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{{Short description|African-American spiritual song}} | {{Short description|African-American spiritual song}} | ||
{{Use mdy dates|date=December 2020}} | {{Use mdy dates|date=December 2020}} | ||
{{About|the song|the book by William Faulkner|Go Down, Moses (book)}} | {{About|the song|the book by William Faulkner|Go Down, Moses (book){{!}}''Go Down, Moses'' (book)}} | ||
{{Infobox song | {{Infobox song | ||
| name = Go Down, Moses | | name = Go Down, Moses | ||
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| studio = | | studio = | ||
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| genre = [[ | | genre = [[Spirituals|spiritual]] | ||
| length = | | length = | ||
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"'''Go Down Moses'''" is an African American [[ | "'''Go Down Moses'''" is an African-American [[Spirituals|spiritual]] that describes the Hebrew [[The Exodus|Exodus]], specifically drawing from the [[Book of Exodus]] 5:1, in which [[God in Abrahamic religions|God]] commands [[Moses]] to demand the release of the [[Israelites]] from bondage in Egypt. "And the <small>LORD</small> spoke unto Moses, Go unto Pharaoh, and say unto him, Thus saith the <small>LORD</small>, Let my people go, that they may serve me".<ref>''Bible'': {{bibleverse||Exodus|5:1|HE}}</ref> | ||
As is common in spirituals, the song refers to freedom,<ref>Newman, R. S. (1998). Go Down Moses: A Celebration of the African-American Spiritual. Clarkson N. Potter.</ref> both the freedom of the Israelites, and that of runaway enslaved people.<ref>Darden, R. (2004). People Get Ready! A New History of Black Gospel Music. Bloomsbury. </ref> As a result of those messages, it was outlawed by many enslavers.<ref>Newman, R. S. (1998). Go Down Moses: A Celebration of the African-American Spiritual. Clarkson N. Potter. </ref> | As is common in spirituals, the song refers to freedom,<ref>Newman, R. S. (1998). Go Down Moses: A Celebration of the African-American Spiritual. Clarkson N. Potter.</ref> both the freedom of the Israelites, and that of runaway enslaved people.<ref>Darden, R. (2004). People Get Ready! A New History of Black Gospel Music. Bloomsbury. </ref> As a result of those messages, it was outlawed by many enslavers.<ref>Newman, R. S. (1998). Go Down Moses: A Celebration of the African-American Spiritual. Clarkson N. Potter. </ref> | ||
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Let my people go}} | Let my people go}} | ||
Superficially, the song refers to Biblical narrative of the Exodus. That story held a subversive meaning for enslaved African Americans, because they related their experiences under slavery to those of Biblical Israelites under Egyptian slavery,<ref>Darden, R. (2004). People Get Ready! A New History of Black Gospel Music. Bloomsbury.</ref> and the idea that God would come to the aid of the persecuted resonated with them. "Go Down Moses" also makes reference to the Jordan River, commonly associated in spirituals with reaching freedom, because the act of running away often involved crossing one or more rivers.<ref>Cleveland, J. J. (Ed.). (1981). Songs of Zion. Abingdon Press.</ref><ref>Cornelius, Steven (2004). ''[https://books.google.com/books?id=djB6xJ1CNeoC&pg=PA118&dq= Music of the Civil War Era]''. Greenwood Publishing Group. p. 118. {{ISBN|0313320810}}</ref> | |||
Since the Old Testament recognizes the Nile Valley as further south, and thus, lower than Jerusalem and the Promised Land, heading to Egypt means going "down"<ref>For example, in [https://www.biblegateway.com/passage/?search=Genesis+42&version=KJV Genesis 42:2] Jacob commands his sons to "go down to Egypt" to buy grain</ref> while going away from Egypt is "up".<ref>In [https://www.biblegateway.com/passage/?search=Exodus+1&version=KJV Exodus 1:10], Pharaoh expresses apprehension that the Hebrews would join Egypt's enemies and "go up [i.e. away] from the land"</ref> In the context of [[American slavery]], that ancient sense of "down" converged with the concept of "down the river" (the [[Mississippi River|Mississippi]]), where enslaved people's conditions were notoriously worse. Later verses also draw parallels between the Israelites' freedom from slavery and humanity's freedom won by Christ.