labeled as "[[Florida death metal]]". Morbid Angel pushed the genre's limits both musically and lyrically, with the release of their debut album ''[[Altars of Madness]]'' in 1989.{{sfn|Purcell|2003|p=18}}<ref>{{Cite news|url=http://decibelmagazine.com/hall-of-fame/2015/3/19/morbid-angel-altars-of-madness|title=Morbid Angel - "Altars of Madness"|work=Decibel Magazine|access-date=May 1, 2017|archive-date=November 25, 2015|archive-url=https://web.archive.org/web/20151125195403/http://decibelmagazine.com/hall-of-fame/2015/3/19/morbid-angel-altars-of-madness|url-status=live}}</ref> The album "redefined what it meant to be heavy while influencing an upcoming class of brutal death metal."<ref>{{Cite web|url=http://loudwire.com/morbid-angel-altars-of-madness-best-debut-metal-albums/|title=No. 4: Morbid Angel, 'Altars of Madness' – Best Debut Metal Albums|website=Loudwire|date=June 6, 2013|access-date=May 1, 2017|archive-date=July 9, 2023|archive-url=https://web.archive.org/web/20230709185325/https://loudwire.com/morbid-angel-altars-of-madness-best-debut-metal-albums/|url-status=live}}</ref> According to Jason Birchmeier of [[AllMusic]], "[[Venom (band)|Venom]] and [[Slayer]] redefined the extent to which a metal band could align itself with all things evil during the beginning of the decade, but Morbid Angel made these two groups sound like [[children's music]]."<ref>{{Citation |title=Altars of Madness - Morbid Angel {{!}} Album {{!}} AllMusic |url=https://www.allmusic.com/album/altars-of-madness-mw0000311214 |access-date=2025-01-09 |language=en}}</ref>
-Following the original death metal innovators, new subgenres began to develop the end of the decade, such as [[melodic death metal]]. Death released their fourth album ''[[Human (Death album)|Human]]'' in 1991, which has become a hallmark in [[technical death metal]]. Death's founder Schuldiner helped push the boundaries of the genre with uncompromising speed and technical virtuosity, combining intricate rhythm guitar work with complex arrangements and emotive guitar solos.<ref>{{cite web|url=http://www.emptywords.org/|title=Welcome to Empty Words|website=www.emptywords.org|access-date=September 5, 2007|archive-date=April 6, 2010|archive-url=https://web.archive.org/web/20100406010555/http://www.emptywords.org/|url-status=live}}</ref>
+Following the original death metal innovators, new subgenres began to develop the end of the decade, such as [[melodic death metal]]. Death released their fourth album ''[[Human (Death album)|Human]]'' in 1991, which has become a hallmark in [[technical death metal]]. Death's founder Schuldiner helped push the boundaries of the genre with uncompromising speed and technical virtuosity, combining intricate rhythm guitar work with complex arrangements and emotive guitar solos.<ref>{{cite web|url=http://www.emptywords.org/|title=Welcome to Empty Words|website=www.emptywords.org|access-date=September 5, 2007|archive-date=April 6, 2010|archive-url=https://web.archive.org/web/20100406010555/http://www.emptywords.org/|url-status=live}}</ref>[[File:Deicide band 016.jpg|thumb|300x300px|[[Deicide (band)|Deicide]] drummer [[Steve Asheim]]]]
-Earache Records, [[Relativity Records]] and Roadrunner Records became the genre's most important labels,<ref>'Death Metal Special: Dealers in Death' ''Terrorizer #151''</ref> with Earache releasing albums by Carcass, Napalm Death, Morbid Angel, and Entombed, and Roadrunner releasing albums by Obituary, and [[Pestilence (band)|Pestilence]]. Although these labels had not been death metal labels, they initially became the genre's flagship labels at the beginning of the 1990s. In addition to these, other labels formed as well, such as [[Nuclear Blast]], [[Century Media Records|Century Media]], and [[Peaceville]]. Many of these labels would go on to achieve successes in other genres of metal throughout the 1990s.
+Earache Records, [[Relativity Records]] and Roadrunner Records became the genre's most important labels,<ref>'Death Metal Special: Dealers in Death' ''Terrorizer #151''</ref> with Earache releasing albums by [[Carcass (band)|Carcass]], [[Napalm Death]], [[Morbid Angel]], and [[Entombed (band)|Entombed]], and [[Roadrunner Records|Roadrunner]] releasing albums by Obituary and [[Pestilence (band)|Pestilence]]. Although these labels had not been death metal labels, they initially became the genre's flagship labels at the beginning of the 1990s. In addition to these, other labels formed as well, such as [[Nuclear Blast]], [[Century Media Records|Century Media]], and [[Peaceville]]. Many of these labels would go on to achieve successes in other genres of metal throughout the 1990s.
 In September 1990, Death's manager [[Eric Greif]] held one of the first North American death metal festivals, ''Day of Death'', in [[Milwaukee]] suburb [[Waukesha, Wisconsin]], and featured 26 bands including Autopsy, [[Broken Hope]], Hellwitch, Obliveon, Revenant, Viogression, Immolation, [[Atheist (band)|Atheist]], and [[Cynic (band)|Cynic]].<ref>{{usurped|1=[https://web.archive.org/web/20100325022446/http://www.officialatheist.com/index.php?item=biography ''Biography'', Official Atheist site]}}. Retrieved December 10, 2008</ref>
-[[File:Jungle_Rot_performing_in_Chula_Vista,_CA_on_Mayhem_Fest_2015.jpg|thumb|right|200px|Death metal band [[Jungle Rot]]]]
+Death metal's popularity achieved its initial peak during 1992–1993, with some bands such as Morbid Angel and Cannibal Corpse enjoying mild commercial success. However, the genre as a whole never broke into the mainstream. The genre's mounting popularity may have been partly responsible for a strong rivalry between [[Early Norwegian black metal scene|Norwegian black metal]] and [[Swedish death metal]] scenes. [[Fenriz]] of [[Darkthrone]] has noted that Norwegian black metal musicians were "fed up with the whole death metal scene" at the time. According to Joel McIver of ''[[Metal Hammer]]'', "Many metalheads were fixated on the new wave of black metal emanating from Scandinavia, the UK and the US. Just as grunge had killed glam back in 1991, a new movement of corpsepainted bands was making the death metal scene look tedious, or worse, obsolete. Only the best would survive." Consequently, death metal diversified in the [[1990s in music|1990s]], spawning a variety of subgenres that maintain cult followings to the present day.<ref>{{cite video|first=Bill|last=Zebyb|year=2007|url=https://www.youtube.com/watch?v=wZd13-dSrAc| archive-url=https://web.archive.org/web/20120414005145/http://www.youtube.com/watch?v=wZd13-dSrAc&gl=US&hl=en| archive-date=2012-04-14|title=Black Metal: A Documentary|medium=motion picture}}</ref><ref>{{Cite web |last=McIverpublished |first=Joel |date=2024-12-28 |title="There's an unlimited amount of bad things happening in the world, real and imagined. It's not hard for us to come up with stuff": The story of Cannibal Corpse's Gallery Of Suicide, the album that helped keep 90s death metal alive |url=https://www.loudersound.com/features/cannibal-corpse-gallery-of-suicide-story-behind-album |access-date=2025-05-20 |website=Louder |language=en}}</ref>
-Death metal's popularity achieved its initial peak during 1992–1993, with some bands such as Morbid Angel and Cannibal Corpse enjoying mild commercial success. However, the genre as a whole never broke into the mainstream. The genre's mounting popularity may have been partly responsible for a strong rivalry between [[Early Norwegian black metal scene|Norwegian black metal]] and [[Swedish death metal]] scenes. [[Fenriz]] of [[Darkthrone]] has noted that Norwegian black metal musicians were "fed up with the whole death metal scene" at the time. According to Joel McIver of ''[[Metal Hammer]]'', "Many metalheads were fixated on the new wave of black metal emanating from Scandinavia, the UK and the US. Just as grunge had killed glam back in 1991, a new movement of corpsepainted bands was making the death metal scene look tedious, or worse, obsolete. Only the best would survive." Consequently, death metal diversified in the 1990s, spawning a variety of subgenres that maintain cult followings to the present day.<ref>{{cite video|first=Bill|last=Zebyb|year=2007|url=https://www.youtube.com/watch?v=wZd13-dSrAc| archive-url=https://web.archive.org/web/20120414005145/http://www.youtube.com/watch?v=wZd13-dSrAc&gl=US&hl=en| archive-date=2012-04-14|title=Black Metal: A Documentary|medium=motion picture}}</ref><ref>{{Cite web |last=McIverpublished |first=Joel |date=2024-12-28 |title="There's an unlimited amount of bad things happening in the world, real and imagined. It's not hard for us to come up with stuff": The story of Cannibal Corpse's Gallery Of Suicide, the album that helped keep 90s death metal alive |url=https://www.loudersound.com/features/cannibal-corpse-gallery-of-suicide-story-behind-album |access-date=2025-05-20 |website=Louder |language=en}}</ref>
 ===Later history (2000–present)===
-In the 2000s, a number of bands in the [[hardcore punk]] scene, including [[Black Breath (band)|Black Breath]] and [[Trap Them]] began to incorporate elements of death metal into their sound.<ref name="Schafer, 2018">{{cite web |last1=Schafer |first1=Joseph |title=In 2018, Death Metal Reigned Supreme |url=https://www.vice.com/en/article/in-2018-death-metal-reigned-supreme/ |website=[[Vice Media]] |date=December 31, 2018 |access-date=24 October 2024}}</ref> This was followed by a wave of bands expanding upon the death-doom style of [[Incantation (American band)|Incantation]] while incorporating elements of [[ambient music]], including [[Dead Congregation]] and [[Necros Christos]].<ref name="Schafer, 2018" />
+[[File:Deicide_band_010.jpg|thumb|left|Guitarist [[Jack Owen]] has performed with death metal bands [[Cannibal Corpse]], [[Deicide (band)|Deicide]] and [[Six Feet Under (band)|Six Feet Under]].|300x300px]]
+In the [[2000s in music|2000s]], a number of bands in the [[hardcore punk]] scene, including [[Black Breath (band)|Black Breath]] and [[Trap Them]] began to incorporate elements of death metal into their sound.<ref name="Schafer, 2018">{{cite web |last1=Schafer |first1=Joseph |title=In 2018, Death Metal Reigned Supreme |url=https://www.vice.com/en/article/in-2018-death-metal-reigned-supreme/ |website=[[Vice Media]] |date=December 31, 2018 |access-date=24 October 2024}}</ref> This was followed by a wave of bands expanding upon the death-doom style of [[Incantation (American band)|Incantation]] while incorporating elements of [[ambient music]], including [[Dead Congregation]] and [[Necros Christos]].<ref name="Schafer, 2018" />
 In the 2010s, a movement of bands reviving the sound of original 1980s death metal emerged, termed the "New Wave of Old School Death Metal".<ref>{{cite web |title=BEGINNER'S GUIDE TO OLD SCHOOL DEATH METAL |date=February 19, 2015 |url=https://toiletovhell.com/beginners-guide-to-old-school-death-metal/ |access-date=24 October 2024}}</ref> One of the earliest groups in this wave was [[Horrendous]], who formed in 2009,<ref>{{cite web |title=A History of North American Death Metal in 30 Albums |date=August 17, 2020 |url=https://www.treblezine.com/a-history-of-north-american-death-metal-in-30-albums/ |access-date=24 October 2024}}</ref> who along with [[Tomb Mold]] took a progressive take the genre.<ref name="Schafer, 2018" /> Tomb Mold, Necrot, Undergang and [[Blood Incantation]] were some of the earliest bands to gain traction in the 2010s, with the [[COVID-19 pandemic]] amplifying the amount of attention drawn to the movement, through [[Cryptic Shift]], Slimelord and Vaticinal Rites.<ref>{{cite web |last1=Deller |first1=Alex |title=The Young Upstarts of UK Death Metal |url=https://daily.bandcamp.com/scene-report/uk-death-metal-scene-report |website=[[Bandcamp Daily]] |date=January 11, 2022 |access-date=24 October 2024}}</ref> In a 2022 article by ''[[MetalSucks]]'' writer Christopher Krovatin stated "Right now, as a music journalist, all I hear about is death metal."<ref>{{cite web |last1=Rhombus |first1=Emperor |title=Poll: Which Band in the New Wave of Death Metal Is Your Favorite? |url=https://www.metalsucks.net/2022/06/30/poll-which-of-the-new-wave-of-death-metal-bands-is-your-favorite/ |website=[[MetalSucks]] |date=June 30, 2022 |access-date=24 October 2024}}</ref> In the UK, this movement became the "New Wave of British Death Metal", fronted by Mortuary Spawn, Vacuous and Celestial Sanctuary, this name being coined by Tom Cronin, of Celestial Sanctuary, in order to separate these hardcore-indebted bands from the country's prior movements. The earliest bands in this wave were Cruciamentum and Grave Miasma.<ref>{{cite web |last1=Frankel |first1=Eddy |title=What the hell is the New Wave of British Death Metal? |url=https://www.timeout.com/uk/arts-and-culture/what-is-the-new-wave-of-british-death-metal |website=[[Time Out Group]] |access-date=24 October 2024}}</ref>
@@ Line 94: / Line 91: @@
 ==Characteristics==
+[[File:Cannibal Corpse @ 70000 tons of metal 02.jpg|thumb|[[Cannibal Corpse]] vocalist [[George Fisher (musician)|George "Corpsegrinder" Fisher]]|450x450px|left]]{{Quote box
+| quote = The vocals became so inhuman, and that was a big step. It's like, "I'm no longer going to sing as a person. I'm going to sound like a demon." Thrash bands were pissed, and that's why they shouted. Death metal bands were possessed. It was a whole other level of evil.
+| source = ''[[Revolver (magazine)|Revolver]]'' editor-in-chief [[Brandon Geist]] as quoted in the book ''[[Louder Than Hell (book)|Louder Than Hell]]'' by Jon Weiderhorn and Katherine Truman (page 460)
+| align = right
+| width = 25%
+| border = 2px
+}}The setup most frequently used within the death metal genre is two guitarists, a bass player, a vocalist, and a drummer often using "hyper [[Bass drum#Double bass drum|double-bass]] [[blast beat]]s".{{sfn|Purcell|2003|p=9}}{{sfn|Kahn-Harris|2007|p=32}} Although this is the standard setup, bands have been known to occasionally incorporate other instruments such as [[electronic keyboard]]s.<ref>[http://heavymetal.about.com/od/heavymetal101/p/melodicdeathmetalprofile.htm Marsicano, D. ''Melodic Death Metal''] {{Webarchive|url=https://web.archive.org/web/20170202223443/http://heavymetal.about.com/od/heavymetal101/p/melodicdeathmetalprofile.htm |date=February 2, 2017|url-status=unfit }}, About.com (Retrieved October 27, 2010)</ref>
-===Instrumentation===
+Death metal vocals are referred to as [[death growl]]s, which are coarse roars/snarls. Death growling is mistakenly thought to be a form of screaming using the lowest vocal register known as [[vocal fry]], but vocal fry is actually a form of overtone screaming. While growling can be performed this way by experienced vocalists who use the fry screaming technique, "true" death growling is in fact created by an altogether different technique.<ref>Interview with Samuel Deschaine, Death Metal Vocal Instructor 2011</ref> Growling has been called [[Cookie Monster]] vocals, tongue-in-cheek, due to the vocal similarity to the voice of the popular ''[[Sesame Street]]'' character.<ref>{{cite web|title=Cookie Monster Vocals|url=http://heavymetal.about.com/od/glossary/g/gl_cookiemonste.htm|publisher=[[About.com]]|access-date=January 21, 2006|archive-date=February 5, 2006|archive-url=https://web.archive.org/web/20060205192652/http://heavymetal.about.com/od/glossary/g/gl_cookiemonste.htm|url-status=unfit}}</ref> Although often criticized, death growls serve the aesthetic purpose of matching death metal's aggressive lyrical content.<ref>Sharpe-Young, Garry. ''Death Metal'', {{ISBN|0-9582684-4-4}}</ref> Some death metal bands may also incorporate "pig squeals", a vocal style that ''[[Loudwire]]'' characterizes as a "breeee" sound.<ref>{{Cite web|title=10 Weird Vocal Sounds You'll Find in Rock + Metal Songs|url=https://loudwire.com/strange-vocal-noises-rock-metal/|website=Loudwire|date=2022-03-09|access-date=2026-02-02|language=en}}</ref>
-The setup most frequently used within the death metal genre is two guitarists, a bass player, a vocalist, and a drummer often using "hyper [[Bass drum#Double bass drum|double-bass]] [[blast beat]]s".{{sfn|Purcell|2003|p=9}}{{sfn|Kahn-Harris|2007|p=32}} Although this is the standard setup, bands have been known to occasionally incorporate other instruments such as [[electronic keyboard]]s.<ref>[http://heavymetal.about.com/od/heavymetal101/p/melodicdeathmetalprofile.htm Marsicano, D. ''Melodic Death Metal''] {{Webarchive|url=https://web.archive.org/web/20170202223443/http://heavymetal.about.com/od/heavymetal101/p/melodicdeathmetalprofile.htm |date=February 2, 2017|url-status=unfit }}, About.com (Retrieved October 27, 2010)</ref>
-[[File:Deicide_band_010.jpg|thumb|left|Guitarist [[Jack Owen]] has performed with death metal bands [[Cannibal Corpse]], [[Deicide (band)|Deicide]] and [[Six Feet Under (band)|Six Feet Under]].]]
-[[File:Deicide band 016.jpg|right|thumb|220px|[[Deicide (band)|Deicide]] drummer [[Steve Asheim]]]]
-===Vocals and lyrics===
-[[File:Cannibal Corpse @ 70000 tons of metal 02.jpg|thumb|right|[[Cannibal Corpse]] vocalist [[George Fisher (musician)|George "Corpsegrinder" Fisher]]]]
-Death metal vocals are referred to as [[death growl]]s; which are coarse roars/snarls. Death growling is mistakenly thought to be a form of screaming using the lowest vocal register known as [[vocal fry]], however vocal fry is actually a form of overtone screaming, and while growling can be performed this way by experienced vocalists who use the fry screaming technique, "true" death growling is in fact created by an altogether different technique.<ref>Interview with Samuel Deschaine, Death Metal Vocal Instructor 2011</ref> Growling has been called [[Cookie Monster]] vocals, tongue-in-cheek, due to the vocal similarity to the voice of the popular ''[[Sesame Street]]'' character of the same name.<ref>{{cite web|title=Cookie Monster Vocals|url=http://heavymetal.about.com/od/glossary/g/gl_cookiemonste.htm|publisher=[[About.com]]|access-date=January 21, 2006|archive-date=February 5, 2006|archive-url=https://web.archive.org/web/20060205192652/http://heavymetal.about.com/od/glossary/g/gl_cookiemonste.htm|url-status=unfit}}</ref> Although often criticized, death growls serve the aesthetic purpose of matching death metal's aggressive lyrical content.<ref>Sharpe-Young, Garry. ''Death Metal'', {{ISBN|0-9582684-4-4}}</ref>
 The lyrical themes of death metal may invoke [[slasher film]]-stylised violence,<ref name="Moynihan, Michael 1998 p. 272" /> but may also extend to topics like [[religion]] (sometimes including [[Satanism]]), [[occultism]], [[Lovecraftian horror]], [[nature]], [[mysticism]], [[mythology]], [[theology]], [[philosophy]], [[science fiction]], and [[politics]].{{sfn|Purcell|2003|p=39-42}} Although violence may be explored in various other genres as well, death metal may elaborate on the details of extreme acts, including [[Graphic violence|blood and gore]], [[psychopathy]], [[delirium]], [[mutilation]], [[mutation]], [[dissection]], [[exorcism]], [[torture]], [[rape]], [[Human cannibalism|cannibalism]], and [[necrophilia]]. Sociologist [[Keith Kahn-Harris]] commented this apparent glamorisation of violence may be attributed to a "fascination" with the human body that all people share to some degree, a fascination that mixes [[desire]] and [[disgust]].{{sfn|Kahn-Harris|2007|p=}} Heavy metal author [[Gavin Baddeley]] also stated there does seem to be a connection between one's degree of [[mortality salience]] and "how much they crave images of death and violence" via the media.<ref>Baddeley, Gavin. ''Raising Hell!: The Book of Satan and Rock 'n' Roll''</ref> Additionally, contributing artists to the genre often defend death metal as little more than an extreme form of [[art]] and [[entertainment]], similar to [[horror film]]s in the [[Film industry|motion picture industry]].<ref name="hbj"/> This explanation has brought such musicians under fire from [[Activism|activists]] internationally, who claim that this is often lost on a large number of [[Adolescence|adolescents]], who are left with the glamorisation of such violence without [[social context]] or awareness of why such imagery is [[Stimulation|stimulating]].<ref name="hbj"/>
-According to [[Alex Webster]], bassist of [[Cannibal Corpse]], "The gory lyrics are probably not, as much as people say, [what's keeping us] from being [[Popular culture|mainstream]]. Like, 'death metal would never go into the mainstream because the lyrics are too gory?' I think it's really the music, because violent entertainment is totally mainstream."<ref name="Cannibal Corpse Alex Webster">{{Cite web|url=http://www.waytooloud.com/2007/10/23/cannibal-corpse-alex-webster-and-george-%E2%80%9Ccorpsegrinder%E2%80%9D-fisher/|archiveurl=https://web.archive.org/web/20080604092255/http://www.waytooloud.com/2007/10/23/cannibal-corpse-alex-webster-and-george-%E2%80%9Ccorpsegrinder%E2%80%9D-fisher/|url-status=dead|title=Alex Webster (Cannibal Corpse) interview|archivedate=June 4, 2008}}</ref>
+According to [[Alex Webster]], bassist of [[Cannibal Corpse]], "The gory lyrics are probably not, as much as people say, [what's keeping us] from being [[Popular culture|mainstream]]. Like, 'death metal would never go into the mainstream because the lyrics are too gory?' I think it's really the music, because violent entertainment is totally mainstream."<ref name="Cannibal Corpse Alex Webster">{{Cite web|url=http://www.waytooloud.com/2007/10/23/cannibal-corpse-alex-webster-and-george-%E2%80%9Ccorpsegrinder%E2%80%9D-fisher/|archiveurl=https://web.archive.org/web/20080604092255/http://www.waytooloud.com/2007/10/23/cannibal-corpse-alex-webster-and-george-%E2%80%9Ccorpsegrinder%E2%80%9D-fisher/|url-status=dead|title=Alex Webster (Cannibal Corpse) interview|archivedate=June 4, 2008}}</ref> [[Christian death metal]] bands often utilize the gory themes of death metal to invoke violent imagery against Satan, [[demon]]s, [[sin]] and sinners,<ref name=":442">{{Cite book |last=Partridge |first=Christopher |url=https://books.google.com/books?id=qdD0AAAAQBAJ&pg=PA215 |title=The Lyre of Orpheus: Popular Music, the Sacred, and the Profane |date=2014 |publisher=[[Oxford University Press|OUP USA]] |isbn=978-0-19-975140-2 |location=New York |pages=215–216 |language=en}}</ref> much of the violent imagery being drawn from the [[Bible]].<ref name=":422">{{Cite web |last=Kiryushkin |first=Alexander |date=October 26, 2019 |title=10 Bands You Won't Believe Are Actually Christian |url=https://www.ultimate-guitar.com/articles/features/10_bands_you_wont_believe_are_actually_christian-98774 |access-date=2024-10-23 |website=[[Ultimate Guitar]] |language=en |archive-date=June 13, 2024 |archive-url=https://web.archive.org/web/20240613003207/https://www.ultimate-guitar.com/articles/features/10_bands_you_wont_believe_are_actually_christian-98774 |url-status=live }}</ref> Satanic and [[Anti-Christian sentiment|anti-Christian]] imagery is also frequently inverted.<ref name=":47">{{Cite web |date=2024-08-15 |title=Catholic death metal band 'Voluntary Mortification' proudly reclaims aspects of faith that confound non-Christians |url=https://thedialog.org/national-news/catholic-death-metal-band-voluntary-mortification-proudly-reclaims-aspects-of-faith-that-confound-non-christians/ |access-date=2024-10-28 |website=The Dialog |language=en |archive-date=August 21, 2024 |archive-url=https://web.archive.org/web/20240821034431/https://thedialog.org/national-news/catholic-death-metal-band-voluntary-mortification-proudly-reclaims-aspects-of-faith-that-confound-non-christians/ |url-status=live }}</ref><ref>{{Cite book |last=Félix-Jäger |first=Steven |url=https://books.google.com/books?id=MtwoDgAAQBAJ&pg=PT76 |title=With God on Our Side: Towards a Transformational Theology of Rock and Roll |date=2017-01-11 |publisher=[[Wipf and Stock Publishers]] |isbn=978-1-4982-3180-0 |location=Eugene |pages=76 |language=en |archive-date=November 13, 2024 |access-date=January 6, 2025 |archive-url=https://web.archive.org/web/20241113115853/https://books.google.com/books?id=MtwoDgAAQBAJ&pg=PT76 |url-status=live }}</ref>{{Sfn|Strother|2013|pp=152-153}}