<ref>Warren, G. S. (1997). Ev’ry Time I Feel the Spirit: 101 Best-Loved Psalms, Gospel Hymns, and Spiritual Songs of the African-American Church.” Holt.</ref> | Since the Old Testament recognizes the Nile Valley as further south, and thus, lower than Jerusalem and the Promised Land, heading to Egypt means going "down"<ref>For example, in [https://www.biblegateway.com/passage/?search=Genesis+42&version=KJV Genesis 42:2] Jacob commands his sons to "go down to Egypt" to buy grain</ref> while going away from Egypt is "up".<ref>In [https://www.biblegateway.com/passage/?search=Exodus+1&version=KJV Exodus 1:10], Pharaoh expresses apprehension that the Hebrews would join Egypt's enemies and "go up [i.e. away] from the land"</ref> In the context of [[American slavery]], that ancient sense of "down" converged with the concept of "down the river" (the [[Mississippi River|Mississippi]]), where enslaved people's conditions were notoriously worse. Later verses also draw parallels between the Israelites' freedom from slavery and humanity's freedom won by Christ.<ref>Warren, G. S. (1997). Ev’ry Time I Feel the Spirit: 101 Best-Loved Psalms, Gospel Hymns, and Spiritual Songs of the African-American Church.” Holt.</ref> | ||
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| studio = | | studio = | ||
| venue = | | venue = | ||
| genre = [[ | | genre = [[Spirituals|spiritual]] | ||
| length = | | length = | ||
| label = | | label = | ||
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}} | }} | ||
Although usually thought of as a spiritual, the earliest written record of the song was as a rallying anthem for the [[Contraband (American Civil War)|Contrabands]] at [[Fort Monroe]] sometime before July 1862. White people who reported on the song presumed it was composed by them.<ref>{{Cite journal|date=July 1862|title=Editor's Table|url= | Although usually thought of as a spiritual, the earliest written record of the song was as a rallying anthem for the [[Contraband (American Civil War)|Contrabands]] at [[Fort Monroe]] sometime before July 1862. White people who reported on the song presumed it was composed by them.<ref>{{Cite journal|date=July 1862|title=Editor's Table|url=https://ebooks.library.cornell.edu/cgi/t/text/text-idx?c=cont;cc=cont;view=toc;subview=short;idno=cont0002-1|journal=The Continental Monthly|volume=2|pages=112–113|quote=We are indebted to Clark's School-Visitor for the following song of the Contrabands, which originated among the latter, and was first sung by them in the hearing of white people at Fortress Monroe, where it was noted down by their chaplain, Rev. L.C. Lockwood.|via=Cornell University}}</ref> It became the first spiritual known to be recorded in sheet music. | ||
While the Reverend Lewis Lockwood, the chaplain of the Contrabands, was visiting Fortress Monroe in 1861, he heard runaway enslaved people singing the song, transcribed what he heard, and eventually published it in the ''National Anti-Slavery Standard''.<ref>Graham, S. (2018). Spirituals and the Birth of a Black Entertainment Industry. University of Illinois Press.</ref> Soon after, sheet music was published titled "Oh! Let My People Go: The Song of the Contrabands", arranged by [[Horace Waters]]. Lockwood stated in the sheet music that the song was from Virginia, dating from about 1853.<ref>Lockwood, "Oh! Let My People Go", p. 5: "This Song has been sung for about nine years by the Slaves of Virginia."</ref> | While the Reverend Lewis Lockwood, the chaplain of the Contrabands, was visiting Fortress Monroe in 1861, he heard runaway enslaved people singing the song, transcribed what he heard, and eventually published it in the ''National Anti-Slavery Standard''.<ref>Graham, S. (2018). Spirituals and the Birth of a Black Entertainment Industry. University of Illinois Press.</ref> Soon after, sheet music was published titled "Oh! Let My People Go: The Song of the Contrabands", arranged by [[Horace Waters]]. Lockwood stated in the sheet music that the song was from Virginia, dating from about 1853.<ref>Lockwood, "Oh! Let My People Go", p. 5: "This Song has been sung for about nine years by the Slaves of Virginia."</ref> | ||