-[[Christian death metal]] bands often utilize the gory themes of death metal to invoke violent imagery against Satan, [[demon]]s, [[sin]] and sinners,<ref name=":442">{{Cite book |last=Partridge |first=Christopher |url=https://books.google.com/books?id=qdD0AAAAQBAJ&pg=PA215 |title=The Lyre of Orpheus: Popular Music, the Sacred, and the Profane |date=2014 |publisher=[[Oxford University Press|OUP USA]] |isbn=978-0-19-975140-2 |location=New York |pages=215–216 |language=en}}</ref> much of the violent imagery being drawn from the [[Bible]].<ref name=":422">{{Cite web |last=Kiryushkin |first=Alexander |date=October 26, 2019 |title=10 Bands You Won't Believe Are Actually Christian |url=https://www.ultimate-guitar.com/articles/features/10_bands_you_wont_believe_are_actually_christian-98774 |access-date=2024-10-23 |website=[[Ultimate Guitar]] |language=en |archive-date=June 13, 2024 |archive-url=https://web.archive.org/web/20240613003207/https://www.ultimate-guitar.com/articles/features/10_bands_you_wont_believe_are_actually_christian-98774 |url-status=live }}</ref> Satanic and [[Anti-Christian sentiment|anti-Christian]] imagery is also frequently inverted.<ref name=":47">{{Cite web |date=2024-08-15 |title=Catholic death metal band 'Voluntary Mortification' proudly reclaims aspects of faith that confound non-Christians |url=https://thedialog.org/national-news/catholic-death-metal-band-voluntary-mortification-proudly-reclaims-aspects-of-faith-that-confound-non-christians/ |access-date=2024-10-28 |website=The Dialog |language=en |archive-date=August 21, 2024 |archive-url=https://web.archive.org/web/20240821034431/https://thedialog.org/national-news/catholic-death-metal-band-voluntary-mortification-proudly-reclaims-aspects-of-faith-that-confound-non-christians/ |url-status=live }}</ref><ref>{{Cite book |last=Félix-Jäger |first=Steven |url=https://books.google.com/books?id=MtwoDgAAQBAJ&pg=PT76 |title=With God on Our Side: Towards a Transformational Theology of Rock and Roll |date=2017-01-11 |publisher=[[Wipf and Stock Publishers]] |isbn=978-1-4982-3180-0 |location=Eugene |pages=76 |language=en |archive-date=November 13, 2024 |access-date=January 6, 2025 |archive-url=https://web.archive.org/web/20241113115853/https://books.google.com/books?id=MtwoDgAAQBAJ&pg=PT76 |url-status=live }}</ref>{{Sfn|Strother|2013|pp=152-153}}
 ==Etymology==
@@ Line 115: / Line 109: @@
 | align = left
 | width = 25%
+| border = 2px
 | author = Lee du-Caine and Joel McIver of [[MusicRadar]]
 | source = <ref>{{cite web | url=https://www.musicradar.com/news/guitars/a-history-of-death-metal-249395 | title=A history of death metal | date=April 30, 2010 }}</ref>
@@ Line 131: / Line 126: @@
 ===Blackened death-doom===
-Blackened death-doom is a microgenre that combines the slow tempos and monolithic drumming of [[doom metal]], the complex and loud riffage of death metal and the [[Screaming (music)#Black metal|shrieking vocals]] of [[black metal]].<ref name=BDD>{{cite web |last1=Kelly |first1=Kim |author-link=Kim Kelly (journalist) |title=Morast Expertly Synthesize Black, Death, and Doom Metal on 'Ancestral Void' |url=https://www.vice.com/en/article/morast-expertly-synthesize-black-death-and-doom-metal-on-ancestral-void/ |website=[[Vice (magazine)|Noisey Vice]] |date=March 29, 2017 |access-date=August 18, 2018 |archive-date=August 19, 2018 |archive-url=https://web.archive.org/web/20180819114417/https://noisey.vice.com/en_us/article/aepy85/morast-expertly-synthesize-black-death-and-doom-metal-on-ancestral-void |url-status=live }}</ref> Examples of blackened death-doom bands include Morast,<ref name=BDD/> Faustcoven,<ref name=BDD/> [[The Ruins of Beverast]],<ref name=BDD/> [[Bölzer]],<ref name=BDD/> Necros Christos,<ref name=BDD/> Harvest Gulgaltha,<ref>{{cite web |last1=Mattia |first1=A. |title=DON'T LOOK BELOW: HARVEST GULGALTHA – 'ALTARS OF DEVOTION' REVIEW + STREAM |url=https://www.cvltnation.com/dont-look-below-harvest-gulgaltha-altars-of-devotion-review-stream/ |website=Cvlt Nation |date=February 7, 2017 |access-date=August 18, 2018 |archive-date=July 9, 2023 |archive-url=https://web.archive.org/web/20230709203610/http://cvltnation.com/dont-look-below-harvest-gulgaltha-altars-of-devotion-review-stream/ |url-status=live }}</ref> [[Dragged into Sunlight]],<ref>{{cite web |last1=Falzon |first1=Denise |title=Dragged Into Sunlight 'Widowmaker' (album stream) |url=https://exclaim.ca/music/article/dragged_into_sunlight-widowmaker_album_stream |website=[[Exclaim!]] |date=October 31, 2012 |access-date=August 18, 2018 |archive-date=March 7, 2023 |archive-url=https://web.archive.org/web/20230307144835/https://exclaim.ca/music/article/dragged_into_sunlight-widowmaker_album_stream |url-status=live }}</ref> Hands of Thieves,<ref>{{cite web |last1=Moore |first1=Doug |title=The Black Market: The Month In Metal – August 2016 |url=https://www.stereogum.com/1896781/the-black-market-the-month-in-metal-august-2016/franchises/the-black-market/ |website=[[Stereogum]] |date=August 31, 2016 |access-date=August 18, 2018 |archive-date=December 25, 2019 |archive-url=https://web.archive.org/web/20191225165031/https://www.stereogum.com/1896781/the-black-market-the-month-in-metal-august-2016/franchises/the-black-market/ |url-status=live }}</ref> and [[Soulburn]].<ref>{{cite web |last1=Daniels |first1=Eric |title=ERIC DANIELS / SOULBURN |url=https://www.jacksonguitars.com/artists/eric-daniels-bio |website=[[Jackson Guitars]] |access-date=August 18, 2018 |archive-date=June 18, 2021 |archive-url=https://web.archive.org/web/20210618114517/https://www.jacksonguitars.com/artists/eric-daniels-bio |url-status=dead }}</ref><ref>{{cite web |last1=Whelan |first1=Kez |title=Soulburn: Band Of The Day |url=http://www.terrorizer.com/news/botd/soulburn-band-day/ |website=[[Terrorizer (magazine)|Terrorizer]] |date=June 11, 2014 |access-date=August 18, 2018 |archive-date=June 3, 2023 |archive-url=https://web.archive.org/web/20230603164154/http://www.terrorizer.com/news/botd/soulburn-band-day/ |url-status=live }}</ref> [[Kim Kelly (journalist)|Kim Kelly]], journalist from [[Vice (magazine)|Vice]], has called Faustcoven as "one of the finest bands to ever successfully meld black, death, and doom metal into a cohesive, legible whole."<ref name=BDD/>
+Blackened death-doom is a microgenre that combines the slow tempos and monolithic drumming of [[doom metal]], the complex and loud riffage of death metal and the [[Screaming (music)#Black metal|shrieking vocals]] of [[black metal]].<ref name=BDD>{{cite web |last1=Kelly |first1=Kim |author-link=Kim Kelly (journalist) |title=Morast Expertly Synthesize Black, Death, and Doom Metal on 'Ancestral Void' |url=https://www.vice.com/en/article/morast-expertly-synthesize-black-death-and-doom-metal-on-ancestral-void/ |website=[[Vice (magazine)|Noisey Vice]] |date=March 29, 2017 |access-date=August 18, 2018 |archive-date=August 19, 2018 |archive-url=https://web.archive.org/web/20180819114417/https://noisey.vice.com/en_us/article/aepy85/morast-expertly-synthesize-black-death-and-doom-metal-on-ancestral-void |url-status=live }}</ref> Examples of blackened death-doom bands include Morast,<ref name=BDD/> Faustcoven,<ref name=BDD/> [[The Ruins of Beverast]],<ref name=BDD/> [[Bölzer]],<ref name=BDD/> Necros Christos,<ref name=BDD/> Harvest Gulgaltha,<ref>{{cite web |last1=Mattia |first1=A. |title=DON'T LOOK BELOW: HARVEST GULGALTHA – 'ALTARS OF DEVOTION' REVIEW + STREAM |url=https://www.cvltnation.com/dont-look-below-harvest-gulgaltha-altars-of-devotion-review-stream/ |website=Cvlt Nation |date=February 7, 2017 |access-date=August 18, 2018 |archive-date=July 9, 2023 |archive-url=https://web.archive.org/web/20230709203610/http://cvltnation.com/dont-look-below-harvest-gulgaltha-altars-of-devotion-review-stream/ |url-status=live }}</ref> [[Dragged into Sunlight]],<ref>{{cite web |last1=Falzon |first1=Denise |title=Dragged Into Sunlight 'Widowmaker' (album stream) |url=https://exclaim.ca/music/article/dragged_into_sunlight-widowmaker_album_stream |website=[[Exclaim!]] |date=October 31, 2012 |access-date=August 18, 2018 |archive-date=March 7, 2023 |archive-url=https://web.archive.org/web/20230307144835/https://exclaim.ca/music/article/dragged_into_sunlight-widowmaker_album_stream |url-status=live }}</ref> Hands of Thieves,<ref>{{cite web |last1=Moore |first1=Doug |title=The Black Market: The Month In Metal – August 2016 |url=https://www.stereogum.com/1896781/the-black-market-the-month-in-metal-august-2016/franchises/the-black-market/ |website=[[Stereogum]] |date=August 31, 2016 |access-date=August 18, 2018 |archive-date=December 25, 2019 |archive-url=https://web.archive.org/web/20191225165031/https://www.stereogum.com/1896781/the-black-market-the-month-in-metal-august-2016/franchises/the-black-market/ |url-status=live }}</ref> and [[Soulburn]].<ref>{{cite web |last1=Daniels |first1=Eric |title=ERIC DANIELS / SOULBURN |url=https://www.jacksonguitars.com/artists/eric-daniels-bio |website=[[Jackson Guitars]] |access-date=August 18, 2018 |archive-date=June 18, 2021 |archive-url=https://web.archive.org/web/20210618114517/https://www.jacksonguitars.com/artists/eric-daniels-bio |url-status=dead }}</ref><ref>{{cite web |last1=Whelan |first1=Kez |title=Soulburn: Band Of The Day |url=http://www.terrorizer.com/news/botd/soulburn-band-day/ |website=[[Terrorizer (magazine)|Terrorizer]] |date=June 11, 2014 |access-date=August 18, 2018 |archive-date=June 3, 2023 |archive-url=https://web.archive.org/web/20230603164154/http://www.terrorizer.com/news/botd/soulburn-band-day/ |url-status=live }}</ref> [[Kim Kelly (journalist)|Kim Kelly]], journalist from [[Vice (magazine)|Vice]], has called Faustcoven "one of the finest bands to ever successfully meld black, death, and doom metal into a cohesive, legible whole."<ref name=BDD/>
 ===Blackened death metal===
 {{Main|Blackened death metal}}
 [[File:Goatwhore Party.San Metal Open Air 2016 11.jpg|thumb|right|200px|Blackened death metal band [[Goatwhore]].]]
-Blackened death metal is commonly death metal that incorporates musical, lyrical or ideological elements of [[black metal]], such as an increased use of [[alternate picking|tremolo picking]], anti-[[Christianity|Christian]] or [[Satanism|Satanic]] lyrical themes and chord progressions similar to those used in black metal.<ref name="Sound, Symbol, Sociality">{{cite book |last1=Unger |first1=Matthew |title=Sound, Symbol, Sociality: The Aesthetic Experience of Extreme Metal Music |page=27}}</ref><ref>{{cite web |url=http://www.allmusic.com/album/ninewinged-serpent-mw0000780983 |title=Ninewinged Serpent - Devian |last=Henderson |first=Alex |work=[[AllMusic]] |access-date=September 3, 2012 |archive-date=November 7, 2015 |archive-url=https://web.archive.org/web/20151107031600/http://www.allmusic.com/album/ninewinged-serpent-mw0000780983 |url-status=live }}</ref><ref>{{cite web |url=http://heavymetal.about.com/od/reviews/gr/hacavitz.htm |title=Hacavitz - Venganza Review |last=Bowar |first=Chad |work=[[About.com]] |access-date=September 3, 2012 |archive-date=June 17, 2009 |archive-url=https://web.archive.org/web/20090617104950/http://heavymetal.about.com/od/reviews/gr/hacavitz.htm |url-status=unfit }}</ref> Blackened death metal bands are also more likely to wear [[corpse paint]] and suits of armour, than bands from other styles of death metal.<ref>{{cite book |last1=Gardner |first1=Robert Owen |title=Studies in Symbolic Interaction |page=119}}</ref> Lower range guitar tunings, [[death growl]]s and abrupt [[tempo]] changes are common in the genre.<ref>{{Cite youtube |url=https://www.youtube.com/watch?v=s_rpgS73sPI |title=Blackened Death Metal band debate with Jason Deaville of Bravewords {{!}} LOCK HORNS (archive) |date=2016-10-05 |last=Dunn |first=Sam |author-link=Sam Dunn |last2=Deaville |first2=Jason |type=Podcast}}</ref> Examples of blackened death metal bands are [[Belphegor (band)|Belphegor]],<ref>{{cite web |url=http://www.terrorizer.com/blog1.php/2011/10/21/belphegor-suspend-all-activities |archive-url=https://archive.today/20120714222121/http://www.terrorizer.com/blog1.php/2011/10/21/belphegor-suspend-all-activities |url-status=dead |archive-date=July 14, 2012 |title=Belphegor Suspends All Activities |date=October 21, 2011 |work=[[Terrorizer (magazine)|terrorizer.com]] |access-date=September 3, 2012 }}</ref> [[Behemoth (band)|Behemoth]],<ref>{{cite web |url=http://www.allmusic.com/artist/behemoth-mn0000789429 |title=Behemoth |last=Prato |first=Greg |work=[[AllMusic]] |access-date=September 3, 2012 |archive-date=October 20, 2023 |archive-url=https://web.archive.org/web/20231020142519/https://www.allmusic.com/artist/behemoth-mn0000789429 |url-status=live }}</ref> [[Akercocke]],<ref>{{cite web|url=http://www.stylusmagazine.com/reviews/akercocke/words-that-go-unspoken-deeds-that-go-undone.htm |title=Akercocke – Words That Go Unspoken, Deeds That Go Undone – Review – Stylus Magazine |last=Lee |first=Cosmo |date=February 21, 2006 |work=[[Stylus Magazine]] |access-date=October 22, 2012 |quote=Death metal and black metal are notoriously insular, but Akercocke has distinguished itself by freely drawing from both. Death metal tends to emphasize the low end, while black metal mainly resides in the midrange and treble, so Akercocke's 'blackened death' hybrid is rich and full-bodied. |url-status=dead |archive-url=https://web.archive.org/web/20120509181014/http://stylusmagazine.com/reviews/akercocke/words-that-go-unspoken-deeds-that-go-undone.htm |archive-date=May 9, 2012 }}</ref> and [[Sacramentum (band)|Sacramentum]].<ref>Pretorious, Neil (July 30, 2009). "Review - Sacramentum - Far Away from the Sun"]. ''The Metal Observer''. "If you think that Blackened Death Metal begins and ends with DISSECTION, then think again. SACRAMENTUM seriously dropped the (snow) ball with 'The Coming of Chaos' and 'Thy Black Destiny', but on 'Far Away from the Sun' they really delivered the goods on all fronts."</ref>
+Blackened death metal is commonly death metal that incorporates musical, lyrical or ideological elements of [[black metal]], such as an increased use of [[alternate picking|tremolo picking]], anti-[[Christianity|Christian]] or [[Satanism|Satanic]] lyrical themes and chord progressions similar to those used in black metal.<ref name="Sound, Symbol, Sociality">{{cite book |last1=Unger |first1=Matthew |title=Sound, Symbol, Sociality: The Aesthetic Experience of Extreme Metal Music |page=27}}</ref><ref>{{cite web |url=http://www.allmusic.com/album/ninewinged-serpent-mw0000780983 |title=Ninewinged Serpent - Devian |last=Henderson |first=Alex |work=[[AllMusic]] |access-date=September 3, 2012 |archive-date=November 7, 2015 |archive-url=https://web.archive.org/web/20151107031600/http://www.allmusic.com/album/ninewinged-serpent-mw0000780983 |url-status=live }}</ref><ref>{{cite web |url=http://heavymetal.about.com/od/reviews/gr/hacavitz.htm |title=Hacavitz - Venganza Review |last=Bowar |first=Chad |work=[[About.com]] |access-date=September 3, 2012 |archive-date=June 17, 2009 |archive-url=https://web.archive.org/web/20090617104950/http://heavymetal.about.com/od/reviews/gr/hacavitz.htm |url-status=unfit }}</ref> Blackened death metal bands are also more likely to wear [[corpse paint]] and suits of armour, than bands from other styles of death metal.<ref>{{cite book |last1=Gardner |first1=Robert Owen |title=Studies in Symbolic Interaction |page=119}}</ref> Lower range guitar tunings, [[death growl]]s and abrupt [[tempo]] changes are common in the genre.<ref>{{Cite youtube |url=https://www.youtube.com/watch?v=s_rpgS73sPI |title=Blackened Death Metal band debate with Jason Deaville of Bravewords {{!}} LOCK HORNS (archive) |date=2016-10-05 |last=Dunn |first=Sam |author-link=Sam Dunn |last2=Deaville |first2=Jason |type=Podcast}}</ref> Examples of blackened death metal bands are [[Belphegor (band)|Belphegor]],<ref>{{cite web |url=http://www.terrorizer.com/news/news-news/belphegor-suspend-all-activities/ |archive-url=https://web.archive.org/web/20131211082212/http://www.terrorizer.com/news/news-news/belphegor-suspend-all-activities/ |url-status=live |archive-date=December 11, 2013 |title=Belphegor Suspends All Activities |date=October 21, 2011 |work=[[Terrorizer (magazine)|terrorizer.com]] |access-date=September 3, 2012 }}</ref> [[Behemoth (band)|Behemoth]],<ref>{{cite web |url=http://www.allmusic.com/artist/behemoth-mn0000789429 |title=Behemoth |last=Prato |first=Greg |work=[[AllMusic]] |access-date=September 3, 2012 |archive-date=October 20, 2023 |archive-url=https://web.archive.org/web/20231020142519/https://www.allmusic.com/artist/behemoth-mn0000789429 |url-status=live }}</ref> [[Akercocke]],<ref>{{cite web|url=http://www.stylusmagazine.com/reviews/akercocke/words-that-go-unspoken-deeds-that-go-undone.htm |title=Akercocke – Words That Go Unspoken, Deeds That Go Undone – Review – Stylus Magazine |last=Lee |first=Cosmo |date=February 21, 2006 |work=[[Stylus Magazine]] |access-date=October 22, 2012 |quote=Death metal and black metal are notoriously insular, but Akercocke has distinguished itself by freely drawing from both. Death metal tends to emphasize the low end, while black metal mainly resides in the midrange and treble, so Akercocke's 'blackened death' hybrid is rich and full-bodied. |url-status=dead |archive-url=https://web.archive.org/web/20120509181014/http://stylusmagazine.com/reviews/akercocke/words-that-go-unspoken-deeds-that-go-undone.htm |archive-date=May 9, 2012 }}</ref> and [[Sacramentum (band)|Sacramentum]].<ref>Pretorious, Neil (July 30, 2009). "Review - Sacramentum - Far Away from the Sun"]. ''The Metal Observer''. "If you think that Blackened Death Metal begins and ends with DISSECTION, then think again. SACRAMENTUM seriously dropped the (snow) ball with 'The Coming of Chaos' and 'Thy Black Destiny', but on 'Far Away from the Sun' they really delivered the goods on all fronts."</ref>
 ====Melodic black-death====
@@ Line 143: / Line 139: @@
 ====War metal====
-War metal<ref name=mh112011>Robert Müller: ''Wollt Ihr den ewigen Krieg?''. ''Der tote Winkel''. In: ''[[Metal Hammer]]'', November 2011.</ref><ref name=wbm/><ref name=rh304>Wolf-Rüdiger Mühlmann: ''SARCOFAGO''. ''I.N.R.I.'' In: ''Rock Hard'', Nr. 304, September 2012, p. 73.</ref> (also known as war black metal<ref name=wbm>Wolf-Rüdiger Mühlmann: ''War Black Metal: Die Extremsten der Extremen''. ''Was bleibt, ist Schutt und Asche''. In: ''Rock Hard'', no. 279, pp. 71-73.</ref> or bestial black metal)<ref name=rh304/> is an aggressive,<ref name=wbm/> cacophonous<ref name=mh112011/> and chaotic<ref name=mh112011/><ref name=wbm/> subgenre of blackened death metal,<ref>{{cite news |last1=KATEL |first1=JACOB |title=Florida's Top Ten Black Metal Bands |newspaper=[[Miami New Times]] |date=2013}}</ref> described by ''[[Rock Hard (magazine)|Rock Hard]]'' journalist Wolf-Rüdiger Mühlmann as "rabid"<ref name=wbm/> and "hammering".<ref name=wbm/> Important influences include [[first-wave black metal]] band [[Sodom (band)|Sodom]],<ref name=mh112011/><ref name=wbm/> first-wave black metal/death metal band [[Possessed (band)|Possessed]]<ref name=wbm/> as well as old [[grindcore]], black and death metal bands like [[Repulsion (band)|Repulsion]],<ref name=mh112011/><ref name=wbm/> [[Autopsy (band)|Autopsy]],<ref name=wbm/> [[Sarcófago]]<ref name=mh112011/><ref name=wbm/><ref name=rh304/><ref name=rh307/> and the first two [[Sepultura]] releases.<ref name=wbm/><ref name=rh307/> War metal bands include [[Blasphemy (band)|Blasphemy]],<ref name=mh112011/><ref name=wbm/><ref name=rh307>Wolf-Rüdiger Mühlmann: ''Impaled Nazarene''. ''Tol Cormpt Norz Norz Norz''. In: ''Rock Hard'', no. 307, December 2012, p. 77.</ref> [[Archgoat]],<ref name=wbm/> [[Impiety (band)|Impiety]],<ref name=wbm/> [[In Battle]],{{sfn|Ekeroth|2008|p=359}} [[Beherit]], [[Crimson Thorn]],<ref>{{cite web |title=A HILL TO DIE UPON - OMENS CD |url=https://boonesoverstock.com/products/a-hill-to-die-upon-omens |access-date=August 8, 2018 |archive-date=July 9, 2023 |archive-url=https://web.archive.org/web/20230709172508/https://boonesoverstock.com/products/a-hill-to-die-upon-omens |url-status=live }}</ref> [[Bestial Warlust]],<ref>{{cite web |last1=DISTEFANOl |first1=ALEX |title=The 13 Most Satanic Metal Bands |url=http://www.laweekly.com/music/13-most-satanic-metal-bands-8798306 |website=[[LA Weekly]] |access-date=August 8, 2018 |date=October 30, 2017 |archive-date=August 1, 2018 |archive-url=https://web.archive.org/web/20180801232853/http://www.laweekly.com/music/13-most-satanic-metal-bands-8798306 |url-status=dead }}</ref> and [[Zyklon-B (band)|Zyklon-B]].<ref>{{cite book|last=Christe|first=Ian|title=Sound of the beast: the complete headbanging history of heavy metal|publisher=[[HarperCollins]]|isbn=978-0-380-81127-4|url=https://books.google.com/books?id=eWRv3E59V0YC|author-link=Ian Christe|access-date=March 13, 2012|page=281|date=February 17, 2004}}</ref>
+War metal<ref name=mh112011>Robert Müller: ''Wollt Ihr den ewigen Krieg?''. ''Der tote Winkel''. In: ''[[Metal Hammer]]'', November 2011.</ref><ref name=wbm/><ref name=rh304>Wolf-Rüdiger Mühlmann: ''SARCOFAGO''. ''I.N.R.I.'' In: ''Rock Hard'', Nr. 304, September 2012, p. 73.</ref> (also known as war black metal<ref name=wbm>Wolf-Rüdiger Mühlmann: ''War Black Metal: Die Extremsten der Extremen''. ''Was bleibt, ist Schutt und Asche''. In: ''Rock Hard'', no. 279, pp. 71–73.</ref> or bestial black metal)<ref name=rh304/> is an aggressive,<ref name=wbm/> cacophonous<ref name=mh112011/> and chaotic<ref name=mh112011/><ref name=wbm/> subgenre of blackened death metal,<ref>{{cite news |last1=KATEL |first1=JACOB |title=Florida's Top Ten Black Metal Bands |newspaper=[[Miami New Times]] |date=2013}}</ref> described by ''[[Rock Hard (magazine)|Rock Hard]]'' journalist Wolf-Rüdiger Mühlmann as "rabid"<ref name=wbm/> and "hammering".<ref name=wbm/> Important influences include [[first-wave black metal]] band [[Sodom (band)|Sodom]],<ref name=mh112011/><ref name=wbm/> first-wave black metal/death metal band [[Possessed (band)|Possessed]]<ref name=wbm/> as well as old [[grindcore]], black and death metal bands like [[Repulsion (band)|Repulsion]],<ref name=mh112011/><ref name=wbm/> [[Autopsy (band)|Autopsy]],<ref name=wbm/> [[Sarcófago]]<ref name=mh112011/><ref name=wbm/><ref name=rh304/><ref name=rh307/> and the first two [[Sepultura]] releases.<ref name=wbm/><ref name=rh307/> War metal bands include [[Blasphemy (band)|Blasphemy]],<ref name=mh112011/><ref name=wbm/><ref name=rh307>Wolf-Rüdiger Mühlmann: ''Impaled Nazarene''. ''Tol Cormpt Norz Norz Norz''. In: ''Rock Hard'', no. 307, December 2012, p. 77.</ref> [[Archgoat]],<ref name=wbm/> [[Impiety (band)|Impiety]],<ref name=wbm/> [[In Battle]],{{sfn|Ekeroth|2008|p=359}} [[Beherit]], [[Crimson Thorn]],<ref>{{cite web |title=A HILL TO DIE UPON - OMENS CD |url=https://boonesoverstock.com/products/a-hill-to-die-upon-omens |access-date=August 8, 2018 |archive-date=July 9, 2023 |archive-url=https://web.archive.org/web/20230709172508/https://boonesoverstock.com/products/a-hill-to-die-upon-omens |url-status=live }}</ref> [[Bestial Warlust]],<ref>{{cite web |last1=DISTEFANOl |first1=ALEX |title=The 13 Most Satanic Metal Bands |url=http://www.laweekly.com/music/13-most-satanic-metal-bands-8798306 |website=[[LA Weekly]] |access-date=August 8, 2018 |date=October 30, 2017 |archive-date=August 1, 2018 |archive-url=https://web.archive.org/web/20180801232853/http://www.laweekly.com/music/13-most-satanic-metal-bands-8798306 |url-status=dead }}</ref> and [[Zyklon-B (band)|Zyklon-B]].<ref>{{cite book|last=Christe|first=Ian|title=Sound of the beast: the complete headbanging history of heavy metal|publisher=[[HarperCollins]]|isbn=978-0-380-81127-4|url=https://books.google.com/books?id=eWRv3E59V0YC|author-link=Ian Christe|access-date=March 13, 2012|page=281|date=February 17, 2004}}</ref>