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Sarah Bradford's authorized biography of [[Harriet Tubman]], ''Scenes in the Life of Harriet Tubman'' (1869), quotes Tubman as saying she used "Go Down Moses" as one of two code songs used with fugitive enslaved people to communicate when fleeing Maryland.<ref>{{Cite book|url=http://docsouth.unc.edu/neh/bradford/bradford.html|title=Scenes in the Life of Harriet Tubman|last=Bradford|first=Sarah|publisher=Dennis Brothers & Co.|year=1869|pages=26–27|archive-url=https://web.archive.org/web/20170613211657/http://docsouth.unc.edu/neh/bradford/bradford.html|archive-date=June 13, 2017|via=University of North Carolina: Documenting the American South}}</ref> Tubman began her underground railroad work in 1850 and continued until the beginning of the [[American Civil War|Civil War]], so it is possible Tubman's use of the song predates the origin claimed by Lockwood.<ref>{{cite web|url=http://docsouth.unc.edu/neh/bradford/summary.html|title=Summary of Scenes in the Life of Harriet Tubman|website=docsouth.unc.edu|access-date=January 25, 2017}}</ref> Some people even hypothesize that she herself may have written the spiritual.<ref>Darden, R. (2004). People Get Ready! A New History of Black Gospel Music. Bloomsbury.</ref> Others claim that [[Nat Turner]], who led one of the most well-known slave revolts in history, either wrote or was the inspiration for the song.<ref>Newman, R. S. (1998). Go Down Moses: A Celebration of the African-American Spiritual. Clarkson N. Potter. </ref> | Sarah Bradford's authorized biography of [[Harriet Tubman]], ''Scenes in the Life of Harriet Tubman'' (1869), quotes Tubman as saying she used "Go Down Moses" as one of two code songs used with fugitive enslaved people to communicate when fleeing Maryland.<ref>{{Cite book|url=http://docsouth.unc.edu/neh/bradford/bradford.html|title=Scenes in the Life of Harriet Tubman|last=Bradford|first=Sarah|publisher=Dennis Brothers & Co.|year=1869|pages=26–27|archive-url=https://web.archive.org/web/20170613211657/http://docsouth.unc.edu/neh/bradford/bradford.html|archive-date=June 13, 2017|via=University of North Carolina: Documenting the American South}}</ref> Tubman began her underground railroad work in 1850 and continued until the beginning of the [[American Civil War|Civil War]], so it is possible Tubman's use of the song predates the origin claimed by Lockwood.<ref>{{cite web|url=http://docsouth.unc.edu/neh/bradford/summary.html|title=Summary of Scenes in the Life of Harriet Tubman|website=docsouth.unc.edu|access-date=January 25, 2017}}</ref> Some people even hypothesize that she herself may have written the spiritual.<ref>Darden, R. (2004). People Get Ready! A New History of Black Gospel Music. Bloomsbury.</ref> Others claim that [[Nat Turner]], who led one of the most well-known slave revolts in history, either wrote or was the inspiration for the song.<ref>Newman, R. S. (1998). Go Down Moses: A Celebration of the African-American Spiritual. Clarkson N. Potter. </ref> | ||
==Recordings== | ==Recordings== | ||
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==External links== | ==External links== | ||
*[https://web.archive.org/web/20150915171914/http://spiritualsproject.org/sweetchariot/ Sweet Chariot: The Story of the Spirituals], particularly their [http://www.spiritualsproject.org/sweetchariot/Freedom/source.cfm section on "Freedom"] (Web site maintained by [http://spiritualsproject.org/ The Spirituals Project] at the University of Denver) | *[https://web.archive.org/web/20150915171914/http://spiritualsproject.org/sweetchariot/ Sweet Chariot: The Story of the Spirituals], particularly their [http://www.spiritualsproject.org/sweetchariot/Freedom/source.cfm section on "Freedom"] (Web site maintained by [http://spiritualsproject.org/ The Spirituals Project] at the University of Denver) | ||