 ===Brutal death metal===
 [[File:Suffocation_(11_von_30).jpg|thumb|left|200px|[[Suffocation (band)|Suffocation]] vocalist [[Frank Mullen]]]]
 {{Main|Brutal death metal}}
 Brutal death metal is a subgenre of death metal that prioritizes heaviness, speed, and complex rhythms over other aspects, such as melody and timbres.<ref name=masterclass/><ref name=Lexington>{{cite book|url=https://books.google.com/books?id=rSZOph-zlEgC|title=Death Metal and Music Criticism: Analysis at the Limits|first=Michelle|last=Phillipov|date=August 31, 2018|publisher=Lexington Books|via=Google Books|isbn=9780739164594}}</ref> Brutal death metal bands employ high-speed, palm-muted power chording and single-note riffage.<ref name=Lexington/> Notable bands include [[Cannibal Corpse]],<ref>{{cite book |last1=Purcell |first1=Natalie J. |title=Death Metal Music: The Passion and Politics of a Subculture |date=September 17, 2015 |publisher=[[McFarland & Company]] |isbn=9780786484065 |page=59 |quote=Cannibal Corpse's first album, Eaten Back to Life, was deemed pure, brutal Death Metal}}</ref><ref>{{cite book |last1=McIver |first1=Joel |title=Extreme Metal II |date=March 10, 2010 |publisher=[[Wise Music Group|Music Sales]] |isbn=9780857122247 |quote=Buffalo band Cannibal Corpse are perhaps the most devoted brutal death metal act in this book, rarely diverging from the path of the blastbeat and the throaty roar.}}</ref> [[Dying Fetus]],<ref name=Lexington /> [[Suffocation (band)|Suffocation]],<ref>{{cite web|url=http://loudwire.com/best-metal-bands-different-subgenres/#photogallery-1=5|title=Best Metal Bands From 40 Different Subgenres|website=Loudwire|date=June 21, 2017|access-date=August 31, 2018|archive-date=July 9, 2023|archive-url=https://web.archive.org/web/20230709191044/https://loudwire.com/best-metal-bands-different-subgenres/#photogallery-1=5|url-status=live}}</ref> [[Cryptopsy]],<ref>{{Cite web|url=https://www.decibelmagazine.com/2011/12/02/cryptopsy-none-so-vile/|title=Cryptopsy - "None so Vile"|first=Kevin|last=Stewart-Panko|date=December 2, 2011|website=Decibel Magazine|access-date=March 1, 2023|archive-date=March 1, 2023|archive-url=https://web.archive.org/web/20230301095521/https://www.decibelmagazine.com/2011/12/02/cryptopsy-none-so-vile/|url-status=live}}</ref> and [[Skinless]].<ref name="BMDestroy">{{cite news|url=http://www.blabbermouth.net/news/reunited-skinless-were-back-to-destroy/|title=Reunited Skinless: 'We're Back To Destroy'|work=[[Blabbermouth.net]]|date=August 13, 2013|access-date=October 16, 2013|archive-date=July 9, 2023|archive-url=https://web.archive.org/web/20230709190831/https://blabbermouth.net/news/reunited-skinless-were-back-to-destroy|url-status=live}}</ref><ref name="BMTrampleReview">{{cite news|url=http://www.blabbermouth.net/cdreviews/trample-the-weak-hurdle-the-dead/|title=Trample The Weak, Hurdle the Dead Skinless|work=[[Blabbermouth.net]]|access-date=October 16, 2013|date=June 26, 2006|archive-date=December 7, 2021|archive-url=https://web.archive.org/web/20211207215435/https://www.blabbermouth.net/cdreviews/trample-the-weak-hurdle-the-dead/|url-status=live}}</ref>
@@ Line 156: / Line 153: @@
 ===Death-doom===
 {{Main|Death-doom}}
 [[File:My Dying Bride 44.jpg|right|thumb|[[My Dying Bride]] at Frozen Rock Fest. 2007.]]
 Death-doom is a style that combines the slow tempos and pessimistic atmosphere of [[doom metal]] with the deep [[death growl|growling vocals]] and double-kick drumming of death metal.<ref name="Doom Metal Special: Doom/Death Terrorizer #142">"Doom Metal Special: Doom/Death", ''Terrorizer #142''.</ref> Influenced mostly by the early work of [[Hellhammer]] and [[Celtic Frost]], the style emerged during the late 1980s and gained a certain amount of popularity during the 1990s.<ref name="Doom Metal Special: Doom/Death Terrorizer #142" /> Death-doom was also pioneered by bands such as [[Winter (metal band)|Winter]],{{sfn|Purcell|2003|p=23}} [[Disembowelment (band)|Disembowelment]],{{sfn|Purcell|2003|p=23}} [[Paradise Lost (band)|Paradise Lost]],{{sfn|Purcell|2003|p=23}} [[Autopsy (band)|Autopsy]], [[Anathema (band)|Anathema]], and [[My Dying Bride]].{{sfn|Purcell|2003|p=23}}
@@ Line 161: / Line 159: @@
 ====Funeral doom====
 {{Main|Funeral doom}}
 Funeral doom is a genre that crosses [[death-doom]] with [[Dirge|funeral dirge music]].<ref name="Dirge">{{cite news |author=Davis, Cody |title=Funeral Doom Friday: FUNERAL MOURNING's Blackened, Deadly Inertia of Dissonance (A Sermon in Finality) |url=http://www.metalinjection.net/av/funeral-doom-friday/funeral-mournings-blackened-deadly-inertia-of-dissonance-a-sermon-in-finality |work=Metal Injection |access-date=July 29, 2018 |date=September 9, 2016 |archive-date=July 9, 2023 |archive-url=https://web.archive.org/web/20230709182616/https://metalinjection.net/av/funeral-doom-friday/funeral-mournings-blackened-deadly-inertia-of-dissonance-a-sermon-in-finality |url-status=live }}</ref> It is played at a very slow tempo, and places an emphasis on evoking a sense of emptiness and despair.<ref name="Bandcamp">{{cite web |url=https://daily.bandcamp.com/2017/02/02/doom-metal-a-brief-timeline/ |title=Doom Metal: A Brief Timeline |work=Bandcamp daily |access-date=June 30, 2018 |date=February 2, 2017 |archive-date=October 7, 2019 |archive-url=https://web.archive.org/web/20191007204041/https://daily.bandcamp.com/2017/02/02/doom-metal-a-brief-timeline/ |url-status=live }}</ref> Typically, electric guitars are heavily distorted and [[dark ambient]] aspects such as [[keyboard instrument|keyboards]] or [[synthesizer]]s are often used to create a dreamlike atmosphere.<ref name=AE>{{cite thesis |last=Ebner |first=Arne |date=July 25, 2010 |title=Ästhetik des Doom |type=Bachelor |institution=Macromedia University of Applied Sciences for Media and Communication - Cologne |url=http://doom.resettheworld.com/aesthetik_des_doom_arne_ebner_40mb.pdf |access-date=August 18, 2018 |language=de |archive-url=https://web.archive.org/web/20160304075156/http://doom.resettheworld.com/aesthetik_des_doom_arne_ebner_40mb.pdf |archive-date=March 4, 2016 |url-status=dead }}</ref> Vocals consist of mournful chants or growls and are often in the background.<ref name=AE/> Funeral doom was pioneered by [[Mournful Congregation]] (Australia), [[Esoteric (band)|Esoteric]] (United Kingdom), [[Evoken]] (United States), [[Funeral (band)|Funeral]] (Norway), [[Thergothon]] (Finland), and [[Skepticism (band)|Skepticism]] (Finland).<ref>James Minton, Kim Kelly, and Jenn Selby, "Filth Parade", ''Terrorizer'' #188, September 2009, p. 56.</ref>
 ===Death 'n' roll===
 {{Main|Death 'n' roll}}
 Death 'n' roll is a style that combines death metal's [[Death growl|growled vocals]] and highly [[Distortion|distorted]] [[Guitar tunings|detuned]] guitar riffs along with elements of 1970s [[hard rock]] and [[Heavy metal music|heavy metal]].<ref name="Entombed"/><ref name="Gorefest">{{cite web|first=Huey|last=Steve|title=Gorefest Biography|url=https://www.allmusic.com/artist/p39113/biography|website=[[AllMusic]]|access-date=February 15, 2008|quote=Erase, was released in 1994 and found the band moving subtly toward more traditional forms of metal, partly through its sure sense of groove. That approach crystallized on 1996's Soul Survivor, which combined death metal with the elegant power and accessibility of '70s British metal.|archive-date=July 31, 2023|archive-url=https://web.archive.org/web/20230731093107/https://www.allmusic.com/artist/gorefest-mn0000664807|url-status=live}}</ref> Notable examples include [[Entombed (band)|Entombed]],<ref name="Entombed"/> [[Gorefest]],<ref name="Gorefest"/> and [[Six Feet Under (band)|Six Feet Under]].
 ===Deathcore===
 {{Main|Deathcore}}
-Deathcore is a subgenre that merges the intensity of death metal with the aggressive elements of metalcore. It is characterized by fast drumming, including [[blast beats]], down-tuned guitars, [[tremolo picking]], [[death growl|growled vocals]], high-pitched shrieks, and the [[Break (music)#Metal and punk|breakdowns]] typical of metalcore. ''[[Decibel (magazine)|Decibel]]'' magazine noted that "one of [[Suffocation (band)|Suffocation]]'s trademarks, breakdowns, has spawned an entire metal subgenre: deathcore."<ref>{{cite journal|last=Lee|first=Cosmo|title=Suffocation reclaim their rightful place as kings of death metal|issue=59|quote=One of Suffocation's trademarks, breakdowns, has spawned an entire metal subgenre: deathcore|journal=[[Decibel (magazine)|Decibel]]|date=September 2009}}</ref> [[Dying Fetus]] was also influencing deathcore through their extensive use of slam riffs, breakdowns, and hardcore-inspired grooves. Their 1996 album ''Purification Through Violence'' and 1998's ''Killing on Adrenaline'' introduced a mix of brutal death metal and hardcore elements that would later be adopted by deathcore bands.<ref>{{cite web|title=How Dying Fetus Influenced Deathcore|url=https://www.loudersound.com/features/the-influence-of-dying-fetus-on-modern-extreme-metal|website=Louder Sound|access-date=February 24, 2025}}</ref> Bands such as [[Despised Icon]], [[Suicide Silence]], [[Salt the Wound]] and [[All Shall Perish]] combine the technicality of death metal with the breakdown-driven structures of metalcore, creating a distinct and influential sound.<ref>{{cite web|title=The History of Deathcore: How The Red Chord, Despised Icon, and Whitechapel Defined a Genre|url=https://metalinjection.net/lists/the-history-of-deathcore|website=Metal Injection|access-date=February 24, 2025}}</ref>
+Deathcore is a subgenre that merges the intensity of death metal with the aggressive elements of metalcore. It is characterized by fast drumming, including [[blast beats]], down-tuned guitars, [[tremolo picking]], [[death growl|growled vocals]], high-pitched shrieks, and the [[Break (music)#Metal and punk|breakdowns]] typical of metalcore. ''[[Decibel (magazine)|Decibel]]'' magazine noted that "one of [[Suffocation (band)|Suffocation]]'s trademarks, breakdowns, has spawned an entire metal subgenre: deathcore."<ref>{{cite journal|last=Lee|first=Cosmo|title=Suffocation reclaim their rightful place as kings of death metal|issue=59|quote=One of Suffocation's trademarks, breakdowns, has spawned an entire metal subgenre: deathcore|journal=[[Decibel (magazine)|Decibel]]|date=September 2009}}</ref> [[Dying Fetus]] was also influencing deathcore through their extensive use of slam riffs, breakdowns, and hardcore-inspired grooves. Their 1996 album ''Purification Through Violence'' and 1998's ''Killing on Adrenaline'' introduced a mix of brutal death metal and hardcore elements that would later be adopted by deathcore bands.<ref>{{cite web|title=How Dying Fetus Influenced Deathcore|url=https://www.loudersound.com/features/the-influence-of-dying-fetus-on-modern-extreme-metal|website=Louder Sound|access-date=February 24, 2025}}{{Dead link|date=January 2026 |bot=InternetArchiveBot }}</ref> Bands such as [[Despised Icon]], [[Suicide Silence]], [[Salt the Wound]] and [[All Shall Perish]] combine the technicality of death metal with the breakdown-driven structures of metalcore, creating a distinct and influential sound.<ref>{{cite web|title=The History of Deathcore: How The Red Chord, Despised Icon, and Whitechapel Defined a Genre|url=https://metalinjection.net/lists/the-history-of-deathcore|website=Metal Injection|access-date=February 24, 2025}}{{Dead link|date=January 2026 |bot=InternetArchiveBot }}</ref>
 ===Deathgrind, goregrind and pornogrind===
 {{Main|Deathgrind|Goregrind|Pornogrind}}
 [[File:Aborted Coolness'tival 31107 06.jpg|thumb|right|[[Aborted]] are "key contributors to the [[Deathgrind|death-grind]] genres," according to [[AllMusic]].<ref>{{cite web|last=Rivadavia|first=Eduardo|title=Aborted Biography|url=https://www.allmusic.com/artist/p568178|website=[[AllMusic]]|access-date=June 10, 2009|archive-date=April 25, 2011|archive-url=https://web.archive.org/web/20110425110958/http://www.allmusic.com/artist/p568178|url-status=live}}</ref>]]
-Goregrind, deathgrind and pornogrind<ref>{{cite news|last=Brown|first=Jonathon|title=Everything you ever wanted to know about pop (but were too old to ask)|url=https://www.independent.co.uk/arts-entertainment/music/features/everything-you-ever-wanted-to-know-about-pop-but-were-too-old-to-ask-463915.html|archive-url=https://web.archive.org/web/20080614094343/http://www.independent.co.uk/arts-entertainment/music/features/everything-you-ever-wanted-to-know-about-pop-but-were-too-old-to-ask-463915.html|url-status=dead|archive-date=June 14, 2008|work=[[The Independent]]|access-date=June 16, 2009|location=London|date=September 6, 2007}}</ref>{{sfn|Purcell|2003|p=24}} are styles that mix [[grindcore]] with death metal, with goregrind focused on themes like [[Graphic violence|gore]] and [[forensic pathology]],<ref name=Terrorizer>Badin, Olivier (2009). "Goregrind". ''Terrorizer'', 181, p.41.</ref> and pornogrind dealing with sexual and [[porn]]ographic themes.<ref>{{cite news |author=Anderson, Vicki |title=Running the musical gauntlet |url=http://www.stuff.co.nz/the-press/lifestyle/166537 |newspaper=[[The Press]] |access-date=June 16, 2009 |archive-date=September 23, 2009 |archive-url=https://web.archive.org/web/20090923205705/http://www.stuff.co.nz/the-press/lifestyle/166537 |url-status=live }}</ref><ref name=washingtoncity>{{cite news |author=Hess, Amanda |title=Brick and Mordor: A record store heavy on the metal spins its last gloom and doom |url=http://www.washingtoncitypaper.com/arts/article/13034822/brick-and-mordor |newspaper=[[Washington City Paper]] |access-date=June 16, 2009 |archive-date=February 3, 2017 |archive-url=https://web.archive.org/web/20170203080531/http://www.washingtoncitypaper.com/arts/article/13034822/brick-and-mordor |url-status=live }}</ref> Some notable examples of these genres are [[Brujeria (band)|Brujeria]], [[Cattle Decapitation]],<ref>{{cite news|title=Pop and Rock Listings:The Locust, Cattle Decapitation, Daughters|url=https://www.nytimes.com/2007/04/13/arts/music/13pop.html|work=[[The New York Times]]|access-date=August 6, 2008|date=April 13, 2007|archive-date=January 8, 2023|archive-url=https://web.archive.org/web/20230108100428/https://www.nytimes.com/2007/04/13/arts/music/13pop.html|url-status=live}}</ref> [[Cephalic Carnage]], [[Pig Destroyer]],<ref>{{cite news|first=Bryan|last=Reed|title=The Daily Tar Heel Column|url=http://media.www.dailytarheel.com/media/storage/paper885/news/2007/07/19/Arts/phantom.Limb.Exorcises.Its.Emotions-2925041.shtml|work=[[The Daily Tar Heel]]|access-date=August 6, 2008|date=July 19, 2007|url-status=dead|archive-url=https://archive.today/20081202153909/http://media.www.dailytarheel.com/media/storage/paper885/news/2007/07/19/Arts/phantom.Limb.Exorcises.Its.Emotions-2925041.shtml|archive-date=December 2, 2008}}</ref> [[Circle of Dead Children]], [[Rotten Sound]], [[Gut (band)|Gut]],<ref>{{cite web|last=Hess|first=Amanda|title=Brick and Mordor: A record store heavy on the metal spins its last gloom and doom|url=http://www.washingtoncitypaper.com/display.php?id=34450|work=[[Washington City Paper]]|date=January 18, 2008|access-date=June 16, 2009|url-status=dead|archive-url=https://web.archive.org/web/20080519084649/http://www.washingtoncitypaper.com/display.php?id=34450|archive-date=May 19, 2008}}</ref> and [[Cock and Ball Torture (band)|Cock and Ball Torture]].<ref>{{cite journal|last=Mincemoyer|first=John|title=Gore International|journal=[[Terrorizer (magazine)|Terrorizer]]|year=2002|issue=98|pages=19–20}}</ref><ref>{{cite web|last=Sharpe-Young|first=Garry|title=Deaden Biography|url=http://www.musicmight.com/artist/usa/deaden|publisher=[[MusicMight]]|access-date=July 17, 2009|url-status=dead|archive-url=https://web.archive.org/web/20090925031003/http://www.musicmight.com/artist/usa/deaden|archive-date=September 25, 2009}}</ref>
+Goregrind, deathgrind and pornogrind<ref>{{cite news|last=Brown|first=Jonathon|title=Everything you ever wanted to know about pop (but were too old to ask)|url=https://www.independent.co.uk/arts-entertainment/music/features/everything-you-ever-wanted-to-know-about-pop-but-were-too-old-to-ask-463915.html|archive-url=https://web.archive.org/web/20080614094343/http://www.independent.co.uk/arts-entertainment/music/features/everything-you-ever-wanted-to-know-about-pop-but-were-too-old-to-ask-463915.html|url-status=dead|archive-date=June 14, 2008|work=[[The Independent]]|access-date=June 16, 2009|location=London|date=September 6, 2007}}</ref>{{sfn|Purcell|2003|p=24}} are styles that mix [[grindcore]] with death metal, with goregrind focused on themes like [[Graphic violence|gore]] and [[forensic pathology]],<ref name=Terrorizer>Badin, Olivier (2009). "Goregrind". ''Terrorizer'', 181, p.41.</ref> and pornogrind dealing with sexual and [[porn]]ographic themes.<ref>{{cite news |author=Anderson, Vicki |title=Running the musical gauntlet |url=http://www.stuff.co.nz/the-press/lifestyle/166537 |newspaper=[[The Press]] |access-date=June 16, 2009 |archive-date=September 23, 2009 |archive-url=https://web.archive.org/web/20090923205705/http://www.stuff.co.nz/the-press/lifestyle/166537 |url-status=live }}</ref><ref name=washingtoncity>{{cite news |author=Hess, Amanda |title=Brick and Mordor: A record store heavy on the metal spins its last gloom and doom |url=http://www.washingtoncitypaper.com/arts/article/13034822/brick-and-mordor |newspaper=[[Washington City Paper]] |access-date=June 16, 2009 |archive-date=February 3, 2017 |archive-url=https://web.archive.org/web/20170203080531/http://www.washingtoncitypaper.com/arts/article/13034822/brick-and-mordor |url-status=live }}</ref> Some notable examples of these genres are [[Brujeria (band)|Brujeria]], [[Cattle Decapitation]],<ref>{{cite news|title=Pop and Rock Listings:The Locust, Cattle Decapitation, Daughters|url=https://www.nytimes.com/2007/04/13/arts/music/13pop.html|work=[[The New York Times]]|access-date=August 6, 2008|date=April 13, 2007|archive-date=January 8, 2023|archive-url=https://web.archive.org/web/20230108100428/https://www.nytimes.com/2007/04/13/arts/music/13pop.html|url-status=live}}</ref> [[Cephalic Carnage]], [[Pig Destroyer]],<ref>{{cite news|first=Bryan|last=Reed|title=The Daily Tar Heel Column|url=http://media.www.dailytarheel.com/media/storage/paper885/news/2007/07/19/Arts/phantom.Limb.Exorcises.Its.Emotions-2925041.shtml|work=[[The Daily Tar Heel]]|access-date=August 6, 2008|date=July 19, 2007|url-status=dead|archive-url=https://web.archive.org/web/20081202153909/http://www.dailytarheel.com/2.1482/1.162711|archive-date=December 2, 2008}}</ref> [[Circle of Dead Children]], [[Rotten Sound]], [[Gut (band)|Gut]],<ref>{{cite web|last=Hess|first=Amanda|title=Brick and Mordor: A record store heavy on the metal spins its last gloom and doom|url=http://www.washingtoncitypaper.com/display.php?id=34450|work=[[Washington City Paper]]|date=January 18, 2008|access-date=June 16, 2009|url-status=dead|archive-url=https://web.archive.org/web/20080519084649/http://www.washingtoncitypaper.com/display.php?id=34450|archive-date=May 19, 2008}}</ref> and [[Cock and Ball Torture (band)|Cock and Ball Torture]].<ref>{{cite journal|last=Mincemoyer|first=John|title=Gore International|journal=[[Terrorizer (magazine)|Terrorizer]]|year=2002|issue=98|pages=19–20}}</ref><ref>{{cite web|last=Sharpe-Young|first=Garry|title=Deaden Biography|url=http://www.musicmight.com/artist/usa/deaden|publisher=[[MusicMight]]|access-date=July 17, 2009|url-status=dead|archive-url=https://web.archive.org/web/20090925031003/http://www.musicmight.com/artist/usa/deaden|archive-date=September 25, 2009}}</ref>
+====Gorenoise====
+Gorenoise is an offshoot of goregrind and [[noisecore]] that abandons rock-based sounds for [[harsh noise]].<ref name=":0" /><ref name=":1">{{Cite web |last=Taylor-Lehman |first=Dylan |date=October 27, 2020 |title=Artist Profile: “I hope you enjoy my noise life” - The Fast Times of James F. Tarr, international gorenoise, and Elephant Man Behind the Sun |url=https://newnoisemagazine.com/column/artist-profile-i-hope-you-enjoy-my-noise-life-the-fast-times-of-james-f-tarr-international-gorenoise-and-elephant-man-behind-the-sun/ |access-date=2026-02-04 |website=[[New Noise Magazine]] |language=en-US}}</ref> ''[[New Noise Magazine]]'' characterized the genre as [[Drum machine|drum machines]] "hammer[ing] at 1,000 BPM over top of gurgling pitch-shifted toilet vocals".<ref name=":1" /> Album cover art often incorporates graphic crime scene photos and depictions of [[entrails]].<ref name=":1" /><ref name=":2">{{Cite web |last=Enis |first=Eli |date=2024-06-19 |title=Band To Watch: Torture |url=https://stereogum.com/2267939/band-to-watch-torture/interviews/band-to-watch/ |access-date=2026-02-04 |website=[[Stereogum]] |language=en}}</ref> The band Anal Birth is credited as one of the progenitors of gorenoise.<ref name=":0" /> Other projects noted for producing gorenoise are Elephant Man Behind the Sun,<ref name=":1" /> the early work of Torture,<ref name=":2" /> Meekness,<ref>{{Cite web |last=Harp |first=Loyd |date=2020-01-10 |title=Song of the Day: Meekness - Anointed Gorenoise! |url=https://www.indievisionmusic.com/news/song-of-the-day-meekness-anointed-gorenoise/ |access-date=2026-02-04 |website=Indie Vision Music |language=en-US}}</ref> and Melanocytic Tumors of Uncertain Malignant Potential.<ref name=":0" />
 ===Deathrash===
-Deathrash, also known as death-thrash, is a shorthand term to describe bands who play a fusion of death metal and [[thrash metal]].<ref name=Deathrash>{{cite web|url=http://www.metalsucks.net/2012/01/03/album-of-the-day-deathchains-deathrash-assault/|title=ALBUM OF THE DAY: DEATHCHAIN'S DEATHRASH ASSAULT|date=January 3, 2012|publisher=Metal Sucks|last=FORD|first=LEYLA|access-date=August 30, 2018|archive-date=April 3, 2017|archive-url=https://web.archive.org/web/20170403175912/http://www.metalsucks.net/2012/01/03/album-of-the-day-deathchains-deathrash-assault/|url-status=live}}</ref>{{sfn|Ekeroth|2008|p={{page needed|date=June 2021}}}} The genre gained notoriety in [[Bali]], Indonesia, where it attracted criticism of being related to the accelerated tourism development on the island and the superseding of its local culture, particularly by [[Jakarta]]n one.<ref>{{cite journal |last1=Baulch |first1=Emma |date=June 26, 2003 |title=Gesturing elsewhere: the identity politics of the Balinese death/thrash metal scene |url=https://www.cambridge.org/core/journals/popular-music/article/gesturing-elsewhere-the-identity-politics-of-the-balinese-deaththrash-metal-scene/445967636598FFB140ACA6DCE39892F8 |journal=Popular Music |volume=22 |issue=2 |pages=195–215 |doi=10.1017/S026114300300312X |s2cid=154198377 |access-date=August 30, 2018 |archive-date=August 30, 2018 |archive-url=https://web.archive.org/web/20180830074036/https://www.cambridge.org/core/journals/popular-music/article/gesturing-elsewhere-the-identity-politics-of-the-balinese-deaththrash-metal-scene/445967636598FFB140ACA6DCE39892F8 |url-status=live |url-access=subscription }}</ref> Notable bands include [[Grave (band)|Grave]],<ref>{{cite magazine|url=https://www.decibelmagazine.com/2012/10/09/a-very-heavy-halloween-ii-into-the-darkness-into-the-grave/|title=A Very Heavy Halloween II: Into the Darkness, Into the Grave|date=October 9, 2012|magazine=Decibel Magazine|access-date=August 29, 2018|archive-date=July 9, 2023|archive-url=https://web.archive.org/web/20230709182811/https://www.decibelmagazine.com/2012/10/09/a-very-heavy-halloween-ii-into-the-darkness-into-the-grave/|url-status=live}}</ref> [[Mortification (band)|Mortification]],<ref name="AMO">{{cite web | url = http://www.amo.org.au/artist.asp?id=332 | archive-url = https://web.archive.org/web/20080810182831/http://www.amo.org.au/artist.asp?id=332 | title = Mortification | work = Australian Music Online (AMO) | publisher = [[Australia Council for the Arts]] ([[Government of Australia]]) | archive-date = August 10, 2008 | access-date =August 18, 2011 }}</ref> [[The Crown (band)|The Crown]],{{sfn|Ekeroth|2008|p={{page needed|date=June 2021}}}} Incapacity,{{sfn|Ekeroth|2008|p={{page needed|date=June 2021}}}} [[Darkane]],{{sfn|Ekeroth|2008|p={{page needed|date=June 2021}}}} [[Deathchain]],<ref name=Deathrash/> and [[Sepultura]].<ref name=aln97>{{cite AV media notes |title=Arise |title-link=Arise (Sepultura album) |others=[[Sepultura]] |year=1997 |first=Don |last=Kaye |page=10 |type=CD booklet |publisher=[[Roadrunner Records]] |location=[[New York City|New York]], [[New York (state)|NY]]}}</ref>