* {{ChoralWiki| | * {{ChoralWiki|Go_down,_Moses_(Traditional)|prep=of}} | ||
{{Underground Railroad}} | {{Underground Railroad}} | ||
Latest revision as of 03:17, 21 February 2026
"Go Down Moses" is an African-American spiritual that describes the Hebrew Exodus, specifically drawing from the Book of Exodus 5:1, in which God commands Moses to demand the release of the Israelites from bondage in Egypt. "And the LORD spoke unto Moses, Go unto Pharaoh, and say unto him, Thus saith the LORD, Let my people go, that they may serve me".[1]
As is common in spirituals, the song refers to freedom,[2] both the freedom of the Israelites, and that of runaway enslaved people.[3] As a result of those messages, it was outlawed by many enslavers.[4]
The opening verse, as published by the Jubilee Singers in 1872: Template:Poemquote
Superficially, the song refers to Biblical narrative of the Exodus. That story held a subversive meaning for enslaved African Americans, because they related their experiences under slavery to those of Biblical Israelites under Egyptian slavery,[5] and the idea that God would come to the aid of the persecuted resonated with them. "Go Down Moses" also makes reference to the Jordan River, commonly associated in spirituals with reaching freedom, because the act of running away often involved crossing one or more rivers.[6][7]
Since the Old Testament recognizes the Nile Valley as further south, and thus, lower than Jerusalem and the Promised Land, heading to Egypt means going "down"[8] while going away from Egypt is "up".[9] In the context of American slavery, that ancient sense of "down" converged with the concept of "down the river" (the Mississippi), where enslaved people's conditions were notoriously worse. Later verses also draw parallels between the Israelites' freedom from slavery and humanity's freedom won by Christ.[10]
"Oh! Let My People Go"
Although usually thought of as a spiritual, the earliest written record of the song was as a rallying anthem for the Contrabands at Fort Monroe sometime before July 1862. White people who reported on the song presumed it was composed by them.[11] It became the first spiritual known to be recorded in sheet music.
While the Reverend Lewis Lockwood, the chaplain of the Contrabands, was visiting Fortress Monroe in 1861, he heard runaway enslaved people singing the song, transcribed what he heard, and eventually published it in the National Anti-Slavery Standard.[12] Soon after, sheet music was published titled "Oh! Let My People Go: The Song of the Contrabands", arranged by Horace Waters. Lockwood stated in the sheet music that the song was from Virginia, dating from about 1853.[13]
However, the song was not included in Slave Songs of the United States, despite its being a very prominent spiritual among enslaved people. Furthermore, the original version of the song sung by enslaved people almost definitely sounded very different from what Lockwood transcribed by ear, especially following an arrangement by a person who had never heard the song as it was originally sung.[14] The opening verse, as recorded by Lockwood, is: Template:Poemquote
Sarah Bradford's authorized biography of Harriet Tubman, Scenes in the Life of Harriet Tubman (1869), quotes Tubman as saying she used "Go Down Moses" as one of two code songs used with fugitive enslaved people to communicate when fleeing Maryland.[15] Tubman began her underground railroad work in 1850 and continued until the beginning of the Civil War, so it is possible Tubman's use of the song predates the origin claimed by Lockwood.[16] Some people even hypothesize that she herself may have written the spiritual.[17] Others claim that Nat Turner, who led one of the most well-known slave revolts in history, either wrote or was the inspiration for the song.[18]
Recordings
- The Tuskegee Institute Singers recorded the song for Victor in 1914.[19]
- The Kelly Family recorded the song twice: live version is included on their album Live (1988) and a studio version on New World (1990). The latter also features on their compilation album The Very Best - Over 10 Years (1993).