+Deathrash, also known as death-thrash, is a shorthand term to describe bands who play a fusion of death metal and [[thrash metal]].<ref name=Deathrash>{{cite web|url=http://www.metalsucks.net/2012/01/03/album-of-the-day-deathchains-deathrash-assault/|title=ALBUM OF THE DAY: DEATHCHAIN'S DEATHRASH ASSAULT|date=January 3, 2012|publisher=Metal Sucks|last=FORD|first=LEYLA|access-date=August 30, 2018|archive-date=April 3, 2017|archive-url=https://web.archive.org/web/20170403175912/http://www.metalsucks.net/2012/01/03/album-of-the-day-deathchains-deathrash-assault/|url-status=live}}</ref>{{sfn|Ekeroth|2008|p={{page needed|date=June 2021}}}} The genre gained notoriety in [[Bali]], Indonesia, where it attracted criticism of being related to the accelerated tourism development on the island and the superseding of its local culture, particularly by [[Jakarta]]n one.<ref>{{cite journal |last1=Baulch |first1=Emma |date=June 26, 2003 |title=Gesturing elsewhere: the identity politics of the Balinese death/thrash metal scene |url=https://www.cambridge.org/core/journals/popular-music/article/gesturing-elsewhere-the-identity-politics-of-the-balinese-deaththrash-metal-scene/445967636598FFB140ACA6DCE39892F8 |journal=Popular Music |volume=22 |issue=2 |pages=195–215 |doi=10.1017/S026114300300312X |s2cid=154198377 |access-date=August 30, 2018 |archive-date=August 30, 2018 |archive-url=https://web.archive.org/web/20180830074036/https://www.cambridge.org/core/journals/popular-music/article/gesturing-elsewhere-the-identity-politics-of-the-balinese-deaththrash-metal-scene/445967636598FFB140ACA6DCE39892F8 |url-status=live |url-access=subscription }}</ref> Notable bands include [[Grave (band)|Grave]],<ref>{{cite magazine|url=https://www.decibelmagazine.com/2012/10/09/a-very-heavy-halloween-ii-into-the-darkness-into-the-grave/|title=A Very Heavy Halloween II: Into the Darkness, Into the Grave|date=October 9, 2012|magazine=Decibel Magazine|access-date=August 29, 2018|archive-date=July 9, 2023|archive-url=https://web.archive.org/web/20230709182811/https://www.decibelmagazine.com/2012/10/09/a-very-heavy-halloween-ii-into-the-darkness-into-the-grave/|url-status=live}}</ref> [[Deceased (band)|Deceased]],<ref>{{Cite web |last=Choksi |first=Kunal |date=2017-06-05 |title=Interview with death/thrash metal band - DECEASED |url=https://tometal.com/interview-deaththrash-metal-band-deceased/ |access-date=2026-05-23 |website=TRANSCENDING OBSCURITY |language=en-US}}</ref> [[Mortification (band)|Mortification]],<ref name="AMO">{{cite web | url = http://www.amo.org.au/artist.asp?id=332 | archive-url = https://web.archive.org/web/20080810182831/http://www.amo.org.au/artist.asp?id=332 | title = Mortification | work = Australian Music Online (AMO) | publisher = [[Australia Council for the Arts]] ([[Government of Australia]]) | archive-date = August 10, 2008 | access-date =August 18, 2011 }}</ref> [[The Crown (band)|The Crown]],{{sfn|Ekeroth|2008|p={{page needed|date=June 2021}}}} Incapacity,{{sfn|Ekeroth|2008|p={{page needed|date=June 2021}}}} [[Solstice (death metal band)|Solstice]],<ref>{{Cite web |title=Solstice |url=https://www.divebombrecords.com/bands/solstice |access-date=2026-05-23 |website=www.divebombrecords.com |language=en}}</ref> [[Darkane]],{{sfn|Ekeroth|2008|p={{page needed|date=June 2021}}}} [[Deathchain]],<ref name=Deathrash/> [[Opprobrium (band)|Opprobrium]],<ref>{{Cite web |last=Bonazelli |first=Andrew |date=2015-11-12 |title=Snakes Alive! Opprobrium Reissue Yields "Voices From the Grave" |url=https://decibelmagazine.com/2015/11/12/snakes-alive-opprobrium-reissue-yields-voices-from-the-grave/ |access-date=2026-05-24 |website=Decibel Magazine |language=en-US}}</ref> and [[Sepultura]].<ref name=aln97>{{cite AV media notes |title=Arise |title-link=Arise (Sepultura album) |others=[[Sepultura]] |year=1997 |first=Don |last=Kaye |page=10 |type=CD booklet |publisher=[[Roadrunner Records]] |location=[[New York City|New York]], [[New York (state)|NY]]}}</ref>
 ===Industrial death metal===
@@ Line 184: / Line 189: @@
 ===Melodic death metal===
 {{Main|Melodic death metal}}
 [[File:At the Gates Sweden Rock 2008.jpg|thumb|220px|right|Melodic death metal band [[At the Gates]] performing in 2008.]]
 [[Swedish death metal]] could be considered the forerunner of "melodic death metal". Melodic death metal, occasionally shortened to "melodeath", is a fusion of [[heavy metal music|heavy metal]] with elements of death metal. The subgenre is heavily influenced by the [[new wave of British heavy metal]].<ref>{{Cite web|url=https://www.liveabout.com/what-is-melodic-death-metal-1756186|title=What is Melodic Death Metal?|url-status=dead|access-date=June 25, 2019|archive-date=June 12, 2020|archive-url=https://web.archive.org/web/20200612211132/https://www.liveabout.com/what-is-melodic-death-metal-1756186}}</ref> Unlike most other death metal, melodeath usually features screams instead of growls, slower tempos, and much stronger emphasis on melody. Clean vocals may be used on occasion. [[Carcass (band)|Carcass]] is sometimes credited with releasing the first melodic death metal album with 1993's ''[[Heartwork]]'', although Swedish bands [[In Flames]], [[Dark Tranquillity]], and [[At the Gates]] are usually mentioned as the main pioneers of the genre and of the [[Melodic death metal#Background|Gothenburg metal]] sound.
@@ Line 189: / Line 195: @@
 ===Old school death metal===
 Old school death metal is a style of death metal that is characterized by slower [[tempos]] and simpler [[song structures]].The style typically employs fewer [[blast beats]] and is less concerned with the technical aspects of songwriting.{{sfn|Purcell|2003|p=23}} It gained prominence in the late 1990s, with bands like [[Repugnant]],<ref>{{cite magazine |url=https://www.stim.se/sv/nyheter/tobias-forge-far-stims-platinagitarr-2019 |title=Tobias Forge får Stims Platinagitarr 2019 |magazine=[[STIM]] |language=Swedish |date=14 November 2019 |access-date=27 April 2020 |archive-date=July 9, 2023 |archive-url=https://web.archive.org/web/20230709185204/https://www.stim.se/sv/nyheter/tobias-forge-far-stims-platinagitarr-2019 |url-status=live }}</ref>{{sfn|Ekeroth|2008|p={{page needed|date=June 2021}}}} [[Thanatos (band)|Thanatos]],<ref>{{cite web | url=https://www.decibelmagazine.com/2019/04/04/interview-thanatos/ | title=Interview: Old-School Dutch Death Metallers Thanatos at 35 Years, with New Compilation, New Label, and New Album in 2020 | work=[[Decibel Magazine]] | date=April 4, 2019 | access-date=May 1, 2021 | last=Lewis | first=James | archive-date=July 9, 2023 | archive-url=https://web.archive.org/web/20230709172338/https://www.decibelmagazine.com/2019/04/04/interview-thanatos/ | url-status=live }}</ref> [[Necrophagia]],{{sfn|Purcell|2003|p=23}} [[Abscess (band)|Abscess]],{{sfn|Purcell|2003|p=23}} [[Bloodbath]]{{sfn|Purcell|2003|p=23}} and [[Mortem]].{{sfn|Purcell|2003|p=23}}
+=== Psychedelic death metal ===
+Psychedelic death metal is death metal that incorporates elements of [[psychedelic music]], such as [[Blood Incantation]],<ref name="Psychedelic">{{Cite web |date=2019-12-03 |title=The 50 Best Albums Of 2019 |url=https://stereogum.com/2066082/best-albums-2019/lists/ |access-date=2026-03-17 |website=[[Stereogum]] |language=en}}</ref> [[Tomb Mold]]<ref>{{Cite web |last=Hickman |first=Langdon |title=Back So Soon: Tomb Mold's "Planetary Clairvoyance" |url=https://www.invisibleoranges.com/tomb-mold-planetary-clairvoyance-review/ |access-date=2026-03-17 |website=[[Invisible Oranges]] |language=en-US}}</ref> and Gigan.<ref>{{Cite web |last=Begrand |first=Adrien |date=2013-10-16 |title=Sucker For Punishment: Uh, There's Kraut in My Metal |url=https://decibelmagazine.com/2013/10/16/sucker-for-punishment-uh-there-s-kraut-in-my-metal/ |access-date=2026-03-17 |website=[[Decibel Magazine]] |language=en-US}}</ref> According to ''[[Stereogum]]'': "The mere idea of psychedelic death metal appears self-evidently contradictory, like eco-friendly corporations or compassionate conservatism. [[Psychedelia]] aims toward the sky, toward astral beauty and transcendence, while death metal wallows in the muck of rage and viscera."<ref name="Psychedelic"/>
 ===Symphonic death metal===
@@ Line 195: / Line 204: @@
 ===Technical death metal===
 {{Main|Technical death metal}}
 [[File:Nile in performance (São Paulo, 2010).jpg|thumb|right|200px|Technical death metal band [[Nile (band)|Nile]] performing in 2010.]]
 Technical death metal (also known as tech-death, progressive death metal, or prog-death)<ref name="techprog1">{{cite web |author=Simms, Kelley |title=''Obscura Interview'' |url=http://heavymetal.about.com/od/interviews/a/Obscura-Interview.htm |publisher=[[About.com]] |access-date=June 20, 2012 |url-status=unfit |archive-url=https://web.archive.org/web/20131105063047/http://heavymetal.about.com/od/interviews/a/Obscura-Interview.htm |archive-date=November 5, 2013 }}</ref> is a subgenre of death metal that employs dynamic song structures, uncommon time signatures, atypical rhythms and unusual harmonies and melodies. Bands described as technical death metal or progressive death metal usually fuse common death metal aesthetics with elements of [[progressive rock]], [[jazz]] or [[classical music]]. While the term technical death metal is sometimes used to describe bands that focus on speed and extremity as well as complexity, the line between progressive and technical death metal is thin. ''Tech death'' and ''prog death'', for short, are terms commonly applied to such bands as [[Nile (band)|Nile]], [[Edge of Sanity]], and [[Opeth]]. [[Necrophagist]] and [[Spawn of Possession]] are known for a classical music-influenced death metal style. Death metal pioneers [[Death (metal band)|Death]] also refined their style in a more progressive direction in their final years. Some albums for this subgenre are ''[[Hallucinations (Atrocity album)|Hallucinations]]'' (1990) by the German band [[Atrocity (band)|Atrocity]] and Death's ''[[Human (Death album)|Human]]'' (1991). This style has significantly influenced many bands, creating a stream that in Europe was carried out at first by bands such as [[Gory Blister]] and Electrocution.<ref>{{Cite book|title=Sub Terra|last=Vitolo|first=Eduardo|publisher=Tsunami Edizioni|year=2012|isbn=978-88-96131-41-1|location=Milano|pages=316–319}}</ref> The Polish band [[Decapitated (band)|Decapitated]] gained recognition as one of Europe's primary modern technical death metal acts.<ref>{{cite web|first=Eduardo|last=Rivadavia|title=Decapitated Biography|url=https://www.allmusic.com/artist/p420031|website=[[AllMusic]]|access-date=February 7, 2010|archive-date=April 25, 2011|archive-url=https://web.archive.org/web/20110425111406/http://www.allmusic.com/artist/p420031|url-status=live}}</ref><ref>{{cite news|title=Decapitated's New Lineup Performs Live For First Time|url=http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=134476|work=[[Blabbermouth.net]]|date=February 3, 2010|access-date=February 7, 2010|url-status=dead|archive-url=https://web.archive.org/web/20110426050603/http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=134476|archive-date=April 26, 2011}}</ref>