- The Golden Gate Quartet (Duration: 3:05; recorded in 1957 for their album Spirituals).[20]
- Louis Armstrong recorded it for the 1958 album Louis and the Good Book.
- "Go Down Moses" was recorded by the Robert Shaw Chorale on RCA Victor 33 record LM/LSC 2580, copyright 1964, first side, second band, lasting 4 minutes and 22 seconds. Liner notes by noted African-American author Langston Hughes.[21]
See also
References
- ↑ Bible: Exodus 5:1
- ↑ Newman, R. S. (1998). Go Down Moses: A Celebration of the African-American Spiritual. Clarkson N. Potter.
- ↑ Darden, R. (2004). People Get Ready! A New History of Black Gospel Music. Bloomsbury.
- ↑ Newman, R. S. (1998). Go Down Moses: A Celebration of the African-American Spiritual. Clarkson N. Potter.
- ↑ Darden, R. (2004). People Get Ready! A New History of Black Gospel Music. Bloomsbury.
- ↑ Cleveland, J. J. (Ed.). (1981). Songs of Zion. Abingdon Press.
- ↑ Cornelius, Steven (2004). Music of the Civil War Era. Greenwood Publishing Group. p. 118. ISBN 0313320810
- ↑ For example, in Genesis 42:2 Jacob commands his sons to "go down to Egypt" to buy grain
- ↑ In Exodus 1:10, Pharaoh expresses apprehension that the Hebrews would join Egypt's enemies and "go up [i.e. away] from the land"
- ↑ Warren, G. S. (1997). Ev’ry Time I Feel the Spirit: 101 Best-Loved Psalms, Gospel Hymns, and Spiritual Songs of the African-American Church.” Holt.
- ↑ "Editor's Table". The Continental Monthly. 2: 112–113. July 1862 – via Cornell University.
We are indebted to Clark's School-Visitor for the following song of the Contrabands, which originated among the latter, and was first sung by them in the hearing of white people at Fortress Monroe, where it was noted down by their chaplain, Rev. L.C. Lockwood.
- ↑ Graham, S. (2018). Spirituals and the Birth of a Black Entertainment Industry. University of Illinois Press.
- ↑ Lockwood, "Oh! Let My People Go", p. 5: "This Song has been sung for about nine years by the Slaves of Virginia."
- ↑ Graham, S. (2018). Spirituals and the Birth of a Black Entertainment Industry. University of Illinois Press.
- ↑ Bradford, Sarah (1869). Scenes in the Life of Harriet Tubman. Dennis Brothers & Co. pp. 26–27. Archived from the original on June 13, 2017 – via University of North Carolina: Documenting the American South.
- ↑ "Summary of Scenes in the Life of Harriet Tubman". docsouth.unc.edu. Retrieved January 25, 2017.
- ↑ Darden, R. (2004). People Get Ready! A New History of Black Gospel Music. Bloomsbury.
- ↑ Newman, R. S. (1998). Go Down Moses: A Celebration of the African-American Spiritual. Clarkson N. Potter.
- ↑ Gibbs, Craig Martin (2012). Black Recording Artists, 1877–1926: An Annotated Discography. McFarland. p. 43. ISBN 1476600856.
- ↑ "The Golden Gate Quartet – Spirituals". Genius. Retrieved April 6, 2020.
- ↑ The album itself!
Bibliography
- The Continental Monthly. Vol. II (July–December 1862). New York.
- Lockwood, L.C. "Oh! Let My People Go: The Song of the Contrabands". New York: Horace Waters (1862).
External links
- Sweet Chariot: The Story of the Spirituals, particularly their section on "Freedom" (Web site maintained by The Spirituals Project at the University of Denver)
- Template:ChoralWiki