Death metal: Difference between revisions

Latest revision as of 22:18, 28 May 2026

Contents

History

Emergence and early history (early to mid–1980s)

Growing popularity (late 1980s to late 1990s)

Later history (2000–present)

Characteristics

Etymology

Subgenres and fusion genres

Blackened death-doom

Blackened death metal

Melodic black-death

War metal

Brutal death metal

Slam death metal

Death-doom

Funeral doom

Death 'n' roll

Deathcore

Deathgrind, goregrind and pornogrind

Gorenoise

Deathrash

Industrial death metal

Melodic death metal

Old school death metal

Psychedelic death metal

Symphonic death metal

Technical death metal

See also

References

Bibliography

External links

Navigation menu

Death metal: Difference between revisions

Latest revision as of 22:18, 28 May 2026

History

Emergence and early history (early to mid–1980s)

Growing popularity (late 1980s to late 1990s)

Later history (2000–present)

Characteristics

Etymology

Subgenres and fusion genres

Blackened death-doom

Blackened death metal

Melodic black-death

War metal

Brutal death metal

Slam death metal

Death-doom

Funeral doom

Death 'n' roll

Deathcore

Deathgrind, goregrind and pornogrind

Gorenoise

Deathrash

Industrial death metal

Melodic death metal

Old school death metal

Psychedelic death metal

Symphonic death metal

Technical death metal

See also

References

Bibliography

External links

Navigation menu

Search